Hey everybody, and welcome to another edition of Out Today & What I Missed for June 12th, 2026. This has been such a topsy-turvy year for me in my personal life, but I still have been able to cover 311 albums so far. Today we up that to 339 with a staggering 28 new albums to talk about, 14 that are out today (a few came out a few days early, but it fits the criteria), and 14 that I missed along the way. After today, I have 2 more weeks of coverage before I take almost all of July off to recharge my batteries for the 2nd half of the year (thankfully, July is a relatively slow month as most bands are touring), but until then, let's continue showcasing June to the best of my abilities. Let’s get into the rules and the list proper.
1.) Out Today & What I Missed is my weekly Friday recap of Out Today, my reviews of albums I got the promo for, and What I Missed, my reviews of any albums I either didn’t get the promo for and/or discovered on my own. I will try to do this every Friday that I’m capable of doing it, but I will admit, I will probably be taking more 1-week breaks than I ever have before. The music will be on the heavy end of things, but I cover anything from Pop Punk to Goth Rock to Progressive Metal to Funeral Doom to the most Experimental or avant-garde music in the Rock and Metal genres. 2.) My reviews should be treated like teaser trailers for movies or games. They will say the band name, the album, the FFO (For Fans Of) Section, and a short review that is a paragraph or less. Why do I do it like this? I don’t want the first time experience with a band to be ruined by my thoughts going into every single detail. I want to show off why you should check something out. Every review is subjective, no matter how anyone wants to spin it. Your thoughts won’t be mine, but I want to show you the option of what’s out there. 3.) NO NEGATIVE REVIEWS! We live in a terrible enough place as it is; I don’t want to add to the trash heap. If I don’t cover something, it is because I haven’t heard of it, and I will most likely go check it out; it's not out yet, I didn’t have time or energy to cover it in the current week, or it’s not my bag...baby. There’s no place for me to yuck on someone’s yum. That said, all my thoughts are mine and mine alone. No Label, PR, Band, or Friendship will make me pick something to positively review. I have to like it and listen to it at least one time through. That will never change. 4.) I will be doing fewer reviews this year, as doing 1,021 reviews last year broke me. That’s not to say I won’t still do up to 20 reviews in a week, just don’t expect that to be the norm week after week. If I only have promos, time, and energy for 15, 10, and 5 reviews in a week, that’s just how it will be. It’s a one-man operation, and the operation needs to think about longevity, not being prolific. All of this leads to Heavy Debriefings' Top 100 Albums of 2026, which will happen at the end of the year. 5.) If I find out after I review an album that an artist, band, or members of said band are garbage people, go against what I find to be even the lowest level of human decency, or use AI for their music, I will remove my review no questions asked. Does that apply to AI art? I don’t know how to answer that; it’ll be on a case-by-case basis. Either I will ignore the album completely, or I will mention how much I hate that they used AI before talking about the rest. I will see what happens. 6.) For another controversial take, I use Spotify to make a playlist every week of coverage with a track off every album to make it easier for people to check out some new music. Is Spotify a good company? No. Is any streaming company in North America good? No. You either avoid all of it or pick your poison, as all of them do terrible things and hurt everyone, and it’s also a necessary evil in today’s world if you want to make any kind of impact. I don’t judge you one way or the other for streaming or not streaming. I hope I can get the same level or tolerance in return. 7.) CHECK OUT SOME NEW MUSIC! Out Today Bloodhunter- Sons of the Abandoned FFO- Melodeath The 4th album from this Spanish band, featuring past and present members of Nervosa, Sexplosion, and Eye Cluster, is a fantastic display of the thrashier end of Melodeath. There is so much melody and harmony thrown in at the right moments, but layered around a Thrash Metal side that is effective and hits you at just the right times. It has a production that reminds me of the 2000s Melodeath sound in the best of ways. The songwriting focuses on the song first, which is a great thing to see. If you want a mix of Angela Gossow-era Arch Enemy, At The Gates, Frantic Amber, and Children of Bodom, Bloodhunter is back and putting out some of the finest material of their career. Fires In The Distance- Circadian Promise FFO- Piano Driven Melodeath The 3rd album from this Connecticut band is some of the most emotionally charged Melodic Death Doom you are going to hear this year. Winning so many people over with their sophomore album, 2023’s Air Not Meant For Us, the band returns and takes everyone for an even more haunting ride with more somber melodies, harmonies, and more clean vocals to add to their devastating display of piano-driven Melodic Death Doom. The production is top-notch and truly lets you feel every second of sorrow, and the songwriting, while long for some people, feels appropriate and lets every track breathe. This is a heartbreaking and tear-jerking display of the genre that any fan of In Mourning, Novembers Doom, Hanging Garden, and In Vain should fall in love with instantly. This is one of the finest displays of Melodic Death Doom you are going to hear in 2026. Check it out and see for yourself. Joseph Tholl- It Might Be Art FFO- Hard Rock, Heavy Metal The sophomore solo album from Tholl is quite the experience. His debut album, Devil’s Drum, saw him explore outside what he was known for in his time in Enforcer, and since that time, joining Tribulation and Tyrann, more of his exploration of what can be done in Hard Rock, Rock N Roll, and Heavy Metal feels more natural to the listener now. Exploring even further into the sounds of Alternative, AOR, Rock, Pop, Post Punk, and more, this feels like a darker display from his debut, but it feels like exactly the kind of music you’d want him to make. It’s a short and sweet affair with 10 tracks and almost 34 minutes long, but it’s enough to satisfy anyone looking for this particular sound. It’s always great to see Tholl spreading his musical wings even more and showcasing his eclectic talent. This is a perfect example of letting your influences shine in the best of lights. Khemmis- S/T FFO- Doomed Heavy Metal It’s been a long 5 years since this Denver band released new music, and it’s great to hear them back. Khemmis returns with their 5th album, and it’s easily the fastest and heaviest album the band has done to date. Their devastating display of Doomed Heavy metal is still on full display, but they added one thing to this album that I didn’t expect, but it’s also what makes the album stand out...faster tempos. The classic sound of the band is still here, but it is great to see them explore more sound with speed and heavier tones mixed in to make the Doomy parts hit even harder. Now, the band might even get more circle pits in the live setting. Lyrically, the band continues their style of every track feeling like a doomed tale ala The Twilight Zone/Tales from the Crypt, and the musicianship that comes with it stands out incredibly well. The production on this one is so tight and punchy, you truly do feel every note hit, and it feels so good. If you love the classic sound of the band, but want it injected with more Iron Maiden, Crypt Sermon, and early day Baroness, you need to hear one of the best albums of the year, with the self-titled album from Khemmis. Lockhart- City Pulse FFO- AOR This may be my favorite AOR album of the year. The debut album featuring members of Cauldron, Axxion, and Bonfire was not something I expected, but I couldn’t be happier that it exists. This feels like one of the most authentic AOR/Melodic Rock albums I have ever heard, including bands that helped create the genre decades ago. The production is as vintage as you can get, but still sounds excellent for a 2026 crowd, and the songwriting is so full of heart and inspired by the past while forging forward. Hearing songs that remind me so much of Giant, Honeymoon Suite, Toto, and Transatlantic Radio just makes me happy, and it’s impossible to do anything but smile when I put this one on. Sometimes you just want a Melodic Rock album filled with catchy hooks, sing-along choruses, and the occasional solo that hearkens back to a simpler time, and who couldn’t use that right now in 2026? This is magnificent work. Morgu- Offerings FFO- Progressive Death Doom Hot off the heels of their debut album, Oceangrave, back in March 2025, comes the sophomore album from this Albanian outfit, and they have more than stepped up their game. While the production continues the raw, bleak sound, Offerings sees the songs have more Progressive elements, more Post Metal and Atmospheric styles mixed in with the crushing Death Doom to make this an album that will not only make you collapse under the weight of it, but bring you to tears with its sheer emotional impact. Even at 5 songs and a little over 38 minutes, this flies by, even given the style. If you want a band that can channel Cult of Luna, The Ocean, Izah, and Conjurer, you need to check out Morgu in all of their emotional glory. Nuclear Tomb- Epoch Inhumane FFO- Progressive Thrash Metal, Death Metal The sophomore album from this Baltimore band perfectly nails what would happen if Voivod, Atheist, and Revocation made a new band. Mixing Progressive Thrash, Death Metal, and the right amount of technical aspects to make something that feels like a throwback to the late 80s/early 90s, but done in 2026. The production is vintage, but feels so good to listen to, with the songwriting feeling fresh and inspired in a way that reminds you why this style is so killer. At 10 songs and just around 36 minutes, this comes in, destroys everything in its path, and leaves you wanting more. I don’t know who could top this album for Progressive Death Thrash in 2026, but I welcome any band to try. Till then, this stands on top. Phantom- Not Midnight Yet FFO- Speed Metal, Heavy Metal The 3rd album from this Mexican band is by far the band’s best work to date. Finding that perfect balance of Heavy Metal, Speed Metal, Thrash Metal, and theatrics to make this album that has a little bit of something for everyone. The production is a step up, but never loses its vintage sound, and the songwriting is so much more expanded upon, and it’s what keeps me coming back to it time and time again. At 12 songs and a little over 56 minutes, it may feel long for this style, but I assure you all of it is worth it. If you enjoy the likes of Cruel Force, Midnight, Sadistic Force, and early-day Mercyful Fate, you will be right at home with Phantom. Radiant Black- Through the Valley of Decay FFO- Progressive Melodeath, Progressive Metalcore The sophomore album from Rafael Meissonnier is an excellent display of how to mix such heavy music with so much melody and harmony. Mixing a sound that reminds me so much of Gojira, Rivers of Nihil, Opeth, and the melodic side of Fallujah creates a sound that syncs together in a way that feels so satisfying to the ears. Mashing together a Melodeath, Progressive Death Metal, and the occasional Metalcore moment that feels like it is meant to bring people together in sound. It comes with 8 songs and over 37 minutes of music and leaves you wanting more. If that’s what you're looking for in this style, Radiant Black is doing a magnificent job of delivering the goods. Check it out for yourself. Stormkeep- The Nocturnes of Iswylm FFO- Symphonic Black Metal One of the most anticipated Symphonic Black Metal albums of 2026 is here with the sophomore album from this Denver band featuring members of Blood Incantation, Wayfarer, & Lord Dahthar, and it more than lives up to the hype. While more expansive in sound than the debut, the band is spreading its dark wings in more of what Symphonic Black Metal is capable of, and it makes for one of the most enriching experiences of the genre this year. Whether it is going all guns blazing in speed or making some of the most haunting melodies and harmonies you may ever hear, Stormkeep has proven that they are here to stay. The production is right where it should be, and the songwriting is endlessly inspired and rich. If you enjoy the likes of latter-day Emperor, Old Man’s Child, Dissection, and Moonlight Sorcery, Stormkeep may have released your album of the year for 2026. It’s just that good. Soulburn- Quantifying Cosmic Doom FFO- Blackened Death Doom The 5th album from this Dutch band, formed from the ashes of Asphyx, carries the torch they have been carrying since 1998, and it’s a welcome thing to see. Combining the best elements of their Blackened Death Doom sound with a production done perfectly for their blend of Extreme Metal makes for an album that goes all guns blazing to the grittiest of Death Doom in the blink of an eye. It’s quite the trek at 11 songs and over 61 minutes, but if you dig this style, they more than scratch the itch you have. If you enjoy the likes of early day Asphyx, Hail of Bullets, Obituary, and a more simplistic Akercocke, Soulburn is making the music for you, and it’s done magnificently. Tarja- Frisson Noir FFO- Symphonic Metal The 10th solo album (or 8th if you take out the Christmas albums) from the legendary Tarja is here, and it’s easily the darkest and heaviest album in her solo career. Hitting everything that you would expect from her work with Nightwish, to more extreme territories with a guest spot from Dani Filth of Cradle of Filth, to some of the most expanded soundscapes in her discography featuring other guest spots from Apocalyptica, Marko Hietala, and Chad Smith of the Red Hot Chili Peppers. While nothing out of the ordinary on this one, it is fantastic to hear Tarja embrace the darker, heavier side of her work again and show everyone who has risen after her start how Gothic Symphonic Metal is done. She is one of the best for a reason, and that still shines through with Frisson Noir. Váthos- S O L A C E FFO- Post Black, Atmospheric Metal, Melodic Metal The sophomore album from this Romanian band, featuring vocalist Radu of Dinumbra, is a cathartic take on the Post Black genre that isn’t just all guns blazing Black Metal 100% of the time. While some of that is here on the album, there is so much more when it comes to dynamics and Melodic Metal moments that make it such an intriguing listen. You will hear more of the lighter side of bands like Alcest, Deafheaven, and Agalloch, with the occasional moments that push the music over the edge. There is also a ton of clean vocals on this one, so it will either be a fantastic gateway into the genre if Black Metal screams are not your thing, or you’ll want to steer clear of this one, as it will not be your bag. For me, it’s a heartbreaking album that feels like every note crushes me in a way that only this style can pull off. I’ll let you be the judge for yourself, but if you want a fantastic look at what Post Black can be when it focuses more on the melancholic and melodic side, give this one some proper attention. We Set Signals- Interstice FFO- Post Hardcore, Metalcore, Pop Punk The 5th album from this Australian band feels perfect for the 2020s Modern Metal climate. With a just heavy enough sound to hit breakdowns, the band focuses so much more on writing the catchiest riffs and choruses with heartfelt lyrics that strike hard if you let it. All 12 tracks feel like they would work great in the live setting. The production is clear and polished with a lot more elements of keyboards, symphonics, and more than you’d imagine from a band like this. If you enjoy the likes of I Prevail, Bad Omens, and Ohkaya, this is a band not to be overlooked. They are doing some great stuff. What I Missed Aghalmar- Ruin FFO- Post Black, Atmospheric Black Metal Post Black seems to be a bit fewer and far more between this year, but when it is done, it’s done in a way that feels so good to the ears, and that’s what’s happening here with the debut album from this German band. With such a rich and full production (especially for the style), this is a haunting take on the Post Black and Atmospheric Black Metal genres that feels refreshing. Not feeling like it has to be catchy and not feeling like it has to be esoteric, it falls right in the middle, creating the music that feels right for the band. Also, the fact that they are openly anti-fascist gives me another reason to support them wholeheartedly. If you enjoy the likes of Fen, Agalloch, Alcest, and Vattnet Viskar, Aghalmar is here for you. Converge- Hum of Hurt FFO- Mathcore, Metalcore, Sludge Metal The only thing better than a new Converge album in a year is TWO new Converge albums in one year. The 2nd album from this Salem, MA band feels quite different than Love is Not Enough, whereas the latter focuses much more on the Grindy, chaotic, and intense side of the band, Hum of Hurt hones in on the more atmospheric, sludgy side. Don’t get me wrong, this album is still filled with the utter brutality that you’d expect from the band, just a bit more dynamic and varied in tempos and styles. Considering both albums were recorded at the same time, the production sounds exactly the same, and it sounds brilliant. And despite the style changes, this album is only 2 minutes longer than LINE. Overall, Converge has hit both sides of their personality perfectly between albums, but if you are looking for the more genre-bending sound of the band, check out Hum of Hurt. This does make me curious if any more releases will happen this year. Deus Sabaoth- Distortion of Lies FFO- Baroque Black Metal About a year and a half after their debut album, this Ukrainian band has returned with their sophomore album, and I love to report that the band is only going up from here. Mixing together their blend of Baroque era Classical influences mixed in with Black metal is such a satisfying display of sound that continues the approach from their debut album, Cycles of Death, but progresses even further. Doubling down on what worked and exploring even more of what’s possible. The production is a step up as well, letting you hear both sides of their musical personality perfectly. At 7 songs and a little over 35 minutes, this is the perfect length to showcase the full-on assault the band can deliver and will leave you chomping at the bit to see what’s next. This is such a killer release that I hope fans of this style will not miss it. This deserves your ears. Dissentient- Black Galactic FFO- Progressive Death Metal The 4th album from this Ottawa band is both a killer display of musicianship in the world of Progressive Death Metal, but also features some fantastic melodies and harmonies that you simply wouldn’t expect. With their futuristic sound and concepts mixed in with a pristine and polished production style, it just feels like an album that any fan of The Zenith Passage, Fear Factory, and Meshuggah should be foaming at the mouth over. I can see this being a bit too long for some at 11 tracks and almost an hour, as there is a lot to engage with here, but for someone with my tastes, they do enough variation and genre-bending that keeps my full attention from beginning to end. If you need some heavy Progressive Death Metal, check this one out. Dying Reverie- Embrace of the Black Water FFO- Melodeath The debut album from this Finnish band is a phenomenal display of pushing the boundaries of Melodeath. With a vocal bark that will remind you of Amon Amarth, but with the musicianship of Wolfheart, Godark, and Kalmah, this is a band that takes the songwriting as the most important aspect and makes sure that every note recorded matters and is done with full effect. The production feels fresh and human with stylistic changes that help separate the band from the pack. With all the variation but consistency on this album, it’s a steady album that will be sure to win over any Melodeath fan that is looking for something that will feel familiar, but fresh to the ears, and that’s something the genre always needs. Don’t miss out on this one. Execution Day- Misery Loves Company FFO- Metalcore, Modern Metal, Post Hardcore The sophomore album from this Pittsburgh band hits the Modern Metal sound perfectly. Balancing out the heaviest elements and Poppiest moments in a way that feels like it’ll hit home for both sides of the equation and fit on the bill for so many different acts and festivals. The production is robust and fills your speakers out in such a satisfying way, and the music feels like it is written for maximum catchiness, no matter the tempo or genre-bending. This won’t be for everyone who checks out my lists, but if you dig I Prevail, The Plot In You, We Came As Romans, and Bad Omens, this will absolutely be for you. Gravety- Of Cults and Chaos FFO- Epic Heavy Metal, Epic Doom Metal The 3rd album from this German band is that classic sound of Epic Heavy Metal and Epic Doom Metal that feels like the perfect mixture of Candlemass, Eternal Champion, and Crypt Sermon. It’s dark, sinister, and filled with so many moments that just remind you of that classic sound, but done in an authentic way. The production is vintage but still comes out clear and punchy, with songwriting that is clearly meant to have the songs come first, with the musician’s chops to back everything up. I love hearing the Epic Doom Metal sound mixed in with Heavy Metal, and when it’s done right, there’s not much better. That’s what is brought to the table here. If you need that sound as well, you need to check this one out. Horn- Apokalyps 1618 FFO- Pagan Black Metal The 11th album from this one-man German band is a brand new discovery for me, but everything about it rules. Feeling like what Rotting Christ would sound like if they were influenced by Falkenbach, Windr, and Waldgefluster; Horn takes the Pagan Black Metal sound, gives it some of the best production of the genre in a long time, and has written a phenomenal 8 track and over 46 minute long album mixing together real life atrocities, The Brothers Grimm tales, and making it feel as bleak and authentic as possible. For the genre, this is easily a top-tier album of the year and will get so many relistens in the future. Now I need to go back and see what I missed with the past discography. Until then, this is a thematic album that feels like required listening for so many reasons. In A Forest Dark- To A God Unknown FFO- Gothic Doom, Black Metal The 4th album from this Portuguese band is a heartbreaking release that instantly got my attention. Feeling like a sorrowful mix of Agalloch, My Dying Bride, Katatonia, and Woods of Ypres, this is an album that will mess with your emotional state. A concept album based on the John Steinbeck novel of the same name, this feels like you are in the midst of nature and losing the wonder of life at the same time. It’s amazing how an almost 100-year-old novel holds up just as well in 2026, doesn’t it? The production may feel off at first, but if you let it settle for a minute or two, everything starts to unlock and feel profound, and it hits so hard. This is far from an easy listen, but it’s a cathartic one. If you love Gothic, Doom, Black Metal, and deeply emotional music, you need this one right now. Night Roar- No Compromise, No Apologies FFO- Speed Metal, Blackened Speed Metal The debut album from this Israeli band is a thrill chaser of an album. It comes in quick and leaves its marks in 9 songs and a little over 36 and a half minutes of pure Speed Metal, almost Blackened Speed Metal tenacity. The production has the classic 80s sound that fills this genre with joy and is done with musicianship that makes the music hit so hard, but will leave you wanting more. If you enjoy the likes of early day Venom, Celtic Frost, Midnight, and Demonslaught 666, this is a short and sweet album that you will not be disappointed in. Go check it out. Space Parasites- M.N.E. FFO- Thrash Metal What a Thrash album! The 3rd album from this German Thrash band feels like a love letter to the Big 4 of German Thrash mixed in with Huntress in a way that is unrelenting and only gets better as time rolls on. The vocals sound witchy and demonic in the best of ways, mixed in with a sound that would make long-time Thrash fans headbang. With a production style that is on point and songwriting that feels remarkably authentic, this is the kind of Thrash that you would get burned at the stake for listening to, and honestly, when it’s this good, that’s not a bad thing. No matter the type of Thrash fan you are, you owe it to yourself to listen and experience this one for yourself; it’s more than worth your time. Together to the Stars- Iridescence FFO- Post Black Metal As a huge fan of this band since 2020’s As We Wither, the 4th album from this Stockholm, Sweden band feels like such a fantastic culmination of all of their work to date. The music somehow gets even deeper with its emotional sound, and gets even stronger with its Black Metal tendencies. This also feels like a huge change as new vocalist, Rafael Rönnberg, steps up and delivers a vocal performance that rivals the likes of Ghost Bath, Wounds of Recollection, Unreqvited, and Numenorean. It’s a big change for the band, but a necessary one, and I think it has more than paid off. I think with time, this could easily be the band’s best work to date. If you need some emotionally driven Post Black, Together to the Stars outperforms some of the best of the genre and leaves you feeling hollow inside in the best of ways. Violblast- Damnatio FFO- Thrash Metal I will keep this one short and sweet, just like the album. 9 tracks, almost 30 minutes long of pure, unadulterated Thrash in the vein of Exodus, Slayer, Destroy Them, and Total Annihilation. The 4th album from this Spanish band is everything that you love about Thrash and so much more. If you want no frills, straight ahead, and all killer Thrash from beginning to end, that’s exactly what you get here. I can’t imagine anyone being disappointed in this one; you just have to check it out for yourself. Wolf & Bear- A Hill To Die On FFO- Post Hardcore, Progressive Metal, Math Rock The 3rd album from this Sacramento, California band is my first exposure to the band, but I love what I am hearing. Mixing the Post Hardcore, Math Rock, and Progressive Metal genres in a way that feels as catchy to the Warp Tour crowd and with as much technical ability as you could imagine them opening for Animals as Leaders, Dance Gavin Dance, or Steve Vai and Joe Satriani. I can’t comment on the lineup changes of the band as this is, again, my first exposure to the band, but I do love what’s going on here with this lineup, and I will have to do my due diligence and check out the previous albums. While this is a wild album that expands upon so many genres, I know it won’t be for everyone, but it is for those who want some exciting music to show you what can happen outside the normal Prog circles. With a crystal clear production style, this is going down as one of my favorite Prog albums of the year so far. And depending on how you like your Prog, you just may agree. And there you go, folks, 28 albums down this week (which feels like I did a month’s worth of albums this week), 38 albums so far this month, and 339 albums so far this year. I hope you found something you’ll dig this week, as I covered a lot of ground here and cleared out a good section of my Yet to Cover list, which is still around 200 albums (oofta). Make sure to come back next week as we tackle Out Today & What I Missed for June 19th, 2026. Until then, for Heavy Debriefings, this is Josh Rundquist saying, Embrace The Skullet! - Josh Rundquist (Heavy Debriefings) 
Hey everybody, and welcome to “basically” summer with Out Today & What I Missed for June 5th, 2026. I have one more month of coverage before I take off almost all of July to recharge my batteries and continue trying to heal from all of my recent health scares. This week is going to be a busy one on my end, so I am cutting things down to 10 albums this week, 5 that come out today and 5 that I missed along the way. I’m hoping I can get back into fighting shape soon, but until then, I appreciate your patience and hope you're still enjoying my work. So let’s get into the rules and the list proper.
1.) Out Today & What I Missed is my weekly Friday recap of Out Today, my reviews of albums I got the promo for, and What I Missed, my reviews of any albums I either didn’t get the promo for and/or discovered on my own. I will try to do this every Friday that I’m capable of doing it, but I will admit, I will probably be taking more 1-week breaks than I ever have before. The music will be on the heavy end of things, but I cover anything from Pop Punk to Goth Rock to Progressive Metal to Funeral Doom to the most Experimental or avant-garde music in the Rock and Metal genres. 2.) My reviews should be treated like teaser trailers for movies or games. They will say the band name, the album, the FFO (For Fans Of) Section, and a short review that is a paragraph or less. Why do I do it like this? I don’t want the first time experience with a band to be ruined by my thoughts going into every single detail. I want to show off why you should check something out. Every review is subjective, no matter how anyone wants to spin it. Your thoughts won’t be mine, but I want to show you the option of what’s out there. 3.) NO NEGATIVE REVIEWS! We live in a terrible enough place as it is; I don’t want to add to the trash heap. If I don’t cover something, it is because I haven’t heard of it, and I will most likely go check it out; it's not out yet, I didn’t have time or energy to cover it in the current week, or it’s not my bag...baby. There’s no place for me to yuck on someone’s yum. That said, all my thoughts are mine and mine alone. No Label, PR, Band, or Friendship will make me pick something to positively review. I have to like it and listen to it at least one time through. That will never change. 4.) I will be doing fewer reviews this year, as doing 1,021 reviews last year broke me. That’s not to say I won’t still do up to 20 reviews in a week, just don’t expect that to be the norm week after week. If I only have promos, time, and energy for 15, 10, and 5 reviews in a week, that’s just how it will be. It’s a one-man operation, and the operation needs to think about longevity, not being prolific. All of this leads to Heavy Debriefings' Top 100 Albums of 2026, which will happen at the end of the year. 5.) If I find out after I review an album that an artist, band, or members of said band are garbage people, go against what I find to be even the lowest level of human decency, or use AI for their music, I will remove my review no questions asked. Does that apply to AI art? I don’t know how to answer that; it’ll be on a case-by-case basis. Either I will ignore the album completely, or I will mention how much I hate that they used AI before talking about the rest. I will see what happens. 6.) For another controversial take, I use Spotify to make a playlist every week of coverage with a track off every album to make it easier for people to check out some new music. Is Spotify a good company? No. Is any streaming company in North America good? No. You either avoid all of it or pick your poison, as all of them do terrible things and hurt everyone, and it’s also a necessary evil in today’s world if you want to make any kind of impact. I don’t judge you one way or the other for streaming or not streaming. I hope I can get the same level or tolerance in return. 7.) CHECK OUT SOME NEW MUSIC! August Burns Red- Season of Surrender FFO- Metalcore, Melodic Metalcore, Progressive Metalcore 11 albums (or 10, depending on whether you count their Christmas album) into this Pennsylvania band’s career is quite the heavy album. I haven’t heard them be this, straight up, heavy in a long time. It feels like the more Melodic sections are stripped back for the traditional 2nd Wave Metalcore, NWOAHM, sound, which works in the band’s favor. The breakdown sections get near Deathcore territory with just enough melody and harmony to keep this in the Metalcore realm. The production sounds phenomenal, with every single recorded moment being audibly cared for and recorded with purpose, and the songwriting feels fresh but still feels like a throwback to a simpler time. I’m sure any Metalcore fan is fully aware of the band by now. Just in case, if you dig the likes of Unearth, After the Burial, For Today, & Norma Jean, the new album is a heavy reminder of why Metalcore has always been a staple of 21st-century heavy music. Cyhra- Requiem For A Pipe Dream FFO- Modern Metal, Melodic Metal The 4th album from this Swedish band is going to ruffle a few feathers...and I am all here for it. While their signature sound of Melodic Metal is fully intact, the band is going further into the 2020s Modern Metal sound, getting catchier, more mainstream, and honestly, it’s the right approach for them. Despite the band featuring past and present members of Amaranthe, In Flames, The Crown, Shining, and Kamelot, the band is playing the music they want to make. It can be heavy enough, but it’s got the appeal to be for any heavy music fan, and I’ll never find that to be a bad thing. So much of the album is about going through hell and back, both from the outside world and the fight within yourself, and that shines through the album in a way that says to trust your instincts. Musically, the band does so, and it’s the right choice. The production is crystal clear and polished, and I imagine it will sound huge in the live setting. If you want a band that can channel both the Swedish Melodic Metal sound of In Flames and Sonic Syndicate, but also has the appeal for fans of Bad Omens and I Prevail, Cyhra is delivering the goods in a way that I dare say is their best material to date. Evergrey- Architects Of A New Weave FFO- Dark Progressive Metal 15 albums in 28 years from this long-running Swedish band, the soul of Evergrey continues to evolve. Whether they are going into full-blown Power Metal, the proggiest ends of Progressive Metal, or writing straight up Melodic Metal, the band knows what they are doing on every release, and this is no exception. Despite a lot of turmoil going on through the band recently, the band has weathered the storm to make an album that hits a new level that seems to match the album title appropriately. While the signature dark sound of the band is here, you hear something that is not often explored in the band...optimism. You can sense a change in the band wanting to explore more than just sadness this go around, and it feels authentic and cathartic. Some of the best melodies and harmonies from the band are here in this album, and they feel like instant hits in the live setting. The production is deep and punchy, feeling grand and full of force, along with songwriting that hits the Prog, Melodic, Dark, and more mainstream sounds of the band. If you are a long-time fan of the band, you should have seen this change coming for a while. The band always evolves, and having Evergrey feel cathartic and give optimism feels like the light in the darkness we need in 2026. Give in and check it out. Seven Metal Sins- Legacy Of Chaos FFO- Power Metal, Heavy Metal The debut album from this French band is quite the display. Feeling like a blistering display of Heavy Power Metal with enough of a Hard Rock edge and Classic metal edge to it all to feel both aggressive and super catchy. With a production style that is very human and feels like a band that knows their craft to the best of their abilities, it lets the songs shine through and strike hard, no matter the tempo. The vocals remind me so much of Blind Guardian, and the music feels like when you mix Primal Fear, Helloween, and Lost Sanctuary, making for a mix that works for the classic sound, but updated enough for 2026. This is the signature sound of Heavy Power Metal that I will always love, and Seven Metal Sins more than delivers the goods here. If you love this style, this album is meant for you. Sleeping Pulse- Dreams & Limitations FFO- Dark Progressive Rock, Dark Alternative Rock The sophomore album and first album in 12 years from Mick Moss of Antimatter and Luís Fazendeiro of Painted Black is the perfect mix of Progressive Rock and Alternative Rock put through a dark veil. Moss’s signature vocal style is something that has me every time I hear it, no matter the style of music, and hearing it done in this fashion feels as authentic and devastating as ever. The music backing all of this up feels darkly cathartic and mature, but also has the right nuances to not leave you completely in the darkness. The production is perfect for the style of music at hand, feeling both like the best '90s alternative albums you’ve never heard, while having enough proggy quirks that cut through. Obviously, if you love Antimatter, but want it proggier, you will love this one, but if you are unfamiliar, if you dig the likes of Lake of Tears, latter day Anathema, the Alternative side of Katatonia (Last Fair Deal Gone Down), the Prog era of Opeth, you need to check out Sleeping Pulse in all of their glory. What I Missed Azaghal- Nekrohelios FFO- Black Metal Sometimes you just want a tried and true Satanic Black metal album, and Azaghal have more than accomplished that here with their 14th album. Despite having been around for 28 years now, this is my first taste of the band, and I love what I am hearing. Just that classic sound of 2nd and 3rd Wave Black Metal done with a keen sense of songwriting, excellent production (especially for the style), and an overall atmosphere that feels dark and evil, but enchanting enough to draw you in before they go in for the kill. At 11 songs and almost 43 and a half minutes, this feels like the perfect display of what the band has to offer, leaving you wanting more, which I definitely want to go back and check out what I have missed. If you dig everything from Sargeist and Behexen to early day Emperor to Curse Upon a Prayer, you need to check this one out. Doom’s Day- A Church for the Damned FFO- Heavy Metal, Occult Rock, Punk What an eclectic band. The 5th album from this Canadian band feels like such a great mashup of so much music that I love. Hitting Heavy Metal, Classic Metal, Occult Rock, Doom, and Punk all in one outing, all without feeling like a hodgepodge of sound. The production is just raw enough, but so human, and it makes the music sound better because of it, and the songwriting, while exploring so much, feels refined and exactly what the band wants to make. It’s not often you can find a band that feels like a pure mix of Ghost, Mercyful Fate, Paradise Lost, and Misfits, but that is what you get here throughout all 9 songs and nearly 36 minutes. This album hits you hard, and you’ll come back for more. Just check it out for yourself. Godthrymm- Projections FFO- Epic Doom Metal, Gothic Metal The 3rd album from this UK band, featuring past and present members of My Dying Bride, Let ‘Em Burn, and Crowsblood, is the perfect mix of Epic Doom Metal and Gothic Metal, feeling like an unholy mix of My Dying Bride, Triptykon, Candlemass, and Cathedral. The band has only gotten better since their inception back in 2017, and this is easily the band’s best work to date. It showcases all of the best sides of the band, feeling like a rubber band that’s expanding in sound and tempo, but knows when to snap back into their core sound and crush everything in its path. Even the almighty Aaron Stainthorpe shows up for a guest appearance in what is one of the best tracks of the album. The production is massive and lets everyone shine through to the massive darkness on display with songwriting that rivals their past bands for some of the best work they have laid to record. We all needed an album like this in 2026, and I’m so happy to see Godthrymm return and explore even more of their sound. If you dig this sound, I think you will agree. Harboured- We’re Only the Love That We Lead FFO- Atmospheric Post Black, Post Metal, Progressive Metal The sophomore album from this Denver trio, featuring members of Allegaeon and Oak, Ash & Thorn, is an incredible step up from their debut. Exploring more of what is possible in their sound, mixing more Post Black, Progressive elements, and overall expansion in sound in their style of Atmospheric Black Metal is exactly where the band should be right now, and it makes for one of the most exciting albums of the genre in 2026. This is how you move forward in a sound and truly make it your own. The production on this one is astounding and feels so good to the ears, making the songs stand out even more. If you want a mix of what The Ocean, Cult of Luna, Alcest, and Harakiri for the Sky, you need Harboured, and I mean now! Opera IX- Veneficium FFO- Symphonic Black Metal, Occult Metal, Gothic Death Doom The 10th album in 32 years from this Italian band strikes so hard with their blend of Symphonic Black metal, but with enough tinges of Gothic Metal and the slightest bit of Gothic Death Doom to make them truly stand out among the rest. With a grand production style that hits you hard, the songwriting on this one soars to the highest levels and plunges to the depths of Hell, all while you want to be there for the entire ride. It is quite the trek at 11 songs and over 56 minutes, but it’s worth every single recorded second. This is some of the best Symphonic Black Metal I have heard in a very long time, and it only gets better on repeated listens. If you want an unholy mix of Keep of Kalessin, Cradle of Filth, Moonspell, and Dimmu Borgir, you simply need Opera IX in your life. And there you go, folks, another 10 albums down for Out Today & What I Missed. I hope you found something here that will tickle your fancy, and if you did, make sure to come back next week as we cover Out Today & What I Missed for June 12th, 2026. Until then, for Heavy Debriefings, this is Josh Rundquist saying, Embrace The Skkullet! - Josh Rundquist (Heavy Debriefings) 
Hey everybody and welcome to my monthly recap, covering all of the albums I reviewed in the current month. This month, of course, was May 2026 and it was an incredible month where I covered 60 albums that are worthy of your attention. From Pop Punk to Gothic Doom to Progressive Rock to Symphonic Black metal, there's bound to be something here for you. As usual, I put this all in alphabetical order for ease of viewing and the Spotify Playlist at thee bottom in case you want to check any of these out. Happy hunting, enjoy!
- Josh Rundquist (Heavy Debriefings) Abandon Agony- Endbringer FFO- Melodeath The debut album from this Swedish band is pure, unadulterated Melodeath through and through. It has everything you love about the genre, from the heavy but tasteful riffs to the out-of-this-world catchy choruses to the melodies and harmonies that will be stuck in your head for days. The production on this one hits hard and lets the songs shine. The first band that comes to mind when I hear these guys is Dark Tranquillity, but if you also enjoy AmongRuins, Thermality, Deadvoid Inc., and As The Sun Falls, you will find so much to love about Abandon Agony. Acolythus- Unearthly Kingdoms ‘Neath Lifeless Stars FFO- Old School Black Metal The debut album from this Finnish Black Metal band hits ridiculously hard. This feels like an album that came out back in 1994, but done with so much more competence and musicality than you would normally hear for the time period. The production makes everything feel ice cold and just that much more evil, and the songwriting is the true selling point here with some of the best Traditional Black Metal I’ve heard in such a long time, especially for a debut album in the 2020s. If you love the old school Black Metal sound, but want it done with a 2020s sensibility, you’re not going to find much better from a brand new band. Seriously, check this one out. Angellore- Nocturnes FFO- Gothic Death Doom The 4th album from this French outfit is a stunning display of the more raw side of Gothic Death Doom. Balancing the demonic growls and angelic cleans in perfect harmony, matched with the tones of the genre you know and love, with just a bit more atmosphere. The production is humanized and still allows for everyone to shine through and hit the levels needed to make this as impactful and sorrow-driven as possible. If you enjoy the likes of Tristania, Theatre of Tragedy, Draconian, and Saturnus, you are doing yourself a disservice by missing out on Angellore any further. This is definitive Gothic Death Doom. Armored Saint- Emotion Factory Reset FFO- Heavy Metal, Hard Rock The 9th album from the long-running LA band just hits right at home with any long-time fan. Everyone is hitting on all cylinders, and you can feel it through the music. Considering it’s been 6 years since their previous album, it’s great to hear the band back fully refreshed and giving us their blend of Heavy Metal, Hard Rock, Glam Metal, and the occasional Thrash. This feels like an overall heavier album than what’s been done in recent times, and it certainly matches the mood. The production on this one soars, and the songwriting is signature Armored Saint with just enough dynamic expression in the occasional solos to allow for some wicked times. This is a fun album start to finish, which is always my favorite from the band and easily my Favorite since Win Hands Down and arguably their best in the 21st century. If you want tried and true Armored Saint, you got it right here with Emotion Factory Reset. As The Sun Falls- Songs from the Veil FFO- Melodeath Easily the band’s best work to date. I discovered this Finnish band with their previous album, 2024’s Kaamos, but 2 years later and 3/4s of a new lineup since that album, the band is back with their best material. The songs hit so much more dynamics than ever before, hitting new territories, doing an even better job with what they’ve done in the past, a stellar production style, and songwriting that is some of the best you will hear from any Melodeath band in 2026. The band has more than upped their game, and every track simply shines. If you want some of the best, darkest, and truly spectacular Melodeath of the year, check out As The Sun Falls. Atavistia- Old Gods Awaken FFO- Symphonic Melodeath Another band that I have heard about for a long time but never actually heard until now returns with the 5th album from this Canadian band. Such an intriguing mix of Melodic and Symphonic Death Metal, combining the best of both genres, making it all sound so refreshing and enjoyable. The production on this one is off the charts, and the songwriting feels endlessly inspired. I have truly missed out and desperately need to go back and check out their previous material. If you enjoy the likes of Wintersun, Ensiferum, Zornheym, and Torchia, you will find so much to love with Atavistia. This is how you take well-tread genres and make them your own. Bewitched- Diabolical Death Mass FFO- Blackened Thrash Metal, Heavy Metal The 6th album in 30 years from this longtime Swedish band and their first in 20 years is a welcomed return. Hitting that blend of Black Metal, Thrash Metal, Heavy Metal and Speed Metal that has become even more popular since their last album. It pays tributes to those who helped start the genre like Venom, but hits right up there with those who have come after them like Midnight. It’s an absolutely no frills affair at 11 tracks, almost 34 minutes, and all the tracks are under the 4 minute mark. They come in, give you their unholy glory and leave you wanting more. The production is raw, but the kind of raw that simply works and the songwriting is simple, but so very effective. If you want a masterclass on how Blackened Thrash Metal works, Bewitched have returned and showing us all how it is done. Beyond The Veil- Oblivion FFO- Extreme Progressive Metal The debut album from this Japanese band feels like the perfect melding of Extreme Metal, Progressive Metal, and other genre-bending to create a sound that feels both futuristic and a tribute to the past at the same time. With a production that is a bit more vintage in sound, but still hits hard, and songwriting that is clearly crafted with a keen sense of Progressive tendencies, this feels like an album that was made with my love of both the most extreme and progressive tendencies in check. This album goes all over the place, and they added everything, including the kitchen sink here, but I wouldn’t want it any other way. Imagine a mix of Between The Buried and Me, Opeth, Kayo Dot, and Devin Townsend, and you’ll start to get into the ballpark of what this band is all about. If this sounds like your bag, I guarantee it is. Give this your proper attention. The Biscuit Merchant- Golden Age FFO- Thrash Metal The 10th album of 26 albums (one album representing every letter of the alphabet) in this Goliath of an endeavor by Justin Lawnchair is here with Golden Age. For the letter G, the album goes more into Thrashy territory, which may come as a shock to those who may have discovered the band last year with their more Progressive Death Metal side with Tempora, though there are still Proggy moments throughout. The album is more streamlined and focused rather than being broad and diverse and it works in it’s favor for it. The production is a fantastic display and allows for everything to shine while the songwriting has this Testament meets Exciter meets Strapping Young Lad feel that just puts a smile on my face. While this is just 1/26th of the whole concept, it’s a great starting point for the band if you are just jumping on now with some albums more proggy, more Death Metal, more bonkers, more subdued. There’s no telling what letter is coming for 2027, but I am eagerly waiting to see where The Biscuit Merchant goes next. Until then, this is one of the best Thrash albums I’ve heard so far this year, and when you listen, you just might agree. Catalano- Perfect Storm FFO- Heavy Metal, Glam Metal, Hard Rock The 3rd album from this Australian band is some of the most refreshing 80s inspired Heavy metal I’ve heard in quite some time. While, obviously, layered in so much glam and sleaze, the talent behind this band in mesmerizing and they lay it out all on the table on this one. The production is simply perfect and the songwriting is catchy as it can get, but still knows how to show the talent of the entire band no matter the tempo or distortion level. If you enjoy the likes of Black Swan, Temple Balls, Confess, and Stargazer, Catalano is helping delivering music that is more than worthy of your ears. Confess- Metalmorphosis FFO- Hard Rock, Heavy Metal, Glam Metal 4 albums into this Swedish band’s career, and this feels like not only their most seminal album, but one of the best albums of the Glam Metal sound in 2026. The authenticity on this album is off the charts and strikes such a chord for long-time fans of the genre while sounding like one of the most competent and striking albums in a very long time. While there are so many bands of this revival sound, Confess is easily one of the best and has yet to let you down. Metalmorphosis is the kind of album that will put a smile on your face, but also give you the stink face when they show off their skill, which is the best sign of a band like this. Every song on here rules, no matter how heavy, poppy, or simply fun it gets. And the production on this one just hits you so hard that you will be reaching for the volume knob and crank it up. Confess rules and Metalmorphasis is the perfect example as to why. Just check it out for yourself if you want that classic mid-80s sound done right in 2026. Darkgeist- Words of Sinners FFO- Goth Rock, Gothic Metal The debut album from this Bulgarian band feels like the perfect mixture of Goth Rock and Gothic Metal. Mixing together a terrific mix of the past and present in the Goth world while adding some 21st-century sensibility in a way that feels endlessly catchy and still hits hard. So much of the music reminds me of takiDa, but, of course, you’ll hear elements of Type O Negative, The Sisters of Mercy, HIM, and more. The production is the right balance of human and clean to make sure the songs work to the best of their ability. If you are as big a fan of takiDa as I am, but want to hear it even more gothic and dark, check out Darkgeist in all of their glory. Defect Designer- Depressants FFO- Experimental Progressive Death Metal, Grindcore The 4th album from this Norwegian band is completely bonkers. Imagine what would happen if you took Imperial Triumphant, Diablo Swing Orchestra, and The Dillinger Escape Plan into one band. Featuring past and present members of Fleshgod Apocalypse, Trollfest, and Diskord, this is an album that throws absolutely everything against the wall in an act of sheer brutality, with just enough left-of-center elements that will grab your attention and wonder where things will go next. At 13 songs and almost 53 and a half minutes, this will not be the easiest listen in the world, but if you want to know what happens when you take Progressive Death Metal and feed it enough uppers to go absolutely insane, you get Defect Designer. What a ride! Devin Townsend- The Moth FFO- Devin Townsend I don’t know what I could possibly add about Devin Townsend at this point. I have been following the man’s career since the mid-2000s, and unpopular opinion or not, I am a bigger fan of his solo work than Strapping Young Lad (and I LOVED SYL). Over the years, Hevy Devy has put out some of my favorite albums ever made and ones that I just never go back to. In the past decade, Townsend has been working on a magnum opus entitled The Moth, where he puts everything on the line, from conceptual aspects to showcasing almost every style of music he has done in the past in one grand, 24-track display. It goes all over the map from his proggier sides, to some super heavy aspects, to the overall feel of the album having a rich, grand, symphonic feel done by the North Netherlands Orchestra and Choir. The production is off the charts, and the songwriting is signature Devin, but done in a bit more of a sophisticated way that just needs to be heard to fully grasp. This is easily my favorite work he has put out since Epicloud, and that is not an easy thing to say. It feels like a true culmination of his life’s work. I’m not sure where he will go from here, but I’m excited to see what the future holds. Until then, The Moth is a thrilling experience that, no matter what era you love of Townsend’s work, is worth your time and investment. Dimmu Borgir- Great Serpent Rising FFO- Symphonic Black Metal The staggering 11th album from arguably the biggest name in Symphonic Black Metal is here. While Shagrath and Silenoz may be the only members left in the band, they did fill out the album with some fine guest musicians to make for maximum impact. If you are looking for the most brutal and extreme album of the band’s career...this is not it, chief. This is an album that, that while hitting some monolithic moments of heavy, is equally balanced out with more symphonic and melodic moments and even, dare I say, ballads. This is the kind of album that needs to be heard from beginning to end to be fully unlocked, and when it does, it becomes a very rewarding experience. The extreme moments hit even harder, and the softer moments truly pull on your heartstrings. The production also feels rich and full while still feeling humanized, which is a nice touch. While I can see some being disappointed on this one not being pedal to the metal 100% of the time, those who enjoy the dynamic side of the band will find Great Serpent Rising to be the best Dimmu album in a long, LONG, time. Draconian- In Somnolent Ruin FFO- Gothic Doom Metal The 8th album in 23 years from this long running band sees the return of one of the best Gothic Doom Metal bands to ever exist. A lot has changed in the past 6 years just for the band alone, not including the world, but with that see’s ½ of a new lineup including a returning Lisa Johansson, and it makes for one of the most tearjerking and sorrowful albums of 2026. The power the band has always shown is on full display with the right kind of dynamics hitting in just the right spots. The production pounds away while the songwriting more than carries it’s weight in Doom gold. We have needed Draconian back for quite a while now and it’s great to see the band in absolute top form. This is easily some of the band’s best work and it’ll only take one listen to understand why. A Dream of Poe- Katabasis: A Marriage Among Ashes FFO- Gothic Doom Metal Considering this is this Portuguese band’s 5th album, I’m astounded I never heard of them until I randomly came across this one. That said, I am loving what I am hearing. A tragic concept album that pulls at your heartstrings and rips them apart with sheer haunting beauty. The production is simply what needs to be done in the Gothic Doom style with a glowing atmosphere behind it all and the songwriting is effective and tells it’s tale in a way that will call for replays. If you enjoy the likes of My Dying Bride, Grain of Pain, Draconian, and Woe Unto Me, A Dream of Poe will be your new, dark obsession. Einar Solberg- Vox Occulta FFO- Cinematic Metal, Progressive Rock, Dark Art Rock My apologies for being late on this one, as some albums simply slip through the cracks. The sophomore album from the Leprous frontman is my favorite work he has done since The Congregation by Leprous. This has everything that I loved about early day and middle era Leprous, but done through more of a Cinematic, Symphonic, and dare I say, Gothic touch that you simply don’t see in the band. The album reminds me so much of his Brother-in-Law Ihsahn’s last solo album, but done through the gaze of Solberg, and I do mean that in the highest regard. And when half of the tracks feature the Norwegian Radio Orchestra, you know you’re getting something good. It’s a monumental achievement in sound, blending all of these genres together to create a Progressive, Gothic, Artistic, and HEAVY release of emotions. When made with picture-perfect production as done here, this makes for one of the best Progressive Rock/Metal albums you are going to hear in 2026. If you need a sound like this, you can’t do much better than Einar Solberg. Elder- Through Zero FFO- Progressive Rock, Psychedelic Stoner Metal Elder has returned after 4 years with their 7th album, and it’s easily their most ambitious album to date. Exploring more of their Psychedelic and Progressive sides than ever before, the band has put out a new offering exploring their songwriting and what’s capable in their sound. With 6 tracks and the shortest being shy of 6 minutes, the band is diversifying and showing what can be done if they allow their instincts to shine. The production on this one fits perfectly with the sound, and hearing the band hit so much of what I loved in the past, but expanding upon the newer influences truly works in their favor. Imagine a mix of Mastodon, Baroness, Khemmis, and latter-day Pallbearer, and you have what Elder is flying in all of their glory. While it may be a bit early to say so, I think this may be their best work to date, and it shows that being ambitious can pay off in the best of ways. If you have never had it before, check out Elder and everything they have to offer. Eternal Evil- Forever Feared FFO- Thrash Metal, Blackened Thrash Metal, Speed Metal The 3rd album from this Stockholm, Sweden band feels like the perfect culmination of Thrash, Black Metal, and Speed Metal fused together to create a sound that sounds as fresh as it does vintage. It feels as if a band like Enforcer started being influenced by Slayer and Bathory, and it truly works. The production is magnificent and plays to the strength of the band, while the songwriting feels so inspired, no matter the tempo or style. At 9 songs and a little over 38 and a half minutes, this captures everything that you could possibly want in this sound, and somehow, still leaves you wanting more. If you love this style, you simply can’t miss out on this one; it’s one of the best of the year to combine all of these styles, and I can’t imagine that you would be disappointed. Eveale- Enter the Woodland Realm FFO- Black Metal The debut album from this US/UK band featuring members of Ashenheart and Negative Bliss is an astounding display of Black Metal. While clearly having a love for the old school sound from it’s production value and dark atmosphere, there are new twists and turns to the music that the forefathers of the genre would have never dared to explore, making the music more dynamic and impactful. A short and sweet affair at 9 songs and 37 and a half minutes feels like the perfect length to give you a taste of what this band is all about and potentially what is to come in the future. If you like the more raw side of Darkthrone and Satyricon, but adding nuances of the proggier and folky sides of Enslaved and Borknagar, Eveale is making a truly impactful statement that deserves your attention. Exploding Head Syndrome- Deathbeds FFO- Melodic Punk, Hardcore The 4th album from this Norwegian band hits a level of 90s Punk, Hardcore, and Alternative Rock that just hits right at home for me. Done with such finesse and care about making the best songs possible with no fluff or reinvention. It just needs to be solid, catchy, and memorable, and all 11 songs are full of that in spades (thought he final track does go past 7 minutes, it’s more than warranted). If you enjoy bands like Bouncing Souls, Bad Religion, Refused, and early day Rise Against, you need to hear what Exploding Head Syndrome is all about. Frozen Soul- No Place for Warmth FFO- OSDM, Modern Death Metal The 3rd album from this Texas outfit sees this OSDM band exploring a bit more than what Old School Death Metal is all about. Don’t get me wrong, it is still layered in the finest that fans of Bolt Thrower, Gatecreeper, Undeath, and Obituary want in that sound, but the band starts to incorporate more ideas of 21st-century Death Metal in the occasional spots, making this much more accessible for the modern-day Death Metal fan as well. This feels like a true gateway album to access what has been done in the past and what can be done in the modern day. Also take in guest spots from Machine Head, Sanguisugabogg, and, of all frontmen, Gerard Way of My Chemical Romance, and you have an album that is for fans, new and old, to gather around and enjoy what Old School Death Metal is all about. This is how you take a long-running genre and make it your own. Galvanist- The Silence Between Stars FFO- Experimental Death Doom The sophomore album from this Montana band is quite the eye-opening experience. The way they create an experimental take on Death Doom, adding in flavors of Sludge, Post, Black Metal, and more into a sound with so many twists and turns that you won’t see coming. Everything from the more fiery and evil Black Metal aspects to dark and dreary Doom to even some enthralling, screamed spoken word is here, and it’s done in a way that feels natural, no matter how many directions it can fly into. The production is nice and punchy, allowing everyone to breathe, and again, that songwriting is for those who enjoy their music heavy but to the left of center. If you want a mix of bands like Yob, Inter Arma, and Wild Beyond, Galvanist is your new obsession. The Ghoulstars- The Dark Overlords of the Universe FFO- Horror Punk, Heavy Metal The debut album from this Finnish band, featuring members of Kuolemanlaakso, Hooded Menace, and Thermate, is a fun, heavy, and inspired take on Horror Punk. Between all 10 tracks and 34 minutes on display shows a pure love of horror and horror adjacent themes mixed in with a Misfits meets White Zombie meets Murderdolls meets early day Motley Crue feel that is fast, fun, and full of repeat value. The production is rich and full, and the songwriting, while very simple, is straight ahead and to the point with no unnecessary fluff to the mix. This is all killer, no filler. If you want a short and sweet take on Horror Punk meets Heavy metal, The Ghoulstars are here, and I think they are here to stay. Haste The Day- Dissenter FFO- Metalcore The 7th album from this Indiana band and first in 11 years is quite the statement. You can hear how much life has changed from the early days of the band, but also seeing this is truly the right path for them as well. While there is some of the heaviest aspects of the band still in check, the band is exploring more of their dynamic and genrebending sides as well going into more Alternative and mainstream sounds. It’s strange hearing moments that remind me of Thrice, I Prevail, August Burns Red, and latter day The Devil Wears Prada, but that is what’s on display and it’s done effectively. This feels like an evolution for the band that I remember from the early to mid 2000s, but one that shows that life truly changes and that can be for the best. Heavenfall- Thorn FFO- Heavy Metal, Power Thrash The sophomore album and first in 14 years from this Italian band shows that music should be about quality, not quantity. A lot has happened over the past 14 years, and you can hear how that shaped all the songs on this one. Mixing together a melodic and heavy take on Power Thrash and Heavy Metal, feeling like a mix of Nevermore, Savatage, and Ashes of Ares, with a great sense of how to write catchy riffs and vocal melodies. The production feels true and human, capturing how a band will sound in the live setting, and again, the songwriting is the true selling point of the band. I’m always in need of new Power Thrash, and Heavenfall more than fits the bill. They just might for you as well. Hecate Enthroned- The Corpse of a Titan, a Lament Long Buried FFO- Symphonic Meloblack Oh, how I have been waiting such a long time to talk about this one. This is most likely going to be my favorite Symphonic Meloblack album of the year, and it will take a monumental release to topple this one off the podium. The 7th album and first in 7 years from this long-running UK band may be the band’s best work to date. It feels so enchanting and unholy with its mix of apocalyptic Black Metal, haunting symphonics, and just the right amount of Death Metal elements to make this not only a thrilling experience from start to finish, but if you love this style, a necessary experience. The production is humanized, but still punches you in the gut with every note, and the songwriting is endlessly inspired and does not let up on the momentum, no matter the tempo. If you love bands like Naglfar, Limbonic Art, Graveworm, and Old Man’s Child, you absolutely need this one. Held.- Grey FFO- Post Hardcore, Alternative Rock, Emo The debut album from a band comprising Douglas Robinson and Sal Mignano of The Sleeping and Josh Eppard of Coheed and Cambria is a band I simply wasn’t expecting, but I love every second of it. Feeling like a heavier mix of both bands and a band where they are getting out their frustrations with the world. While it’s not just a heavy album for the style, it’s done with a technical sense that shows just how amazing all 3 members are at their craft, and hearing them together just feels magical, despite this album being one hell of a gut punch to the emotions. The production is simply perfect, and the songwriting can go from their other bands to something as heavy as Mastodon to as Post Hardcore as Thrice, and I even hear the occasional My Chemical Romance nod. This is an album for a certain subsection of the people who check out my lists, but if you fit in it, this will be one of the most emotionally draining and cathartic albums you are going to hear this year. I truly hope this is not a one-off, as I need to hear what a sophomore album sounds like in the near future. This simply rules. Hellevate- Killicon Valley FFO- Power Thrash, Melodic Thrash Metal The 3rd album from this KCMO band is one full of pure fire and anger. Just from the name alone, you can tell what this album is aimed at, and I couldn’t be more in favor of it. And the lyrics on the title track...ooof, yeah, it’s appropriate for 2026. The rest of the album hits those levels as well, feeling like a full-scale assault on the state of the world. With this album, they lean heavily into the Thrash side of their Power Thrash sound, and it simply works. The production is human and makes you truly want to hear these songs in the live setting. If you dig the likes of Exodus, Overkill, Destruction, and Anger Machine, Hellevate is a band that you need in your life. Iatt- Etheric Realms of the Night FFO- Progressive Melodic Blackened Death Metal To put it simply, this is album of the year worthy in every conceivable way. This is everything that I love about genrebending, a grand horror concept, spellbinding musicianship and the perfect blend of raw, but authentic production. The 4th album from this Philadelphia band combines Progressive, Black Metal, Death Metal, Avant Garde, and so much melody to create an atmosphere that is unlike any other, but still feels entrancing and memorable. While singles help, hearing the album as a whole makes this an experience that feels so needed. The fact the band can channel Akercocke, Opeth, Ihsahn, and Ne Obliviscaris into a band that feels not only fresh, but revolutionary is something to not take lightly. While their previous album is called Magnum Opus, they have more than outdid themselves here. This is the band’s finest work so far, and I can only imagine that trajectory will continue going forward. I can’t stress this enough, this is one of the best albums of the year, if you like your music exploratory and thought provoking, you NEED Iatt in your life. idle threat- you'll forget the sun FFO- Post Hardcore, Alternative Rock The sophomore album from this Nashville band is such a killer mix of Post Hardcore, Alternative Rock, and the occasional Indie thrown in to feel like a modern throwback to the early 2000s, but still have enough spice and nuance to feel like 2026. It hits emotional levels that are peak Post Hardcore and 2000s Metalcore that you just had to be there to truly embrace all while making things their own and showing how it can be done for the modern day. The production on this one is bombastic and lets you feel every level. While you will have the most attachment if you enjoy bands like early day Thrice, Underoath, and Haste The Day; if you want an emotionally drawn out display of what can be done with this genre, idle threat are here to take you away. Impure Wilhelmina- Le sanglot FFO- Post Metal, Alternative Metal, Goth Rock The 6th album from this long-running Swiss band (actually celebrating 30 years this year) has put out a monolithic mission statement. Fusing so many genres together to make everything sound refined is no easy thing to achieve, but the band has been doing this for so long that it feels like second nature. Coming off like an unholy mix of Cult of Luna, Katatonia, the Cure, and Godthrymm, this is a band that seems to improve with every passing album, and I’d easily say this is the band’s best work so far. The production absolutely crushes on the heaviest aspects, and feels like 90s/2000s Goth rock when it gets a bit lighter. It’s such a contrast in sound on paper till you hear it in execution. While I can’t understand the lyrics this time around, they are entirely in French. I love how they are implemented, and they fit the atmosphere so very well. If you’ve never checked out this band before and you are at all intrigued, you need to see what they are all about. Check this one out and enjoy. In Malice's Wake- The Profound Darkness FFO- Death Thrash The 5th album from this Melbourne, Australian band sees the band hitting their darkest and most brutal territories ever. They have clearly hit the Demonic and The Gathering era of the band putting out some of the most hard hitting and devastating riffs they have ever written in a blend of Death Thrash that would make even Chuck Billy blush. Hearing the assaults on this album from beginning to end feels like the absolute right choice for the band and it shows off what is possible in the band going forward. While there is still plenty of Thrash to go around, the Death and almost Black Metal elements makes this album shine and stand out amongst the rest. As of right now, this balance is peerfection and begs for repeats. For those that love the heaviest ends of Testament, Kreator, Sodom, and Toxic Holocaust, you must check this one out. Inthraced- Constellation Zero FFO- Symphonic Melodeath The debut album from this Finnish band is one of the most majestic albums I’ve heard in Melodeath in such a long time. Considering it’s been 12 years since their last EP, it’s taken quite a bit of time through trials and tribulations to get to this point, but the proof is in the pudding here; this is beyond stellar music. It feels like what would happen if Keep of Kalessin made Melodeath with hints of Wintersun, Children of Bodom, and Crimson Shadows thrown in for good measure. It's an album that feels like a trip through the universe and pulverizes you at every turn. Add in such a great mix of clean vocals at just the right spots among the deep growls, and you have a diverse album that any melodeath fan should be chomping at the bit over. Seriously, everyone who has ever enjoyed Melodeath, Symphonic Metal, Power Metal, etc needs to grab hold of this one. It only gets better and better with every listen. Koyo- Barely Here FFO- Melodic Hardcore, Pop Punk, Emo The sophomore album from this Long Island, New York band is the perfect blend of Melodic Hardcore, Pop Punk, and Emo to recapture that early 2000s sound but updated just enough for 2026. It’s a short and sweet affair at 10 songs and a little over 28 minutes, but it’s enough to garner instant replays over and over again. No frills, all killer, no filler, and it strikes such a chord in its themes and music. If you dig the likes of Chief State, Arms’ Length, Stateside, and early-day Taking Back Sunday, this is mandatory listening. Take this escape with Barely Here by Koyo. Leatherwitch- First Spell FFO- Heavy Metal, Speed Metal From the ashes of Crystal Viper comes the debut album from Marta Gabriel. This feels like everything that I ever loved about her work up to this point, all done in one album. From all guns blazing speed to jaw-dropping guitar solos to the perfect melodic sections that heighten the music as a whole, this album has everything you could want in this style. The production is pure vintage and feels authentic with that songwriting that will keep you coming back time and time again. If you enjoy the likes of Crystal Viper, Enforcer, HyperioN, and Burning Witches, you will love Leatherwitch. LOR3L3I- Peace By Proxy FFO- Darkwave, Gothic Electronic The sophomore album from Heike Langhans of Light Field Reveries, Remina and more is one of the most haunting pieces of this style of Darkwave I have ever heard. There is something about being so associated with Gothic Doom Metal and being able to create something like this that brings this nuance that you simply can’t get anywhere else from anyone else. If you took out the electronics and replaced with those tones, this would be one of the most devastating albums of Gothic Doom Metal ever created. But hearing it behind moments of Darkwave, EDM and ambient elements almost gives it this sense of calm and dare I say positivity? Of course some of the greatest moments of repeatability and catharsis comes from the saddest of music, and that’s what I am feeling here. If you want to hear a dark, deep, and therapeutic take on Darkwave, this is required listening. Lost in Separation- S/T FFO- Progressive Metalcore, Melodic Metalcore, Post Hardcore The 3rd album from this Dallas, TX band hits so much of what I love about the newer era of Metalcore. While clearly having so much covered when it comes to technical ability, they still show some diversity in sound and know how to write catchy hooks after catchy hooks. Combining all of those elements is not as easy as it sounds, but the band has been polishing their sound over the years, and while this is easily their most commercial-sounding album to date, I dare say it’s their best. I can see why a lot of people who check out my reviews would not dig this one, for those that just love melodies and harmonies that are done with crystal clear production, heavy riffs, and remember that there are good elements of Pop music out there in the world, this is an album worth your time. If you dig the likes of alt. Iridium, Dream on Dreamer, and Like Moths to Flames, this should absolutely be in your wheelhouse. Give it a proper shot if you are so inclined. Lyrre- Nothing is Promised FFO- Folk Metal, Atmospheric Metal The sophomore album from this Polish band, featuring Michalina Malisz, formerly of Eluveitie, on Vocals and Hurdy Gurdy, is a stunning display of Folk Metal without sounding like your typical Folk Metal band. Instead of the over-the-top fun and cheese you get with a majority of bands in the genre, and instead of being Viking-centric, the band focuses much more on atmospheric, cinematic, and progressive elements, with the Hurdy Gurdy taking a big role in the sound. The production on this one is astounding and fits perfectly with the music on display. The songwriting hits so many heartstrings, all while giving you a different take that you just don’t expect. While you hear obvious nods to Eluveitie, Illumishade, Cellar Darling, etc., you will also hear bands like Rioghan, Myrkur, and Faun for a great sense of dynamics. This is a fantastic release, and if you are interested in what kind of sound they can produce, you need to give this one a shot. Maladie- The Dance of Tragedies FFO- Progressive Black Metal, Avant-Garde Black Metal, Plague Metal The 8th album from this off-the-wall band featuring the almighty Déhà is the “...what did I just listen to” album of the year. I, of course, mean that in the best of ways, as there are no bands that sound like Maladie, nor do I think anyone could replicate them. Combining Avant Garde, Progressive, Experimental, and just plain wacky takes on Black Metal is something that soothes the soul and leaves you wondering what exactly is going on here. The production is stunning, allowing you to hear every level of instrumentation and vocal ability, and the songwriting simply needs to be heard to even attempt to understand. As stated, no one truly sounds like Maladie, but the closest I can get is if you imagine Pensees Nocturnes, Arcturus, Wythersake, and Akercocke...that’s about as close as I can get to their sound. It’s something you simply must hear for yourself and make your own judgment call. That said, I love every second of this album, and if you want your music as off-the-wall, but intriguing as possible, check this one out. Massive Ego- Symphony of Flies FFO- Darkwave The 4th album from this British outfit is just a rewarding display of Darkwave, Pop, and hints of Goth Rock that just feels truly needed right now. It feels like a throwback to the 80s and 90s display of the genres while being just modern enough to make it work for today. The production is off the charts and feels so satisfying coming out of your speakers while the songwriting will make you bob your head with every track. Even Boy George shows up for a song, which is a great thing to see. For the heavier music fans checking this out and not really familiar with the genre, if you enjoyed Host’s debut album IX a couple years ago but want it just a bit more Poppy, you should fall in love with this. This is an excellent display of what can be done in Darkwave and only gets more captivating with every replay. Ohkaya- Waiting Here FFO- Modern Metal, Alternative Metal, Post Hardcore The sophomore(?) album from this Chicago band, featuring AJ Reingardt, who at the time of writing is the live vocalist for the band Red, has put out an astonishing display of what Modern metal can and should be. I completely understand how this is too Poppy for those who normally check out my lists, but I also recommend that you sit down and give this one a proper spin, as there are plenty of Heavy moments throughout this one, much heavier than one would normally expect to hear in this sound. Combined with a crystal clear production style and songwriting that is expansive, especially for what you’d normally expect, you have one of the most standout albums of Modern Metal you are going to find in 2026. If you enjoy bands like the aforementioned Red, Dayseeker, and Our Mirage, but want even more dynamics and catchy, Ohkaya is doing incredible work that is worth checking out. Opensight- The Outfit FFO- Alternative Metal, Progressive Metal The 3rd album from this London band is such an intriguing mix of sounds. It reminds me of what would happen if Dog Fashion Disco made a 60s-70s espionage-themed album, mixing elements of bands like Faith No More, Opeth, and Iron Maiden into a sound that feels Alternative and Progressive, but still plenty of Metal moments. The production has a more raw, but fulfilling sound to it all, and the songwriting goes through so many twists and turns while taking you on such a fun and thrilling journey of sound. You don’t often get bands that sound like this, and if you want your music to the left of left of center, Opensight is more than worthy of your time. Panopticon- Det hjemsøkte hjertet FFO- North American Folk Metal, Atmospheric Black Metal, Symphonic Black Metal The staggering 12th album from Austin Lunn may be the most heartbreaking and gorgeous in the Panopticon discography. The 3rd and final album in the Laurentian Trilogy acts as an album of reflection and death in a way that hits way too close to home in all of the right ways, all while being a great metaphor for what Minnesota has suffered through both in history and in very recent times. I am even choking up as I am writing this up. While I know the main sticking point for a lot of people is the production value when the Black Metal sides kick in, to me, it adds so much to the heartache and the sheer cathartic beauty that Lunn has established since the beginning of the band. The biggest departure on this album is the more Folk side of things, in favor of a grand-scale symphonic sound that, if you’re not careful, could easily make you cry from the tones alone, let alone the themes on display. With every release, I wonder how Lunn could possibly top the previous Panopticon album, and he always finds a new way to do it. Yeah, this has become my favorite Panopticon album; it’s more than worthy of any Album of the Year considerations (I will be one of them, I assure you of that), and I highly suggest it to anyone, no matter your tastes in music. If you care about wildlife, the human experience, everything going on in the US right now, or just want to hear how Black Metal can be one of the most heartbreaking and beautiful genres of music, Panopticon is here to show you how it’s done. I don’t know how Lunn could possibly top this album, but I know he will somehow, some way. Periphery- A Pale White Dot FFO- Progressive Metalcore The 7th or 8th album from this long-running band (depending on how you count Juggernaut) is somehow becoming my favorite album from the band. Now, I must say I have been a Periphery fan since the debut album, and they did lose me for quite a while when Juggernaut Alpha and Omega came out, but I came back around and have enjoyed what they have done since. With this, it’s a thematic album about isolation and loneliness, and if you know anything about me, I am the poster child for both of those. Hearing the different takes on those themes from some of the band's most aggressive moments and easily some of the band's most streamlined and commercial sounds is a true contrast in musicality, but that’s also how I enjoy the music I listen to. The yin and yang of life is real; it can’t be all one-sided all the time. Diversity is a great thing. All of that said, if you are a long-time fan of the band expecting 10+ epics, the most insane progressive riffing and genre-bending, that is not here. If you like the band writing the best songs possible with as much of the fluff cut out as possible, that is exactly what this album is, and honestly, that is not a bad thing. And as always, the production on this one is tailor-made for the band, making them sound the best they possibly can be. I truly enjoy it, and as much as it might make others mad (and honestly, I love when my musical opinions rustle some jimmies), right now, I put this behind PII as my favorite from the band, take that for what you will. I like where the band is at right now in 2026. Give this one a shot and see if it’s for you. You’re not wrong, no matter your takeaway. Pro-Pain- Stone Cold Anger FFO- Hardcore, Groove Metal, Thrash Metal The 17th album and first in 11 years from the long-running NYC band sees the welcomed return of the band after Gary Meskil’s attack that left him almost unable to ever return to music. Thankfully, he is back, and the album leaves quite a mission statement in the process. The legendary Pro-Pain sound is here with its classic Hardcore, Groove Metal, and the occasional Thrash tendencies going through all 10 songs and almost 33 and a half minutes in length. Between the themes and the overall sound, this feels like a perfect starter album for the band if you’ve never checked them out before, a great refresher if you have forgotten the band, and simply an album that feels like 2026 in a nutshell. No frills, no genre-bending, simply the Pro-Pain you know and love, but with even more aggression at the state of the world. This is music to get behind. Relíquia- In Theory and Practice FFO- Blackened Doom Metal, Gothic Metal, Post Punk *This technically came out on May 12th, but it still fits in the Out Today category for how I do things.* The debut album from this UK band instantly caught my attention. While they released all of their previous material under a compilation last year, this is the first true album of the band, and it's an incredible mix of genres I love. Combining a mix of Blackened Doom Metal, Gothic Metal, Post Punk, and a little bit of Darkwave into a sound that sounds uniquely their own and still gives nods to some killer genres in the process. This is actually a shorter affair than you would imagine, at 6 songs and almost 32 minutes, but it feels perfect for a taste of what this band can do and potentially hints at what is to come in the future. If you want to hear a mix of Paradise Lost, Godthrymm, The Sisters of Mercy, and Darkest Era, you need to check this out immediately. Restless Spirit- S/T FFO- Stoner Doom What a fun album. The 4th album from this Long Island, New York band is just perfect combination of Black Sabbath, Mastodon, The Sword, and Baroness that reminds me of the late 2000s, but also is able to stand on it’s own creating a blend of fun, catchy, and riff-infused Stoner Doom with dynamics and flair. With a production style that couldn’t work better if they tried, this is an album that takes the fun of the genre and puts it on full display. As great as these songs are on the album, I can only imagine how much better they will sound in the live setting. If you like your Stoner Doom with personality and causing quite the ruckus, Restless Spirit is here to deliver the goods. Rexoria- Fallen Dimension FFO- Melodic Power Metal The 4th album from this Swedish Melodic Power Metal band hits that fun filled, journey inspiring, and just plain fun that Melodic Power Metal is supposed to be. It’s some of the most rock solid and no frills display of the genre that I’ve heard in quite a while and it makes it that much more intriguing. The production is human and allows for everyone to shine while the songwriting is straightforward and hits you hard. If you dig bands like Metalite, Moonlight Haze, Elettra Storm and early day Battle Beast, this is required listening. Riverflame- Lunar Crusades FFO- Epic Meloblack The debut album from this international (Italy, France, Greece) band feels like what would happen if you mixed Keep of Kalessin and Hammerfall together, you read that right. A band that feels like Epic Power Metal done through the gaze of Epic Meloblack is such an odd mix, but that is what’s on display here. Granted, the Power Metal side of things has more to do with the themes and the occasional instrumentation and not in the vocal department, but I also love the combination of genrebending that’s going on here and it makes for an album that is a sheer wonder to behold. The production is a little on the raw side, but done so effectively and the songwriting is endlessly inspired. Considering this is just a debut album, it feels like something that band’s 10 albums into their career could never manage. What a monumental release. I can’t wait to see where they go from here. Saratoga- En Estado Puro FFO- Power Metal, Heavy Metal The 15th album in 31 years from one of Spain’s best Power Metal bands is here, and it’s some incredible work. I, of course, don’t speak Spanish, but I love the vocal melodies and harmonies the band has always shown, and it leads into some catchy moments that anyone can sing along with. Of course, the rest of the band blazes along with impeccable riffs and drumming that remind you why the band has been around for over 3 decades; they have not lost the slightest amount of steam. The production perfectly matches the band, and the songwriting feels as fresh as ever. If you enjoy the likes of Warcry, Mago de Oz, Angra, and Dark Moor, you should already know Saratoga, but if you don’t, you need to remedy that immediately. Silaera- An Abberation of the Void FFO- Atmospheric Black Metal, Post Metal, Extreme Progressive Metal The debut album from this Chicago band has hit me like a ton of bricks. Combining a mix of Black Metal, Post Metal, and Extreme Progressive Metal into this cacophony of sound that is endlessly engaging and only hits harder the more the album unlocks for you. With a production style that lets you hear every level recorded with ease (not always a thing in Black Metal) The songwriting shines on this album like nothing else and hearing this mix of bands like Keep of Kalessin, An Abstract Illusion, Blackbraid, and Cult of Luna is an incredible feat and an album I will keep going back to time and time again. This is how you take some of the most extreme genres in Metal and make them into a whirlwind of songwriting for all the world to hear. This is a band that can hit the stratosphere and I truly hope they do. Sins of Shadows- The Last Frontier FFO- Heavy Power Metal The 3rd album from this French Heavy Power Metal band is an excellent display of the genre, hitting everything you want and still giving you more. Feeling like a triumphant mix of Symphony X, Kamelot, Iron Maiden, and Megadeth; this combines the best aspects of Heavy Metal, Thrash Metal, and Power Metal to make for a heavy and pit-inducing display of music. The production is just raw enough and still hits you in the gut while the songwriting is refined but still gives just enough flair. If you want an album that feels like peak 2000s Heavy Power Metal, but done for the 2026 crowd, check out Sins Of Shadows. Spell- Wretched Heart FFO- Heavy Metal, Occult Rock The 5th album from this Canadian band is the band’s darkest, yet, catchiest album to date. Feeling like a mix of Ghost meets Unto Others in all of the best ways and more on the occult side of things is a winning combination. The production has a more vintage sound to it that works in it’s favor and the songwriting is so catchy and memorable. If you love Opus Eponymous from Ghost and want a little more of a 80s flair to it, this should be your new favorite band. I can’t get enough. Sum of Seven- Echoes of the Hypermind FFO- Progressive Metal The debut album from this Finnish Progressive Metal band (formerly known as Sonus Corona) soothes the savage soul. It never goes into the deepest, darkest territories of the genre, but it hits the tropes of 90s/2000s Progressive Metal with just the right amount of growls to set things apart. The production is rich and full, and the songwriting is so rewarding, giving off hints of bands like Haken, Inner Vitriol, Threshold, and the lighter side of Voidchaser to create an atmosphere that feels right at home for those who love the melodic and song-driven aspects of Progressive Metal. If this sounds like your kind of Progressive Metal, you need to give this one a proper spin. Torchia- They Are Born Under Rules of the Darkness FFO- Melodeath A name I have always heard but never actually checked out until this album and oh, how I wish I would have checked them out sooner. The 4th album from this Finnish Melodeath band has such an intriguing and distinguished style of Melodeath in their style that’s layered in horror and gothic territories while finding ways to be both off the beaten path and ridiculously catchy. The production hits you at full force and the songwriting has so many unexpected twists and turns, leading for an eerie and captivating good time. If you dig the likes of Kalmah, As The Sun Falls, latter day Rotting Christ, and early day In Flames; Torchia is the band for you. Trelldom-…by the word… FFO- Avant Garde Black Metal In speaking of left-of-center Black Metal, we definitely have that here with the 5th album from this Norwegian band, comprising past and present members of Gorgoroth, Nidingr, and Altaar. Hearing the inclusion of more woodwind instruments (saxophone, clarinet) and more keyboards, organs, and electronics is a great touch to showcase the diversity that this band is capable of, while still showing that it can write intriguing music. The production is very human, and you can hear every level with ease, which is needed for songs such as these. Obviously, this will not be an album for everyone. If you want an idea of what King Crimson would sound like if they made Black Metal, or if you dig the likes of Doheimsgard, Oranssi Pazuzu, and Arcturus but done more Proggy and off the wall, check out Trelldom. Volcandra- Beyond The Will of Mortals FFO- Melodic Blackened Death Metal This one completely missed me, and I didn’t even realize this Louisville, Kentucky band even released their 3rd album. 13 months after its predecessor, Volcandra is back with what is easily the band’s best work, and it’s not even close. While I loved the two previous albums, this is by far the band’s best work so far, making the melodic moments stand out so much richer and the Blackened Death Metal elements hit in just the right ways to make for an undeniable force. The production is the best they’ve ever had, and the songwriting is so grand and rewarding on every listen. If you want a killer mix of Skeletonwitch, Dissection, Thulcandra, and Revocation, Volcandra is the band for you. Yoth Iria- Gone with the Devil FFO- Black Metal The 3rd album from this Greek band sees the band expanding its sound. Of course, the sound of Black Metal is still in full force here, but they expand upon it to make it feel richer, deeper, more dynamic, and like a full album experience rather than just a collection of great songs. It’s still dark, evil, and captivating as always, it just takes more patience to enjoy the entire album, and to me, those are always the best albums. The production is the perfect balance of human and clear, allowing everyone to shine through the darkness. For anyone who enjoys latter-day Rotting Christ, Dissection, Vried, and Septicflesh, you need Yoth Iria, and I do mean NOW! 
Hey everybody, and welcome back to another edition of Out Today & What I Missed, this time, for May 29th, 2026. This has been quite the month, both in my personal life and for all of the brand new music out there, and I hope with this last edition for the month, there will be something here for you. This week, we have 16 albums, 8 that come out today, 8 that I missed along the way, so rather than me rambling, let’s get into the rules and the list proper.
1.) Out Today & What I Missed is my weekly Friday recap of Out Today, my reviews of albums I got the promo for, and What I Missed, my reviews of any albums I either didn’t get the promo for and/or discovered on my own. I will try to do this every Friday that I’m capable of doing it, but I will admit, I will probably be taking more 1-week breaks than I ever have before. The music will be on the heavy end of things, but I cover anything from Pop Punk to Goth Rock to Progressive Metal to Funeral Doom to the most Experimental or avant-garde music in the Rock and Metal genres. 2.) My reviews should be treated like teaser trailers for movies or games. They will say the band name, the album, the FFO (For Fans Of) Section, and a short review that is a paragraph or less. Why do I do it like this? I don’t want the first time experience with a band to be ruined by my thoughts going into every single detail. I want to show off why you should check something out. Every review is subjective, no matter how anyone wants to spin it. Your thoughts won’t be mine, but I want to show you the option of what’s out there. 3.) NO NEGATIVE REVIEWS! We live in a terrible enough place as it is; I don’t want to add to the trash heap. If I don’t cover something, it is because I haven’t heard of it, and I will most likely go check it out; it's not out yet, I didn’t have time or energy to cover it in the current week, or it’s not my bag...baby. There’s no place for me to yuck on someone’s yum. That said, all my thoughts are mine and mine alone. No Label, PR, Band, or Friendship will make me pick something to positively review. I have to like it and listen to it at least one time through. That will never change. 4.) I will be doing fewer reviews this year, as doing 1,021 reviews last year broke me. That’s not to say I won’t still do up to 20 reviews in a week, just don’t expect that to be the norm week after week. If I only have promos, time, and energy for 15, 10, and 5 reviews in a week, that’s just how it will be. It’s a one-man operation, and the operation needs to think about longevity, not being prolific. All of this leads to Heavy Debriefings' Top 100 Albums of 2026, which will happen at the end of the year. 5.) If I find out after I review an album that an artist, band, or members of said band are garbage people, go against what I find to be even the lowest level of human decency, or use AI for their music, I will remove my review no questions asked. Does that apply to AI art? I don’t know how to answer that; it’ll be on a case-by-case basis. Either I will ignore the album completely, or I will mention how much I hate that they used AI before talking about the rest. I will see what happens. 6.) For another controversial take, I use Spotify to make a playlist every week of coverage with a track off every album to make it easier for people to check out some new music. Is Spotify a good company? No. Is any streaming company in North America good? No. You either avoid all of it or pick your poison, as all of them do terrible things and hurt everyone, and it’s also a necessary evil in today’s world if you want to make any kind of impact. I don’t judge you one way or the other for streaming or not streaming. I hope I can get the same level or tolerance in return. 7.) CHECK OUT SOME NEW MUSIC! OUT TODAY Devin Townsend- The Moth FFO- Devin Townsend I don’t know what I could possibly add about Devin Townsend at this point. I have been following the man’s career since the mid-2000s, and unpopular opinion or not, I am a bigger fan of his solo work than Strapping Young Lad (and I LOVED SYL). Over the years, Hevy Devy has put out some of my favorite albums ever made and ones that I just never go back to. In the past decade, Townsend has been working on a magnum opus entitled The Moth, where he puts everything on the line, from conceptual aspects to showcasing almost every style of music he has done in the past in one grand, 24-track display. It goes all over the map from his proggier sides, to some super heavy aspects, to the overall feel of the album having a rich, grand, symphonic feel done by the North Netherlands Orchestra and Choir. The production is off the charts, and the songwriting is signature Devin, but done in a bit more of a sophisticated way that just needs to be heard to fully grasp. This is easily my favorite work he has put out since Epicloud, and that is not an easy thing to say. It feels like a true culmination of his life’s work. I’m not sure where he will go from here, but I’m excited to see what the future holds. Until then, The Moth is a thrilling experience that, no matter what era you love of Townsend’s work, is worth your time and investment. Elder- Through Zero FFO- Progressive Rock, Psychedelic Stoner Metal Elder has returned after 4 years with their 7th album, and it’s easily their most ambitious album to date. Exploring more of their Psychedelic and Progressive sides than ever before, the band has put out a new offering exploring their songwriting and what’s capable in their sound. With 6 tracks and the shortest being shy of 6 minutes, the band is diversifying and showing what can be done if they allow their instincts to shine. The production on this one fits perfectly with the sound, and hearing the band hit so much of what I loved in the past, but expanding upon the newer influences truly works in their favor. Imagine a mix of Mastodon, Baroness, Khemmis, and latter-day Pallbearer, and you have what Elder is flying in all of their glory. While it may be a bit early to say so, I think this may be their best work to date, and it shows that being ambitious can pay off in the best of ways. If you have never had it before, check out Elder and everything they have to offer. Eternal Evil- Forever Feared FFO- Thrash Metal, Blackened Thrash Metal, Speed Metal The 3rd album from this Stockholm, Sweden band feels like the perfect culmination of Thrash, Black Metal, and Speed Metal fused together to create a sound that sounds as fresh as it does vintage. It feels as if a band like Enforcer started being influenced by Slayer and Bathory, and it truly works. The production is magnificent and plays to the strength of the band, while the songwriting feels so inspired, no matter the tempo or style. At 9 songs and a little over 38 and a half minutes, this captures everything that you could possibly want in this sound, and somehow, still leaves you wanting more. If you love this style, you simply can’t miss out on this one; it’s one of the best of the year to combine all of these styles, and I can’t imagine that you would be disappointed. Galvanist- The Silence Between Stars FFO- Experimental Death Doom The sophomore album from this Montana band is quite the eye-opening experience. The way they create an experimental take on Death Doom, adding in flavors of Sludge, Post, Black Metal, and more into a sound with so many twists and turns that you won’t see coming. Everything from the more fiery and evil Black Metal aspects to dark and dreary Doom to even some enthralling, screamed spoken word is here, and it’s done in a way that feels natural, no matter how many directions it can fly into. The production is nice and punchy, allowing everyone to breathe, and again, that songwriting is for those who enjoy their music heavy but to the left of center. If you want a mix of bands like Yob, Inter Arma, and Wild Beyond, Galvanist is your new obsession. Hecate Enthroned- The Corpse of a Titan, a Lament Long Buried FFO- Symphonic Meloblack Oh, how I have been waiting such a long time to talk about this one. This is most likely going to be my favorite Symphonic Meloblack album of the year, and it will take a monumental release to topple this one off the podium. The 7th album and first in 7 years from this long-running UK band may be the band’s best work to date. It feels so enchanting and unholy with its mix of apocalyptic Black Metal, haunting symphonics, and just the right amount of Death Metal elements to make this not only a thrilling experience from start to finish, but if you love this style, a necessary experience. The production is humanized, but still punches you in the gut with every note, and the songwriting is endlessly inspired and does not let up on the momentum, no matter the tempo. If you love bands like Naglfar, Limbonic Art, Graveworm, and Old Man’s Child, you absolutely need this one. Leatherwitch- First Spell FFO- Heavy Metal, Speed Metal From the ashes of Crystal Viper comes the debut album from Marta Gabriel. This feels like everything that I ever loved about her work up to this point, all done in one album. From all guns blazing speed to jaw-dropping guitar solos to the perfect melodic sections that heighten the music as a whole, this album has everything you could want in this style. The production is pure vintage and feels authentic with that songwriting that will keep you coming back time and time again. If you enjoy the likes of Crystal Viper, Enforcer, HyperioN, and Burning Witches, you will love Leatherwitch. Maladie- The Dance of Tragedies FFO- Progressive Black Metal, Avant-Garde Black Metal, Plague Metal The 8th album from this off-the-wall band featuring the almighty Déhà is the “...what did I just listen to” album of the year. I, of course, mean that in the best of ways, as there are no bands that sound like Maladie, nor do I think anyone could replicate them. Combining Avant Garde, Progressive, Experimental, and just plain wacky takes on Black Metal is something that soothes the soul and leaves you wondering what exactly is going on here. The production is stunning, allowing you to hear every level of instrumentation and vocal ability, and the songwriting simply needs to be heard to even attempt to understand. As stated, no one truly sounds like Maladie, but the closest I can get is if you imagine Pensees Nocturnes, Arcturus, Wythersake, and Akercocke...that’s about as close as I can get to their sound. It’s something you simply must hear for yourself and make your own judgment call. That said, I love every second of this album, and if you want your music as off-the-wall, but intriguing as possible, check this one out. Trelldom-…by the word… FFO- Avant Garde Black Metal In speaking of left-of-center Black Metal, we definitely have that here with the 5th album from this Norwegian band, comprising past and present members of Gorgoroth, Nidingr, and Altaar. Hearing the inclusion of more woodwind instruments (saxophone, clarinet) and more keyboards, organs, and electronics is a great touch to showcase the diversity that this band is capable of, while still showing that it can write intriguing music. The production is very human, and you can hear every level with ease, which is needed for songs such as these. Obviously, this will not be an album for everyone. If you want an idea of what King Crimson would sound like if they made Black Metal, or if you dig the likes of Doheimsgard, Oranssi Pazuzu, and Arcturus but done more Proggy and off the wall, check out Trelldom. What I Missed Abandon Agony- Endbringer FFO- Melodeath The debut album from this Swedish band is pure, unadulterated Melodeath through and through. It has everything you love about the genre, from the heavy but tasteful riffs to the out-of-this-world catchy choruses to the melodies and harmonies that will be stuck in your head for days. The production on this one hits hard and lets the songs shine. The first band that comes to mind when I hear these guys is Dark Tranquillity, but if you also enjoy AmongRuins, Thermality, Deadvoid Inc., and As The Sun Falls, you will find so much to love about Abandon Agony. Acolythus- Unearthly Kingdoms ‘Neath Lifeless Stars FFO- Old School Black Metal The debut album from this Finnish Black Metal band hits ridiculously hard. This feels like an album that came out back in 1994, but done with so much more competence and musicality than you would normally hear for the time period. The production makes everything feel ice cold and just that much more evil, and the songwriting is the true selling point here with some of the best Traditional Black Metal I’ve heard in such a long time, especially for a debut album in the 2020s. If you love the old school Black Metal sound, but want it done with a 2020s sensibility, you’re not going to find much better from a brand new band. Seriously, check this one out. As The Sun Falls- Songs from the Veil FFO- Melodeath Easily the band’s best work to date. I discovered this Finnish band with their previous album, 2024’s Kaamos, but 2 years later and 3/4s of a new lineup since that album, the band is back with their best material. The songs hit so much more dynamics than ever before, hitting new territories, doing an even better job with what they’ve done in the past, a stellar production style, and songwriting that is some of the best you will hear from any Melodeath band in 2026. The band has more than upped their game, and every track simply shines. If you want some of the best, darkest, and truly spectacular Melodeath of the year, check out As The Sun Falls. Darkgeist- Words of Sinners FFO- Goth Rock, Gothic Metal The debut album from this Bulgarian band feels like the perfect mixture of Goth Rock and Gothic Metal. Mixing together a terrific mix of the past and present in the Goth world while adding some 21st-century sensibility in a way that feels endlessly catchy and still hits hard. So much of the music reminds me of takiDa, but, of course, you’ll hear elements of Type O Negative, The Sisters of Mercy, HIM, and more. The production is the right balance of human and clean to make sure the songs work to the best of their ability. If you are as big a fan of takiDa as I am, but want to hear it even more gothic and dark, check out Darkgeist in all of their glory. Defect Designer- Depressants FFO- Experimental Progressive Death Metal, Grindcore The 4th album from this Norwegian band is completely bonkers. Imagine what would happen if you took Imperial Triumphant, Diablo Swing Orchestra, and The Dillinger Escape Plan into one band. Featuring past and present members of Fleshgod Apocalypse, Trollfest, and Diskord, this is an album that throws absolutely everything against the wall in an act of sheer brutality, with just enough left-of-center elements that will grab your attention and wonder where things will go next. At 13 songs and almost 53 and a half minutes, this will not be the easiest listen in the world, but if you want to know what happens when you take Progressive Death Metal and feed it enough uppers to go absolutely insane, you get Defect Designer. What a ride! Inthraced- Constellation Zero FFO- Symphonic Melodeath The debut album from this Finnish band is one of the most majestic albums I’ve heard in Melodeath in such a long time. Considering it’s been 12 years since their last EP, it’s taken quite a bit of time through trials and tribulations to get to this point, but the proof is in the pudding here; this is beyond stellar music. It feels like what would happen if Keep of Kalessin made Melodeath with hints of Wintersun, Children of Bodom, and Crimson Shadows thrown in for good measure. It's an album that feels like a trip through the universe and pulverizes you at every turn. Add in such a great mix of clean vocals at just the right spots among the deep growls, and you have a diverse album that any melodeath fan should be chomping at the bit over. Seriously, everyone who has ever enjoyed Melodeath, Symphonic Metal, Power Metal, etc needs to grab hold of this one. It only gets better and better with every listen. Lost in Separation- S/T FFO- Progressive Metalcore, Melodic Metalcore, Post Hardcore The 3rd album from this Dallas, TX band hits so much of what I love about the newer era of Metalcore. While clearly having so much covered when it comes to technical ability, they still show some diversity in sound and know how to write catchy hooks after catchy hooks. Combining all of those elements is not as easy as it sounds, but the band has been polishing their sound over the years, and while this is easily their most commercial-sounding album to date, I dare say it’s their best. I can see why a lot of people who check out my reviews would not dig this one, for those that just love melodies and harmonies that are done with crystal clear production, heavy riffs, and remember that there are good elements of Pop music out there in the world, this is an album worth your time. If you dig the likes of alt. Iridium, Dream on Dreamer, and Like Moths to Flames, this should absolutely be in your wheelhouse. Give it a proper shot if you are so inclined. Saratoga- En Estado Puro FFO- Power Metal, Heavy Metal The 15th album in 31 years from one of Spain’s best Power Metal bands is here, and it’s some incredible work. I, of course, don’t speak Spanish, but I love the vocal melodies and harmonies the band has always shown, and it leads into some catchy moments that anyone can sing along with. Of course, the rest of the band blazes along with impeccable riffs and drumming that remind you why the band has been around for over 3 decades; they have not lost the slightest amount of steam. The production perfectly matches the band, and the songwriting feels as fresh as ever. If you enjoy the likes of Warcry, Mago de Oz, Angra, and Dark Moor, you should already know Saratoga, but if you don’t, you need to remedy that immediately. And there you go, folks, another 16 albums down, 60 done for May 2026, and 301 albums down in 2026 so far. I hope you have found something to dig here or at some point during my coverage of 2026. We have one month left to go until I hit my Best Albums of the 1st Half of 2026, which means we have all of June to go. Come back in a couple of days for Every Album I Reviewed in May 2026 and come back Friday for Out Today & What I Missed for June 2026. Until then, for Heavy Debriefings, this is Josh Rundquist saying, Embrace The Skullet! - Josh Rundquist (Heavy Debriefings) 
Hey everybody, and welcome to a short but sweet edition of Out Today & What I Missed for May 22nd, 2026. Simply put, I didn’t get a lot of promos for this week and only got 4 that come out today of interest. So I am matching that up with 4 albums that I have been wanting to cover as well, leaving everyone with a short burst of 8 albums. This will be good for me as well, as I am currently going through medication changes and simply need some rest to get adjusted or see if I need another change. But rather than linger on that, let’s get into the rules and the list proper.
1.) Out Today & What I Missed is my weekly Friday recap of Out Today, my reviews of albums I got the promo for, and What I Missed, my reviews of any albums I either didn’t get the promo for and/or discovered on my own. I will try to do this every Friday that I’m capable of doing it, but I will admit, I will probably be taking more 1-week breaks than I ever have before. The music will be on the heavy end of things, but I cover anything from Pop Punk to Goth Rock to Progressive Metal to Funeral Doom to the most Experimental or avant-garde music in the Rock and Metal genres. 2.) My reviews should be treated like teaser trailers for movies or games. They will say the band name, the album, the FFO (For Fans Of) Section, and a short review that is a paragraph or less. Why do I do it like this? I don’t want the first time experience with a band to be ruined by my thoughts going into every single detail. I want to show off why you should check something out. Every review is subjective, no matter how anyone wants to spin it. Your thoughts won’t be mine, but I want to show you the option of what’s out there. 3.) NO NEGATIVE REVIEWS! We live in a terrible enough place as it is; I don’t want to add to the trash heap. If I don’t cover something, it is because I haven’t heard of it, and I will most likely go check it out; it's not out yet, I didn’t have time or energy to cover it in the current week, or it’s not my bag...baby. There’s no place for me to yuck on someone’s yum. That said, all my thoughts are mine and mine alone. No Label, PR, Band, or Friendship will make me pick something to positively review. I have to like it and listen to it at least one time through. That will never change. 4.) I will be doing fewer reviews this year, as doing 1,021 reviews last year broke me. That’s not to say I won’t still do up to 20 reviews in a week, just don’t expect that to be the norm week after week. If I only have promos, time, and energy for 15, 10, and 5 reviews in a week, that’s just how it will be. It’s a one-man operation, and the operation needs to think about longevity, not being prolific. All of this leads to Heavy Debriefings' Top 100 Albums of 2026, which will happen at the end of the year. 5.) If I find out after I review an album that an artist, band, or members of said band are garbage people, go against what I find to be even the lowest level of human decency, or use AI for their music, I will remove my review no questions asked. Does that apply to AI art? I don’t know how to answer that; it’ll be on a case-by-case basis. Either I will ignore the album completely, or I will mention how much I hate that they used AI before talking about the rest. I will see what happens. 6.) For another controversial take, I use Spotify to make a playlist every week of coverage with a track off every album to make it easier for people to check out some new music. Is Spotify a good company? No. Is any streaming company in North America good? No. You either avoid all of it or pick your poison, as all of them do terrible things and hurt everyone, and it’s also a necessary evil in today’s world if you want to make any kind of impact. I don’t judge you one way or the other for streaming or not streaming. I hope I can get the same level or tolerance in return. 7.) CHECK OUT SOME NEW MUSIC! OUT TODAY Armored Saint- Emotion Factory Reset FFO- Heavy Metal, Hard Rock The 9th album from the long-running LA band just hits right at home with any long-time fan. Everyone is hitting on all cylinders, and you can feel it through the music. Considering it’s been 6 years since their previous album, it’s great to hear the band back fully refreshed and giving us their blend of Heavy Metal, Hard Rock, Glam Metal, and the occasional Thrash. This feels like an overall heavier album than what’s been done in recent times, and it certainly matches the mood. The production on this one soars, and the songwriting is signature Armored Saint with just enough dynamic expression in the occasional solos to allow for some wicked times. This is a fun album start to finish, which is always my favorite from the band and easily my Favorite since Win Hands Down and arguably their best in the 21st century. If you want tried and true Armored Saint, you got it right here with Emotion Factory Reset. Dimmu Borgir- Great Serpent Rising FFO- Symphonic Black Metal The staggering 11th album from arguably the biggest name in Symphonic Black Metal is here. While Shagrath and Silenoz may be the only members left in the band, they did fill out the album with some fine guest musicians to make for maximum impact. If you are looking for the most brutal and extreme album of the band’s career...this is not it, chief. This is an album that, that while hitting some monolithic moments of heavy, is equally balanced out with more symphonic and melodic moments and even, dare I say, ballads. This is the kind of album that needs to be heard from beginning to end to be fully unlocked, and when it does, it becomes a very rewarding experience. The extreme moments hit even harder, and the softer moments truly pull on your heartstrings. The production also feels rich and full while still feeling humanized, which is a nice touch. While I can see some being disappointed on this one not being pedal to the metal 100% of the time, those who enjoy the dynamic side of the band will find Great Serpent Rising to be the best Dimmu album in a long, LONG, time. Hellevate- Killicon Valley FFO- Power Thrash, Melodic Thrash Metal The 3rd album from this KCMO band is one full of pure fire and anger. Just from the name alone, you can tell what this album is aimed at, and I couldn’t be more in favor of it. And the lyrics on the title track...ooof, yeah, it’s appropriate for 2026. The rest of the album hits those levels as well, feeling like a full-scale assault on the state of the world. With this album, they lean heavily into the Thrash side of their Power Thrash sound, and it simply works. The production is human and makes you truly want to hear these songs in the live setting. If you dig the likes of Exodus, Overkill, Destruction, and Anger Machine, Hellevate is a band that you need in your life. Impure Wilhelmina- Le sanglot FFO- Post Metal, Alternative Metal, Goth Rock The 6th album from this long-running Swiss band (actually celebrating 30 years this year) has put out a monolithic mission statement. Fusing so many genres together to make everything sound refined is no easy thing to achieve, but the band has been doing this for so long that it feels like second nature. Coming off like an unholy mix of Cult of Luna, Katatonia, the Cure, and Godthrymm, this is a band that seems to improve with every passing album, and I’d easily say this is the band’s best work so far. The production absolutely crushes on the heaviest aspects, and feels like 90s/2000s Goth rock when it gets a bit lighter. It’s such a contrast in sound on paper till you hear it in execution. While I can’t understand the lyrics this time around, they are entirely in French. I love how they are implemented, and they fit the atmosphere so very well. If you’ve never checked out this band before and you are at all intrigued, you need to see what they are all about. Check this one out and enjoy. What I Missed Confess- Metalmorphosis FFO- Hard Rock, Heavy Metal, Glam Metal 4 albums into this Swedish band’s career, and this feels like not only their most seminal album, but one of the best albums of the Glam Metal sound in 2026. The authenticity on this album is off the charts and strikes such a chord for long-time fans of the genre while sounding like one of the most competent and striking albums in a very long time. While there are so many bands of this revival sound, Confess is easily one of the best and has yet to let you down. Metalmorphosis is the kind of album that will put a smile on your face, but also give you the stink face when they show off their skill, which is the best sign of a band like this. Every song on here rules, no matter how heavy, poppy, or simply fun it gets. And the production on this one just hits you so hard that you will be reaching for the volume knob and crank it up. Confess rules and Metalmorphasis is the perfect example as to why. Just check it out for yourself if you want that classic mid-80s sound done right in 2026. Einar Solberg- Vox Occulta FFO- Cinematic Metal, Progressive Rock, Dark Art Rock My apologies for being late on this one, as some albums simply slip through the cracks. The sophomore album from the Leprous frontman is my favorite work he has done since The Congregation by Leprous. This has everything that I loved about early day and middle era Leprous, but done through more of a Cinematic, Symphonic, and dare I say, Gothic touch that you simply don’t see in the band. The album reminds me so much of his Brother-in-Law Ihsahn’s last solo album, but done through the gaze of Solberg, and I do mean that in the highest regard. And when half of the tracks feature the Norwegian Radio Orchestra, you know you’re getting something good. It’s a monumental achievement in sound, blending all of these genres together to create a Progressive, Gothic, Artistic, and HEAVY release of emotions. When made with picture-perfect production as done here, this makes for one of the best Progressive Rock/Metal albums you are going to hear in 2026. If you need a sound like this, you can’t do much better than Einar Solberg. Held.- Grey FFO- Post Hardcore, Alternative Rock, Emo The debut album from a band comprising Douglas Robinson and Sal Mignano of The Sleeping and Josh Eppard of Coheed and Cambria is a band I simply wasn’t expecting, but I love every second of it. Feeling like a heavier mix of both bands and a band where they are getting out their frustrations with the world. While it’s not just a heavy album for the style, it’s done with a technical sense that shows just how amazing all 3 members are at their craft, and hearing them together just feels magical, despite this album being one hell of a gut punch to the emotions. The production is simply perfect, and the songwriting can go from their other bands to something as heavy as Mastodon to as Post Hardcore as Thrice, and I even hear the occasional My Chemical Romance nod. This is an album for a certain subsection of the people who check out my lists, but if you fit in it, this will be one of the most emotionally draining and cathartic albums you are going to hear this year. I truly hope this is not a one-off, as I need to hear what a sophomore album sounds like in the near future. This simply rules. Periphery- A Pale White Dot FFO- Progressive Metalcore The 7th or 8th album from this long-running band (depending on how you count Juggernaut) is somehow becoming my favorite album from the band. Now, I must say I have been a Periphery fan since the debut album, and they did lose me for quite a while when Juggernaut Alpha and Omega came out, but I came back around and have enjoyed what they have done since. With this, it’s a thematic album about isolation and loneliness, and if you know anything about me, I am the poster child for both of those. Hearing the different takes on those themes from some of the band's most aggressive moments and easily some of the band's most streamlined and commercial sounds is a true contrast in musicality, but that’s also how I enjoy the music I listen to. The yin and yang of life is real; it can’t be all one-sided all the time. Diversity is a great thing. All of that said, if you are a long-time fan of the band expecting 10+ epics, the most insane progressive riffing and genre-bending, that is not here. If you like the band writing the best songs possible with as much of the fluff cut out as possible, that is exactly what this album is, and honestly, that is not a bad thing. And as always, the production on this one is tailor-made for the band, making them sound the best they possibly can be. I truly enjoy it, and as much as it might make others mad (and honestly, I love when my musical opinions rustle some jimmies), right now, I put this behind PII as my favorite from the band, take that for what you will. I like where the band is at right now in 2026. Give this one a shot and see if it’s for you. You’re not wrong, no matter your takeaway. And there you go, folks, 8 albums down for my 2nd shortest OT&WIM for the year so far, but hey, some weeks will be shorter. I hope there is at least one album that grabs your attention here, and even more so, I hope you come back next week as we close out May 2026 with Out Today & What I Missed for May 29th, 2026. Until then, for Heavy Debriefings, this is Josh Rundquist saying, Embrace the Skullet! - Josh Rundquist (Heavy Debriefings) 
Hey everybody, and welcome to another edition of Out Today & what I missed, this time, for May 15th, 2026. This week is going to be a shorter affair than usual, with 12 albums covered, 6 that are out today, and 6 that I missed along the way. So, rather than previous weeks making this part longer, let’s get into the rules and the list proper.
1.) Out Today & What I Missed is my weekly Friday recap of Out Today, my reviews of albums I got the promo for, and What I Missed, my reviews of any albums I either didn’t get the promo for and/or discovered on my own. I will try to do this every Friday that I’m capable of doing it, but I will admit, I will probably be taking more 1-week breaks than I ever have before. The music will be on the heavy end of things, but I cover anything from Pop Punk to Goth Rock to Progressive Metal to Funeral Doom to the most Experimental or avant-garde music in the Rock and Metal genres. 2.) My reviews should be treated like teaser trailers for movies or games. They will say the band name, the album, the FFO (For Fans Of) Section, and a short review that is a paragraph or less. Why do I do it like this? I don’t want the first time experience with a band to be ruined by my thoughts going into every single detail. I want to show off why you should check something out. Every review is subjective, no matter how anyone wants to spin it. Your thoughts won’t be mine, but I want to show you the option of what’s out there. 3.) NO NEGATIVE REVIEWS! We live in a terrible enough place as it is; I don’t want to add to the trash heap. If I don’t cover something, it is because I haven’t heard of it, and I will most likely go check it out; it's not out yet, I didn’t have time or energy to cover it in the current week, or it’s not my bag...baby. There’s no place for me to yuck on someone’s yum. That said, all my thoughts are mine and mine alone. No Label, PR, Band, or Friendship will make me pick something to positively review. I have to like it and listen to it at least one time through. That will never change. 4.) I will be doing fewer reviews this year, as doing 1,021 reviews last year broke me. That’s not to say I won’t still do up to 20 reviews in a week, just don’t expect that to be the norm week after week. If I only have promos, time, and energy for 15, 10, and 5 reviews in a week, that’s just how it will be. It’s a one-man operation, and the operation needs to think about longevity, not being prolific. All of this leads to Heavy Debriefings' Top 100 Albums of 2026, which will happen at the end of the year. 5.) If I find out after I review an album that an artist, band, or members of said band are garbage people, go against what I find to be even the lowest level of human decency, or use AI for their music, I will remove my review no questions asked. Does that apply to AI art? I don’t know how to answer that; it’ll be on a case-by-case basis. Either I will ignore the album completely, or I will mention how much I hate that they used AI before talking about the rest. I will see what happens. 6.) For another controversial take, I use Spotify to make a playlist every week of coverage with a track off every album to make it easier for people to check out some new music. Is Spotify a good company? No. Is any streaming company in North America good? No. You either avoid all of it or pick your poison, as all of them do terrible things and hurt everyone, and it’s also a necessary evil in today’s world if you want to make any kind of impact. I don’t judge you one way or the other for streaming or not streaming. I hope I can get the same level or tolerance in return. 7.) CHECK OUT SOME NEW MUSIC! OUT TODAY Angellore- Nocturnes FFO- Gothic Death Doom The 4th album from this French outfit is a stunning display of the more raw side of Gothic Death Doom. Balancing the demonic growls and angelic cleans in perfect harmony, matched with the tones of the genre you know and love, with just a bit more atmosphere. The production is humanized and still allows for everyone to shine through and hit the levels needed to make this as impactful and sorrow-driven as possible. If you enjoy the likes of Tristania, Theatre of Tragedy, Draconian, and Saturnus, you are doing yourself a disservice by missing out on Angellore any further. This is definitive Gothic Death Doom. Atavistia- Old Gods Awaken FFO- Symphonic Melodeath Another band that I have heard about for a long time but never actually heard until now returns with the 5th album from this Canadian band. Such an intriguing mix of Melodic and Symphonic Death Metal, combining the best of both genres, making it all sound so refreshing and enjoyable. The production on this one is off the charts, and the songwriting feels endlessly inspired. I have truly missed out and desperately need to go back and check out their previous material. If you enjoy the likes of Wintersun, Ensiferum, Zornheym, and Torchia, you will find so much to love with Atavistia. This is how you take well-tread genres and make them your own. The Ghoulstars- The Dark Overlords of the Universe FFO- Horror Punk, Heavy Metal The debut album from this Finnish band, featuring members of Kuolemanlaakso, Hooded Menace, and Thermate, is a fun, heavy, and inspired take on Horror Punk. Between all 10 tracks and 34 minutes on display shows a pure love of horror and horror adjacent themes mixed in with a Misfits meets White Zombie meets Murderdolls meets early day Motley Crue feel that is fast, fun, and full of repeat value. The production is rich and full, and the songwriting, while very simple, is straight ahead and to the point with no unnecessary fluff to the mix. This is all killer, no filler. If you want a short and sweet take on Horror Punk meets Heavy metal, The Ghoulstars are here, and I think they are here to stay. Heavenfall- Thorn FFO- Heavy Metal, Power Thrash The sophomore album and first in 14 years from this Italian band shows that music should be about quality, not quantity. A lot has happened over the past 14 years, and you can hear how that shaped all the songs on this one. Mixing together a melodic and heavy take on Power Thrash and Heavy Metal, feeling like a mix of Nevermore, Savatage, and Ashes of Ares, with a great sense of how to write catchy riffs and vocal melodies. The production feels true and human, capturing how a band will sound in the live setting, and again, the songwriting is the true selling point of the band. I’m always in need of new Power Thrash, and Heavenfall more than fits the bill. They just might for you as well. Opensight- The Outfit FFO- Alternative Metal, Progressive Metal The 3rd album from this London band is such an intriguing mix of sounds. It reminds me of what would happen if Dog Fashion Disco made a 60s-70s espionage-themed album, mixing elements of bands like Faith No More, Opeth, and Iron Maiden into a sound that feels Alternative and Progressive, but still plenty of Metal moments. The production has a more raw, but fulfilling sound to it all, and the songwriting goes through so many twists and turns while taking you on such a fun and thrilling journey of sound. You don’t often get bands that sound like this, and if you want your music to the left of left of center, Opensight is more than worthy of your time. Pro-Pain- Stone Cold Anger FFO- Hardcore, Groove Metal, Thrash Metal The 17th album and first in 11 years from the long-running NYC band sees the welcomed return of the band after Gary Meskil’s attack that left him almost unable to ever return to music. Thankfully, he is back, and the album leaves quite a mission statement in the process. The legendary Pro-Pain sound is here with its classic Hardcore, Groove Metal, and the occasional Thrash tendencies going through all 10 songs and almost 33 and a half minutes in length. Between the themes and the overall sound, this feels like a perfect starter album for the band if you’ve never checked them out before, a great refresher if you have forgotten the band, and simply an album that feels like 2026 in a nutshell. No frills, no genre-bending, simply the Pro-Pain you know and love, but with even more aggression at the state of the world. This is music to get behind. Relíquia- In Theory and Practice FFO- Blackened Doom Metal, Gothic Metal, Post Punk *This technically came out on May 12th, but it still fits in the Out Today category for how I do things.* The debut album from this UK band instantly caught my attention. While they released all of their previous material under a compilation last year, this is the first true album of the band, and it's an incredible mix of genres I love. Combining a mix of Blackened Doom Metal, Gothic Metal, Post Punk, and a little bit of Darkwave into a sound that sounds uniquely their own and still gives nods to some killer genres in the process. This is actually a shorter affair than you would imagine, at 6 songs and almost 32 minutes, but it feels perfect for a taste of what this band can do and potentially hints at what is to come in the future. If you want to hear a mix of Paradise Lost, Godthrymm, The Sisters of Mercy, and Darkest Era, you need to check this out immediately. Sum of Seven- Echoes of the Hypermind FFO- Progressive Metal The debut album from this Finnish Progressive Metal band (formerly known as Sonus Corona) soothes the savage soul. It never goes into the deepest, darkest territories of the genre, but it hits the tropes of 90s/2000s Progressive Metal with just the right amount of growls to set things apart. The production is rich and full, and the songwriting is so rewarding, giving off hints of bands like Haken, Inner Vitriol, Threshold, and the lighter side of Voidchaser to create an atmosphere that feels right at home for those who love the melodic and song-driven aspects of Progressive Metal. If this sounds like your kind of Progressive Metal, you need to give this one a proper spin. What I Missed Beyond The Veil- Oblivion FFO- Extreme Progressive Metal The debut album from this Japanese band feels like the perfect melding of Extreme Metal, Progressive Metal, and other genre-bending to create a sound that feels both futuristic and a tribute to the past at the same time. With a production that is a bit more vintage in sound, but still hits hard, and songwriting that is clearly crafted with a keen sense of Progressive tendencies, this feels like an album that was made with my love of both the most extreme and progressive tendencies in check. This album goes all over the place, and they added everything, including the kitchen sink here, but I wouldn’t want it any other way. Imagine a mix of Between The Buried and Me, Opeth, Kayo Dot, and Devin Townsend, and you’ll start to get into the ballpark of what this band is all about. If this sounds like your bag, I guarantee it is. Give this your proper attention. Frozen Soul- No Place for Warmth FFO- OSDM, Modern Death Metal The 3rd album from this Texas outfit sees this OSDM band exploring a bit more than what Old School Death Metal is all about. Don’t get me wrong, it is still layered in the finest that fans of Bolt Thrower, Gatecreeper, Undeath, and Obituary want in that sound, but the band starts to incorporate more ideas of 21st-century Death Metal in the occasional spots, making this much more accessible for the modern-day Death Metal fan as well. This feels like a true gateway album to access what has been done in the past and what can be done in the modern day. Also take in guest spots from Machine Head, Sanguisugabogg, and, of all frontmen, Gerard Way of My Chemical Romance, and you have an album that is for fans, new and old, to gather around and enjoy what Old School Death Metal is all about. This is how you take a long-running genre and make it your own. Koyo- Barely Here FFO- Melodic Hardcore, Pop Punk, Emo The sophomore album from this Long Island, New York band is the perfect blend of Melodic Hardcore, Pop Punk, and Emo to recapture that early 2000s sound but updated just enough for 2026. It’s a short and sweet affair at 10 songs and a little over 28 minutes, but it’s enough to garner instant replays over and over again. No frills, all killer, no filler, and it strikes such a chord in its themes and music. If you dig the likes of Chief State, Arms’ Length, Stateside, and early-day Taking Back Sunday, this is mandatory listening. Take this escape with Barely Here by Koyo. Lyrre- Nothing is Promised FFO- Folk Metal, Atmospheric Metal The sophomore album from this Polish band, featuring Michalina Malisz, formerly of Eluveitie, on Vocals and Hurdy Gurdy, is a stunning display of Folk Metal without sounding like your typical Folk Metal band. Instead of the over-the-top fun and cheese you get with a majority of bands in the genre, and instead of being Viking-centric, the band focuses much more on atmospheric, cinematic, and progressive elements, with the Hurdy Gurdy taking a big role in the sound. The production on this one is astounding and fits perfectly with the music on display. The songwriting hits so many heartstrings, all while giving you a different take that you just don’t expect. While you hear obvious nods to Eluveitie, Illumishade, Cellar Darling, etc., you will also hear bands like Rioghan, Myrkur, and Faun for a great sense of dynamics. This is a fantastic release, and if you are interested in what kind of sound they can produce, you need to give this one a shot. Ohkaya- Waiting Here FFO- Modern Metal, Alternative Metal, Post Hardcore The sophomore(?) album from this Chicago band, featuring AJ Reingardt, who at the time of writing is the live vocalist for the band Red, has put out an astonishing display of what Modern metal can and should be. I completely understand how this is too Poppy for those who normally check out my lists, but I also recommend that you sit down and give this one a proper spin, as there are plenty of Heavy moments throughout this one, much heavier than one would normally expect to hear in this sound. Combined with a crystal clear production style and songwriting that is expansive, especially for what you’d normally expect, you have one of the most standout albums of Modern Metal you are going to find in 2026. If you enjoy bands like the aforementioned Red, Dayseeker, and Our Mirage, but want even more dynamics and catchy, Ohkaya is doing incredible work that is worth checking out. Panopticon- Det hjemsøkte hjertet FFO- North American Folk Metal, Atmospheric Black Metal, Symphonic Black Metal The staggering 12th album from Austin Lunn may be the most heartbreaking and gorgeous in the Panopticon discography. The 3rd and final album in the Laurentian Trilogy acts as an album of reflection and death in a way that hits way too close to home in all of the right ways, all while being a great metaphor for what Minnesota has suffered through both in history and in very recent times. I am even choking up as I am writing this up. While I know the main sticking point for a lot of people is the production value when the Black Metal sides kick in, to me, it adds so much to the heartache and the sheer cathartic beauty that Lunn has established since the beginning of the band. The biggest departure on this album is the more Folk side of things, in favor of a grand-scale symphonic sound that, if you’re not careful, could easily make you cry from the tones alone, let alone the themes on display. With every release, I wonder how Lunn could possibly top the previous Panopticon album, and he always finds a new way to do it. Yeah, this has become my favorite Panopticon album; it’s more than worthy of any Album of the Year considerations (I will be one of them, I assure you of that), and I highly suggest it to anyone, no matter your tastes in music. If you care about wildlife, the human experience, everything going on in the US right now, or just want to hear how Black Metal can be one of the most heartbreaking and beautiful genres of music, Panopticon is here to show you how it’s done. I don’t know how Lunn could possibly top this album, but I know he will somehow, some way. Volcandra- Beyond The Will of Mortals FFO- Melodic Blackened Death Metal This one completely missed me, and I didn’t even realize this Louisville, Kentucky band even released their 3rd album. 13 months after its predecessor, Volcandra is back with what is easily the band’s best work, and it’s not even close. While I loved the two previous albums, this is by far the band’s best work so far, making the melodic moments stand out so much richer and the Blackened Death Metal elements hit in just the right ways to make for an undeniable force. The production is the best they’ve ever had, and the songwriting is so grand and rewarding on every listen. If you want a killer mix of Skeletonwitch, Dissection, Thulcandra, and Revocation, Volcandra is the band for you. Yoth Iria- Gone with the Devil FFO- Black Metal The 3rd album from this Greek band sees the band expanding its sound. Of course, the sound of Black Metal is still in full force here, but they expand upon it to make it feel richer, deeper, more dynamic, and like a full album experience rather than just a collection of great songs. It’s still dark, evil, and captivating as always, it just takes more patience to enjoy the entire album, and to me, those are always the best albums. The production is the perfect balance of human and clear, allowing everyone to shine through the darkness. For anyone who enjoys latter-day Rotting Christ, Dissection, Vried, and Septicflesh, you need Yoth Iria, and I do mean NOW! And there you go folks, another 16 albums down, 36 in May so far, and 277 albums in 2026 so far. I hope you found something to dig in this list this week as it was quite diverse and it was one of my favorite weeks to cover so far. Programming note, I may or may not be taking next week off due to both a lack of promos ahead of time for May 22nd and simply needing a week to rest, but if that changes at all, I will be back next week, otherwise, come back May 29th for Out Today 7 What I Missed. Until then, this is Josh Rundquist for Heavy Debriefings saying, Embrace the Skullet! - Josh Rundquist (Heavy Debriefings) 
Hey everybody and welcome back to Out Today & What I Missed, this time, for May 8th, 2026. On the positive side of things, my health is slowly but surely on the rebound, but it’s going to take a while to get to where I should be, but that also means that I should be able to keep going weekly for the foreseeable future (though I still may take July off to recharge, we’ll see). Today, I will be trying to make up for last week’s absence with 20 new albums, 10 that are out today and 10 that I missed (including everything I planned on covering last week. Though, I will hope if you forgive me if I am still very much on the mend and not able to go as deep into everything as I do not want to burn myself out as I am recovering. All that said, let’s get into the rules and the list proper.
1.) Out Today & What I Missed is my weekly Friday recap of Out Today, my reviews of albums I got the promo for, and What I Missed, my reviews of any albums I either didn’t get the promo for and/or discovered on my own. I will try to do this every Friday that I’m capable of doing it, but I will admit, I will probably be taking more 1-week breaks than I ever have before. The music will be on the heavy end of things, but I cover anything from Pop Punk to Goth Rock to Progressive Metal to Funeral Doom to the most Experimental or avant-garde music in the Rock and Metal genres. 2.) My reviews should be treated like teaser trailers for movies or games. They will say the band name, the album, the FFO (For Fans Of) Section, and a short review that is a paragraph or less. Why do I do it like this? I don’t want the first time experience with a band to be ruined by my thoughts going into every single detail. I want to show off why you should check something out. Every review is subjective, no matter how anyone wants to spin it. Your thoughts won’t be mine, but I want to show you the option of what’s out there. 3.) NO NEGATIVE REVIEWS! We live in a terrible enough place as it is; I don’t want to add to the trash heap. If I don’t cover something, it is because I haven’t heard of it, and I will most likely go check it out; it's not out yet, I didn’t have time or energy to cover it in the current week, or it’s not my bag...baby. There’s no place for me to yuck on someone’s yum. That said, all my thoughts are mine and mine alone. No Label, PR, Band, or Friendship will make me pick something to positively review. I have to like it and listen to it at least one time through. That will never change. 4.) I will be doing fewer reviews this year, as doing 1,021 reviews last year broke me. That’s not to say I won’t still do up to 20 reviews in a week, just don’t expect that to be the norm week after week. If I only have promos, time, and energy for 15, 10, and 5 reviews in a week, that’s just how it will be. It’s a one-man operation, and the operation needs to think about longevity, not being prolific. All of this leads to Heavy Debriefings' Top 100 Albums of 2026, which will happen at the end of the year. 5.) If I find out after I review an album that an artist, band, or members of said band are garbage people, go against what I find to be even the lowest level of human decency, or use AI for their music, I will remove my review no questions asked. Does that apply to AI art? I don’t know how to answer that; it’ll be on a case-by-case basis. Either I will ignore the album completely, or I will mention how much I hate that they used AI before talking about the rest. I will see what happens. 6.) For another controversial take, I use Spotify to make a playlist every week of coverage with a track off every album to make it easier for people to check out some new music. Is Spotify a good company? No. Is any streaming company in North America good? No. You either avoid all of it or pick your poison, as all of them do terrible things and hurt everyone, and it’s also a necessary evil in today’s world if you want to make any kind of impact. I don’t judge you one way or the other for streaming or not streaming. I hope I can get the same level or tolerance in return. 7.) CHECK OUT SOME NEW MUSIC! OUT TODAY The Biscuit Merchant- Golden Age FFO- Thrash Metal The 10th album of 26 albums (one album representing every letter of the alphabet) in this Goliath of an endeavor by Justin Lawnchair is here with Golden Age. For the letter G, the album goes more into Thrashy territory, which may come as a shock to those who may have discovered the band last year with their more Progressive Death Metal side with Tempora, though there are still Proggy moments throughout. The album is more streamlined and focused rather than being broad and diverse and it works in it’s favor for it. The production is a fantastic display and allows for everything to shine while the songwriting has this Testament meets Exciter meets Strapping Young Lad feel that just puts a smile on my face. While this is just 1/26th of the whole concept, it’s a great starting point for the band if you are just jumping on now with some albums more proggy, more Death Metal, more bonkers, more subdued. There’s no telling what letter is coming for 2027, but I am eagerly waiting to see where The Biscuit Merchant goes next. Until then, this is one of the best Thrash albums I’ve heard so far this year, and when you listen, you just might agree. Draconian- In Somnolent Ruin FFO- Gothic Doom Metal The 8th album in 23 years from this long running band sees the return of one of the best Gothic Doom Metal bands to ever exist. A lot has changed in the past 6 years just for the band alone, not including the world, but with that see’s ½ of a new lineup including a returning Lisa Johansson, and it makes for one of the most tearjerking and sorrowful albums of 2026. The power the band has always shown is on full display with the right kind of dynamics hitting in just the right spots. The production pounds away while the songwriting more than carries it’s weight in Doom gold. We have needed Draconian back for quite a while now and it’s great to see the band in absolute top form. This is easily some of the band’s best work and it’ll only take one listen to understand why. Exploding Head Syndrome- Deathbeds FFO- Melodic Punk, Hardcore The 4th album from this Norwegian band hits a level of 90s Punk, Hardcore, and Alternative Rock that just hits right at home for me. Done with such finesse and care about making the best songs possible with no fluff or reinvention. It just needs to be solid, catchy, and memorable, and all 11 songs are full of that in spades (thought he final track does go past 7 minutes, it’s more than warranted). If you enjoy bands like Bouncing Souls, Bad Religion, Refused, and early day Rise Against, you need to hear what Exploding Head Syndrome is all about. Iatt- Etheric Realms of the Night FFO- Progressive Melodic Blackened Death Metal To put it simply, this is album of the year worthy in every conceivable way. This is everything that I love about genrebending, a grand horror concept, spellbinding musicianship and the perfect blend of raw, but authentic production. The 4th album from this Philadelphia band combines Progressive, Black Metal, Death Metal, Avant Garde, and so much melody to create an atmosphere that is unlike any other, but still feels entrancing and memorable. While singles help, hearing the album as a whole makes this an experience that feels so needed. The fact the band can channel Akercocke, Opeth, Ihsahn, and Ne Obliviscaris into a band that feels not only fresh, but revolutionary is something to not take lightly. While their previous album is called Magnum Opus, they have more than outdid themselves here. This is the band’s finest work so far, and I can only imagine that trajectory will continue going forward. I can’t stress this enough, this is one of the best albums of the year, if you like your music exploratory and thought provoking, you NEED Iatt in your life. idle threat- you'll forget the sun FFO- Post Hardcore, Alternative Rock The sophomore album from this Nashville band is such a killer mix of Post Hardcore, Alternative Rock, and the occasional Indie thrown in to feel like a modern throwback to the early 2000s, but still have enough spice and nuance to feel like 2026. It hits emotional levels that are peak Post Hardcore and 2000s Metalcore that you just had to be there to truly embrace all while making things their own and showing how it can be done for the modern day. The production on this one is bombastic and lets you feel every level. While you will have the most attachment if you enjoy bands like early day Thrice, Underoath, and Haste The Day; if you want an emotionally drawn out display of what can be done with this genre, idle threat are here to take you away. Massive Ego- Symphony of Flies FFO- Darkwave The 4th album from this British outfit is just a rewarding display of Darkwave, Pop, and hints of Goth Rock that just feels truly needed right now. It feels like a throwback to the 80s and 90s display of the genres while being just modern enough to make it work for today. The production is off the charts and feels so satisfying coming out of your speakers while the songwriting will make you bob your head with every track. Even Boy George shows up for a song, which is a great thing to see. For the heavier music fans checking this out and not really familiar with the genre, if you enjoyed Host’s debut album IX a couple years ago but want it just a bit more Poppy, you should fall in love with this. This is an excellent display of what can be done in Darkwave and only gets more captivating with every replay. Restless Spirit- S/T FFO- Stoner Doom What a fun album. The 4th album from this Long Island, New York band is just perfect combination of Black Sabbath, Mastodon, The Sword, and Baroness that reminds me of the late 2000s, but also is able to stand on it’s own creating a blend of fun, catchy, and riff-infused Stoner Doom with dynamics and flair. With a production style that couldn’t work better if they tried, this is an album that takes the fun of the genre and puts it on full display. As great as these songs are on the album, I can only imagine how much better they will sound in the live setting. If you like your Stoner Doom with personality and causing quite the ruckus, Restless Spirit is here to deliver the goods. Rexoria- Fallen Dimension FFO- Melodic Power Metal The 4th album from this Swedish Melodic Power Metal band hits that fun filled, journey inspiring, and just plain fun that Melodic Power Metal is supposed to be. It’s some of the most rock solid and no frills display of the genre that I’ve heard in quite a while and it makes it that much more intriguing. The production is human and allows for everyone to shine while the songwriting is straightforward and hits you hard. If you dig bands like Metalite, Moonlight Haze, Elettra Storm and early day Battle Beast, this is required listening. Sins of Shadows- The Last Frontier FFO- Heavy Power Metal The 3rd album from this French Heavy Power Metal band is an excellent display of the genre, hitting everything you want and still giving you more. Feeling like a triumphant mix of Symphony X, Kamelot, Iron Maiden, and Megadeth; this combines the best aspects of Heavy Metal, Thrash Metal, and Power Metal to make for a heavy and pit-inducing display of music. The production is just raw enough and still hits you in the gut while the songwriting is refined but still gives just enough flair. If you want an album that feels like peak 2000s Heavy Power Metal, but done for the 2026 crowd, check out Sins Of Shadows Torchia- They Are Born Under Rules of the Darkness FFO- Melodeath A name I have always heard but never actually checked out until this album and oh, how I wish I would have checked them out sooner. The 4th album from this Finnish Melodeath band has such an intriguing and distinguished style of Melodeath in their style that’s layered in horror and gothic territories while finding ways to be both off the beaten path and ridiculously catchy. The production hits you at full force and the songwriting has so many unexpected twists and turns, leading for an eerie and captivating good time. If you dig the likes of Kalmah, As The Sun Falls, latter day Rotting Christ, and early day In Flames; Torchia is the band for you. What I Missed Bewitched- Diabolical Death Mass FFO- Blackened Thrash Metal, Heavy Metal The 6th album in 30 years from this longtime Swedish band and their first in 20 years is a welcomed return. Hitting that blend of Black Metal, Thrash Metal, Heavy Metal and Speed Metal that has become even more popular since their last album. It pays tributes to those who helped start the genre like Venom, but hits right up there with those who have come after them like Midnight. It’s an absolutely no frills affair at 11 tracks, almost 34 minutes, and all the tracks are under the 4 minute mark. They come in, give you their unholy glory and leave you wanting more. The production is raw, but the kind of raw that simply works and the songwriting is simple, but so very effective. If you want a masterclass on how Blackened Thrash Metal works, Bewitched have returned and showing us all how it is done. Catalano- Perfect Storm FFO- Heavy Metal, Glam Metal, Hard Rock The 3rd album from this Australian band is some of the most refreshing 80s inspired Heavy metal I’ve heard in quite some time. While, obviously, layered in so much glam and sleaze, the talent behind this band in mesmerizing and they lay it out all on the table on this one. The production is simply perfect and the songwriting is catchy as it can get, but still knows how to show the talent of the entire band no matter the tempo or distortion level. If you enjoy the likes of Black Swan, Temple Balls, Confess, and Stargazer, Catalano is helping delivering music that is more than worthy of your ears. A Dream of Poe- Katabasis: A Marriage Among Ashes FFO- Gothic Doom Metal Considering this is this Portuguese band’s 5th album, I’m astounded I never heard of them until I randomly came across this one. That said, I am loving what I am hearing. A tragic concept album that pulls at your heartstrings and rips them apart with sheer haunting beauty. The production is simply what needs to be done in the Gothic Doom style with a glowing atmosphere behind it all and the songwriting is effective and tells it’s tale in a way that will call for replays. If you enjoy the likes of My Dying Bride, Grain of Pain, Draconian, and Woe Unto Me, A Dream of Poe will be your new, dark obsession. Eveale- Enter the Woodland Realm FFO- Black Metal The debut album from this US/UK band featuring members of Ashenheart and Negative Bliss is an astounding display of Black Metal. While clearly having a love for the old school sound from it’s production value and dark atmosphere, there are new twists and turns to the music that the forefathers of the genre would have never dared to explore, making the music more dynamic and impactful. A short and sweet affair at 9 songs and 37 and a half minutes feels like the perfect length to give you a taste of what this band is all about and potentially what is to come in the future. If you like the more raw side of Darkthrone and Satyricon, but adding nuances of the proggier and folky sides of Enslaved and Borknagar, Eveale is making a truly impactful statement that deserves your attention. Haste The Day- Dissenter FFO- Metalcore The 7th album from this Indiana band and first in 11 years is quite the statement. You can hear how much life has changed from the early days of the band, but also seeing this is truly the right path for them as well. While there is some of the heaviest aspects of the band still in check, the band is exploring more of their dynamic and genrebending sides as well going into more Alternative and mainstream sounds. It’s strange hearing moments that remind me of Thrice, I Prevail, August Burns Red, and latter day The Devil Wears Prada, but that is what’s on display and it’s done effectively. This feels like an evolution for the band that I remember from the early to mid 2000s, but one that shows that life truly changes and that can be for the best. In Malice's Wake- The Profound Darkness FFO- Death Thrash The 5th album from this Melbourne, Australian band sees the band hitting their darkest and most brutal territories ever. They have clearly hit the Demonic and The Gathering era of the band putting out some of the most hard hitting and devastating riffs they have ever written in a blend of Death Thrash that would make even Chuck Billy blush. Hearing the assaults on this album from beginning to end feels like the absolute right choice for the band and it shows off what is possible in the band going forward. While there is still plenty of Thrash to go around, the Death and almost Black Metal elements makes this album shine and stand out amongst the rest. As of right now, this balance is peerfection and begs for repeats. For those that love the heaviest ends of Testament, Kreator, Sodom, and Toxic Holocaust, you must check this one out. LOR3L3I- Peace By Proxy FFO- Darkwave, Gothic Electronic The sophomore album from Heike Langhans of Light Field Reveries, Remina and more is one of the most haunting pieces of this style of Darkwave I have ever heard. There is something about being so associated with Gothic Doom Metal and being able to create something like this that brings this nuance that you simply can’t get anywhere else from anyone else. If you took out the electronics and replaced with those tones, this would be one of the most devastating albums of Gothic Doom Metal ever created. But hearing it behind moments of Darkwave, EDM and ambient elements almost gives it this sense of calm and dare I say positivity? Of course some of the greatest moments of repeatability and catharsis comes from the saddest of music, and that’s what I am feeling here. If you want to hear a dark, deep, and therapeutic take on Darkwave, this is required listening. Riverflame- Lunar Crusades FFO- Epic Meloblack The debut album from this international (Italy, France, Greece) band feels like what would happen if you mixed Keep of Kalessin and Hammerfall together, you read that right. A band that feels like Epic Power Metal done through the gaze of Epic Meloblack is such an odd mix, but that is what’s on display here. Granted, the Power Metal side of things has more to do with the themes and the occasional instrumentation and not in the vocal department, but I also love the combination of genrebending that’s going on here and it makes for an album that is a sheer wonder to behold. The production is a little on the raw side, but done so effectively and the songwriting is endlessly inspired. Considering this is just a debut album, it feels like something that band’s 10 albums into their career could never manage. What a monumental release. I can’t wait to see where they go from here. Silaera- An Abberation of the Void FFO- Atmospheric Black Metal, Post Metal, Extreme Progressive Metal The debut album from this Chicago band has hit me like a ton of bricks. Combining a mix of Black Metal, Post Metal, and Extreme Progressive Metal into this cacophony of sound that is endlessly engaging and only hits harder the more the album unlocks for you. With a production style that lets you hear every level recorded with ease (not always a thing in Black Metal) The songwriting shines on this album like nothing else and hearing this mix of bands like Keep of Kalessin, An Abstract Illusion, Blackbraid, and Cult of Luna is an incredible feat and an album I will keep going back to time and time again. This is how you take some of the most extreme genres in Metal and make them into a whirlwind of songwriting for all the world to hear. This is a band that can hit the stratosphere and I truly hope they do. Spell- Wretched Heart FFO- Heavy Metal, Occult Rock The 5th album from this Canadian band is the band’s darkest, yet, catchiest album to date. Feeling like a mix of Ghost meets Unto Others in all of the best ways and more on the occult side of things is a winning combination. The production has a more vintage sound to it that works in it’s favor and the songwriting is so catchy and memorable. If you love Opus Eponymous from Ghost and want a little more of a 80s flair to it, this should be your new favorite band. I can’t get enough. And there you go folks, another 20 albums down and 261 albums done in 2026 so far. I hope there is something here that is your bag and hopefully you’ll return next week for Out Today & What I Missed for May 15th, 2026. As long as my health keeps going in the right direction, I’ll be here every Friday I can to bring you as much new music as you can handle. Until next time, for Heavy Debriefings, this is Josh Rundquist saying, Embrace The Skullet! - Josh Rundquist (Heavy Debriefings) 
Hey everybody and welcome to my monthly recap of all the albums I've recently covered, this time, entitled Every Album i reviewed in April 2026. Despite this being one of the roughest months I've had in a very long time, I still managed to get 61 album reviews down for you and I hope there is something here that you will dig. As usual, this is done in alphabetical order to make it easier for everyone checking this out, so give it a look and see if anything tackles your fancy. I am taking tomorrow off to continue recovering from my recent health issues, but I'll be back next week for Out Today & What I Missed for May 8th, 2026. Enjoy!
- Josh Rundquist (Heavy Debriefings) The Amity Affliction- House Of Cards FFO- Melodic Metalcore The 9th album from this Australian Metalcore band hits that fine line between heavy and melodic and does it in such an earwormy way that it won’t leave your head for days. When it gets heavy, they know how to lay down some crushing breakdowns and pulverizing riffs. When it gets melodic, the melodies and harmonies shine through the darkness and stick with you. While I have known about the band for years on end, this is the first time I actually sat down and listened to a full album, and I am still impressed after all this time. Balancing both sides and making everything feel even is such a hard thing to achieve, but the band does it brilliantly. If you dig the likes of Parkway Drive, We Came As Romans, Beartooth, and The Ghost Inside...you probably already know this band, but if you are giving them a proper chance like I am, they are worth a proper spin. Anthea- Beyond The Dawn FFO- Symphonic Metal The sophomore album from this LA Symphonic Metal band is a catchy display of the genre, all while adding their own spin to it. Featuring a love of the Symphonic metal genre (with just the right amount of screams to balance things out) mixed in with inspiration of composers like Danny Elfman, Hans Zimmer, and John Williams. With a production style that fits the music like a glove and musicianship that knows when to focus on the melodies and when to showcase more technical aspects, this hits everything that the genre is known for and keeps your attention the entire time. If you enjoy the likes of Kamelot, Nightwish, Carmeria, and Neopera, you will find something to love about Anthea. Archspire- Too Fast to Die FFO- Tech Death The 5th album from this Canadian Tech Death band, and it is simply their best work to date. The band has gone through a lot of peaks and valleys over the years, with a lot of trials and tribulations, and has come out the other side writing their magnum opus. This is everything that has made the band stand out over the years, but everything is done to its absolute limits. Even when the music gets more melodic, it’s more melodic than ever before, but matched up with sheer brutality. The musicianship from everyone involved is utterly insane, and it’s matched up with perfect production value. This is what other Tech Death bands aspire to be in the 2020s, and Archspire is sitting firmly at the top of the Tech Death mountain. What a ride it’s been so far. Armed for Apocalypse- The Earth is Breathing Beneath Me FFO- Sludge Metal, Hardcore, Post Metal The 4th album from this California band is my first foray into the band, but I am loving what I am hearing. A band that can balance out their heaviest, sludgiest ends with full speed ahead Hardcore is a killer combination and leaves you wondering where the next riff will take you. This is a crushing release that takes you from pillar to post and leaves you wondering how you got there. The production on this one is off the charts, which is no easy thing to achieve given the genre-bending, and the songwriting is fully inspired and gives so much replay value. If you need a mix of Inter Arma, The Acacia Strain, Ether Coven, and Primitive Man, this is a band you need in your life. At The Gates- The Ghost of a Future Dead FFO- Melodeath This will be the most heartbreaking Melodeath album of 2026. With the passing of Tomas Lindberg, this feels like the goodbye to a legend that nobody wanted to see happen, but it’s one of the most genuine and heartfelt pieces of the Melodeath genre ever done. While this album is understandably much more straight-ahead than the band’s work in most of the 21st century. It’s done in such earnest and inspired ways, leaving for some of the band’s best work ever laid to record. Also, considering Lindberg did the vocals first for this album and the band wrote around it, this leaves the album to have a new perspective that you don’t often hear and captures your interest from beginning to end. This is not an easy listen and leaves a lot of heartache, it also leaves a lot of catharsis and a sense of moving on. Whether this is the final At The Gates album or leaving this chapter behind has yet to be seen, but regardless, this is one of the best At The Gates albums and one that may leave its hardest-hitting impressions on you. Everyone owes it to themselves to listen to this one and give it the attention it deserves. Bedrängnis- Stiller Abschied FFO- Black Metal, DSBM This Swiss Black Metal duo’s sophomore album is an album that continues to blow me away with every listen. Filled with so much power, triumph, and agony thrown into one is no easy thing to achieve, but it’s done here in all its glory. This is a band that is as close to DSBM as I’ve ever heard, but with actually killer production for the style, and it makes the music shine through the utter darkness. The fact that this is a duo and not like a 5-6 piece band is mind-boggling. If you enjoy bands like Agrypnie, Xasthur, Malphas, and Soulburn, check this one out immediately. Blindead 23- Deuterium FFO- Progressive Post Metal The debut album featuring past and present members of Blindead, Katatonia, Wolverine, and Nidhogg is a killer display of mixing Progressive and Post Metal together that still pays tribute to Blindead, but pushes forward in a new chapter. The production on this one is stellar and allows everyone to shine and be heard while the songwriting goes all over the place, but nothing feels out of place and feels fully needed. I can hear as much of bands like Katatonia as I do Cult of Luna, as I do Neurosis, as I do Leprous. It’s a great combination of sound and feels like a great mission statement for the band going forward. If you love that mix of Progressive Post Metal, Blindead 23 continues to forge forward in the best of ways. Bloody Valkyria- Requiem: Reveries of the Dying FFO- Epic Meloblack The 3rd album in 2 years from this one-man Finnish band is astounding. Having covered their previous album last year, hearing the progress of sound in such a short time showcases what this project has to offer. This is easily the most majestic and powerful album of the three so far. The production is a bit on the raw side, but the music more than makes up for anything you may find lacking. At 8 songs and over 53 and a half minutes, this is a grand scale assault of what Epic and Melodic Black Metal can be fused together, and it’s a wonderful thing to hear. If you enjoy Keep of Kalessin, Saor, and Summoning, make sure you check out Bloody Valkyria. Boisson Divine- Eretatge FFO- Folk Metal The 4th album from this French band is the kick in the pants that the fun side of Folk Metal has needed for quite some time. It’s fast, blustering, hits the right levels of epic, and just makes you smile as you listen to it. While I do enjoy the darker side of Folk Metal, the right kind of fun Folk metal still gets me going and excited, and that’s what’s on delivery here. When speedy, it reminds me of Bad Religion made Folk Metal, when it slows back down, it hits like Elvenking and Eluveitie. It simply works on all levels, and I hope newer bands can hear this album and be inspired to make this kind of album going forward in the genre. If you miss the fun in Folk Metal, make sure to check this one out. Chief State- Keep Your Friends Closer FFO- Pop Punk I’ve always had a soft spot for inspired and hard-hitting Pop Punk. The 3rd album from this Vancouver band is exactly what is called for in this style, and it gets better on every listen. The riffs are so hooky, the vocal melodies and harmonies shine through, and no matter if they go all guns blazing or slow things down just enough, every song feels impactful and full of spirit. At 12 songs and a little over 35 minutes, this comes in, crushes your emotions, and leaves you wanting more, as a good Pop Punk band should do. This is my kind of Pop Punk through and through. If you are new to the genre, used to enjoying it and want to come back to it, or are a diehard Metal fan that is questioning why I would check something like this out, just give this a spin and see what this does for you. It’s well worth the investment. Cnoc An Tursa- A Cry For The Slain FFO- Blackened Folk Metal As I’ve gotten older, I enjoy Folk Metal more when it is used as a spice rather than the full meal. The 3rd album from this Scottish outfit is the perfect example of that. Feeling much more of the Blackened Folk variety and hitting hard in the way of Saor than Eluveitie is much more appealing to me, and it makes for some of the hardest-hitting and resonating music I’ve heard in this style in a long time. Done with a production style that makes the music hit so hard with just the lightest of nuances mixed into their blend of music and done with inspired and tragic themes, this is an album that leaves a lasting impression and never loses its luster. You’ll have a hard time finding a better Blackened Folk Metal album this year. Coffret de Bijoux- Lose Myself In You FFO- Post Black, Atmospheric Black Metal, Blackened Emo The 11th album in 2 years from Alice Simard (and no, this is not an AI band) is an emotional wreck of an album that I didn’t know I needed. Mixing in Black Metal, Alternative, and Emo into one of the most emotionally draining and hard-hitting albums of this style I’ve ever heard. While other albums so far have much more of a Lo-Fi and harsher tone, This 2 song album is the perfect production value for my tastes, and it allows for the music and lyrics to shine in a very dark capacity. This is the kind of album that I can tell will go over a lot of people’s heads and maybe even cause some to get angry about the final product. For myself, it hits everything that I’d want, embracing so many outside influences to make the music captivating and intriguing, and it feels like a mission statement of what can be done with Black metal for the future. If you have a try-hard, gatekeeper mentality, avoid this one or at least proceed with caution. If you want to embrace a new take on a genre that always deserves new life, be sure to give this one a proper listen. The more it unlocks for you, the more rewarding it becomes. Corrosion of Conformity- Good God / Baad Man FFO- Southern Metal, Sludge Metal, Stoner Metal The 11th album from this long-running North Carolina band is picking up right where No Cross No Crown left off, but there has been a lot that has happened since then. Trials, tribulations, and sad changes in lineups have happened, but the core sound of the band still exists in their Pepper Keenan sound, and it sounds just as heavy and groove-laden as ever. Even Stanton Moore returns to the drum throne on this one (though only for the recording process). In all honesty, this is my favorite COC album since In The Arms of God, and that spirit from 21 years ago is still very strong here. The production is tailor-made for the band, and the musical creativity and diversity are so strong. While what is gone from the band is still felt strongly here, this incarnation is carrying the torch and doing a phenomenal job. If you dig this era of COC, you will love this album. Crimson Glory- Chasing The Hydra FFO- Power Metal, Progressive Metal, Heavy Metal In something I never saw coming, the legendary Progressive Power Metal band, Crimson Glory, is back with their 5th album and first album since 1999. Featuring a new lineup including Travis Wills on lead vocals and Mark Borgmeyer on guitar, the band channels every era of the band from its proggy and technical sides to its all guns blazing Power Metal to its gorgeous melodies and harmonies in its more subdued styles. It feels like a great love letter to the past, all while showing what the band is capable of for the future. Hearing a band like this come back as strong as ever and charting new territory is a fantastic thing to see. If this is your first taste of the band and you enjoy the likes of Nevermore, Queensryche, Fates Warning, and Helstar, Crimson Glory is required listening. And of course, make sure you go back and check out the previous 4 albums as well. Crippled Black Phoenix- Sceaduhelm FFO- Dark Rock, Post Rock, Experimental The staggering 13th album from this UK band is some of the darkest, most subdued, and straight-up music I’ve ever heard from the band, and it’s the right decision. It’s always good to switch things up in a band, and when you have as prolific a catalog as this band does, it’s good to make an occasional album that feels more straight ahead and listener-friendly and sucker them in with your past catalog to show the full diversity. That’s not to say this album isn’t still filled with experimentation, as it’s clearly here, but there are a lot more elements of Post Punk, Goth Rock, and 80s music mixed in with their sound that give this great throwback feel, all while still feeling relevant to today’s world. The production is perfect for the sound and the songwriting, while more refined, it still sounds inspired and thought-provoking. This is a fantastic starter album for the band with a catalog that is more than worthy of your attention. If you dig Godspeed You! Black Emperor, Swans, and Siouxsie and the Banshees, give this one your proper attention. Cruel Force- Haneda FFO- Blackened Speed Metal, Thrash Metal 4 albums into this German’s career, and they continue to keep getting better and better with every release. This is exactly my kind of Blackened Speed Metal, Thrash Metal from the guitar tones, the double bass assaults, to the Rototom fills that couldn’t feel more 80s if they tried. While this is nothing groundbreaking, it doesn’t need to be. It just has to be absolutely solid, and this is one of the most solid displays of the genre that not only the band has ever done, but the genre has ever had. Seriously, if you love bands like Deathhammer, Possessed, Sodom, and Kreator, Cruel Force needs to be your new obsession. Dance With The Dead- Malombra FFO- Instrumental, Darksynth, Industrial The 6th album from this California duo continues to make the horror-inspired Darksynth, and Industrial Rock and metal that I have always loved from them, but done, somehow, even better. The fact that the band’s trajectory has only gotten better and better over the years is no easy thing to achieve, but it’s done here in all its glory. While all instrumental, the music more than carries the weight without any vocals needed, and they make the most of their combined musical talent time and time again. The production matches the mood, and the album is so layered and diverse in its sound, making for one of their most well-rounded and fun albums to date. If you love 80s-inspired synth, horror movies, and fun, you need Dance With The Dead, and I mean now. Dark Ride- Blade Manor FFO- Horror Punk, Melodic Punk, Heavy Metal Do you miss when AFI was a Horror Punk band as much as I do? Well, worry no longer, you get that and a much heavier sound here with Dark Ride and their debut album, Blade Manor. This is Horror Punk in all of its glory, feeling like the aforementioned AFI, Misfits, and Alkaline Trio with a Metal attitude that is so satisfying to the ears time and time again. Put together with a killer production style, this brings me back to the early 2000s, which will always have a place in my heart. I can’t sell it much better than that. If you love Horror Punk, you will LOVE Dark Ride. Doodswens- S/T FFO- Black Metal The sophomore album from this Dutch Black Metal band is an uncompromising approach to the genre that hits everything you love about the genre, but done with more atmosphere and unholy precision. With a just raw enough production style and a pure love for the macabre, this is a trio that is focused on writing music that feels like pure death stalking you at every turn, yet enchanting enough for you not to run away. If you were told this came out in 1996, you wouldn’t even bat an eye, as it feels that authentic, but still held to a 2026 caliber. If you enjoy the likes of Gorgoroth, Darkthrone, Satyricon, and Blut Aus Nord, make sure you do not skip out on this one. Dust- Thoughts of a Falling Man FFO- Groove Metal, Metalcore The sophomore album from this Italian band is a great step up from their debut album back in 2019. They have taken everything they have learned over the past 7 years to create stronger, harder-hitting, and more in-depth lyrics that strike such a chord with me. Mixed together with a clear and powerful production style, this is an album that is meant for those who enjoy the likes of Trivium, Gojira, Parkway Drive, and Faith Burner. This is some quality Groove Metal, Metalcore, and Death Metal that truly makes you think. From Ashes To New- Reflections FFO- Alternative Metal, Nu Metal, Radio Metal The 5th album from this Pennsylvania outfit is some of the catchiest work the band has ever done. Focusing even further on their genre-bending to create a 2020s Mainstream sound, but with a throwback to late 90s, early 2000s sounds, is a combination that more straight-ahead fans are sure to love. While I will never be a Nu Metal fan, there is enough of the Alternative Metal and Modern Metal sounds going on here that I can ignore that and enjoy the full display. The production is crystal clear, and the songwriting is clearly a formula that is meant to be an earworm after earworm. If you enjoy bands such as I Prevail, Motionless in White, We Came as Romans, and Beartooth, From Ashes to New has something for you. Godsnake- Inhale The Noise FFO- Melodic Thrash Metal My first foray into this German band comes in the form of their 3rd album, and I am floored. What an incredible display of Melodic Metal, Thrash Metal, and New Wave of American Heavy Metal thrown into one. This track feels like Metallica, Death Angel, Trivium, and Lamb of God fused together to create a sound that hits that late 80s-mid 00s sound, but updated for 2026. The production is right where it should be, and the songs are balanced between over-the-top Thrash and the catchiest riffing you’ll hear in this style. This is sure to win over Metal fans, new and old. Melodic Thrash fans take note, Godsnake is creating some fantastic music. Godspear- Turn to the Light FFO- Power Metal The debut album from this Canadian/Ukrainian band is such an awesome mix of what makes the genre work while adding their own touches to the music. Sometimes you just want the tropes of what makes a genre work without reinventing the wheel, but still want it to sound fresh. That’s what you get here in spades. The double bass ferocity, the soaring vocals, the insane musicianship, and the excellent songwriting are all here and feel like a band that is making this for the pure love of the music. If you enjoy a mix of Blind Guardian, Rhapsody, Blood Sky, and Violet Eternal, Godspear is making the music for you, and it’s well worth your time. Golgotha- Hubris FFO- Melodic Death Doom The 7th album from this Spanish band is a deep, dark, and raw take on Melodic Death Doom that feels necessary for the times we live in. While it doesn’t hit the dirges of Funeral Doom, nor does it feel like a Sabbath album, the band mixes in a style of 90s Peaceville Three Doom that always hits at home for me and gives just enough of a Gothic feeling to make the music a bit more accessible. The production is raw and human, letting you hear every real note on display with songwriting that knows just the right notes and tones to get you to feel something. It’s a hard-hitting album that will send chills down your spine, and who doesn’t want that in their Melodic Death Doom? Grain of Pain- Behind Us All FFO- Melodic Doom Metal, Gothic Metal The sophomore album from this one-man Finnish band made one of the finest examples of Melodic and Gothic Doom Metal with their 2024 debut, The Moon Lights The Way. In 2026, they have not only created another masterpiece of the genre, but it’s also easily the best album of the two. Everything that worked so well on the debut is doubled down on here, and the new creative outlets make the music so much stronger, tighter, and filled with so much more sorrow. Not to mention the guest vocal spots from singers of Decapitated, Evig Natt, and you have an album that is filled to the brim with everything I love about this genre, done with pitch-perfect production and songwriting. For straight-up Melodic and Gothic Doom Metal, you will be hard-pressed to find an album that tops this one in 2026. If you enjoy the likes of Dawn of Solace, In Mourning, Swallow the Sun, and Hanging Garden, go check out Grain of Pain immediately. Green Carnation- A Dark Poem, Part II: Sanguis FFO- Progressive Gothic Metal Part II of the trilogy, known as A Dark Poem, is here with Sanguis. This is a little bit shorter than Part I at 6 songs and 38 minutes, but it feels complete and the true centerpiece of the trilogy. The songs on this one have a bit more of a commercial feeling overall, while never losing their Gothic, Progressive, and Doom Metal elements. The single I Am Time is easily the catchiest song I have ever heard from the band, which is saying a lot. The lyrical content is easily the darkest the band has done to date, with subject matter that hits way too close to home on my end, but it also feels nice to be seen. The production will inevitably sound similar as it is all meant to become a complete album in three parts, but it sounds fantastic and so clear. I am chomping at the bit for Part III coming out later this year, but until then, having 2/3rds of this massive collection and playing them back-to-back is so rewarding. If you dig Green Carnation, but want to hear it a little less stretched out and down to the true meat and potatoes of the band, check out Sanguis. Hardline- Shout FFO- AOR, Melodic Rock, Melodic Metal 8 albums into the career of this LA band is that perfect blend of AOR, Melodic Rock, and Metal that is endlessly satisfying. It captures the riffs, vocal lines, melodies, harmonies, and jaw-dropping solos that make the genre work time and time again, but never feels forced or outdated. While the band is far from reinventing the wheel on this one, that’s not the point of the music; it’s to create the most solid music possible in this style and it simply works. The production is nice and punchy, and everyone shines. This is a true standard bearer for what the heavy side of AOR is still capable of in 2026, and I can’t get enough. Absolutely solid album. Heiden- cma FFO- Progressive Black Metal This Czech band’s 9th album feels like a great culmination of the band’s previous work, but it also forges a new path. Mixing in their love of Black Metal, Post Black, Post Rock, and more Avant Garde moments makes for a creative, intriguing, and mesmerizing experience from beginning to end. The production is the perfect balance of clean and raw, and the songwriting is off the charts. If you want a mix of Enslaved, Solstafir, Alcest, and Drudkh, you need Heiden in your life. Hellripper- Coronach FFO- Blackened Speed Metal The 4th album from this Scottish band is by far the best in the band’s catalog. It has everything you ever loved about the band, but done with just enough finesse, tenacity, and care for the music at hand to make it some of the most melodic and intriguing music of the catalog. Mixed in the perfect production style for the music. The perfect blend of Black Metal and Speed Metal to give you the best of both worlds and still leave you wanting more. James McBain has done it again. If you dig Midnight, Bewitcher, Sodom, and Sabbat, you know what to do...check this one out now! Hokka- Via Miseria IV FFO- Modern Metal, Alternative Metal, Gothic Rock The debut album from Joel Hokka (former Blind Channel) feels like a war cry of individualism and self-expression, trying to escape the realities of life and make a better future. Hokka had to redefine himself after Blind Channel dissolved, and in the wake of its demise, he has come out making some incredibly written Gothic-tinged Rock and Metal that feels so appropriate for the modern 2026 audience. The production is so nice and punchy, and the songwriting is definitely not going to be for everyone who checks out my reviews, but if you love Poppy and catchy mainstream music, this is going to be some of the best that you hear this year. I loved what Blind Channel did, but I enjoy musicians making the music they want to make more, and I truly enjoy what Hokka has to offer here. I’m excited to see where this timeline goes from here. Immolation- Descent FFO- Death Metal The 12th album in 35 years from one of the most devastating Death Metal bands in existence, and it more than lives up to everything the band is capable of and more. The band has always known when to put in the right amounts of brutal, technical, and melodic moments into their blend of Death Metal, and with every release, they find a way to one-up themselves, and this is far from an exception. Everything you ever loved about the band is here, but done with just more finesse and elegance. Matched with a killer production style, this is some of the band’s best work ever and helps put some of their contemporaries to shame. Immolation has been laying waste to everything for 38 years now, and if Descent is any clue, they are far from slowing down any time soon. Inferi- Heaven Wept FFO- Tech Death, Melodeath The other big Tech Death album of April 10th, 2026, comes in the form of Inferi’s 7th album. This Nashville band is constantly pushing themselves into the heaviest forms mixed in with just the right amount of Melodeath to make for a winning combination. The musicianship on this one is jaw-dropping, and the production behind it only lets everyone shine further. The more I listen to this one, the more I may say this is the band’s finest hour so far. If you enjoy Arsis, The Black Dahlia Murder, and, of course, Archspire, you gotta check out Inferi in all of their glory. Lone Assembly- Knots & Chains FFO- Post Punk, Darkwave The debut album from this Swiss band is one of the most heartwrenching and uplifting albums I’ve heard in this style in a long time. Combining what makes Post Punk, Darkwave, and goth Rock work with a dark romantic twist to it all makes for an album that can make you cry or want to hit the sheets, depending on the situation. It’s an alluring album set with a perfect stylistic production and songwriting that is as catchy as it is hard-hitting. It’s the kind of album from when you need a break from how heavy the world is and want to go back to a time where this was as dark as life got, but still catchy as all get go. If you dig your 80s-infused dark music, check out Lone Assembly. Long Distance Calling- The Phantom Void FFO- Progressive Post Metal The leaders of Progressive Post Metal are back with their 9th album, and it may be their darkest album to date. The whole album, while instrumental, is a concept album that focuses on a dark, horror-drenched story that matches up with the visuals made for the album, which makes for a terrific display of not only musicianship but storytelling with no vocals needed. The band has always mastered this sound, and it only gets better as time goes on. The songwriting is at the band’s peak so far, and the production matches it perfectly. As far as a traditional LDC album, this may be my favorite since Avoid The Light, and that is not an easy thing to say. If you want to hear how Progressive Post Metal is done to the best of its ability, you need to hear The Phantom Void. Looprider- LOVE FFO- Heavy Rock, Shoegaze, Hardcore Simply put, if you love Boris, you will LOVE Looprider. If you need more, the 7th album from this Tokyo band does everything that I love with this style of Rock, Metal, Noise, Hardcore, Shoegaze, and more. They are not afraid of making the music they want to make, and they will make sure you pay attention to every single recorded second. The obvious comparison is Boris, but I can also hear elements of Melt Banana as well when it gets blazing fast. At 9 songs and 45 minutes, this feels like the perfect length to get you interested and remember this band going forward. While this is my first taste of the band, I’ll be going back and checking out what I’ve missed so far. I needed something like this, and you just might as well. Lord of the Lost- Opvs Noir Vol 3 FFO- Industrial Gothic Metal The final album of the Opvs Noir trilogy is finally here. I covered Vol 1 last year, but didn’t get to cover Vol 2 as it came out in December during my yearly break (though it is an incredible release as well). Vol 3 feels like the perfect culmination for this era of the band, matching their blend of Industrial, melodic, gothic, and heavy moments combined to create a sound that is as catchy as it is dark. Much like I said about Vol 1, this feels like a Best Of Lord of the Lost with brand new material, and between all 3 albums, it’s clear the band can clearly balance quality and quantity in perfect harmony. If you enjoy this style, you simply need Lord of the Lost in your life. Melting Brain Club- Spiritual Filth FFO- Progressive Rock, Black Metal, Mathcore The sophomore album from this Norwegian band more than lives up to its name. I feel like my brain is melting the more I listen to it. Combining so many different genres into a sound that leaves room for an extreme take on Progressive Rock, yet feels so appropriate. Their debut album was a bit more on the Prog Rock and darker side. Spiritual Filth feels like a reshaping of the band in the most bonkers of ways. Mixing SikTh, Enslaved, Between The Buried And Me, and Rolo Tomassi. The production handles everything with ease, and that songwriting is the pure selling point here, never lingering on one style for too long. This is an album you may not get on the first, second, or third time through, but if you let it unlock, it will reward you with an album that will never leave your side again. Outstanding work. The Moon and the Nightspirit- Seed of the Formless FFO- Post Rock, Neo-Folk, Pagan Folk This is the 8th album from this Hungarian duo and my first foray into the band, and I wish I had heard them sooner. What a spectacular display of Folk, Pagan, Post Rock, and Post Metal thrown into one enchanting mixture. It feels like a much heavier retelling of medieval fairytales to feel even more haunting and enriching. Mixed with a production style that feels ethereal and atmospheric, this is a band that I need to study up on the back catalog and enjoy what they have done up to this point, as this album is fantastic, and I need more. If you want a mix of bands like Faun, Dead Can Dance, Agalloch, and Alcest, you need to check this out now. Orathania- Echo of Freedom FFO- Folk Metal The debut album from this Ukrainian band is everything that I love about this style of Folk Metal. It's not wacky or over the top; it just hits the right elements, feeling more like Borknagar than Eluveitie or Trollfest if you catch my drift. While I’d be lying if I said I understood the lyrics or concepts of the album, I do love how they are sung/screamed, and they fit so well with the music behind it. I can see some not digging the vocal style on this one, but for me, it’s perfect for the music. If you want something in the vein of the aforementioned Borknagar, Drudkh, and Nokturnal Mortum, give this one a proper listen. Pizza Death- World Doughmination FFO- Pizza Thrash, Crossover Thrash, Hardcore Punk Hilarious Pizza Thrash comes in the form of this Australian band’s 3rd album. No reinventing the wheel, no experimentation, just Heavy Crossover Thrash, Hardcore Punk, and funny sound clips. 20 songs, almost 35 minutes, what else could you need from this cheesy goodness? You’ll either love it, or this is not for you; there is no in between. Grab a slice and enjoy! Poison Ruin- Hymns from the Hills FFO- Medieval Punk, NWOBHM, Blackened Crust Punk The 3rd (or 4th) album from this band (depending on how you look at it) from this Philadelphia band is my first foray into the band, but it definitely won’t be my last. Hitting this level of Punk, Post Punk, NWOBHM, and almost Blackened Crust Punk at times is something that hits just enough of all of these sounds without going too far into one direction. With a production style that feels like 1986 and songs that hit you right in the gut one right after the other, this is a Punk album that feels as classic as it does modern in all of the right ways. If you want a band that can channel their love of The Damned, Amebix, Killing Joke, and even Darkthrone, check out Poison Ruin in all of their glory. Premier Jester- Turn You On FFO- Alternative Metalcore The debut album from this UK band hits that blend of Electronic and Alternative Metalcore perfectly. The songs can go from absolutely crushing to absolutely hooky on the turn of a dime, and it just feels like a good time from beginning to end. Every track is smile-inducing and just feels like a great escape from the realities of 2026. The production is that modern touch, so it’ll blow your speakers away, and the songwriting, while catchy, is intricate and well-crafted. The easiest comparison is Electric Callboy, and I can say that it would be an incredible tour to see one day. It’s big, dumb, fun, and we need that more than ever. Rain Diary- Night Church FFO- Dark Synth Rock, Goth Rock The 3rd album from this Finnish band is the right kind of Poppy, Darkwave, and Goth Rock that feels right at home for me. While this will be too much for some to handle, if you enjoy that dark rave mix of sounds that hits just the right elements of Goth and Rock, this is an album that will be stuck with you for days after you listen. It hits the right elements of the past and present while looking into the future with a production that reminds me of a '90s dance mix and the substance of a more Dance-oriented version of Lord of the Lost. If you want to be sad and get on the dancefloor, Rain Diary is the band for you. Ram-Zet- Sapien FFO- Avant Garde Blackened Gothic Metal One of the most left of center albums I’ve covered this year and will definitely still be one of the most left of center come the end of the year comes in the form of the 6th album and first in 14 years from this Norwegian band. Feeling like a true mix of UneXpect, Stolen Babies, Diablo Swing Orchestra, and To-Mera; this is a band that I’m discovering for the first time here and it just captures so much of the Progressive, Gothic, Blackened and Avant garde Moments, but instead of just being bonkers with no rhyme or reason, every single note has a purpose and makes the songs better for it. The production on this one is also stellar and allows everyone to shine. This is not an album for the faint of heart, but it is for anyone who wants those extra layers tied into their favorite genres of music to create a dramatic, theatrical, and captivating display of Metal. Reflection Black- Burning Obsidian Star FFO- Post Punk, Goth Rock The sophomore album from this Greek band is such a phenomenal display of Goth Rock and Post Punk mixed together with just enough heaviness to it all. Feeling like Unto Others, Grave Pleasures, The Sisters of Mercy, and Final Gasp came together to write an album as authentically as possible. The production is pure 1986, and the songwriting has absolutely no fluff; every note here has purpose. Mixed in with a vocal delivery that can send chills down your spine, and you have one of the best albums of this style in 2026. It’s been a great year so far for this genre, and this is one of the finest examples you will find. Give this one a proper listen. Riket- 2026 FFO- Death Metal The debut album from this Swedish Death Metal band, featuring past and present members of Benighted, Netherbird, Northborn, and Terminal Prospect, is a fantastic display of the genre. An album that is thematically about tragic Swedish history (and all performed in Swedish as well), the music more than matches up to the themes, going from all-out fury to hauntingly beautiful passages on the turn of a dime and never losing its edge. The production on this one feels so natural for the sound on display and gives a true mid-90s Swedish Melodeath feel. If you want a band that mixes Edge of Sanity, Grave, At The Gates, and Dismember, you truly need Riket. Semper Acerbus- Following Omens FFO- Metalcore The 3rd album from this Texas Metalcore band hits all of the tropes I love about the genre without any of the filler. It knows when to get heavy, it knows when to get melodic and earwormy, it knows when to show off technical abilities and brutal breakdowns. It has it all in a package that just gets better and better with every listen. Put that together with a clear and pristine production style, and you have an album meant for anyone who enjoys the likes of Unearth, Upon a Burning Body, and Killswitch Engage. This is my kind of Metalcore, go and check it out. The Solitude- The Sound of Absent Life FFO- Epic Doom Metal, Candlemass Simply put, this is pure Candlemass worship, from the imagery to the name of the band to the style of the music. This is an early day Candlemass done to an absolute T...and that is a great thing. Taking that sound from 40 years ago and adding a little bit of their own herbs and spices into the mix makes for one of the best Epic Doom Metal albums of 2026 so far. The production is vintage, the style is sleek, and the songwriting is everything that makes the genre work. What else needs to be said? If you love Candlemass and want that classic sound, check out The Solitude. SolNegre- Anthems For The Grand Collapse FFO- Death Doom The sophomore album from this Spanish band instantly caught my attention when I received the promo for this album, and it has kept me interested this whole time. Putting together my favorite blend of Death Doom together and creating some of the most tearjerking material I’ve heard so far this year is no easy feat in the world we know as 2026, but that is what happens here, and that album title more than lives up to our current state of life. Every single note played here feels devastating and does not let up on the emotional wreckage. The production is exactly what this genre calls for and feels utterly powerful listen after listen. If you enjoy your Death Doom in the styles of early day Anathema, Swallow The Sun, My Dying Bride, and Shape of Despair, you absolutely need SolNegre in your life. Splendidula- Absentia FFO- Atmospheric Doom Metal, Atmospheric Black Metal The 4th album from this Belgian band nails that blend of Atmospheric Black metal and Doom Metal in unholy harmony. It can sound as angelic as it does demonic, and that combination is a winning combination. While the production, mixing, and mastering are on the very raw side, it works to the favor of the music, giving it that atmospheric element that feels authentic, and if you enjoy this style, it only works more in its favor. Add in guest vocals from Tim Tatras of Austere and the almighty Aaron Stainthorpe of High Parasite, and you have an album that truly does feel like a mix of Austere, My Dying Bride, and Amesoeurs. If you need this mix of genres, I implore you to not skip out on this one; it is more than worthy of your time. Tårfödd- Mörker täcker livets ljus FFO- Progressive Post Black, Atmospheric Black Metal The astounding 6th album in 2 years (and as I say every time, not AI) from this one-man Swedish band is quite possibly the bleakest, darkest, and most captivating album of this short life so far. Stripping away most of the progressive elements on this one (though still here in its songwriting), it focuses much more on the Atmospheric Black Metal side and features Revenant of Order of Nosferat on almost all of the tracks and regular vocalist Johanna Furberg on one track, giving this album a much different flavor. While the production on this one is more raw, it fits the atmosphere of the music brilliantly, and that songwriting is easily some of the best of this style. This really gives me early and dark era Alcest vibes mixed in with haunting melodies and harmonies that will be stuck in your head for days on end. What I love about this project is that no matter what direction they go into, it will always sound like the band, and I love what they are doing here. Considering the track record, I don’t expect this to be the only album of 2026, but even if it is, I can’t wait to see what comes next. Threat Signal- Revelations FFO- Metalcore, Groove Metal Threat Signal has been one of the best Canadian Metalcore bands going since Under Reprisal, all the way back in 2006. 20 years later, the band has returned with their 5th album, and it’s a fantastic display of everything they’ve been capable of and are still pushing for more in their sound. It’s always been interesting to hear a band that can channel Meshuggah, Fear Factory, Soilwork, and Linkin Park in their sound, and it all sounds natural, but that’s what continues here. Mixed in with an utterly fantastic production style to let every song shine. If you have never been a Metalcore fan, this will not be the album to make you suddenly interested in the sound; if you ever had any kind of passing fancy with the genre, this will either remind you of how much you enjoyed it in the past or remind you of what you have been missing. Every time this band puts out an album, it feels like a mission statement, and that’s what is happening here once again with Revelations. They are still here to stay. Toward The Throne- Midnight FFO- Atmospheric Blackened Death Metal The sophomore album from this French band is an astounding display of Atmospheric and Blackened Death Metal. It captures the dark and sophisticated take on the genre and makes it their own with some more progressive songwriting and excellent musicianship. Feeling like a mix of Enslaved, Septicflesh, Rotting Christ, and Keep of Kalessin, Toward the Throne is a band that may be flying under the radar right now, but that needs to change. This is an album that you need to experience, no matter the kind of Blackened Death Metal fan you are. It’s simply how this genre should be done. Vanderlust- The Human Farm FFO- Progressive Metal, Power Metal, Heavy Metal The sophomore album from this Italian band is a wonderful display of Progressive Power Metal that is endlessly melodic, catchy, and thought-provoking. Mixing in the right elements of Progressive and Power Metal together into a sound that feels like Helloween, Symphony X, Tool, and Haken into a winning combination of sound. The production on this one is a bit more raw than I expected, but it’s not distracting and makes the music feel even more human. At 11 songs and a little over 47 minutes, this is an album that feels fantastic from start to finish and takes so many twists and turns, all while feeling natural and rewarding on every listen. This is for all of the Prog Power fans out there. You need Vanderlust. Vanir- Wyrd FFO- Melodeath, Viking Metal The 8th album from this band, straight out of Denmark, continues to show why their blend of Melodeath and Viking Metal is here to stay. Mixing the Melodeath sound with Viking imagery is a combination that works on every level and makes the music hit harder and harder with every subsequent album. The production continues to improve, and the songwriting is simply majestic. If you enjoy the likes of Primalfrost, Amon Amarth, Finntroll, and Wolfchant, give Vanir your proper attention; you will be so glad that you did. Victorius- World War Dinosaur FFO- Power Metal What can you say about the 7th album from this German band? It’s smile-inducing, it’s as cheesy as you would expect with an album title like World War Dinosaur, it’s filled to the brim with memes, but it’s still done competently and written with actual talent, rather than just riding the gimmick. Balancing both out is something a lot of bands have a hard time doing, but I feel Victorius has always made music that is fun and filled with prowess, and that is no exception here. Done with a terrific production style, this is music meant to make you turn your mind off from the ever-depressing world around you and remember that life can be fun. And in 2026, we need that more than ever. If you just want balls to the wall, joyous Power Metal, you get that with Victorius. Voidchaser- Interstellar I FFO- Progressive Metal The debut album from this Montreal band is the perfect blend of BTBAM, Dream Theater, and Haken. Matching the musicianship of all three of those bands, but adding their own herbs and spices into the music to create a sound that pays homage to classic Progressive Metal, but keeps up with the 21st-century twists and turns. It gets cold, dark, and heavy, but it also gets melodic, harmonic, and smile-inducing, all while showing off unbelievable musicianship and tenacity. If you love your Progressive Metal new and old, but want a new take on it all, Voidchaser is here and delivering the goods. A Winter’s Remorse- The Day Our Gods Abandoned Us FFO- Symphonic Melodeath, Black Metal, Metalcore The debut album from this Houston band is quite the treat for the Metal senses. Combining an unholy mix of Symphonic Melodeath, Black Metal, and Metalcore together to create a sound that feels familiar, but still unique, and you wonder how this combination hasn’t been done nearly as often. I can hear bands like Winds of Plague, Among Wolves, Through The Eyes of The Dead, and Carnifex here, and all of it feels genuine and satisfying. The production feels human, and the songwriting is clearly inspired and showcases what happens when genre-bending goes right. While I know this won’t be everyone’s cup of tea, this is an album that is an awakening for the mid-2020s, and that is a great thing to see. This band could go so far, and I hope they do. I can’t wait to see where they go next. Winterfylleth- The Unyielding Season FFO- Black Metal The 9th album from this long-running Black Metal unit continues to prove why they are one of the most consistent and uncompromising bands in all of Black Metal. Every album has a signature sound to it, sometimes more symphonic, sometimes more atmospheric, sometimes more straight ahead, but it always sounds unapologetically like Winterfylleth. With almost all of their previous albums having a very cold feel to them all, this one is pure fire and a (sadly) incredible display of what the world feels like in 2026. It feels like everything is going to hell, and this is the soundtrack to it all. At least the soundtrack to our demise is dark and majestic. The production is stunning, and the songwriting is what I’ve always loved about the band, but just done in a bit of a new way. For those who enjoy Wodensthrone, Fen, Agalloch, and Panopticon, Winterfylleth puts out music like no one else and nails it every single time. This is by far no exception. Winterlvst- Awakening FFO- Darksynth The debut album from this band, featuring past and present members of Kittie, Blackguard, and author Martine Bourque, has created an eerie but delightful display of Darksynth that gets just heavy enough, but focuses so much on the macabre sounds on display. Feeling like a great mix of Depeche Mode, Health, and the synthy side of Devin Townsend, this is an album that feels right at home for those who enjoy Darksynth and want a new spin on it. The production feels like the early 90s in the best way, and the songwriting will send shivers through you, leaving you wanting more. If you have been craving this kind of music, I don’t think you are going to get something much more authentic and captivating than Winterlvst. Seriously, go check this one out. Witch Ripper- Through the Hourglass FFO- Progressive Sludge Metal The 3rd album from this Seattle band sounds like the heaviest and sludgiest ends of Mastodon and Baroness (think everything up to Crack the Skye and Red Album/Blue Record eras), and you have Witch Ripper. A band that clearly has the talent and creativity to make some impactful and full-sounding music that reminds you of 20 years ago, but updated just enough for 2026. The production is so rich and full with songs that take you on journey after journey in sound. As great as this sounds on record, I can only imagine how much better it’ll sound in the live setting. If you love that mid to late 2000s Progressive Sludge Metal sound, you couldn’t need Witch Ripper more in your life. 
Hey everybody, and welcome to another edition of Out Today & What I Missed. This time, for April 24th, 2026. This is the final week of April coverage, and we are ending it with a band with 18 new albums to cover, 9 that are out today, 9 that I missed along the way, and no time to dilly dally. Let’s get into the rules and the list proper.
1.) Out Today & What I Missed is my weekly Friday recap of Out Today, my reviews of albums I got the promo for, and What I Missed, my reviews of any albums I either didn’t get the promo for and/or discovered on my own. I will try to do this every Friday that I’m capable of doing it, but I will admit, I will probably be taking more 1-week breaks than I ever have before. The music will be on the heavy end of things, but I cover anything from Pop Punk to Goth Rock to Progressive Metal to Funeral Doom to the most Experimental or avant-garde music in the Rock and Metal genres. 2.) My reviews should be treated like teaser trailers for movies or games. They will say the band name, the album, the FFO (For Fans Of) Section, and a short review that is a paragraph or less. Why do I do it like this? I don’t want the first time experience with a band to be ruined by my thoughts going into every single detail. I want to show off why you should check something out. Every review is subjective, no matter how anyone wants to spin it. Your thoughts won’t be mine, but I want to show you the option of what’s out there. 3.) NO NEGATIVE REVIEWS! We live in a terrible enough place as it is; I don’t want to add to the trash heap. If I don’t cover something, it is because I haven’t heard of it, and I will most likely go check it out; it's not out yet, I didn’t have time or energy to cover it in the current week, or it’s not my bag...baby. There’s no place for me to yuck on someone’s yum. That said, all my thoughts are mine and mine alone. No Label, PR, Band, or Friendship will make me pick something to positively review. I have to like it and listen to it at least one time through. That will never change. 4.) I will be doing fewer reviews this year, as doing 1,021 reviews last year broke me. That’s not to say I won’t still do up to 20 reviews in a week, just don’t expect that to be the norm week after week. If I only have promos, time, and energy for 15, 10, and 5 reviews in a week, that’s just how it will be. It’s a one-man operation, and the operation needs to think about longevity, not being prolific. All of this leads to Heavy Debriefings' Top 100 Albums of 2026, which will happen at the end of the year. 5.) If I find out after I review an album that an artist, band, or members of said band are garbage people, go against what I find to be even the lowest level of human decency, or use AI for their music, I will remove my review no questions asked. Does that apply to AI art? I don’t know how to answer that; it’ll be on a case-by-case basis. Either I will ignore the album completely, or I will mention how much I hate that they used AI before talking about the rest. I will see what happens. 6.) For another controversial take, I use Spotify to make a playlist every week of coverage with a track off every album to make it easier for people to check out some new music. Is Spotify a good company? No. Is any streaming company in North America good? No. You either avoid all of it or pick your poison, as all of them do terrible things and hurt everyone, and it’s also a necessary evil in today’s world if you want to make any kind of impact. I don’t judge you one way or the other for streaming or not streaming. I hope I can get the same level or tolerance in return. 7.) CHECK OUT SOME NEW MUSIC! OUT TODAY The Amity Affliction- House Of Cards FFO- Melodic Metalcore The 9th album from this Australian Metalcore band hits that fine line between heavy and melodic and does it in such an earwormy way that it won’t leave your head for days. When it gets heavy, they know how to lay down some crushing breakdowns and pulverizing riffs. When it gets melodic, the melodies and harmonies shine through the darkness and stick with you. While I have known about the band for years on end, this is the first time I actually sat down and listened to a full album, and I am still impressed after all this time. Balancing both sides and making everything feel even is such a hard thing to achieve, but the band does it brilliantly. If you dig the likes of Parkway Drive, We Came As Romans, Beartooth, and The Ghost Inside...you probably already know this band, but if you are giving them a proper chance like I am, they are worth a proper spin. Armed for Apocalypse- The Earth is Breathing Beneath Me FFO- Sludge Metal, Hardcore, Post Metal The 4th album from this California band is my first foray into the band, but I am loving what I am hearing. A band that can balance out their heaviest, sludgiest ends with full speed ahead Hardcore is a killer combination and leaves you wondering where the next riff will take you. This is a crushing release that takes you from pillar to post and leaves you wondering how you got there. The production on this one is off the charts, which is no easy thing to achieve given the genre-bending, and the songwriting is fully inspired and gives so much replay value. If you need a mix of Inter Arma, The Acacia Strain, Ether Coven, and Primitive Man, this is a band you need in your life. At The Gates- The Ghost of a Future Dead FFO- Melodeath This will be the most heartbreaking Melodeath album of 2026. With the passing of Tomas Lindberg, this feels like the goodbye to a legend that nobody wanted to see happen, but it’s one of the most genuine and heartfelt pieces of the Melodeath genre ever done. While this album is understandably much more straight-ahead than the band’s work in most of the 21st century. It’s done in such earnest and inspired ways, leaving for some of the band’s best work ever laid to record. Also, considering Lindberg did the vocals first for this album and the band wrote around it, this leaves the album to have a new perspective that you don’t often hear and captures your interest from beginning to end. This is not an easy listen and leaves a lot of heartache, it also leaves a lot of catharsis and a sense of moving on. Whether this is the final At The Gates album or leaving this chapter behind has yet to be seen, but regardless, this is one of the best At The Gates albums and one that may leave its hardest-hitting impressions on you. Everyone owes it to themselves to listen to this one and give it the attention it deserves. Blindead 23- Deuterium FFO- Progressive Post Metal The debut album featuring past and present members of Blindead, Katatonia, Wolverine, and Nidhogg is a killer display of mixing Progressive and Post Metal together that still pays tribute to Blindead, but pushes forward in a new chapter. The production on this one is stellar and allows everyone to shine and be heard while the songwriting goes all over the place, but nothing feels out of place and feels fully needed. I can hear as much of bands like Katatonia as I do Cult of Luna, as I do Neurosis, as I do Leprous. It’s a great combination of sound and feels like a great mission statement for the band going forward. If you love that mix of Progressive Post Metal, Blindead 23 continues to forge forward in the best of ways. Cnoc An Tursa- A Cry For The Slain FFO- Blackened Folk Metal As I’ve gotten older, I enjoy Folk Metal more when it is used as a spice rather than the full meal. The 3rd album from this Scottish outfit is the perfect example of that. Feeling much more of the Blackened Folk variety and hitting hard in the way of Saor than Eluveitie is much more appealing to me, and it makes for some of the hardest-hitting and resonating music I’ve heard in this style in a long time. Done with a production style that makes the music hit so hard with just the lightest of nuances mixed into their blend of music and done with inspired and tragic themes, this is an album that leaves a lasting impression and never loses its luster. You’ll have a hard time finding a better Blackened Folk Metal album this year. Golgotha- Hubris FFO- Melodic Death Doom The 7th album from this Spanish band is a deep, dark, and raw take on Melodic Death Doom that feels necessary for the times we live in. While it doesn’t hit the dirges of Funeral Doom, nor does it feel like a Sabbath album, the band mixes in a style of 90s Peaceville Three Doom that always hits at home for me and gives just enough of a Gothic feeling to make the music a bit more accessible. The production is raw and human, letting you hear every real note on display with songwriting that knows just the right notes and tones to get you to feel something. It’s a hard-hitting album that will send chills down your spine, and who doesn’t want that in their Melodic Death Doom? Heiden- cma FFO- Progressive Black Metal This Czech band’s 9th album feels like a great culmination of the band’s previous work, but it also forges a new path. Mixing in their love of Black Metal, Post Black, Post Rock, and more Avant Garde moments makes for a creative, intriguing, and mesmerizing experience from beginning to end. The production is the perfect balance of clean and raw, and the songwriting is off the charts. If you want a mix of Enslaved, Solstafir, Alcest, and Drudkh, you need Heiden in your life. Hokka- Via Miseria IV FFO- Modern Metal, Alternative Metal, Gothic Rock The debut album from Joel Hokka (former Blind Channel) feels like a war cry of individualism and self-expression, trying to escape the realities of life and make a better future. Hokka had to redefine himself after Blind Channel dissolved, and in the wake of its demise, he has come out making some incredibly written Gothic-tinged Rock and Metal that feels so appropriate for the modern 2026 audience. The production is so nice and punchy, and the songwriting is definitely not going to be for everyone who checks out my reviews, but if you love Poppy and catchy mainstream music, this is going to be some of the best that you hear this year. I loved what Blind Channel did, but I enjoy musicians making the music they want to make more, and I truly enjoy what Hokka has to offer here. I’m excited to see where this timeline goes from here. Premier Jester- Turn You On FFO- Alternative Metalcore The debut album from this UK band hits that blend of Electronic and Alternative Metalcore perfectly. The songs can go from absolutely crushing to absolutely hooky on the turn of a dime, and it just feels like a good time from beginning to end. Every track is smile-inducing and just feels like a great escape from the realities of 2026. The production is that modern touch, so it’ll blow your speakers away, and the songwriting, while catchy, is intricate and well-crafted. The easiest comparison is Electric Callboy, and I can say that it would be an incredible tour to see one day. It’s big, dumb, fun, and we need that more than ever. What I Missed Boisson Divine- Eretatge FFO- Folk Metal The 4th album from this French band is the kick in the pants that the fun side of Folk Metal has needed for quite some time. It’s fast, blustering, hits the right levels of epic, and just makes you smile as you listen to it. While I do enjoy the darker side of Folk Metal, the right kind of fun Folk metal still gets me going and excited, and that’s what’s on delivery here. When speedy, it reminds me of Bad Religion made Folk Metal, when it slows back down, it hits like Elvenking and Eluveitie. It simply works on all levels, and I hope newer bands can hear this album and be inspired to make this kind of album going forward in the genre. If you miss the fun in Folk Metal, make sure to check this one out. Chief State- Keep Your Friends Closer FFO- Pop Punk I’ve always had a soft spot for inspired and hard-hitting Pop Punk. The 3rd album from this Vancouver band is exactly what is called for in this style, and it gets better on every listen. The riffs are so hooky, the vocal melodies and harmonies shine through, and no matter if they go all guns blazing or slow things down just enough, every song feels impactful and full of spirit. At 12 songs and a little over 35 minutes, this comes in, crushes your emotions, and leaves you wanting more, as a good Pop Punk band should do. This is my kind of Pop Punk through and through. If you are new to the genre, used to enjoying it and want to come back to it, or are a diehard Metal fan that is questioning why I would check something like this out, just give this a spin and see what this does for you. It’s well worth the investment. Coffret de Bijoux- Lose Myself In You FFO- Post Black, Atmospheric Black Metal, Blackened Emo The 11th album in 2 years from Alice Simard (and no, this is not an AI band) is an emotional wreck of an album that I didn’t know I needed. Mixing in Black Metal, Alternative, and Emo into one of the most emotionally draining and hard-hitting albums of this style I’ve ever heard. While other albums so far have much more of a Lo-Fi and harsher tone, This 2 song album is the perfect production value for my tastes, and it allows for the music and lyrics to shine in a very dark capacity. This is the kind of album that I can tell will go over a lot of people’s heads and maybe even cause some to get angry about the final product. For myself, it hits everything that I’d want, embracing so many outside influences to make the music captivating and intriguing, and it feels like a mission statement of what can be done with Black metal for the future. If you have a try-hard, gatekeeper mentality, avoid this one or at least proceed with caution. If you want to embrace a new take on a genre that always deserves new life, be sure to give this one a proper listen. The more it unlocks for you, the more rewarding it becomes. Godspear- Turn to the Light FFO- Power Metal The debut album from this Canadian/Ukrainian band is such an awesome mix of what makes the genre work while adding their own touches to the music. Sometimes you just want the tropes of what makes a genre work without reinventing the wheel, but still want it to sound fresh. That’s what you get here in spades. The double bass ferocity, the soaring vocals, the insane musicianship, and the excellent songwriting are all here and feel like a band that is making this for the pure love of the music. If you enjoy a mix of Blind Guardian, Rhapsody, Blood Sky, and Violet Eternal, Godspear is making the music for you, and it’s well worth your time. Looprider- LOVE FFO- Heavy Rock, Shoegaze, Hardcore Simply put, if you love Boris, you will LOVE Looprider. If you need more, the 7th album from this Tokyo band does everything that I love with this style of Rock, Metal, Noise, Hardcore, Shoegaze, and more. They are not afraid of making the music they want to make, and they will make sure you pay attention to every single recorded second. The obvious comparison is Boris, but I can also hear elements of Melt Banana as well when it gets blazing fast. At 9 songs and 45 minutes, this feels like the perfect length to get you interested and remember this band going forward. While this is my first taste of the band, I’ll be going back and checking out what I’ve missed so far. I needed something like this, and you just might as well. Melting Brain Club- Spiritual Filth FFO- Progressive Rock, Black Metal, Mathcore The sophomore album from this Norwegian band more than lives up to its name. I feel like my brain is melting the more I listen to it. Combining so many different genres into a sound that leaves room for an extreme take on Progressive Rock, yet feels so appropriate. Their debut album was a bit more on the Prog Rock and darker side. Spiritual Filth feels like a reshaping of the band in the most bonkers of ways. Mixing SikTh, Enslaved, Between The Buried And Me, and Rolo Tomassi. The production handles everything with ease, and that songwriting is the pure selling point here, never lingering on one style for too long. This is an album you may not get on the first, second, or third time through, but if you let it unlock, it will reward you with an album that will never leave your side again. Outstanding work. Pizza Death- World Doughmination FFO- Pizza Thrash, Crossover Thrash, Hardcore Punk Hilarious Pizza Thrash comes in the form of this Australian band’s 3rd album. No reinventing the wheel, no experimentation, just Heavy Crossover Thrash, Hardcore Punk, and funny sound clips. 20 songs, almost 35 minutes, what else could you need from this cheesy goodness? You’ll either love it, or this is not for you; there is no in between. Grab a slice and enjoy! Rain Diary- Night Church FFO- Dark Synth Rock, Goth Rock The 3rd album from this Finnish band is the right kind of Poppy, Darkwave, and Goth Rock that feels right at home for me. While this will be too much for some to handle, if you enjoy that dark rave mix of sounds that hits just the right elements of Goth and Rock, this is an album that will be stuck with you for days after you listen. It hits the right elements of the past and present while looking into the future with a production that reminds me of a '90s dance mix and the substance of a more Dance-oriented version of Lord of the Lost. If you want to be sad and get on the dancefloor, Rain Diary is the band for you. Winterlvst- Awakening FFO- Darksynth The debut album from this band, featuring past and present members of Kittie, Blackguard, and author Martine Bourque, has created an eerie but delightful display of Darksynth that gets just heavy enough, but focuses so much on the macabre sounds on display. Feeling like a great mix of Depeche Mode, Health, and the synthy side of Devin Townsend, this is an album that feels right at home for those who enjoy Darksynth and want a new spin on it. The production feels like the early 90s in the best way, and the songwriting will send shivers through you, leaving you wanting more. If you have been craving this kind of music, I don’t think you are going to get something much more authentic and captivating than Winterlvst. Seriously, go check this one out. And there you go folks, 18 more albums down, 61 albums done for April 2026 and 241 albums done in 2026 so far. I hope you found something in this nearly quarter of a thousand albums so far in 2026. Programming note, I will be taking off next week as I have an angiograph planned for the middle of the week and I’d rather just take the week to recover, but I will have my recap of April albums up in a few days, and I’ll be back May 8th for another edition of Out Today & What I Missed. Until then, for Heavy Debriefings, thi9s is Josh Rundquist saying, Embrace The Skullet! - Josh Rundquist (Heavy Debriefings) 
Hello everyone, and welcome to another edition of Out Today & What I Missed, this time covering April 17th, 2026. I am still on the mend from my hospital stay and heart failure diagnosis, and am doing my best to try to get back to fighting shape. That said, I was able to manage 20 albums this week, 10 out today, 10 that I missed, so instead of wallowing in despair like I tend to do if I ramble on, let’s get into the rules and the list proper.
1.) Out Today & What I Missed is my weekly Friday recap of Out Today, my reviews of albums I got the promo for, and What I Missed, my reviews of any albums I either didn’t get the promo for and/or discovered on my own. I will try to do this every Friday that I’m capable of doing it, but I will admit, I will probably be taking more 1-week breaks than I ever have before. The music will be on the heavy end of things, but I cover anything from Pop Punk to Goth Rock to Progressive Metal to Funeral Doom to the most Experimental or avant-garde music in the Rock and Metal genres. 2.) My reviews should be treated like teaser trailers for movies or games. They will say the band name, the album, the FFO (For Fans Of) Section, and a short review that is a paragraph or less. Why do I do it like this? I don’t want the first time experience with a band to be ruined by my thoughts going into every single detail. I want to show off why you should check something out. Every review is subjective, no matter how anyone wants to spin it. Your thoughts won’t be mine, but I want to show you the option of what’s out there. 3.) NO NEGATIVE REVIEWS! We live in a terrible enough place as it is; I don’t want to add to the trash heap. If I don’t cover something, it is because I haven’t heard of it, and I will most likely go check it out; it's not out yet, I didn’t have time or energy to cover it in the current week, or it’s not my bag...baby. There’s no place for me to yuck on someone’s yum. That said, all my thoughts are mine and mine alone. No Label, PR, Band, or Friendship will make me pick something to positively review. I have to like it and listen to it at least one time through. That will never change. 4.) I will be doing fewer reviews this year, as doing 1,021 reviews last year broke me. That’s not to say I won’t still do up to 20 reviews in a week, just don’t expect that to be the norm week after week. If I only have promos, time, and energy for 15, 10, and 5 reviews in a week, that’s just how it will be. It’s a one-man operation, and the operation needs to think about longevity, not being prolific. All of this leads to Heavy Debriefings' Top 100 Albums of 2026, which will happen at the end of the year. 5.) If I find out after I review an album that an artist, band, or members of said band are garbage people, go against what I find to be even the lowest level of human decency, or use AI for their music, I will remove my review no questions asked. Does that apply to AI art? I don’t know how to answer that; it’ll be on a case-by-case basis. Either I will ignore the album completely, or I will mention how much I hate that they used AI before talking about the rest. I will see what happens. 6.) For another controversial take, I use Spotify to make a playlist every week of coverage with a track off every album to make it easier for people to check out some new music. Is Spotify a good company? No. Is any streaming company in North America good? No. You either avoid all of it or pick your poison, as all of them do terrible things and hurt everyone, and it’s also a necessary evil in today’s world if you want to make any kind of impact. I don’t judge you one way or the other for streaming or not streaming. I hope I can get the same level or tolerance in return. 7.) CHECK OUT SOME NEW MUSIC! OUT TODAY Anthea- Beyond The Dawn FFO- Symphonic Metal The sophomore album from this LA Symphonic Metal band is a catchy display of the genre, all while adding their own spin to it. Featuring a love of the Symphonic metal genre (with just the right amount of screams to balance things out) mixed in with inspiration of composers like Danny Elfman, Hans Zimmer, and John Williams. With a production style that fits the music like a glove and musicianship that knows when to focus on the melodies and when to showcase more technical aspects, this hits everything that the genre is known for and keeps your attention the entire time. If you enjoy the likes of Kamelot, Nightwish, Carmeria, and Neopera, you will find something to love about Anthea. Crimson Glory- Chasing The Hydra FFO- Power Metal, Progressive Metal, Heavy Metal In something I never saw coming, the legendary Progressive Power Metal band, Crimson Glory, is back with their 5th album and first album since 1999. Featuring a new lineup including Travis Wills on lead vocals and Mark Borgmeyer on guitar, the band channels every era of the band from its proggy and technical sides to its all guns blazing Power Metal to its gorgeous melodies and harmonies in its more subdued styles. It feels like a great love letter to the past, all while showing what the band is capable of for the future. Hearing a band like this come back as strong as ever and charting new territory is a fantastic thing to see. If this is your first taste of the band and you enjoy the likes of Nevermore, Queensryche, Fates Warning, and Helstar, Crimson Glory is required listening. And of course, make sure you go back and check out the previous 4 albums as well. Crippled Black Phoenix- Sceaduhelm FFO- Dark Rock, Post Rock, Experimental The staggering 13th album from this UK band is some of the darkest, most subdued, and straight-up music I’ve ever heard from the band, and it’s the right decision. It’s always good to switch things up in a band, and when you have as prolific a catalog as this band does, it’s good to make an occasional album that feels more straight ahead and listener-friendly and sucker them in with your past catalog to show the full diversity. That’s not to say this album isn’t still filled with experimentation, as it’s clearly here, but there are a lot more elements of Post Punk, Goth Rock, and 80s music mixed in with their sound that give this great throwback feel, all while still feeling relevant to today’s world. The production is perfect for the sound and the songwriting, while more refined, it still sounds inspired and thought-provoking. This is a fantastic starter album for the band with a catalog that is more than worthy of your attention. If you dig Godspeed You! Black Emperor, Swans, and Siouxsie and the Banshees, give this one your proper attention. Doodswens- S/T FFO- Black Metal The sophomore album from this Dutch Black Metal band is an uncompromising approach to the genre that hits everything you love about the genre, but done with more atmosphere and unholy precision. With a just raw enough production style and a pure love for the macabre, this is a trio that is focused on writing music that feels like pure death stalking you at every turn, yet enchanting enough for you not to run away. If you were told this came out in 1996, you wouldn’t even bat an eye, as it feels that authentic, but still held to a 2026 caliber. If you enjoy the likes of Gorgoroth, Darkthrone, Satyricon, and Blut Aus Nord, make sure you do not skip out on this one. From Ashes To New- Reflections FFO- Alternative Metal, Nu Metal, Radio Metal The 5th album from this Pennsylvania outfit is some of the catchiest work the band has ever done. Focusing even further on their genre-bending to create a 2020s Mainstream sound, but with a throwback to late 90s, early 2000s sounds, is a combination that more straight-ahead fans are sure to love. While I will never be a Nu Metal fan, there is enough of the Alternative Metal and Modern Metal sounds going on here that I can ignore that and enjoy the full display. The production is crystal clear, and the songwriting is clearly a formula that is meant to be an earworm after earworm. If you enjoy bands such as I Prevail, Motionless in White, We Came as Romans, and Beartooth, From Ashes to New has something for you. Godsnake- Inhale The Noise FFO- Melodic Thrash Metal My first foray into this German band comes in the form of their 3rd album, and I am floored. What an incredible display of Melodic Metal, Thrash Metal, and New Wave of American Heavy Metal thrown into one. This track feels like Metallica, Death Angel, Trivium, and Lamb of God fused together to create a sound that hits that late 80s-mid 00s sound, but updated for 2026. The production is right where it should be, and the songs are balanced between over-the-top Thrash and the catchiest riffing you’ll hear in this style. This is sure to win over Metal fans, new and old. Melodic Thrash fans take note, Godsnake is creating some fantastic music. Hardline- Shout FFO- AOR, Melodic Rock, Melodic Metal 8 albums into the career of this LA band is that perfect blend of AOR, Melodic Rock, and Metal that is endlessly satisfying. It captures the riffs, vocal lines, melodies, harmonies, and jaw-dropping solos that make the genre work time and time again, but never feels forced or outdated. While the band is far from reinventing the wheel on this one, that’s not the point of the music; it’s to create the most solid music possible in this style and it simply works. The production is nice and punchy, and everyone shines. This is a true standard bearer for what the heavy side of AOR is still capable of in 2026, and I can’t get enough. Absolutely solid album. The Moon and the Nightspirit- Seed of the Formless FFO- Post Rock, Neo-Folk, Pagan Folk This is the 8th album from this Hungarian duo and my first foray into the band, and I wish I had heard them sooner. What a spectacular display of Folk, Pagan, Post Rock, and Post Metal thrown into one enchanting mixture. It feels like a much heavier retelling of medieval fairytales to feel even more haunting and enriching. Mixed with a production style that feels ethereal and atmospheric, this is a band that I need to study up on the back catalog and enjoy what they have done up to this point, as this album is fantastic, and I need more. If you want a mix of bands like Faun, Dead Can Dance, Agalloch, and Alcest, you need to check this out now. Vanderlust- The Human Farm FFO- Progressive Metal, Power Metal, Heavy Metal The sophomore album from this Italian band is a wonderful display of Progressive Power Metal that is endlessly melodic, catchy, and thought-provoking. Mixing in the right elements of Progressive and Power Metal together into a sound that feels like Helloween, Symphony X, Tool, and Haken into a winning combination of sound. The production on this one is a bit more raw than I expected, but it’s not distracting and makes the music feel even more human. At 11 songs and a little over 47 minutes, this is an album that feels fantastic from start to finish and takes so many twists and turns, all while feeling natural and rewarding on every listen. This is for all of the Prog Power fans out there. You need Vanderlust. Victorius- World War Dinosaur FFO- Power Metal What can you say about the 7th album from this German band? It’s smile-inducing, it’s as cheesy as you would expect with an album title like World War Dinosaur, it’s filled to the brim with memes, but it’s still done competently and written with actual talent, rather than just riding the gimmick. Balancing both out is something a lot of bands have a hard time doing, but I feel Victorius has always made music that is fun and filled with prowess, and that is no exception here. Done with a terrific production style, this is music meant to make you turn your mind off from the ever-depressing world around you and remember that life can be fun. And in 2026, we need that more than ever. If you just want balls to the wall, joyous Power Metal, you get that with Victorius. What I Missed Bedrängnis- Stiller Abschied FFO- Black Metal, DSBM This Swiss Black Metal duo’s sophomore album is an album that continues to blow me away with every listen. Filled with so much power, triumph, and agony thrown into one is no easy thing to achieve, but it’s done here in all its glory. This is a band that is as close to DSBM as I’ve ever heard, but with actually killer production for the style, and it makes the music shine through the utter darkness. The fact that this is a duo and not like a 5-6 piece band is mind-boggling. If you enjoy bands like Agrypnie, Xasthur, Malphas, and Soulburn, check this one out immediately. Bloody Valkyria- Requiem: Reveries of the Dying FFO- Epic Meloblack The 3rd album in 2 years from this one-man Finnish band is astounding. Having covered their previous album last year, hearing the progress of sound in such a short time showcases what this project has to offer. This is easily the most majestic and powerful album of the three so far. The production is a bit on the raw side, but the music more than makes up for anything you may find lacking. At 8 songs and over 53 and a half minutes, this is a grand scale assault of what Epic and Melodic Black Metal can be fused together, and it’s a wonderful thing to hear. If you enjoy Keep of Kalessin, Saor, and Summoning, make sure you check out Bloody Valkyria. Dark Ride- Blade Manor FFO- Horror Punk, Melodic Punk, Heavy Metal Do you miss when AFI was a Horror Punk band as much as I do? Well, worry no longer, you get that and a much heavier sound here with Dark Ride and their debut album, Blade Manor. This is Horror Punk in all of its glory, feeling like the aforementioned AFI, Misfits, and Alkaline Trio with a Metal attitude that is so satisfying to the ears time and time again. Put together with a killer production style, this brings me back to the early 2000s, which will always have a place in my heart. I can’t sell it much better than that. If you love Horror Punk, you will LOVE Dark Ride. Inferi- Heaven Wept FFO- Tech Death, Melodeath The other big Tech Death album of April 10th, 2026, comes in the form of Inferi’s 7th album. This Nashville band is constantly pushing themselves into the heaviest forms mixed in with just the right amount of Melodeath to make for a winning combination. The musicianship on this one is jaw-dropping, and the production behind it only lets everyone shine further. The more I listen to this one, the more I may say this is the band’s finest hour so far. If you enjoy Arsis, The Black Dahlia Murder, and, of course, Archspire, you gotta check out Inferi in all of their glory. Lone Assembly- Knots & Chains FFO- Post Punk, Darkwave The debut album from this Swiss band is one of the most heartwrenching and uplifting albums I’ve heard in this style in a long time. Combining what makes Post Punk, Darkwave, and goth Rock work with a dark romantic twist to it all makes for an album that can make you cry or want to hit the sheets, depending on the situation. It’s an alluring album set with a perfect stylistic production and songwriting that is as catchy as it is hard-hitting. It’s the kind of album from when you need a break from how heavy the world is and want to go back to a time where this was as dark as life got, but still catchy as all get go. If you dig your 80s-infused dark music, check out Lone Assembly. Semper Acerbus- Following Omens FFO- Metalcore The 3rd album from this Texas Metalcore band hits all of the tropes I love about the genre without any of the filler. It knows when to get heavy, it knows when to get melodic and earwormy, it knows when to show off technical abilities and brutal breakdowns. It has it all in a package that just gets better and better with every listen. Put that together with a clear and pristine production style, and you have an album meant for anyone who enjoys the likes of Unearth, Upon a Burning Body, and Killswitch Engage. This is my kind of Metalcore, go and check it out. The Solitude- The Sound of Absent Life FFO- Epic Doom Metal, Candlemass Simply put, this is pure Candlemass worship, from the imagery to the name of the band to the style of the music. This is an early day Candlemass done to an absolute T...and that is a great thing. Taking that sound from 40 years ago and adding a little bit of their own herbs and spices into the mix makes for one of the best Epic Doom Metal albums of 2026 so far. The production is vintage, the style is sleek, and the songwriting is everything that makes the genre work. What else needs to be said? If you love Candlemass and want that classic sound, check out The Solitude. Toward The Throne- Midnight FFO- Atmospheric Blackened Death Metal The sophomore album from this French band is an astounding display of Atmospheric and Blackened Death Metal. It captures the dark and sophisticated take on the genre and makes it their own with some more progressive songwriting and excellent musicianship. Feeling like a mix of Enslaved, Septicflesh, Rotting Christ, and Keep of Kalessin, Toward the Throne is a band that may be flying under the radar right now, but that needs to change. This is an album that you need to experience, no matter the kind of Blackened Death Metal fan you are. It’s simply how this genre should be done. Vanir- Wyrd FFO- Melodeath, Viking Metal The 8th album from this band, straight out of Denmark, continues to show why their blend of Melodeath and Viking Metal is here to stay. Mixing the Melodeath sound with Viking imagery is a combination that works on every level and makes the music hit harder and harder with every subsequent album. The production continues to improve, and the songwriting is simply majestic. If you enjoy the likes of Primalfrost, Amon Amarth, Finntroll, and Wolfchant, give Vanir your proper attention; you will be so glad that you did. A Winter’s Remorse- The Day Our Gods Abandoned Us FFO- Symphonic Melodeath, Black Metal, Metalcore The debut album from this Houston band is quite the treat for the Metal senses. Combining an unholy mix of Symphonic Melodeath, Black Metal, and Metalcore together to create a sound that feels familiar, but still unique, and you wonder how this combination hasn’t been done nearly as often. I can hear bands like Winds of Plague, Among Wolves, Through The Eyes of The Dead, and Carnifex here, and all of it feels genuine and satisfying. The production feels human, and the songwriting is clearly inspired and showcases what happens when genre-bending goes right. While I know this won’t be everyone’s cup of tea, this is an album that is an awakening for the mid-2020s, and that is a great thing to see. This band could go so far, and I hope they do. I can’t wait to see where they go next. And there you go, folks, 20 more albums done and 223 albums done in 2026 so far/ What do you think? Did I cover some good stuff here? I’d like to think so. If you like what I do here, make sure to come back next week as we wrap up April for Out Today & What I Missed for April 24th, 2026. Until then, this is Josh Rundquist saying Embrace The Skullet! - Josh Rundquist (Heavy Debriefings) 
Hey everybody and welcome to another edition of Out Today & What I Missed for April 10th, 2026. If you missed last week’s edition...so did I. To keep it short, I was in the hospital for treatable Heart Failure which I am in the process of reversing. So to try to keep up the best I can. I took all of my reviews from last week and added them below in the What I Missed section, along with 6 new albums out today, totaling 23 albums this week to cover. I will be ok. So let’s get into the rules and the list proper.
1.) Out Today & What I Missed is my weekly Friday recap of Out Today, my reviews of albums I got the promo for, and What I Missed, my reviews of any albums I either didn’t get the promo for and/or discovered on my own. I will try to do this every Friday that I’m capable of doing it, but I will admit, I will probably be taking more 1-week breaks than I ever have before. The music will be on the heavy end of things, but I cover anything from Pop Punk to Goth Rock to Progressive Metal to Funeral Doom to the most Experimental or avant-garde music in the Rock and Metal genres. 2.) My reviews should be treated like teaser trailers for movies or games. They will say the band name, the album, the FFO (For Fans Of) Section, and a short review that is a paragraph or less. Why do I do it like this? I don’t want the first time experience with a band to be ruined by my thoughts going into every single detail. I want to show off why you should check something out. Every review is subjective, no matter how anyone wants to spin it. Your thoughts won’t be mine, but I want to show you the option of what’s out there. 3.) NO NEGATIVE REVIEWS! We live in a terrible enough place as it is; I don’t want to add to the trash heap. If I don’t cover something, it is because I haven’t heard of it, and I will most likely go check it out; it's not out yet, I didn’t have time or energy to cover it in the current week, or it’s not my bag...baby. There’s no place for me to yuck on someone’s yum. That said, all my thoughts are mine and mine alone. No Label, PR, Band, or Friendship will make me pick something to positively review. I have to like it and listen to it at least one time through. That will never change. 4.) I will be doing fewer reviews this year, as doing 1,021 reviews last year broke me. That’s not to say I won’t still do up to 20 reviews in a week, just don’t expect that to be the norm week after week. If I only have promos, time, and energy for 15, 10, and 5 reviews in a week, that’s just how it will be. It’s a one-man operation, and the operation needs to think about longevity, not being prolific. All of this leads to Heavy Debriefings' Top 100 Albums of 2026, which will happen at the end of the year. 5.) If I find out after I review an album that an artist, band, or members of said band are garbage people, go against what I find to be even the lowest level of human decency, or use AI for their music, I will remove my review no questions asked. Does that apply to AI art? I don’t know how to answer that; it’ll be on a case-by-case basis. Either I will ignore the album completely, or I will mention how much I hate that they used AI before talking about the rest. I will see what happens. 6.) For another controversial take, I use Spotify to make a playlist every week of coverage with a track off every album to make it easier for people to check out some new music. Is Spotify a good company? No. Is any streaming company in North America good? No. You either avoid all of it or pick your poison, as all of them do terrible things and hurt everyone, and it’s also a necessary evil in today’s world if you want to make any kind of impact. I don’t judge you one way or the other for streaming or not streaming. I hope I can get the same level or tolerance in return. 7.) CHECK OUT SOME NEW MUSIC! OUT TODAY Archspire- Too Fast to Die FFO- Tech Death The 5th album from this Canadian Tech Death band, and it is simply their best work to date. The band has gone through a lot of peaks and valleys over the years, with a lot of trials and tribulations, and has come out the other side writing their magnum opus. This is everything that has made the band stand out over the years, but everything is done to its absolute limits. Even when the music gets more melodic, it’s more melodic than ever before, but matched up with sheer brutality. The musicianship from everyone involved is utterly insane, and it’s matched up with perfect production value. This is what other Tech Death bands aspire to be in the 2020s, and Archspire is sitting firmly at the top of the Tech Death mountain. What a ride it’s been so far. Immolation- Descent FFO- Death Metal The 12th album in 35 years from one of the most devastating Death Metal bands in existence, and it more than lives up to everything the band is capable of and more. The band has always known when to put in the right amounts of brutal, technical, and melodic moments into their blend of Death Metal, and with every release, they find a way to one-up themselves, and this is far from an exception. Everything you ever loved about the band is here, but done with just more finesse and elegance. Matched with a killer production style, this is some of the band’s best work ever and helps put some of their contemporaries to shame. Immolation has been laying waste to everything for 38 years now, and if Descent is any clue, they are far from slowing down any time soon. Long Distance Calling- The Phantom Void FFO- Progressive Post Metal The leaders of Progressive Post Metal are back with their 9th album, and it may be their darkest album to date. The whole album, while instrumental, is a concept album that focuses on a dark, horror-drenched story that matches up with the visuals made for the album, which makes for a terrific display of not only musicianship but storytelling with no vocals needed. The band has always mastered this sound, and it only gets better as time goes on. The songwriting is at the band’s peak so far, and the production matches it perfectly. As far as a traditional LDC album, this may be my favorite since Avoid The Light, and that is not an easy thing to say. If you want to hear how Progressive Post Metal is done to the best of its ability, you need to hear The Phantom Void. Lord of the Lost- Opvs Noir Vol 3 FFO- Industrial Gothic Metal The final album of the Opvs Noir trilogy is finally here. I covered Vol 1 last year, but didn’t get to cover Vol 2 as it came out in December during my yearly break (though it is an incredible release as well). Vol 3 feels like the perfect culmination for this era of the band, matching their blend of Industrial, melodic, gothic, and heavy moments combined to create a sound that is as catchy as it is dark. Much like I said about Vol 1, this feels like a Best Of Lord of the Lost with brand new material, and between all 3 albums, it’s clear the band can clearly balance quality and quantity in perfect harmony. If you enjoy this style, you simply need Lord of the Lost in your life. Riket- 2026 FFO- Death Metal The debut album from this Swedish Death Metal band, featuring past and present members of Benighted, Netherbird, Northborn, and Terminal Prospect, is a fantastic display of the genre. An album that is thematically about tragic Swedish history (and all performed in Swedish as well), the music more than matches up to the themes, going from all-out fury to hauntingly beautiful passages on the turn of a dime and never losing its edge. The production on this one feels so natural for the sound on display and gives a true mid-90s Swedish Melodeath feel. If you want a band that mixes Edge of Sanity, Grave, At The Gates, and Dismember, you truly need Riket. Voidchaser- Interstellar I FFO- Progressive Metal The debut album from this Montreal band is the perfect blend of BTBAM, Dream Theater, and Haken. Matching the musicianship of all three of those bands, but adding their own herbs and spices into the music to create a sound that pays homage to classic Progressive Metal, but keeps up with the 21st-century twists and turns. It gets cold, dark, and heavy, but it also gets melodic, harmonic, and smile-inducing, all while showing off unbelievable musicianship and tenacity. If you love your Progressive Metal new and old, but want a new take on it all, Voidchaser is here and delivering the goods. What I Missed Corrosion of Conformity- Good God / Baad Man FFO- Southern Metal, Sludge Metal, Stoner Metal The 11th album from this long-running North Carolina band is picking up right where No Cross No Crown left off, but there has been a lot that has happened since then. Trials, tribulations, and sad changes in lineups have happened, but the core sound of the band still exists in their Pepper Keenan sound, and it sounds just as heavy and groove-laden as ever. Even Stanton Moore returns to the drum throne on this one (though only for the recording process). In all honesty, this is my favorite COC album since In The Arms of God, and that spirit from 21 years ago is still very strong here. The production is tailor-made for the band, and the musical creativity and diversity are so strong. While what is gone from the band is still felt strongly here, this incarnation is carrying the torch and doing a phenomenal job. If you dig this era of COC, you will love this album. Cruel Force- Haneda FFO- Blackened Speed Metal, Thrash Metal 4 albums into this German’s career, and they continue to keep getting better and better with every release. This is exactly my kind of Blackened Speed Metal, Thrash Metal from the guitar tones, the double bass assaults, to the Rototom fills that couldn’t feel more 80s if they tried. While this is nothing groundbreaking, it doesn’t need to be. It just has to be absolutely solid, and this is one of the most solid displays of the genre that not only the band has ever done, but the genre has ever had. Seriously, if you love bands like Deathhammer, Possessed, Sodom, and Kreator, Cruel Force needs to be your new obsession. Dance With The Dead- Malombra FFO- Instrumental, Darksynth, Industrial The 6th album from this California duo continues to make the horror-inspired Darksynth, and Industrial Rock and metal that I have always loved from them, but done, somehow, even better. The fact that the band’s trajectory has only gotten better and better over the years is no easy thing to achieve, but it’s done here in all its glory. While all instrumental, the music more than carries the weight without any vocals needed, and they make the most of their combined musical talent time and time again. The production matches the mood, and the album is so layered and diverse in its sound, making for one of their most well-rounded and fun albums to date. If you love 80s-inspired synth, horror movies, and fun, you need Dance With The Dead, and I mean now. Dust- Thoughts of a Falling Man FFO- Groove Metal, Metalcore The sophomore album from this Italian band is a great step up from their debut album back in 2019. They have taken everything they have learned over the past 7 years to create stronger, harder-hitting, and more in-depth lyrics that strike such a chord with me. Mixed together with a clear and powerful production style, this is an album that is meant for those who enjoy the likes of Trivium, Gojira, Parkway Drive, and Faith Burner. This is some quality Groove Metal, Metalcore, and Death Metal that truly makes you think. Grain of Pain- Behind Us All FFO- Melodic Doom Metal, Gothic Metal The sophomore album from this one-man Finnish band made one of the finest examples of Melodic and Gothic Doom Metal with their 2024 debut, The Moon Lights The Way. In 2026, they have not only created another masterpiece of the genre, but it’s also easily the best album of the two. Everything that worked so well on the debut is doubled down on here, and the new creative outlets make the music so much stronger, tighter, and filled with so much more sorrow. Not to mention the guest vocal spots from singers of Decapitated, Evig Natt, and you have an album that is filled to the brim with everything I love about this genre, done with pitch-perfect production and songwriting. For straight-up Melodic and Gothic Doom Metal, you will be hard-pressed to find an album that tops this one in 2026. If you enjoy the likes of Dawn of Solace, In Mourning, Swallow the Sun, and Hanging Garden, go check out Grain of Pain immediately. Green Carnation- A Dark Poem, Part II: Sanguis FFO- Progressive Gothic Metal Part II of the trilogy, known as A Dark Poem, is here with Sanguis. This is a little bit shorter than Part I at 6 songs and 38 minutes, but it feels complete and the true centerpiece of the trilogy. The songs on this one have a bit more of a commercial feeling overall, while never losing their Gothic, Progressive, and Doom Metal elements. The single I Am Time is easily the catchiest song I have ever heard from the band, which is saying a lot. The lyrical content is easily the darkest the band has done to date, with subject matter that hits way too close to home on my end, but it also feels nice to be seen. The production will inevitably sound similar as it is all meant to become a complete album in three parts, but it sounds fantastic and so clear. I am chomping at the bit for Part III coming out later this year, but until then, having 2/3rds of this massive collection and playing them back-to-back is so rewarding. If you dig Green Carnation, but want to hear it a little less stretched out and down to the true meat and potatoes of the band, check out Sanguis. Hellripper- Coronach FFO- Blackened Speed Metal The 4th album from this Scottish band is by far the best in the band’s catalog. It has everything you ever loved about the band, but done with just enough finesse, tenacity, and care for the music at hand to make it some of the most melodic and intriguing music of the catalog. Mixed in the perfect production style for the music. The perfect blend of Black Metal and Speed Metal to give you the best of both worlds and still leave you wanting more. James McBain has done it again. If you dig Midnight, Bewitcher, Sodom, and Sabbat, you know what to do...check this one out now! Orathania- Echo of Freedom FFO- Folk Metal The debut album from this Ukrainian band is everything that I love about this style of Folk Metal. It's not wacky or over the top; it just hits the right elements, feeling more like Borknagar than Eluveitie or Trollfest if you catch my drift. While I’d be lying if I said I understood the lyrics or concepts of the album, I do love how they are sung/screamed, and they fit so well with the music behind it. I can see some not digging the vocal style on this one, but for me, it’s perfect for the music. If you want something in the vein of the aforementioned Borknagar, Drudkh, and Nokturnal Mortum, give this one a proper listen. Poison Ruin- Hymns from the Hills FFO- Medieval Punk, NWOBHM, Blackened Crust Punk The 3rd (or 4th) album from this band (depending on how you look at it) from this Philadelphia band is my first foray into the band, but it definitely won’t be my last. Hitting this level of Punk, Post Punk, NWOBHM, and almost Blackened Crust Punk at times is something that hits just enough of all of these sounds without going too far into one direction. With a production style that feels like 1986 and songs that hit you right in the gut one right after the other, this is a Punk album that feels as classic as it does modern in all of the right ways. If you want a band that can channel their love of The Damned, Amebix, Killing Joke, and even Darkthrone, check out Poison Ruin in all of their glory. Ram-Zet- Sapien FFO- Avant Garde Blackened Gothic Metal One of the most left of center albums I’ve covered this year and will definitely still be one of the most left of center come the end of the year comes in the form of the 6th album and first in 14 years from this Norwegian band. Feeling like a true mix of UneXpect, Stolen Babies, Diablo Swing Orchestra, and To-Mera; this is a band that I’m discovering for the first time here and it just captures so much of the Progressive, Gothic, Blackened and Avant garde Moments, but instead of just being bonkers with no rhyme or reason, every single note has a purpose and makes the songs better for it. The production on this one is also stellar and allows everyone to shine. This is not an album for the faint of heart, but it is for anyone who wants those extra layers tied into their favorite genres of music to create a dramatic, theatrical, and captivating display of Metal. Reflection Black- Burning Obsidian Star FFO- Post Punk, Goth Rock The sophomore album from this Greek band is such a phenomenal display of Goth Rock and Post Punk mixed together with just enough heaviness to it all. Feeling like Unto Others, Grave Pleasures, The Sisters of Mercy, and Final Gasp came together to write an album as authentically as possible. The production is pure 1986, and the songwriting has absolutely no fluff; every note here has purpose. Mixed in with a vocal delivery that can send chills down your spine, and you have one of the best albums of this style in 2026. It’s been a great year so far for this genre, and this is one of the finest examples you will find. Give this one a proper listen. SolNegre- Anthems For The Grand Collapse FFO- Death Doom The sophomore album from this Spanish band instantly caught my attention when I received the promo for this album, and it has kept me interested this whole time. Putting together my favorite blend of Death Doom together and creating some of the most tearjerking material I’ve heard so far this year is no easy feat in the world we know as 2026, but that is what happens here, and that album title more than lives up to our current state of life. Every single note played here feels devastating and does not let up on the emotional wreckage. The production is exactly what this genre calls for and feels utterly powerful listen after listen. If you enjoy your Death Doom in the styles of early day Anathema, Swallow The Sun, My Dying Bride, and Shape of Despair, you absolutely need SolNegre in your life. Splendidula- Absentia FFO- Atmospheric Doom Metal, Atmospheric Black Metal The 4th album from this Belgian band nails that blend of Atmospheric Black metal and Doom Metal in unholy harmony. It can sound as angelic as it does demonic, and that combination is a winning combination. While the production, mixing, and mastering are on the very raw side, it works to the favor of the music, giving it that atmospheric element that feels authentic, and if you enjoy this style, it only works more in its favor. Add in guest vocals from Tim Tatras of Austere and the almighty Aaron Stainthorpe of High Parasite, and you have an album that truly does feel like a mix of Austere, My Dying Bride, and Amesoeurs. If you need this mix of genres, I implore you to not skip out on this one; it is more than worthy of your time. Tårfödd- Mörker täcker livets ljus FFO- Progressive Post Black, Atmospheric Black Metal The astounding 6th album in 2 years (and as I say every time, not AI) from this one-man Swedish band is quite possibly the bleakest, darkest, and most captivating album of this short life so far. Stripping away most of the progressive elements on this one (though still here in its songwriting), it focuses much more on the Atmospheric Black Metal side and features Revenant of Order of Nosferat on almost all of the tracks and regular vocalist Johanna Furberg on one track, giving this album a much different flavor. While the production on this one is more raw, it fits the atmosphere of the music brilliantly, and that songwriting is easily some of the best of this style. This really gives me early and dark era Alcest vibes mixed in with haunting melodies and harmonies that will be stuck in your head for days on end. What I love about this project is that no matter what direction they go into, it will always sound like the band, and I love what they are doing here. Considering the track record, I don’t expect this to be the only album of 2026, but even if it is, I can’t wait to see what comes next. Threat Signal- Revelations FFO- Metalcore, Groove Metal Threat Signal has been one of the best Canadian Metalcore bands going since Under Reprisal, all the way back in 2006. 20 years later, the band has returned with their 5th album, and it’s a fantastic display of everything they’ve been capable of and are still pushing for more in their sound. It’s always been interesting to hear a band that can channel Meshuggah, Fear Factory, Soilwork, and Linkin Park in their sound, and it all sounds natural, but that’s what continues here. Mixed in with an utterly fantastic production style to let every song shine. If you have never been a Metalcore fan, this will not be the album to make you suddenly interested in the sound; if you ever had any kind of passing fancy with the genre, this will either remind you of how much you enjoyed it in the past or remind you of what you have been missing. Every time this band puts out an album, it feels like a mission statement, and that’s what is happening here once again with Revelations. They are still here to stay. Winterfylleth- The Unyielding Season FFO- Black Metal The 9th album from this long-running Black Metal unit continues to prove why they are one of the most consistent and uncompromising bands in all of Black Metal. Every album has a signature sound to it, sometimes more symphonic, sometimes more atmospheric, sometimes more straight ahead, but it always sounds unapologetically like Winterfylleth. With almost all of their previous albums having a very cold feel to them all, this one is pure fire and a (sadly) incredible display of what the world feels like in 2026. It feels like everything is going to hell, and this is the soundtrack to it all. At least the soundtrack to our demise is dark and majestic. The production is stunning, and the songwriting is what I’ve always loved about the band, but just done in a bit of a new way. For those who enjoy Wodensthrone, Fen, Agalloch, and Panopticon, Winterfylleth puts out music like no one else and nails it every single time. This is by far no exception. Witch Ripper- Through the Hourglass FFO- Progressive Sludge Metal The 3rd album from this Seattle band sounds like the heaviest and sludgiest ends of Mastodon and Baroness (think everything up to Crack the Skye and Red Album/Blue Record eras), and you have Witch Ripper. A band that clearly has the talent and creativity to make some impactful and full-sounding music that reminds you of 20 years ago, but updated just enough for 2026. The production is so rich and full with songs that take you on journey after journey in sound. As great as this sounds on record, I can only imagine how much better it’ll sound in the live setting. If you love that mid to late 2000s Progressive Sludge Metal sound, you couldn’t need Witch Ripper more in your life. And there you go folks, 23 new album reviews and 203 album reviews so far in 2026 so far. I hope you find some good stuff that you’ll enjoy here and make sure to come back next week for Out Today & What I Missed for April 17th, 2026. Until then, for Heavy Debriefings, this is Josh Rundquist saying, Embrace The Skullet! - Josh Rundquist (Heavy Debriefings) 
Hey everybody and welcome to my quarterly recap of every album I reviewed. This is all 180 albums I've reviewed in Q1 2026 in Alphabetical order. It's a long list, but it's as simple as that. There's bound to be something you enjoy here if you enjoy what I do, so please look through and find some new music. ENJOY!
- Josh Rundquist (Heavy Debriefings) Abstracted- Hiraeth FFO- Extreme Progressive Metal The sophomore album from this Brazilian band is quite the Progressive experience. While you can hear so much from bands like Meshuggah and Textures, you can hear bands like Between the Buried and Me, Opeth, and Scar Symmetry. The band has leveled up on this release, only getting stronger and showcasing their best songwriting and musicianship to date. The production is a bit raw for today’s age, but it also makes it feel more human at the same time. For anyone who wants that mid-2000s Progressive Death Metal sound, Abstracted is bringing that with a 2026 flair, and it shines. Acidosis- Arrival FFO- Thrash Metal The debut album from this Miami Beach Thrash band is chock-full of fun tunes that hit some dark subject matter. The songs are all blistering and hit this level of Thrash and similar subgenres that scratch the itch that those looking for a band that can do everything from Power Trip to Megadeth to DRI to Suicidal Tendencies all in one band. The production on this one feels vintage in the best of ways, and the songwriting feels like a love letter to the past, but updated to be effective in the modern day. This 26-minute assault is more than worthy of your time, no matter your style of Thrash enjoyment. Aeon Gods- Reborn to Light FFO- Symphonic Power Metal The sophomore album from this German band brings back the greatness that is Symphonic Power Metal. Depending on who you ask, everyone has their favorite kind of Symphonic Power Metal, from the all guns blazing speed or the crushing riffs, to crowd-chanting choruses or the theatrical symphonics taking the emphasis. Aeon Gods asks, why not all of that and more? This is a perfect crash course of the genre while still putting their own signature on the sound. Add a crystal clear production style to the mix, and you have one of the best Symphonic Power Metal albums of the year, and it will take so much to try and top this one. If you want your kick of Powerwolf, Hammer King, and Battle Born, check out Aeon Gods in all their glory. Aftoktonia- Through Nebulae of the Empyrean Aether FFO- Atmospheric Black Metal, Ambient Black Metal The 3rd album in 4 months from this already prolific Norwegian one-man band is some magnificently made Black Metal that burns the soul. There are flares of mystical moments that remind me of a band like Labyrinthus Stellarum while still hitting a 2nd and 3rd Wave Black Metal edge, while hinting so closely to the DSBM side of things. Every release so far is either 4 songs a piece or one song separated into 4 movements, and this is no exception. It’s a long trip at almost 52 and a half minutes between 4 tracks, but if you enjoy a soundscape of hellish proportions, this is more than worthy of the experience. It feels cold, dark, barren, and oddly soothing all at once. If you don’t like long form Black metal, this will not be for you; for everyone else, this should be a mandatory listen. Agenbite Misery- Remorse of Conscience FFO- Experimental Blackened Sludge A very left-of-center debut comes into form from this New Hampshire band. A mix of Atmospheric Black Metal, Sludgy Doom Metal, and Avant-Garde twists and turns that will make you turn your head. The production on this one is raw, but not unlistenable, as everything does come through the mix. The songwriting explores so much in sound, reminding me of the sludgy side of a band like Primitive Man, the Blackened side of a band like the Minnesota band Suffering Hour, and moments of the Blut Aus Nord and Imperial Triumphant varieties. If you like your music to take you on an adventure you won’t see coming, you will find it within this debut from Agenbite Misery. Alkhemia- HÄXEN FFO- Black Metal After covering their debut album back in 2024, this French Black metal band returns with their sophomore album, and astoundingly, they have vastly improved from an already tremendous sound. Everything from this machine has improved, from the excellent songwriting to the spot-on production that is the perfect balance of raw and clean, to the musicianship just feeling tighter and right where the music should be. If you need an album that is going to channel your love for Gaerea, MGLA, Naglfar, and Der Weg einer Freiheit, make sure you do not miss out on this one. All The Damn Vampires- Vicecore FFO- Dark Synthwave, Alternative Metal, AOR I am a bit torn on covering this one as 5 of the 12 tracks are covers, so it is close to being a re-imagined covers, but the music is so good on this one that I do not want to skip this one. The debut album from Davey Oberlin fuses Synthwave, Alternative Metal, AOR, and a cinematic landscape to create an album that feels like an 80s album made with a haunting sense of 2026. Imagine if someone made an episode of Miami Vice based on The Lost Boys or the band Magic Dance, taking a bit more Modern Metal influence, and you have Vicecore. The original tracks have a nostalgic flair, while the covers from artists like Phil Collins, Whitesnake, Cutting Crew, Benny Mardones, and Martika have the influences on point but updated just enough to make them all darker than the original intent. Overall, this is an album that hits hard on the throwbacks, but sinister enough to feel like the soundtrack to a movie that hasn’t been made yet, which would be really cool to be written one day. If you want a modern throwback, give All The Damn Vampires a shot; you just might get the trip as well. Among Wolves- Reflections of the End FFO- Progressive Melodeath The debut album from this Utah band combines so much of what I love into one sound. You will hear Progressive, Melodeath, Metalcore, Power, Thrash, and so much more rolled into one package that is not afraid to explore its sound and snap back into its core sound. No two tracks sound alike on this 10-track, hour-long endeavor. It may be a lot for some, but if you like your music adventurous and filled with authenticity, Among Wolves is a band that will be on the cusp of launching into the stratosphere if everything works out in the right ways. And with a sound like this, they deserve that and then some. AmongRuins- Advent of Chaos FFO- Melodeath I discovered this band with their previous album, Land of the Black Sun, back in 2023, and in such a short time, the band has found a way to improve even stronger and has recorded what may end up being one of the best Melodeath albums of 2026. The music is equal parts heavy and melodic, knowing when to switch things up without going too far into either direction. Mixed in with a production style that simply fits the tone of the music and a lyrical sense that feels so appropriate in 2026. If you enjoy the likes of Nightrage, Primalfrost, Wolfheart, and Godark, you NEED AmongRuins in your life. Archvile King- Aux heures désespérées FFO- Blackened Thrash Metal The sophomore album from this one-man French band is classic Blackened Thrash in all its glory. From the raw and atmospheric production to the songwriting that has zero fluff to it, this is 8 songs and almost 47 minutes of what made bands like Seth and Hellripper rise in infamy. While I can’t claim to understand the lyrics on this one, the passion behind the screams more than lets you know the pain and hell that is being unleashed before you. If you are looking for a Blackened Thrash album that feels straight out of 1996, Archvile King is more than delivering the goods. Ashbringer- Subglacial FFO- Post Black Metal The 5th album from this Minnesota band (actually, just one town over from me) is the band expanding upon their blend of False Black Metal. The band has always been known for pushing the boundaries with Progressive, Post, Folk, Blackgaze, and more into their Black Metal sound, and I’ve loved it since day one. With Subglacial, it feels like the band is going back into the harsher sounds they started with in the beginning, but not losing anything they’ve learned along the way. The production will be hit or miss for some people as it is quite raw, but every instrument is clear, and the songwriting is what is worth your attention. It feels like it brings everything I love about Agalloch, Amiensus, Together to the Stars, and Panopticon into one place, but done with a Southern Twin Cities Metro charm. I can’t say it enough, Minnesota has a phenomenal Black Metal scene here, and Ashbringer, while exploring so much more than its core sound, is an excellent example of it. I dare say this is their best album to date. Check it out for yourself. Assignment- With The End Comes Silence FFO- Progressive Power Metal The long-running German Progressive Power Metal band returns with their 6th album in 23 years. It’s been quite the 6 years since their previous album, but the band has taken that time to refine everything that works about the band and hone in on the catchiest elements to create an album that is filled with the technical ability, soaring vocals, and gorgeous melodic solos that make the band stand out. The production on this one strikes hard, and it has to be that way to match the quality of the music. If you need your fix of bands like Symphony X, Evermore, Timeless Fairytale, and Chaos Frame, Assignment is doing the Progressive Power Metal genre proud. Atlas- Sunder FFO- Modern Metalcore, Progressive Metal, Melodic Doom The 3rd album from this Finnish Northcore band combines elements of Orbit Culture, Gojira, HIM, and Katatonia, which feels like such an odd thing to say on paper, but if you listen, you can hear all of those elements and more. Of course, the music is fully layered in the more Modern Metalcore sound, but it’s those odd mixes of Progressive Metal, Gothic Metal, and Melodic Doom that make the music stand out from the 2020s Modern Metalcore sound. The clean vocals are absolutely haunting, and the harsher vocals tear right into you. At 8 songs and almost 29 minutes in length, this is an album that doesn’t waste a second and goes right in for the kill at every possible chance. For anyone who ignores Metalcore simply by association is truly missing out on Sunder by Atlas. This is a magnificent piece of Metal. Axel Rudi Pell- Ghost Town FFO- Classic Metal, Melodic Metal, AOR The staggering 23rd album from the legendary German guitarist is here, and it’s the classic sound you expect. From the mainstay riffs you expect to the soaring vocals from longtime vocalist Johnny Gioeli, to the standout melodic guitar solos. It’s patented Axel Rudi Pell, and that is the best compliment I can give. It’s the familiar sound we need right now for those who need something to go back to and escape reality. This will help you forget your troubles for all 11 tracks and almost 56 minutes of sound. Sometimes that is all that you need. Before I Turn- Immoral and Malevolent Happenings FFO- Progressive Metalcore, Deathcore, Post Hardcore 5 albums into this New England band’s career, and they have made one of the most haunting and horror-infused Metalcore albums I’ve ever heard. Dripping in atmosphere, punishing in its riffs and breakdowns, and just the right amount of cleans to make the music feel even more tragic, this is the kind of album that feels like a film score when you close your eyes and fills you with dread with every passing second. You don’t often get this kind of theme when the music feels like a sense of Currents, The Contortionist, Periphery, Shadow of Intent, and the horror soundtracks of Danny Elfman. I can’t guarantee everyone will like this, but if the idea of this intrigues you in the slightest, you need to see what this band is all about and what will surely come in the future. Who knew that saving the Progressive Metalcore and Deathcore styles would simply be honing in on the true horror it can represent? Beheading Samsara- Black Cloud Masses FFO- Progressive Melodeath Sometimes a band will put out a 6-track album that is barely a half hour long, has an In Flames cover at the end, but those first 5 tracks hit you so ridiculously hard that you are left stunned every time you listen to it. That is what happens to me every time I put on the sophomore album from this Spanish band that has clearly put their thoughts, hearts, and souls into the music they are creating, and it has worked triumphantly. I should note that every original song on here is from the band’s very first demo back in 2018, but they have been reworked and re-recorded as a full album (according to Metallum), so I’m counting it as a demo is not an album. This is spectacular work that truly hits the 2026 definition of Progressive Melodeath. If you want a mix of bands like Persefone, early day In Flames, Opeth, and Rivers of Nihil, do yourself a favor and check out Beheading Samsara. I can’t wait to see what they do next. Beyond The Black- Break The Silence FFO- Modern Symphonic Metal, Melodic Metal Beyond the Black is a hard band to narrow down these days, starting more of a Symphonic Metal band, then becoming more of the Modern Metal sound; with their 6th album, it feels like they are capturing both sides of the band while adding a huge heap of Melodic Metal and Melodic Rock to balance everything out. It’s interesting to hear such heavy riffs at times, followed by passages that feel like they could be on Modern Rock radio. It feels like a paradox to say this is the band’s most ambitious, but also most mainstream album to date, but that is what’s going on here. The band is focusing on melodies, harmonies, and not being afraid to make the music they want to make. Add some guest spots from Lord of the Lost, Lovebites, and The Mystery of the Bulgarian Voices, and you have one of the most intriguing albums of this style for 2026. It’ll be interesting to see how bands of a similar flair will fly this year, but till then, if you want a band that is not afraid to take risks, check out Beyond The Black. Bizarrekult- Alt som finnes FFO- Post Black Metal This is the Post Black album I have been waiting for this year. This hits everything that I love about the genre on the darkest ends and does not let up for 8 tracks and almost 43 minutes. The production on this one is stellar for the genre, and the songwriting hits everything from depressing to tear-jerking in the best of ways. This Siberian-turned Norwegian band’s 3rd album is an absolute triumph of how the Post Black genre works. For anyone who enjoys latter-day Enslaved, Dødheimsgard, and Der Weg Einer Freiheit, check out Bizarrekult immediately. You don’t want to miss this one. Black Reuss- Death FFO- Goth Rock, Gothic Metal, Doom Rock The 4th album in a concept by Maurizio Dottores is an excellent display of making dark music in a dark time. This album truly feels like its album title...death. In such a time of uncertainty, this feels like an excellent soundtrack to the world around us, done in a very Paradise Lost/Host style but done differently enough to not feel like a clone. The production is perfect for the style and the songwriting, it gut-punch after gut-punch. Despite this being the end of this 4-album concept, I hope this isn’t the true end of the project, as I would love to see what else it could tackle in terms of themes and styles, but if it is over after this, what an incredible way to end the journey. If you need your fix of heavy, depressing, Goth and Doom Rock, check this one out. Black Swan- Paralyzed FFO- Classic Metal, Hard Rock 3 albums into this powerhouse of a group featuring past and present members of MSG, Winger, Foreigner, and Mr. Big is the late 70s-early 90s Hard Rock and Metal sound personified. The key difference is that with pulling off that music in 2026, you are doing it for the pure love of the music, and that is showcased here throughout all 11 tracks. With a fantastic production style, it lets the songs shine, whether they are more heavy riff-oriented or more subdued. Without question, this is the band’s best material to date, and there are no signs of slowing down. I’m so thankful for bands like Black Swan that showcase the best elements of this sound and still find a way to make it relevant and rewarding in the modern day. This is why Rock and Metal will never die. Blackwater Drowning- Obscure Sorrows FFO- Melodeath, Metalcore The sophomore album from this North Carolina band doubles down on everything that made their debut album killer and explores what is possible in their sound. Feeling like the perfect mix of American Melodeath and Metalcore, the band hits some of their darkest and most intense moments so far while still finding the right melodies and harmonies to tie everything together. You can hear everything from the Agonist to Volcandra to Arch Enemy to The Black Dahlia Murder, all rolled into one dark, but captivating package. Blackwater Drowning knows what works, and they are showcasing it to the best of their ability. If this is even faintly intriguing to you, give this one a proper spin. Bloodred- Colours Of Pain FFO- Blackened Death Metal The 4th album from this German Blackened Death Metal band is a visceral display of blending the genres and creating a dark and realistic look at life. Just from the album title alone, you can tell this is a personal album that hits the pain of the current world and dealing with it on an individual level. The music more than matches up to it, as well as no two songs sound alike, and they all feel like they explore something just a little different while being connected. All 8 tracks and 43 minutes of this album hit on so many levels, and if you like your Blackened Death Metal on the Melodeath/Viking/Early Day Amon Amarth side, Bloodred is for you. Blue Mountain (SWE)- When Heaven Falls Down, and Hell Freezes Over FFO- AOR, Melodic Rock With an album title like that, you’d imagine maybe a Symphonic Power Metal album or an apocalyptic Black Metal album. No, you get some excellent quality AOR and Melodic Rock that soothes the soul every time you spin it. It has the classic 80s sound we all know and love, the catchy melodies and harmonies that become instant earworms, and those solos that just bring everything together. The production makes this feel like an album that came out in 1986, but updated enough for 2026. The songwriting hits so very hard and will stick with you, as any good AOR album should. At 10 songs and almost 44 minutes, this is the kind of album you put on and forget your troubles for just a little bit, and it looks like 2026 is going to be filled with moments where we need that. If you love that classic sound, Blue Mountain is delivering the goods. Carrion Vael- Slay Utterly FFO- Melodeath The 5th album from this Indiana band feels like it is coming out at an appropriate time. The world feels so turbulent, and having a soundtrack that feels like the world around you is quite the experience. The band has mastered its sound and continues to push the boundaries with every release. The genre-bending on this one is astounding and hits so many elements that feel death-defying, all while feeling natural at the same time. While this is very much a Melodeath album, you can hear so much Tech Death, Symphonic, Progressive, and almost Deathcore elements mixed together to make the music feel like a whirlwind, but a storm you want to be swept up in time and time again. If you enjoy the likes of The Black Dahlia Murder, Revocation, Summoning The Lich, and Allegaeon, Carrion Vael is a band you need to check out. Slay Utterly is a perfect starting point. Chalice of Suffering- The Raven Cries one Last Time FFO- Funeral Doom Metal, Folk Metal The 3rd album from this Minneapolis Funeral Doom powerhouse is exactly what I needed. It’s so much more than your run-of-the-mill Funeral Doom, but adding so many textures and layers to the music, creating an atmosphere with dynamics, just raw enough production, and pure sadness across the album. Feeling like a mix of Apocalypse Orchestra, Arð, and Swallow The Sun, this is an album that redefines what can be done in one of the most haunting genres of Metal and rips your soul apart in the process. This is how it’s done, folks! Cold Communion- Monuments to Ruin FFO- Melodic Death Doom Barre Gambling of Daylight Dies and Tim Rowland of Silent Vigil have joined forces for one of the best Melodic Death Doom albums of the year. Combining everything that makes the genre work, from the tear-jerking riffs to the pain-driven vocals and lyrics, to the overall atmosphere that makes your heart wrench time and time again. It’s all matched up with stellar production that drives the sorrow-driven power home and makes you remember why bands like Woods of Ypres, Opeth, Novembers Doom, and Rapture will always be in people’s hearts. I can’t sell this one much better than that. This is THE Melodic Death Doom album of the year for me, and it’s going to take a colossal album for it to knock it down. This is a masterclass of the genre in every conceivable way. Cold Night For Alligators- With All That’s Left FFO- Progressive Metal, Alternative Metal, Cinematic 4 albums into this band straight out of Denmark, and the band continues to push the boundaries of their sound and still make it as catchy as possible. With the latest album, the band blends heavy Prog elements, Alternative quirkiness, poppy sadboi elements, and an overall sense of cinematic that makes this album like no other. This feels like the soundtrack to a very dark and demented movie that has yet to be made (but really should go into production soon). While this may be a bit too left of center for some, for others, this is an album of the year worthy in every sense of the phrase. If you enjoy the likes of Vola, Earthside, Royal Sorrow, and yes, even the dreaded Sleep Token, give Cold Night for Alligators your proper attention. This is an album that should be heralded at the end of 2026 and beyond. Converge- Love Is Not Enough FFO- 1st Wave Metalcore, Mathcore, Hardcore Punk I’ll keep this one as short and sweet as the album is. 10 tracks, barely 31 minutes long, and it’s pure Converge through and through. The first half of the album focuses on the most intense elements of the band, and the 2nd half sees the band explore more of their sound, yet somehow the entire album is consistent and is over before you even realize it. In fact, this is the shortest album from the band to date. It’s a crash course of the band from the earliest sounds to their most left-of-center and everything in between. If you ever wondered how 1st Wave Metalcore, Mathcore, Hardcore Punk, and Experimental sounds all mixed together, and you have never heard Converge, let this be your first taste. Course Of Fate- Behind The Eclipse FFO- Progressive Metal The 3rd album and first time I’ve heard this Norwegian band hits a style of Progressive Metal that hits right at home. Taking the classic Prog Metal sound and updating it into a dark atmosphere with plenty of heavy moments and dynamic songwriting. Between the stellar production style and the articulate songwriting and musicianship, this is what fans of the genre should be going after. This can get as heavy as Opeth and Evergrey, as grand as Circus Maximus and Queensryche, and stands along with newer bands like Philosophobia, The Eternal, and Connect The Circle. 2026 seems to be a great year for bringing back the classic late 90s, early to mid 00s Prog Metal sound, and I am all here for it. This is a fantastic example of celebrating the past and pushing forward. Crystal Lake- The Weight of Sound FFO- Metalcore The 6th album in 24 years from this Japanese Metalcore band is pushing the boundaries of their sound, while delivering everything that you would expect from the band. No two songs on this one sound the same, and it expands upon their ongoing sound in both directions. When it gets heavy, it obliterates everything in its path with near Deathcore elements in its breakdowns and tones. When it gets lighter, there are some emotionally impactful moments that the band does like no other. This album also features guest appearances from Jesse Leach (Killswitch Engage), Karl Schubach (Misery Signals), David Simonich (Signs of the Swarm), Taylor Barber (Seven Hours after Violet), and Myke Terry (Fire from the Gods, Volumes). From those appearances alone, you can tell the diversity of sound going on. Overall, this is an album that strikes hard, but knows when to pull back for its emotional moments, showcasing what Metalcore in 2026 can truly all be about. Crystal Sun- The Trace You Left FFO- Death Metal The first and final album featuring Ale Moz, who started off the project as a studio project that became a tribute to him, with everyone who joined the band guesting on the album, and his legacy with the money for the album going towards Cancer research. The music is layered in Death Metal, but there are so many moments of Thrash, Melodeath, NWOBHM, and more to make this so much bigger than simply a Death Metal album. With so many guest appearances that I can’t list them all here, it helps make this album even more varied and even more of a thrill ride from beginning to end. This is an incredible tribute to the legacy Ale Moz left on his peers and the scene he was a part of, all while showing the rest of the world what he was capable of until his last recorded moments. Will this be the only album from Crystal Sun? I hope not, as I think it would be so cool to see where else this project could go in the future while praising its creator, but even if this is it, this is an album that won’t easily be forgotten and is sure to leave a lasting impression on you. May we find an end to cancer one day? Cryptic Shift- Overspace & Supertime FFO- Technical Death Thrash The sophomore album from this UK outfit featuring 3/5ths of Slimelord is the kind of 90s Progressive Death Metal meets 2000s Tech Death that I didn’t know I needed till now. Feeling like equal parts Atheist, Necrophagist, and Blood Incantation, Cryptic Shift is applying the past and present into a package that is not for the faint of heart. The production is pure 90s with an Unquestionable Presence vibe that I will never get sick of hearing, and songwriting that is quite the trek as well. The shortest song is almost 9 and a half minutes, and the longest is almost half an hour long, so it will not be for everyone, but for those who love musical journeys, this will be the Absolute Elsewhere of 2026. Daidalos- Dante FFO- Symphonic Black Metal The sophomore album from this German one-man band is one of the most punishing Symphonic Black metal albums I’ve ever heard. It simply hits all the right elements that make everything work, from the sinister overtones from the symphonics to the aggression of the Black Metal side to sharing nods with bands like Dimmu Borgir, Fleshgod Apocalypse, Carach Angren, and Septicflesh, but having their own sound in the process. The production is brilliant and lets you feel every single note to its full capacity, and the songwriting is the kind of inspired that doesn’t have an ounce of redundancy. The lyrical concept of the album is a reinterpretation of The Divine Comedy through Dante’s eyes, and the power of the themes more than matches the music and vice versa. Simply put, this is the Symphonic Black metal album we all needed in 2026, and the genre is back with a full bang. I can’t sing the praises of this one enough. Go check this one out. Deadvoid Inc.- Chapters FFO- Melodeath The debut album from this Finnish Melodeath band channels everything you love about that early 90s-mid 2000s sound. You can hear the godfathers of this sound with At the Gates, In Flames, Dark Tranquillity, etc but you will also hear moments of more classical elements like Children of Bodom or pure melody that you hear in a lot of Amorphis albums, and even closer to Metalcore moments like in Heaven Shall Burn. The production feels like pure 2002 in the best of ways, and the songwriting is endlessly catchy between all 8 songs on display. If you love that classic Melodeath sound but want it mixed in just enough with more 21st-century sounds, Deadvoid Inc. is the band for you. Defaced- Icon FFO- Death Metal, Black Metal, Grindcore The Swiss Death Metal band is back with their 3rd album, and it hits extremely hard. It’s that fantastic combination of the hard-hitting 90s Death Metal sound mixed in with the 90s Melodeath feeling like a combination of Morbid Angel, middle era At the Gates, and Abysmal Dawn. No track truly lets up on this one as it is filled to the brim with intensity, even when there is less instrumentation and a lesser tempo. Simply put, it’s 10 tracks of what makes Death Metal work to this day. Sometimes you can’t sell a Death Metal album better than that. Defacing God- Darkness Is My Crown FFO- Symphonic Gothic Black Metal The sophomore album from this band out of Denmark is how you make Symphonic, Gothic, and Black Metal sustainable. The entire album feels like they doubled down on what worked best from their debut and added the right herbs and spices to make the music as catchy as it is haunting. Mixing the best of bands like Dimmu Borgir, Carach Angren, Frantic Amber, and Zornheym, Defacing God is pushing the genre back to the forefront, and it’s desperately needed. We’ve been sitting well on this style in 2026 so far, but we always need more, and this is a band that is more than delivering the goods. Denominate- Restoration FFO- Progressive Death Metal The 3rd album, and first in 6 years from this Finnish band, is that style of Progressive Death Metal that I needed right now. Being able to mix together a super heavy sound that would make Obscura and Carcass fans happy, mix in Progressive moments that will shiver down your spine if you enjoy Ne Obliviscaris and Edge of Sanity, and enough of their own blends to create an album that pushes the envelope of what Progressive Death Metal can be in 2026. It never goes too far into any one direction and never loses its path. It expands enough to explore what is possible and always finds a way to bring it home, even if in unexpected ways. The production is that perfect balance of clear but human, and that is needed to make this album effective. As mentioned, I needed an album like this that can destroy everything in its way, all while having melodies and harmonies that will ring in your head for days on end. I don’t envy any other Progressive Death Metal band putting out an album this year, as Denominate is the standard-bearer this time, and it will not be an easy task to beat this one. Absolutely stellar! Destroy Them- Threshold of Apocalypse FFO- Thrash Metal To anyone concerned that Thrash Metal will not continue into younger generations, they need to calm down after hearing Destroy Them. The debut album from this German outfit is a phenomenal display of the classic German Thrash Metal sound, but without twists and turns to make the music a true evolution of sound. Of course, you will obviously hear some Kreator influences, but you will also hear bands like Warbringer, Clear Sky Nailbomb, and The Crown done in a way that feels genuine and feels so good to listen to over and over again. The production feels top-notch, and the songwriting is inspired and feels fresh. If you need a Thrash album that feels like a punch to the face, you will be hard-pressed to find another band to do it quite like Destroy Them. Distorted Reflection- Doom Zone FFO- Epic Doom Metal The sophomore album from this Greek Epic Doom metal band more than lives up to the album title, as it feels like you are put dead center in the doom zone. While the production is more on the raw side, the songwriting, musicianship, and pure atmosphere make this a Doom album that should not be missed. It hits everything that you would want from bands like Manilla Road, Crypt Sermon, Beholder, and Sorcerer, and still finds a way to make it uniquely their own. This is an 11-track, almost 39-minute exploration of the heaviest and most captivating aspects of the Epic Doom Metal sound, and it only gets better with every listen. If you need that classic sound, give Distorted Reflection your proper attention. Divine Chaos- Divine Reactor FFO- Thrash Metal, Melodeath 3 albums into this UK Thrash band’s career, and they are easily at their best so far. Capturing the great mix of Thrash Metal, Melodeath, and super catchy choruses to give you a little bit of something for everyone, but never feels pandering. The production feels modern but authentic and clearly real, with songwriting that is the same way. If you want a mix of Exodus, The Crown, and Sylosis, Divine Chaos will be a band you need in your life. Domhain- In Perfect Stillness FFO- Post Black, Shoegaze The debut album from this UK band hits everything that I love about the combination of Post Black and Shoegaze. It knows how to balance out the most harsh and beautiful moments in perfect harmony, all while creating such a dark and captivating atmosphere. Of course, you need that just raw enough production style to make this style work to its full effect, and they take full advantage of the tones they have created. This makes the most of its 5 tracks and 35-minute track length to create a sound that should make anyone who enjoys the likes of Alcest, Agalloch, Saor, and even Woods of Ypres very happy. In comparison to a lot of albums in this style, it is a short and sweet affair, but it’s sure to have a lasting effect for years to come. Do not miss out on this one. The Duskfall- The Everlasting Shadows FFO- Melodeath The 6th album in 24 years from this Swedish Melodeath band is everything that makes the Swedish Melodeath sound legendary. Everyone shines through the darkness here and makes for some of the best vintage but inspired Melodeath going on today. The production feels like 1996 done in 2026, and it makes it feel timeless. This is easy for anyone who loves At the Gates, Nightrage, Darkane, and obviously Gates of Ishtar. Sometimes you need to hear one of the most underrated Melodeath bands come back in a huge way to remind yourself why you love the genre so much, and that is exactly what is done here. I can’t recommend this one enough. Dymytry Paradox- Born from Chaos FFO- Modern Metal, Groove Metal, Industrial 3 albums into this band out of the Czech Republic is a band that I randomly discovered on YouTube last year for the Heavy Debriefings Podcast, and I was left intrigued, but also trying to figure out what I was listening to after hearing the first track off of this album. After sitting down with the album, it is all starting to click with me, and it truly works as long as you dig the sound. It sounds super catchy while still having the right amount of heavy moments to balance everything out. Feeling like a whirlwind of bands like Takida, Machine Head, and Amaranthe (try wrapping your head around those comparisons), you have a dark, but uplifting album that feels so appropriate for the world that we live in. If you’re not too tr00 and kvlt, this one could be for you. Elbereth’s Grace- Where Silence Speaks FFO- Symphonic Metal, Folk Metal, Modern Metal This is a spinoff of the band Black Jade, focusing more on the Symphonic, Folk, Modern, and Power Metal side of the sound and keeping just enough of the extreme end to keep things exciting. Layered in fantasy and Tolkien themes, the album feels like an adventure that is worth taking, from the soaring highs to the devastating lows. The songs hit hard from pillar to post and are done with an authenticity that you simply can’t fake. While many bands of this style are focusing on being the most mainstream sound possible, this is a band that can blend Stream of Passion, Lake of Tears, and early-day Epica to make a band that is putting other bands of the genre to shame. This is what bands should strive to achieve in this style, and if this catches on, it has every chance of being a standard-bearer for the genre for a long time to come. Seriously, check this one out. Ellende- Zerfall FFO- Post Black, Blackgaze, Atmospheric Black Metal The latest album from this Austrian tearjerker of a band is one that is a true punch to the soul, but it is also a needed one that is filled with just the right kind of optimism. Don’t get me wrong, this is an album of misery, questioning life, and the world we live in, but in that there is this sense of feeling less alone as we are all suffering, and that kind of message can be inspiring and make you want to continue. You don’t always get that in a genre that is known for the meaninglessness of life and feeling like giving up on everything. While I don’t understand the lyrics, the way they are sung comes off so gorgeous and is filled with a style of authenticity that you simply can’t fake. Match that with some of the best Post Black that you can imagine, and you have one of the best albums of the style of the year. I know this came out on January 2nd, and it’s much too early to say that, but once you hear this album, you’ll understand why I would say that. If you love the likes of Harakiri for the Sky, Heretoir, and Alcest, you need to check out Ellende and everything they have to offer. Elwood Stray- Descending FFO- Metalcore, Post Hardcore Elwood Stray showcases both sides of their Metalcore and Post Hardcore elements with ease on their sophomore album and expands upon both the heavy and melodic moments. The band doubles down on what worked best with their debut album and strays from the path just slightly to incorporate some new elements that pushes the band’s sound, but never losing what has been winning over fans. The riffs are infinitely catchy, the choruses are as sing-along as possible, and when it gets heavy, the pits they will cause in the live setting will be huge. This is easy for anyone who enjoys the likes of Annisokay, Dead Eyes, Awake the Dreamer, and Bad Omens. Metalcore is off to a great start in 2026, and albums like Descending from Elwood Stray are going to be the mainstays of the year. Emotional Fire- Rising FFO- AOR, Melodic Rock The debut album from this classic-sounding AOR and Melodic Rock band is everything you’d expect at this point. The songwriting is simple, but it hits just hard enough. The vocals soar and feel heartfelt, the aesthetic is the right kind of cheesy to make you smile from ear to ear, and let’s not forget those melodic solos that can sucker in even the most diehard of technical fans and make you appreciate the power of an '80s guitar solo. As usual with this style, you know what you’re getting into, but once you put it on, you will want to listen from start to finish. This is an 11-track, almost 43-minute escape from reality that all of us need. Take the trip, check out Emotional Fire. Ennui- Qroba FFO- Funeral Doom For anyone who has known me over these past almost 15 years, you know that Doom is one of my favorite genres, and when the right kind of Funeral Doom comes across me, I fall in love with it. That’s what happens here with the 5th album from this Funeral Doom band out of the country of Georgia. It simply hits everything I expect out of the genre: the dark, depressing dread, the slow tempos where every single note matters, and the lyrical content that this genre is built on. The production is a little raw, but not overbearing, and on the right sound system, it’s going to sound huge. This is easily for anyone who enjoys the likes of Hellight, Mesmur, and Evoken. What's a better time to check out some of the most depressing music in the world than our current state of affairs? It feels so depressingly accurate. Enshine- Elevation FFO- Melodic Death Doom The 3rd album and first in 11 years from this French/Swedish band hits that Melodic Death Doom sound in a way that destroys the soul, but leaves you wanting more. The perfect example of how to mesh these genres together depressingly and authentically. Of course, when you have Sebastien Pierre of Fractal Gates and Jari Lindholm, formerly of Slumber, how could you not have that rich, gorgeous, and devastating blend? The music has melodies and harmonies that soar through the ages with just enough of the darkness to tie everything together. Matched in an otherworldly production style, and you have an album that is meant for those who truly want to get lost in Melodic Death Doom. This is going to be a hard album to top for the style this year, but I am awaiting every band of the style to try to topple it. This is such a phenomenal display of the haunting beauty of Melodic Death Doom. Ethereal Treason- All Is Vanity FFO- Modern Metalcore, Alternative Metal The 3rd album in 2 years from this unidentified band, which is listed simply as Animus. This is a band that feels like it is going off bands such as Dayseeker and the dreaded Sleep Token at times, but there is enough of a difference. The music stays dark the entire time and knows when to transition from more alternative moments to poppier elements to crushing riffs. It’s the kind of album that, despite the subject matter, I can put on and relax and still get that heaviness factor thrown in for good measure. While I would proceed with caution on this one if you are very up in arms with current mainstream heavy trends, for everyone else, this is more than worth your time, as it explores so much of what is possible with this music and still gives you what you want on the heavy side. That’s all I need to be happy. Evermore- Mournbraid FFO- Power Metal, Melodic Metal The 3rd album from this Swedish Power Metal band is easily the band’s best so far, and that is truly saying something. This is everything that made 90s Power Metal so special and done with enough authenticity to make it their own. You‘ll hear moments of bands like Edguy and Stratovarius, but also bands like Krilloan and Twins Crew that showcase both the past and present in Power Metal and give it their all. The production is off the charts in quality, and the songwriting already feels legendary, and it just came out today. This is pure, unadulterated Power Metal, and I simply can’t sell it better than that. Every King Has A Clown- S/T FFO- Heavy Metal, Hard Rock, Classic Power Metal The debut album from this one-man US band is filled to the brim with too many guest performers to mention and still feels like a band that has been at it for decades. Hitting so much of what there is to love about that 80s-00s Heavy Metal sound, sometimes getting Proggy, sometimes getting more Power Metal, sometimes getting Doomy, sometimes just straight up Metal. It has a little bit of everything and none of the fluff. The production feels right where it should be, and no matter the genre shift, it feels like a chameleon, hitting everything that the style calls for, and it feels so satisfying to hear. If you want a loving tribute to some of the best classic genres of Metal, check out what this project has to offer. Evig Natt- Vaketimen FFO- Gothic Death Doom The 4th album and first in a decade from this Norwegian band is hitting that Gothic Death Doom itch that I always need scratched. It’s everything that I love about the genre and gives additional gut punches for good measure. Mixing the Male growls with the Female cleans is always a winning formula for me, and this is no exception. And when you mix that into a sound that hits so much of what I love about bands like Draconian, Trail of Tears, and early day Sirenia, it just makes my dark soul so happy. Also, the production on this one is top-notch, which is not always common in this style. Overall, Gothic Death Doom is one of those genres that you either love or hate, but I’ve always been in love with it, and this is a shining example in the darkness as to the power, intensity, and emotional strength it takes to make music like this. Spectacular work. Evoked Eclipse- The Cries of Evil FFO- Blackened Melodeath, Gothic Metal The debut album from this Italian one-man band is some of the most haunting and devastating music of this style I may have ever heard. For every moment that goes into the more extreme end of things, it’s balanced out with a Gothic overtone that rips you apart emotionally and doesn’t let up. It feels like when you mix Dissection and Naglfar with equal parts Swallow The Sun and early day Katatonia. Intentional or not, with the week I have had, this album brought tears to my eyes in a cathartic way that I truly needed. Put all that together with a production that feels like any 2000s masterpiece of this style and songwriting that feels truly from the heart, and you have an album that will bring as much enjoyment as it does devastation. All of that in only 8 tracks and 33 minutes is no easy thing to achieve. Give this one a proper listen and prepare to be floored. Exhumed- Red Asphalt FFO- Goregrind, Gore Metal, Death Metal This may be the most fun Exhumed album to date. Every song deals with being on the open road in some way, shape, or form; the album just hits everything I ever loved about the band, but just done to a new level. With as much of the classic Gore Metal sound on display, the band also incorporates much more groove into the sound that makes you wanna go full speed ahead on the highway, but brings things back to remind you that if you do, you may face your demise in numerous ways. It’s a 10 track, 36 and a half minute horror filled love letter to the road. It’s everything you want it to be and more. Exil- Karga FFO- Depressive Post Black, Post Punk The debut album from this French outfit is striking a chord with me in a way that feels indescribable in its accuracy. While I do not know the lyrical content due to not reading/speaking French, the melodies, harmonies, and screams are hitting me so hard and not letting up. I can hear elements of Amesoeurs in its style of Post Punk and Post Black, but with added elements of Amenra on the darker side, Unreqvited on the emotional side, and Ghost Bath with more consistent vocals. This is an 8-track, almost 36-minute assault to your senses and will leave you feeling cathartic and longing for better times. That is exactly what a good Post Black album brings to the table. It’s hard to believe this is just a debut album, as some bands of this style wish they could hit this much power in their 4th, 5th, or 6th album. It’ll leave you an emotional wreck, but this is mandatory listening for any Post Black fan. Exxûl- Sealed Into None FFO- Epic Doom Metal, Epic Heavy Metal, Epic Power Metal A band that is simply...epic. The debut album from this Canadian band is a welcome treat for those who love the 80s epic sound but want it updated for 2026. Feeling like an unholy mix of Candlemass, Crimson Glory, Crypt Sermon, and early day Fates Warning is a combination I never would have expected, but I am falling in love every time I put this one on. The Production feels like pure 1986 in every conceivable way, and the songwriting hits the Power, Progressive, Doom, and Classic Metal sides with such ease and finesse; I would be shocked if this band doesn’t explode into the stratosphere this year. This hits everything you love and none of the fluff. To say this is a contender for Album of the Year for me is a complete understatement. It’s everything I loved rolled into one, and I can’t wait to follow what they do in the future. Eye of Purgatory- Darkborne FFO- Old School Death Metal Edge of Sanity is reborn? Not quite, but it’s very, VERY, close. The 3rd album from this Swedish trio is everything you know and love about 90s Progressive Death Metal, from the songwriting to the production to the tones being produced. This is also the 2nd album as a full band with Jeramie Kling and Taylor Nordberg filling out the rhythm section. This is another album that I don’t need to sell too hard. If you love Opeth, early day In Flames, and ESPECIALLY Edge of Sanity, you need Eye of Purgatory. Fabienne Erni- Starveil FFO- Modern Metal, Symphonic Metal, Folk Metal One of the most standout vocalists in Metal today has finally created a solo album, and it feels like the perfect mesh between Illumishade, Eluveitie, and her love of other styles of music rolled into one. Between the clear and polished production, the songwriting on this one showcases the best elements of her vocal ability and makes everything shine. It’s a brilliant showcase that I hope builds into more solo albums and an even more vast collection of material and style in the future. Till then, this is the perfect crash course of Fabienne Erni. Fading Aeon- S/T FFO- Epic Melodeath The 3rd album from this German outfit is a combination of sounds that simply works. Creating a mix of Epic Metal, Melodeath, and more to create a sound that is for anyone who digs the likes of IATT, Sokomb, and Keep of Kalessin. The production is raw and authentic, with growls that are utterly gruesome in the best of ways. Balancing out the epic, melody, and Death Metal is a hard combination to nail, but Falling Aeon has done it in a way that shows that you should always strive to make the music you want to make. This is more than worthy of your time. Final Gasp- New Day Symptoms FFO- Gothic Metal, Death Rock The sophomore album from this Boston band is my first taste of their blend of Gothic Metal and Death Rock, and all I want is more. This hits both genres perfectly and gets more and more satisfying with every listen. At 10 songs and almost 32 minutes long, it doesn’t wear out its welcome in the slightest and uses every recorded second to its advantage. Imagine a mix of Unto Others, Tribulation, Ancient VVisdom, and In Solitude, and you have what this band does and leaves room for so much more. There’s not much else I could say to sell you on this one. No matter your type of Goth love, you will LOVE what Final Gasp brings to the table, and like me, all you will want is more. For My Demons- Tristesse FFO- Progressive Dark Metal 3 albums into the career of this Italian Progressive Dark Metal band, and they have written a magnificent album from start to finish with Tristesse. Hitting so many elements of Progressive, Dark, Gothic, and other elements to create a sound that borders between Rock and Metal but never loses its somber touch in the process. This is an easy sell for anyone who enjoys the likes of Katatonia, Riverside, Soen, and The Moor. If you want an album that will grab your soul and not let go for 7 songs and over 42 minutes, check out what For My Demons has to offer. For My Pain...- Buried Blue FFO- Gothic Metal They say that you have your whole life to make your first album and 18 months to make your second. Sometimes, that sophomore album takes 23 years. I can say with pure certainty that this was more than worth the wait. This Finnish band captures everything you love about the late 90s-early 00s Goth sound without any of the fluff and pure hooks from beginning to end. OF course, when your lineup consists of past and present members of Eternal Tears of Sorrow, Andromeda, Barbarianz, and Poisonblack, you are going to get a band that knows how to write dark, catchy songs that will be stuck in your head for days on end. At 11 tracks and 51 minutes long, this feels like the return to Finnish Goth that the world needs now, and in an ever-growing darkened world, it simply matches the mood. Whether you need a nostalgia trip or you want to hear how this style needs to be done in 2026, Buried Blue is going to be one of the finest examples of what has made the genre work for decades now. It won’t take much to understand why. Fuath- III FFO- Atmospheric Black Metal After an excruciating 5-year wait, Fuath is back with their 3rd album. The one-man band from Andy of Saor is the dark, raw, melancholic Atmospheric Black Metal side of his writing compared to the crisp, clean, gorgeous music that Saor has become. While you can definitely hear similarities to both bands, Fuath is the band you go to when you need the most melancholic and disdainful display of Black Metal. Between all 4 tracks, you will get almost 43 minutes of the darkness that not only surrounds winter, but life in general. This is not the album for you if you are in a good mood; this is for when you are at a low point in life, and you want someone else to scream about the realities of life, and honestly, who couldn’t need that right now? The production is, of course, raw, but not unlistenable, which can be such a fine line, especially in Black Metal. If you need an album that can channel Wolves in the Throne Room, Wodensthrone, and early day Saor into a devastating piece of Atmospheric Black Metal, look no further than Fuath. Gaerea- Loss FFO- Post Black, Melodic Metalcore Portugal’s Gaerea took a gigantic chance on their latest album, Loss. Shifting from their Post Black sound that made them a huge name in the underground, they started incorporating more of a Melodic Metalcore and Modern metal attributes to the Post Black sound. Some people are very much up in arms about this change. I, on the other hand, think it was the best decision they could have made. The music hits so much harder when it gets into the extreme end of things, and it suckers you in with undeniably catchy choruses and out-of-nowhere melodic riffing that you simply don’t see coming. Making a change that they wanted to make instead of just repeating what they have done in the past is what’s going to make them skyrocket into superstardom. For anyone who digs Deafheaven, Møl, Heretoir, and Groza, take note; Gaerea may have put out the most popular Post Black Album ever. Genus Ordinis Dei- The Land East of Eden FFO- Symphonic Melodeath, Groove Metal, Metalcore 5 albums into this Italian band’s career, and they have put out an album that I simply wouldn’t have expected. Combining so many catchy elements into one band that knows when to lure you in and when to suckerpunch you with authority is not an easy thing to achieve, but they have pulled that off. They even got the almighty Roy Kahn to show up on a track, which is a welcome thing to see. Musically, imagine the Reroute to Remain era of In Flames, Amon Amarth, Lamb of God, and Orbit Culture. I know that sounds like a strange mix of sounds, but if you were there in the early 00s in Metal, it makes all the sense in the world. This takes so many twists and turns and makes for a musical experience you won’t soon forget. This is a killer album that is worth your time. Gladenfold- Soulbound FFO- Melodeath, Power Metal The 4th album from one of the very best bands in the Melodeath/Power Metal genre is back after 4 agonizing years to create what could be heralded as their best work to date. This meshes the heaviest extremes with the Power Metal melodies and harmonies perfectly, and neither side feels like it is fighting for presence. With excellent production and every single riff feeling like it matters and has purpose, this is the kind of album that I put on and remember why I love both genres so much and appreciate it so much when a band can pull off both and never sound forced. While I completely understand if you hate one style, this will not be for you; this is for those who can appreciate what is on display, and it only gets better as time rolls on. If you love Wintersun, Kamelot, Children of Bodom, and Brymir, you absolutely NEED Gladenfold. Glamour of the Kill- Vengeance FFO- Melodic Metalcore, Post Hardcore The 3rd album and first in 12 years from this British band is the 00s band that takes the best of the era and modernizes it just enough for 2026. This takes the sound of Avenged Sevenfold, Killswitch Engage, and ESPECIALLY early day Bullet for My Valentine and remade it for the modern day. The production feels like The Poison by BFMV, and the songwriting feels excelled and inspired in a way that no matter your love of catchy Metal, you will find something to appreciate. It's Melodic Metalcore, it’s Hard Rock, it's Modern Metal, and those nods to NWOBHM all rolled into one that is either the nostalgia trip you need or that sound that will never be for you. Neither is wrong, but Vengeance is more than worthy of a spin to show what the early 00s sound has impacted in the modern day. To me, it’s a great thing. The Gloom In The Corner- Royal Discordance FFO- Modern Metalcore The 4th album from this Melbourne, Australia band is such an intriguing mix of sounds that I simply wasn’t expecting. This is one of the most bombastic and diverse Metalcore albums I’ve come across in a long time. It gets as heavy as it does mainstream and catchy, as it does experimental and bonkers, feeling like an unholy mix of Lorna Shore, latter-day Make Them Suffer, and SikTh. The production is super clean and punchy, which is needed to make this music have a full effect. While it may sound like a hodgepodge in description, once this unlocks for you, the music flows together naturally and feels like both heavenly beauty and a hellish landscape for your listening pleasure. It won’t be for everyone, but if you want to hear what can be done when you truly try to innovate Metalcore, this is a band you need to have on your radar. Godoviir- Artificial Dream FFO- Progressive Metal The debut album from Igor Kundović is quite the Prog Metal experience. Hitting so much of what I love about bands like Riverside, Opeth, Gojira, and Amorphis while having such a huge influence from Devin Townsend (which you can hear in Vladimir Lalić’s vocal delivery), and it just makes anyone who grew up on 2000s-2010s Progressive Metal nod their head in agreement. Between the excellent musicianship and songwriting, the production is right where it should be, and no matter how heavy, melodic, or experimental things go, it is always done in a way that’s palatable and makes you wanna listen time and time again. Do not let this one slip by if you are a 21st-century Prog Metal fan; this has everything you could want and so much more. Godsticks- VoiD FFO- Progressive Rock, Progressive Metal The 7th album from this UK Prog band hits that perfect balance of Progressive Rock and Metal. It never gets too heavy, it never gets too soft, just right in the middle, and it hits so good. That is not to say this is not a dark and angry album, as it totally fills that feeling for those who love latter-day Porcupine Tree and the heavier ends of Riverside. The songwriting is top-class and intricate, with a production style that feels sensational for the style. You can tell they pushed themselves on this one, and it makes for an album that is worthy of any Prog fan’s ears. If you need a Prog album that couldn’t feel more appropriate in 2026, check this one out. Good Tiger- The Most Negative Day of the Year FFO- Progressive Metal, Alternative Metal The 4th album from this international band featuring past and present members of TesseracT, The Safety Fire, and The Faceless (and drums performed by Matt Halpern of Periphery before Alex Rudinger joined the band), is a tour de force of what Progressive and Alternative Metal is all about. Despite the background of many members of the band, there are no screams, growls, or anything extreme about this album. It is all about the music at hand, making it as melodic and catchy as possible within a prog aspect, while still having some left-of-center moments that are sure to make you turn your head. The production on this one is insane, along with the musicality on display. The music itself can go from ethereal to beautiful to downright heavy when called for, and it never feels like it is repeating itself. If you enjoy the likes of Skyharbor, Circa Survive, and The Safety Fire, Good Tiger has returned with an incredible album in their style. Grace Death- Tender Skin FFO- Goth Rock, Gothic Metal, Occult Rock I don’t have a better way to put it, this is one of the sexiest Gothic albums I have ever heard. The debut album from this Belgian duo puts in the best elements of Goth, Rock, Metal, Occult, and other tantalizing moments that are meant to lure you in before they go in for the kill. Hearing everything from the 2000s Finnish Gothic Metal scene, Katatonia, Killing Joke, and Sisters of Mercy is quite the combination, and it simply works. The production lets every recorded element shine, and at no point does it lose focus throughout all 10 songs and almost 43 minutes. I don’t know a better way to put this one; it’s a hot album. Gravemass- This is the Way FFO- Blackened Death Metal The debut album from this influential lineup featuring past and present members of Zimmer’s Hole, Revocation, Tenet, and Just Cause is just as heavy and brutal as you imagine it to be. The riffs hit in such an impactful way, blending the Blackened Death Metal, Thrash, and of course the subtle but noticeable nods to Zimmer’s Hole and Strapping Young Lad all over the place. The production on this one packs a punch but still feels human, which is needed with songwriting like that that just feels sinister in all of the right ways. Gravemass is the kind of band that you spin to forget your troubles, as it just sucks you in for all 10 tracks and almost 30 minutes of length, then you will instantly start it over. We need something like that now more than ever. Greyhawk- Warriors of Greyhawk FFO- Power Metal, AOR, Epic Metal The 3rd album from this Seattle outfit is the classic Metal, Power Metal, and Epic Metal styles personified. 11 tracks and almost 50 minutes of the nostalgic sound in a Revival Metal package paying tribute to the legends of Judas Priest, Dio, and Hammerfall; all while falling in line with bands like Visigoth, Sumerlands, and Eternal Champion. While nothing here is reinventing the wheel, it doesn’t need to; it just needs to be undeniably solid, and Greyhawk may be the greatest shining example of it. This is sure to make any Revival Metal fan smile from ear to ear, and it’ll only take one listen to understand why. Greywind- Severed Heart City FFO- Pop Punk, Emo, Alternative Rock 2 albums into this Irish Duo's career, and they have created an Emo side that I don't naturally gravitate toward, but I can't get enough of with Severed Heart City. The album is about Trauma and looking for a way to get past it all, which, knowing my backstory, is probably why I am connecting to it so much. The songs are layered in Pop, Emo, Pop Punk, and Electronic moments that feel like they should be tailor-made for Modern Rock FM radio, and maybe one day that will make that huge impact they deserve. The production is so slick and polished, and it makes the music and especially the lyrics stand out in a way that feels like a gut punch to anyone who has empathy in their soul (and can appreciate the music). If you enjoy My Chemical Romance, Taking Back Sunday, and True North, give Greywind your proper attention. Growth- Under the Under FFO- Avant-Garde Tech Death The sophomore album and first in 6 years from this Australian band is something I truly needed. It combines the right elements of Tech Death, Avant Garde, and Extreme Metal in a way that is palatable, but pushes the boundaries of what is possible in these styles. Featuring past members of Ne Obliviscaris, The Red Shore, and Function Cease, the band has more than upped their game and showcase music that is for those who enjoy the likes of Ulcerate, Gorguts, and Volcandra. If you want that balance of chaos and eeriness, you need to check out Growth. Hanging Garden- Isle of Bliss FFO- Gothic Death Doom The 9th album from this long-running Finnish band continues to push what is possible in the Gothic Death Doom sound and may end up being my favorite album from the band. Not only does it capture the core sound that they have always had, but the band continues striving for more dynamics, tempo changes, left-of-center changes, and simply making the best music possible. Matched up with a stunning production style, this is how innovation should feel. If you enjoy the likes of Counting Hours, October Tide, Paradise Lost, and Swallow The Sun, you need Hanging Garden in your life. The Hara- Fallout FFO- Alternative Metal, Alternative Rock, Modern Metal The sophomore album from this English band is such a winning combination of the catchiest elements of 2020s Rock and Metal, but done with absolute sincerity that you can’t fake. From the emotional riffs, the pained vocals, and the outstanding guitar solos that appear at just the right times. This is a band that hits both the most commercial sound, but heavy enough to be on any Metalcore show at the same time. This is for those who enjoy the likes of As Everything Unfolds, Lost in Hollywood, and As December Falls. I can’t imagine that if you are looking for this sound, you will be disappointed. Hela- A Reign To Conquer FFO- Melodic Doom Metal The 4th album from this Spanish Melodic Doom band is a thought-provoking and captivating experience. Embracing the dark side of their music even further, the band hits this style of Melodic Doom that can both sucker you in with its beauty and rip your soul apart with its themes and emotional power. The production is perfect for this style, and the band never feels like it writes the same song twice with its presence. If you want something that channels Trees of Eternity, early day The Gathering, and SubRosa, Hela is a must listen, especially with what is their best release in A Reign to Conquer. Hieron- From The Temple To The Grave FFO- Meloblack Coming out all the way back in January (you wouldn’t belive how long my catch up list is right now at almost 100 albums I didn’t get to yet), the debut album from this German band is such a truly dark take on the Black Metal genre and it makes for some of the most eerie and sinister sounds of Meloblack you will hear this year. Even with how cold and evil the music sounds, there is just the right amount of melody going on that either makes the music more triumphant or creepy (depending on your tastes). The production is a bit raw, at least in the mix, but it adds so much to the chaos on display, and it leaves you with very little downtime before you get pummeled into the grave once again. If you enjoy the likes of Nullingroots, Starer, and Prison of Mirrors, Hieron is making the Meloblack for you. The Hirsch Effekt- Der Brauch FFO- Progressive Metal, Mathcore, Art Rock Easily the most diverse album to date from this German outfit in the form of their 7th album. It’s not often you’ll find a band that can channel SikTh, dredg, BTBAM, and The Dillinger Escape Plan, but that’s exactly what is going on here. For every moment of bombastic chaos, it is balanced with hauntingly beautiful melodies and harmonies, and it feels even and appropriate. The production is clean and slick, with the songwriting taking left turn after left turn, making you excited to see where the music goes next. This won’t be for everyone, but for those who want their Prog and Mathcore on the experimental side, this is an album that is more than worthy of their time. This is a genre-pushing album for those who dare to check it out. Hoaxed- Death Knocks FFO- Dark Hard Rock, Classic Metal The sophomore album from this Portland trio is such a killer album. Combining that dark and Occult Rock sound mixed with Hard Rock and Classic Heavy Metal to make for an album that can hit you from so many angles, but all of them feel right. Mixing a sound that reminds me of Ancient VVisdom meets Unto Others meets Tribulation meets Blood Ceremony. While the debut album was great, I love this direction for the band, and I hope they continue to explore it further. If you want your Hard Rock and Metal dark and captivating, Hoaxed is a band you need to recognize now. You’ll be so glad that you did. HyperioN- Cybergenesis FFO- Classic Heavy Metal The 3rd album from this Italian Heavy Metal outfit is bringing the classic sound into 2026 in the best of ways. It hits that itch of what makes Classic Heavy Metal work, but updates it just enough to make it feel like it was made in today’s age. With a production style that feels authentic and songwriting that knows when to trim the fat and when to expand as needed, this is what more bands of the style should strive to achieve. For anyone who enjoys the classic NWOBHM sound mixed in with 80s Thrash and Speed Metal, HyperioN is required listening. Induction- Love Kills! FFO- AOR, Melodic Metal, Power Metal The 3rd album from this fantastic band may be their best album to date. They have always found a way to be more than your typical catchy band while still hitting you with some of the catchiest hooks, melodies, and choruses possible. With this latest release, the band continues to push what is possible in a Symphonic, AOR, Melodic Metal sound in a Power Metal band that feels just as much at home with latter day Edguy as it would Gamma Ray or Sonata Arctica. It just hits all the right elements that you love, making you close your eyes, nod your head, and making you happy you are listening to this kind of music. The production is right where it needs to be, and the songwriting, as stated, is as catchy as possible while still hitting everything you’d want in this sound. This may not be the most groundbreaking Power Metal album ever made, but in 2026, it’s an album that will remind you why you love this sound so much, and it will give you infinite replayability. We need more of this in 2026. Inner Vitriol- Semper Tacui FFO- Progressive Metal The sophomore album and first in 14 years from this Italian Progressive Metal band is more than worth the wait. It captures everything that I remember hearing all the way back in 2012 with their debut, but updated for the 2020s, and never loses its edge. They even got Geoff Tate to show off his vocals on the album. Mixed in with an early 2000s production style, imagine a melding of Pain of Salvation, Soen, Evergrey, and In Virtue, and you have a stellar display of Progressive Metal. Give this one a proper listen. Iridium- HELL IS JUST A HALFWAY HOUSE FFO- Modern Metal, Metalcore, Alternative Metal The debut album from this London band is Modern metalcore dripping in atmosphere, introspection, and a look at society at large. From the gripping screams to the soul-draining cleans, the vocals and lyrics hit hard and build a catharsis that needs to be built. The music hits everything from the 2020s Metalcore sound to Atmospheric Post Rock elements to deep and heavy breakdowns that make this a diverse and captivating album from start to finish. The production is right where it should be, and the overall album is not an easy listen, but a needed one. If you enjoyed the LEAVE. album from last year and want something heavier out of it, that is, Iridium in a nutshell. If you fit into this niche of genres, this is an album that you will be spinning all year round. Ivory Moon- The Silent Ruins of Mars FFO- Epic Symphonic Metal The 5th album in 22 years from Italian band hits the perfect elements of Epic Symphonic Metal, and it makes for such heavy, catchy, and triumphant music. Mixing the symphonics of Nightwish, the power of Living Tales, and the technical ability of Pyramaze is such a cool thing to experience. It’s a bit of a lengthy album, coming in at 13 tracks and over 55 minutes, but if this is your bag, the album does fly by and warrants instant replays. The production on this one his so hard, and the songwriting feels like it’s done to the best of their ability and leaving very little fluff in the process. If you want to hear the past, present, and future of what Epic Symphonic Metal is in 2026, check out what Ivory Moon brings to the table. Joel Hoekstra’s 13- From The Fade FFO- Classic Metal, Hard Rock The 4th solo album from Joel Hoekstra is such a great mix of the classic sounds done in 2026. You can hear as much AOR and Classic Rock stylings with an approach that would capture even the newest of Rock and Metal fans. The lineup for this album is also insane, from Vinny Appice on drums to Derek Sherinian on keys and so much more. The production is the modern AOR sound, so everyone shines loud and clear, but of course, Hoekstra blazes through it all, no matter how simple, melodic, heavy, or shreddy his guitar work comes into play. His resume is too long to list in a blurb review like this, but it’ll only take a song or two for you to realize the true staying power of this album. Give it a proper spin and prepare for some of the most competent music of the genre. Juodvarnis- Tėkmės FFO- Progressive Black Metal The 3rd album from this Lithuanian band is some of the best Progressive Black Metal I’ve heard in quite some time. It combines both sides of the genre equation in the best of ways and feels equally balanced. Mixed in with an authentic production style and songwriting that couldn’t feel more inspired, this is a band that should be on anyone’s radar if you enjoy the likes of Enslaved, Borknagar, In Vain, and the proggier era of Moonsorrow. At 7 songs and 42 minutes, this is the lean, mean Progressive Black Metal that we truly need. Incredible work. Karnivool- In Verses FFO- Progressive Metal, Alternative Metal I did not imagine Karnivool coming back, especially after having 13 years in between albums, but the Australian band has made their 4th album more than a worthy comeback. The band that helped shape what Alternative Progressive Metal can be and influenced countless bands in the Prog world is as they are strong as ever, showing that there is so much gas left in the machine. With their incredible production style that lets you hear every single note and gives every note purpose in their songwriting, the band has taken the nearly past decade and a half and are playing to their strength and still giving us the surprises that are more than worthy of the trip. If you are new to the band but want to hear how bands like TesseracT, Caligula’s Horse, VOLA, and Ihlo helped get their inspiration, check out Karnivool and how Alternative Progressive Metal still leaves a huge impact in 2026. Kerrigan- Wayfarer FFO- Revival Metal The sophomore album from this German band featuring 3/4ths of the Funeral Doom band Lone Wanderer returns with their signature style of Vintage Heavy Metal, and it’s easily some of the best you will hear this year. I love their debut album, Bloodmoon, so much, but this is such a gigantic step up in quality in all ways, from the production to the performances, and especially the songwriting. This feels like the best band of 1986 you didn’t hear till 2026. If you want a band that can combine the best of bands like Satan, Night Demon, Haunt, and Defender, do yourself a proper favor and check out what might be the best Revival Metal album of 2026 with Wayfarer by Kerrigan. Kosmos- L'Astre De La Désirance FFO- Atmospheric Black Metal The 7th album from this one-man French outfit and my first experience of the music is an otherworldly feel that hits both on the mysteries of the universe and the frailty of being alone. With a bleak production style and songwriting that grips you, this is a 5 track, 38-minute exploration of the idea of longing for something or someone who is no longer here, and the concept is hit expertly. Hitting this mix of early day Alcest, middle era Opeth, and the occasional Blut Aus Nord nod, this is an album that can capture Atmospheric Black Metal, the occasional Death Metal, and Avant Garde moments to make a unique listen, but one that is universally relatable. Kreator- Krushers Of The World FFO- Thrash Metal The 16th album from one of the most legendary names in Thrash is easily some of the band’s best work, and that is no easy thing to achieve. The band has always found a way to never repeat themselves but still sound exactly like Kreator time and time again. This time around, the band focuses on creating a grand atmosphere that covers the best elements of the band, but surrounded by such killer melodies, harmonies, and, when called for, symphonics to make this one of the most bombastic albums of the band’s career. They hit everything a die-hard fan would want while being accessible to anyone checking them out for the first time. The production on this one is off the charts and pulverizes you, while the songwriting is so crushing, yet dignified. There is a reason why Kreator has been blasting in your eardrums for 41 years now, and they have taken that time to improve and maintain their legacy. This is a masterclass on how to make Thrash Metal stand out while never losing yourself in the process. Come December, this will be recognized as one of the best Thrash Metal, if not Metal albums of 2026. Leatherhead- Violent Horror Stories FFO- Classic Heavy Metal, Speed Metal The sophomore album from this Greek band is the perfect love letter to the horror genre done through the gaze of Classic Heavy Metal and Speed Metal. 8 tracks and 37 minutes of fast and furious Metal with that 80s flair that makes Flotsam and Jetsam, Helstar, Vigilhunter, and Starforce fans happy time and time again. While not reinventing the wheel in any way, they are making some of the most rock-solid Speed Metal of 2026 and making it feel as evil as it deserves to be. If you want that classic sound, Leatherhead has it nailed perfectly. Legionary- Never-Ending Quest for Purpose FFO- Death Thrash, Melodic Metal Another short and sweet one here with the 3rd album and first in 12 years from this Bronx outfit. 5 songs, a half hour long, but not a second is wasted. The production hits you hard, and the songwriting on top hits you even harder. Between this duo, the band also gets Chris Clancy of Mutiny Within to contribute vocals on the entire album. It hits the best of the more aggressive side of Thrash and occasionally Death Metal, but it is also all layered with so much melody and harmony on top, balancing everything out in a way that just sounds satisfying from beginning to end. If this sounds like a combination for you, I assure you that it is. Give it a proper listen. Locus Noir- Shadow Sun FFO- Goth Rock, Gothic Metal, Post Punk This has every chance of being my Goth album of the year, and it’s not even close. Ben DMN of one of the most underrated bands of the 21st century, Sybreed, takes a stab at Gothic music that feels as hauntingly beautiful as it does authentic and painfully accurate. The production feels modern-day with enough classic callbacks to make this more than just a nostalgia trip. The songwriting channels everything from Type O Negative to The Sisters of Mercy to middle-era Paradise Lost, making me fall in love with every track and reminding me why with every spin. This is a masterclass of the style of Goth in every sense of the genre, and I will be singing its praises till the end of the year and beyond. If you want what will be the best Goth album of the year, check out Locus Noir in all its glory. Lomor- Sabouk Rouge FFO- Thrash Metal This may be the first album that I ever covered that comes out of Reunion Island, and that is cool for me to be able to do. The sophomore album from this Thrash band is the kind of Thrash that made you a fan to begin with. Sounding like a mix of Slayer, early day Testament, and ESPECIALLY Kreator; this hits that 80s itch of sound, but updated for 2026, so it has an incredible production style and just enough of the fluff cut out for maximum impact. This is 11 tracks and almost 45 and a half minutes of what makes Thrash still exciting after all these decades. Whether it’s all guns blazing or slowed down enough for some variety, this is a band that knows how to write a song and have it stuck in your head. Thrash fans new and old need to check this one out immediately. Lone Wanderer- Exequiae FFO- Funeral Doom 3 albums into the career of this German Funeral Doom band, and while I can’t imagine it was intentional, this feels way too appropriate for 2026 so far. It’s a deep, dark, depressing album that hits everything you expect from the genre and still finds a way to hit you in ways that you don’t expect as well. The production is fantastic, and the songwriting grips your soul and drags you down into the grave. I also didn’t realize that 3/4ths of the band is in the Revival Metal band, Kerrigan, so I have to give extra props for showing off their diversity in songwriting as well. Overall, this is a masterclass of Funeral Doom that is not meant for the faint of heart, but feels so appropriate for everyone and anyone struggling right now. This is catharsis in a 72 and a half minute husk. Lost in Hollywood- S/T FFO- Modern Metal The sophomore album from this German Modern Metal band is pure hit or miss for those who normally check out my lists. But I’ve said it before, and I’ll say it again in between all of my Funeral Doom, Post Black, and Progressive Metal reviews; I’m a sucker for a good, catchy song, and every track on the self-titled album is filled with that and so much experimentation going on at the same time to keep things interesting. The production is slick and polished, and the songwriting is insanely inspired, reminding me of bands like Electric Callboy, Elwood Stray, and Our Mirage. Again, proceed with caution if you don’t like Modern Mainstream Metal, for everyone else, give this one a spin; you’ll be in for a great surprise. Lost Society- Hell Is A State Of Mind FFO- Modern Metal Finland’s Lost Society is back with their 6th album, and I dare say it’s their biggest departure from their original sound yet. They originally were a straight-up thrash band, but with every subsequent album, the band has further explored what is possible with their sound, and it has evolved into a more Modern Metal, Groove Metal, and Metalcore mixture. It definitely won’t be for everyone who checks out my lists, but it is for those who want more conventional and mainstream Metal to be MUCH more unconventional and experimental. Imagine if Avenged Sevenfold’s Life is But A Dream was more comprehensible and a little Murderdolls/Wednesday 13 at different moments, and I think you’ll get the idea. This is pushing the Modern Metal sound into different territories, and that can only be a good thing. Lovebites- Outstanding Power FFO- Power Metal, Speed Metal, Heavy Metal 5 albums in 9 years from this Japanese band showcasing the pure ferocity that the Speed, Power, and Heavy Metal genres can still have, all while making the best possible music in the process. The band has always been fun, and this is no exception. Every track, no matter the tempo, is memorable and worthy of being played live with a raw, but human production style and some of the best musicianship you will hear in the genre, done with an authenticity you just can’t fake. I also gotta add how sick the double bass and guitar fills are on this one, they get me every time. This genre is meant to be fun, and no one does it quite like Lovebites anymore. Go check them out. Machinae Supremacy- S/T FFO- Alternative Metal, Power Metal, Chiptune A breath of fresh air that I didn’t know I needed comes in the form of the 10th album from this Swedish band. It’s also my first foray into the band, and that is quite surprising considering their debut album came out in 2004, but I digress. Pronounced Machine Supremacy, this is a mix of the catchiest Alternative Metal, Power Metal-esque moments, and the occasional video game Chiptune/Nintendocore element that makes you feel like you are in an 80s Retro-future soundtrack at an arcade. While sounding like such an oddball mix on paper, the execution couldn’t be more authentic, and it just puts a smile on my face every time I check it out. If you are of a certain time period and you loved arcade culture, this will put a smile on your face from beginning to end. If you dig bands like Cyhra, Soilwork, Sonata Arctica, and In Flames, this is a band that is more than worthy of your attention. Malefic- Impermanence FFO- Blackened Death Thrash The debut album from this Atlanta Blackened Death Thrash band is an incredible experience that hits all the right elements of the style. Blending Black Metal, Thrash Metal, Death Metal, and out-of-this-world melodies and harmonies that tie everything together. Between the clear and punchy production style and songwriting that feels endlessly inspired, this feels like the mix of The Black Dahlia Murder, Carcass, and Old Man’s Child that the world needs right now. Making an album this strong at 9 tracks and under 40 minutes is such a cool thing to see, as they give you everything they have, and you still want to see what will come next. You don’t often find a brand new band of this quality. Check out what Malefic is all about. Mariana’s Rest- The Bereaved FFO- Melodic Death Doom Mariana’s Rest has been on my radar since their 3rd album, 2021’s Fata Morgana, and hasn’t left my side since. Now with their 5th album, the band is continuing to explore their blend of Melodic Death Doom, with nods to other elements of Melodeath and near Funeral Doom sequences to make one of the most depressing and cathartic listens of 2026. Much like the title implies, this is an album of mourning, retrospective, and the inevitability of having to move on, and there isn’t anyone alive who hasn’t had to experience something similar. If you love the genre, this is required listening; if you are not familiar with it, go in with caution, especially if you are having a good day, as this one will drag you down, but at the same time, these emotions are needed. If you enjoy the likes of Insomnium, Swallow The Sun, My Dying Bride, and Enshine, Mariana’s Rest has released another tearjerker that is more than worthy of your time. Melodic Death Doom perfection. Mayhem- Liturgy of Death FFO- Black Metal With a legacy as this Norwegian band has had over the past 40 years and counting, it’s hard to believe that they are only 7 albums deep into their career. Even more so, the fact that no two albums sound alike despite always sounding like Mayhem. With Liturgy of Death, the band explores more of what is possible with their sound. While still having that signature Black Metal sound, they are experimenting more with clean vocals, off-kilter songwriting, and, of course, feeling like evil is pouring right out of your speakers. While the band will never be everyone’s cup of tea, it’s a welcoming thing to see the band still pushing their songwriting ability and not resting on their laurels. It’s a hellacious 8-track, nearly 46-minute, ritual that is rewarding if you give it a full spin, proving why it’s not just their legacy as to why they are still here to this day. Mega Colossus- Watch Out! FFO- Heavy Metal Just a little over 2 years since their last album, this North Carolina band is back with their 5th album, and it is arguably their best. Combining what has always worked the best within their sound and still pushing the boundaries just enough, and of course, their lyrical references make this an album that is simply fun for all 7 tracks and 44 minutes in length. This is also one of the more expanded albums in the band’s catalog, not in number of songs, but in song lengths, as they are some of the longest in the band’s history, letting the songs tell their story to the best of their ability, but not overly drawn out. Mix all of that in with production that matches both modern and vintage techniques perfectly, and this is exactly what the Revival Metal sound calls for time and time again. There is an argument that this will be the best album of this style in 2026, and I’m eager to see if anyone can top this one for the rest of the year. Messticator- Total Mastery FFO- Death Metal, Thrash Metal The sophomore album from this German Death Thrash band feels like a nostalgia trip, but modernized just enough to not sound like a clone in any way. It hits on the best elements of the genre and adds just the right amount of melodic punch when needed to stand out among the rest. The production absolutely pounds, making these already great songs sound even better. The songwriting is inspired, and you can feel the true love of Death Thrash going on for all 11 tracks without one second wasted. This is for anyone who loves The Haunted, At The Gates, and New World Depression. When you put this on, I can’t imagine you will be disappointed. Meteora- Darkest Light FFO- Symphonic Metal The 5th album in 9 years from this Hungarian Symphonic Metal band is easily the band’s best work to date. Feeling like an even stronger version of bands like Epica and MaYaN and giving nods to bands like Ancient Settlers and Neopera, Meteora takes what works best in this style of Symphonic Metal and gives you everything from the heaviest to the more extreme to the most majestic and beautiful moments you can get in the genre. This is another longer release at 13 songs and 63 minutes of music, which I know turns off some, but I have zero problem with. Every second recorded here is filled with purpose and fills you with wonder. Meteora should be heralded from the rooftops, and I hope one day they will be considered one of the best in the genre, like Epica, but until then, they are that band that deserves your attention to get them to that level. Miserere Luminis- Sidera FFO- Atmospheric Black Metal, Post Black One of the most intense Atmospheric Black Metal albums I’ve heard so far this year, and that’s going to be hard to top. Imagine the Atmospheric Black Metal sound but with modern production rather than as raw as possible, and that’s what you get here. It hits the nail on the head for the genre, but they leave so much room for experimentation and genre-bending that no matter your love of Black Metal subgenres, there is something here for you to love. Hitting everything from Alcest to Gaerea to Harakiri for the Sky to the Black Metal side of Deha, this is a band that will mesmerize you with their proficiency and win you over with their songwriting and musicianship. Seriously, if most Atmospheric Black Metal is too raw for your taste, you need to give this a proper listen, as I think it may just win you over for the whole genre. It’s just that good. MØL- Dreamcrush FFO- Progressive Post Black The 3rd album from this Post Black out of Denmark is an album that more than lives up to its album title. This feels like the epitome of what it sounds like when all your hopes and dreams are crushed into oblivion, and in 2026, that seems to be more of a reality than ever before. While there are moments that can feel happy, hopeful, and joyous, it also balances everything out with some of the darkest Post Black laid to record to date. It takes both the good and bad of having hopes and dreams and puts them into reality, and that reality is more often than not...bleak. The production on this one is some of the best you’ll hear in the genre, and it makes me so happy to see that Nuclear Blast sees the power of the band and picked them up. This is an album of beauty and pain, and if that doesn’t describe life, what else possibly could? If you enjoy Deafheaven, Numenorean, and Gaerea; MØL is required listening. Monosphere- Amnesia FFO- Progressive Post Metal 3 albums into this German band’s career, and the press release was not lying. This is easily the band’s most ambitious album to date and one of the most ambitious albums I’ve heard in Progressive Post Metal in a very long time. Combining the crushing riffs of Post Metal in the vein of Cult of Luna and The Ocean with the progressive tendencies of The Contortionist, and especially Between The Buried and Me, you have an album that can turn on a dime and hold your attention for every twist. The production on this one is stellar and lets everyone shine with the songwriting, breathing fresh air into both genres represented, but still gives you a familiar feeling. This is a mind-blowing release that goes into the most heartfelt and devastating emotions that one can feel. This is a must-listen for any Progressive Post Metal fan. Monstrosity- Screams from Beneath the Surface FFO- Death Metal The legendary Floridian Death metal band is back with their 7th album, and it crushes everything in its path. Always known for being a pioneering name in the Florida Death Metal scene, the band continues doing what they do best, creating killer riffs with just the right amount of melody to stand out among their peers. Also, hearing Ed Webb, formerly of Massacre, doing his debut vocals on this album simply slays and adds even more to the band’s sound. If you want to hear the best elements of bands like Cannibal Corpse, Death, Malevolent Creation, and Deicide, you NEED the latest from Monstrosity. Mystfall- Embers Of A Dying World FFO- Symphonic Gothic Metal The sophomore album from this Greek band is a true tour de force. Since I covered their debut album, 2/3rds of the band has been changed, and a bit of the sound has changed with it. That is not a bad thing at all, as the Symphonic Gothic Metal that I fell in love with is still here, if not doubled down on, and it feels like an even more confident album. Marialena Trikoglou’s clean and operatic vocals simply shine on this album, and she has fully taken center stage. The music behind her is a whirlwind of everything that makes Symphonic Gothic Metal so great. For anyone who enjoys the likes of Oryad, Glasya, and Belle Morte need to take note, this is going to be one of the best albums of the genre in 2026. Mark my words. Mývalyĭr- The Past Tales FFO- Melodeath, Epic Folk Metal, Symphonic Metal The debut album from this UK Melodeath band has learned what makes the genre work so well over the years, but upped the ante with its intensity and pure power. The band layers its heaviest moments with instrumentation that would make Folk or Symphonic Metal fans happy in a blend that showcases that brutal music can have sophistication and importance. It’s quite striking to hear Amorphis, Shade of Sorrow, Orbit Culture, and even Blind Guardian levels of thematics going on, but this is a band that knows how to wear their influences on their sleeve while innovating for the future. While this may take a while to digest, it is more than worth the investment as this is the kind of Melodeath that may feel like a slow brooding monster; its dynamics, instrumentation, and sheer power will rule over you. Necrofier- Transcend Into Oblivion FFO- Meloblack The 3rd album from this Houston Meloblack mainstay is the sheer intensity of the Meloblack style done with a sophistication and proper style that feels both like the best of the genre, but also something that you would hear in a horror movie that has a ballroom scene set in Hell. Featuring members of Oceans of Slumber, Terror Corpse, and the new lineup for Nevermore, the band is filled to the brim with some of the best musicians Houston has to offer. The production is easily their best, and the songwriting matches it tenfold. It’s also their most triumphant album to date, with 3 songs separated into 3 sections, each with an instrumental between each song. It’s quite ambitious, and also pays off in the best of ways. If you want Rotting Christ meets Necrophobic meets Dissection with just the slightest glimmers of Southern Doom, Necrofier is a band that needs your proper attention. Nefastis- Shadows At The Light Of Dawn FFO- Symphonic Melodeath The sophomore album and first in 12 years from this Italian band is a welcome change in sound for 2026. Combining Melodeath, Symphonic Metal, Thrash Metal, and straight up Death Metal into a very catchy and groove-laden mix is not an easy thing to do, and not make it sound like a hodgepodge of sound, but the band makes their vision quite striking and sophisticated. The production is more on the raw side, but nothing distracting, and the songwriting is the real feast of the album, hearing all the changes and how they interconnect. If you want a band that can channel Children of Bodom, Wintersun, and Fleshgod Apocalypse, see what Nefastis can offer you. Neurosis- An Undying Love for A Burning World FFO- Post Metal, Atmospheric Sludge Metal Through so many trials and tribulations, Neurosis is still here after 41 years, and they have made another new evolution. Aaron Turner, formerly of Isis and of Sumac and Old Man Gloom, is taking over on vocals and guitar, and the band shadowdropped their 12th album and first in a decade. Without having any idea what to expect from this kind of lineup, I think the band has recaptured everything that I ever loved about the band in their Post Metal, Atmospheric Metal, and Sludge Metal sound. The music both recaptures the sound, but also forges a new path at the same time, which is a very hard thing to achieve. This puts all the mainstays of the current day on notice. Neurosis has returned and may have put out one of the finest albums of their career. As sacrilege as it may sound, this might be my favorite since Through Silver in Blood. It’s just that good. New Miserable Experience- Gild The Lily FFO- Alternative Synth Rock When you have past and present members of bands like Revocation, Rivers of Nihil, and Rosetta, your first thought is not that they would be making dark Alternative Synth Rock, but that is what happens with the 3rd album of this now full-fledged band. You can tell everyone a part of this album knows how to play their role in the music, as it feels crafted in a way that doesn’t feel like a side project or something to do in your free time. The music comes first on this one, and whether they are channeling their early-day Nine Inch Nails love, placing Mellotron to make Opeth and Porcupine Tree fans happy, or making sad music for the Radiohead and Jeff Buckley variety, this is a varied album with every song fitting like a glove. This won’t be for everyone checking out my lists, but if you can appreciate anything from 80s Synth Rock to 90s Alternative Rock, there will be something here for you. Take a break from the heaviness of metal and give New Miserable Experience a fair listen. Night of the Vampire- The Enchanting Winds of the Dreamweaving Masquerade FFO- Black Metal, Post Punk, Synthwave The debut album from this Texas outfit is a combination of music I didn’t know I needed until I heard it. Mixing Black Metal, Post Punk, and 80s Synthwave feels like an unholy combination, and given the names and subject matter, that is correct, but it works miraculously in execution. Feeling like middle era Tribulation, Bathory, and Joy Division feels so wrong that it has to be right. The production is quite raw, but it adds to the vampiric nature of the music before you. And at 9 tracks and almost 34 minutes, this feels like the perfect example of what a debut offering should give you, and when it comes time to make that second bite, you will be entranced. This is such a killer release, and I can’t wait to see what comes next. Nullingroots- Fourth Dimensional Dreamscape FFO- Post Black, Shoegaze At long last, after 6 years, comes the 6th album from this Arizona Post Black band that has put out some of the best material in the genre. It’s been a long and rough time without new music from the band, but was the wait worth it? Absolutely! This is easily some of the band’s best work from beginning to end, hitting some of the most optimistic highs and pessimistic lows the band has ever recorded. The music is filled with wonder, hitting so many different emotions and styles all under the gaze of Post Black. The production will not be for everyone as it is quite raw, but I dare say that the musicality on this one is so high that after a while, you won’t even notice the rawness of the production, and it will just fill everything with the right kind of atmosphere. This will also be a trek of an album as it is 6 songs and 53 minutes, so if you don’t like long songs, this may not be it for you; but if you just care about the quality of the songwriting, this is a magnificent and spectacular release in a time where the music truly hits hard. If you like your Post Black on the raw but refined side, check out Nullingroots. Oathbound- Colors in Grey FFO- Progressive Metalcore The debut album from this Seattle band hits Progressive Metalcore in a much different light. With this style, you would expect more Djent, but that simply isn’t the case here. It feels like a true mix of 2nd Wave Metalcore and Progressive Metal in a way that I haven’t seen done since Mutiny Within, but much more on the mainstream side. It’s odd to hear moments that remind me of middle-era Soilwork or Symphony X in a sound that is layered in bands as I Prevail, blessthefall, and Fit for a King, but that is going on here, and I’m all for it. I can also sense how people who normally check out my lists will take this one, but I will say that if you have an open mind, you may find something to love here. Musically, I can’t say enough about how much I dig it, and I think that alone will win you over, given the chance. Give it a proper shot. Orchid Throne- Buried in Black FFO- Melodic Doom Metal The debut album from Nicholas Bonsanto is coming out at the right time. Early January is filled with dread, introspection, and questioning what life is all about. All of those themes and more are explored here in a Melodic Doom Metal style that rips out your soul, makes you feel seen, or both. For me, it’s, of course, both. You can feel the pain in this album from its lyrical content, the way it’s sung/screamed, and the musical tones that this style brings. I guess it’s hard to be objective with this style as it is one of my favorite genres, but this is the kind of album I needed, and it only gets better with every repeat listen. It gets as deep and as heavy as all of the heavy hitters of the style from Swallow The Sun, Woods of Ypres, and Novembers Doom but with a melodic sense that you get from bands like early day Anathema and Draconian that makes the music take you on an unexpected trip of the senses as you try to figure out what the point of life even is? 2026 is starting amazingly well for Melodic Death Doom, just listen to Orchid Throne to give you a taste of what’s to come. Our Mirage- Fractured Minds FFO- Modern Metal, Alternative Metal, Post Hardcore My first taste of this German band comes in the form of their 4th album, and it’s a shining example of the Modern Metal sound in 2026. The band can get into super heavy territory and balance it out with gorgeous melodies and harmonies of mainstream that seem to be the sealing deal or the dealbreaker, depending on your tastes in music. To me, the great thing about music is showcasing what you love to play, no matter the tones that come out in the process. The Production is the crystal clear style that you’d imagine for this genre, and the songwriting is so full of heart, no matter the emotion that feels appropriate, no matter your state of mind. For those who enjoy the likes of Elwood Stray, Annisokay, and Dead Eyes, Our Mirage is your new favorite band of 2026. Ov Sulfur- Endless FFO- Symphonic Blackened Deathcore The long-awaited sophomore album from this Las Vegas band is something I have been waiting for since their debut, The Burden ov Faith, back in 2023. Arguably, my favorite band in the Symphonic Deathcore realm has lost no momentum in songwriting and, if anything, has found a way to find what works best for the band and double down on it. The symphonic elements hit even harder, the crushing breakdowns hit at just the right spots, and the Blackened atmosphere of it all makes the album stand out among the crowd. The production on this one is brutal, and you can hear every note as intended, and with music this intricate, that’s essential. Imagine a mix of Lorna Shore, Mental Cruelty, and Dimmu Borgir, and you have what will be one of the best Symphonic Blackened Deathcore albums of the year, bar none. Paganizer- As Mankind Rots FFO- Death Metal Sweden’s Paganizer’s 14th album is layered in the Old School Swedish Death Metal sound that simply works since the late 80s and has never let up in momentum. It hits hard, the riffs are crushing (including the song Devoured, whose main riff sounds so similar to a riff one of my old bands had that we never got to put out, which to me is awesome), and it just feels so right. They’ve always had that Entombed, Grave, Dismember, etc sound, and that’s why I keep going back to the sound. Arguably, my favorite kind of straight-up Death Metal shines with a style that is all substance and just the slightest amount of flair. Mix that in with a classic production style, and I’m sold. If you need your fix of Swedish OSDM, you need to hear the latest from Paganizer. Ponte Del Diavolo- De Venom Natura FFO- Blackened Post Punk, Doom Metal Talk about a captivating album. The sophomore album from this Italian band more than lives up to the album title. This feels venomous in the way that it strikes between its darkest Black Metal moments, its catchy Post-Punk and Gothic tones, and the occasional Doom moment that roars at you as you lie on the ground from the impact. It’s such an odd combination on paper, but when you hear it executed, it makes all the sense in the world. The production is human, but still sounds crisp and clear, and the songwriting is impeccable and inspired in ways that will take you by surprise on the first listen. Imagine a mix of the latest album from Messa, but adding moments of latter-day Rotting Christ and Sisters of Mercy. That initial hit may shock you, but once you pay attention to the music, you will keep wanting more. This is what inspired music sounds like in 2026. Polaris Experience- Drifting Through Voids FFO- Progressive Thrash Metal What a thrilling album. Combining the best elements of Thrash Metal, Progressive Metal, and just straight up Heavy Metal in what feels like an unholy mix of Voivod, Vektor, and Cynic. When the album gets fast and heavy, it truly gets fast and heavy, feeling like it’s slingshotting you across the universe. When it slows down just enough, it allows you to enjoy the beautiful view set all around you. While the production value is pure 90s Progressive Death Metal, it still feels rich and clear. At 10 tracks and nearly an hour long, this won’t be everyone’s cup of tea, but if you need the Sci-fi Progressive Thrash Metal that needs to reign supreme, I argue, who could possibly top Polaris Experience in 2026? The Protomen- Act III: This City Made Us FFO- Rock Opera, Progressive Rock An album we have been waiting on since 2009 is finally here, and it’s everything I wanted it to be. Granted, every song has been out since the beginning of December 2025, but it’s officially out today, and I wanted every excuse to talk about this as a 2026 album, so I’ll take it. The Protomen is a hard band to describe without going into the futuristic folklore that it rightfully deserves to be talked about, but this is a blurb. So, in short (and missing out on a lot), imagine a mix of Meat Loaf, Queen, Styx, Coheed & Cambria, and Queensryche created a band that is focused on themes of antifascism, destroying the hierarchy, and Mega Man (amongst so much more, the lore is deep). While it’s only January, this does feel like the comeback album of the year and one I have been waiting on for 17 years. This is simply how you continue a long-standing Rock Opera shining through the darkness. No matter your style of Rock, Punk, Metal, Prog, Pop, etc, you will find something you love about this one; it has it all, and the more you listen, the more it all comes together. Is it too early to say this will be in my Top 100 at the end of the year? Probably, but I can’t imagine this not being there. It’s simply that good. Power Paladin- Beyond The Reach of Enchantment FFO- Power Metal Arguably, my most-awaited album of the year is finally here with the sophomore album from this Icelandic Power Metal band. Their debut album, With The Magic of Windfyre Steel, is one of my favorite Power Metal albums of all time. This time around, the band has become more mature, fewer references, and much more refined, and honestly, that was the right choice. While the music maintains the fun, passion, and everything that makes the genre work, it’s just taken more seriously and done in earnest, and it makes for what will most likely be my favorite Power Metal album of 2026. The production is killer, the songwriting is as majestic as it is smile-inducing, and it just captures the pure joy that Power Metal brings to the table. This is MY kind of Power Metal, and you need to experience it for yourself. Queen Kona- LONG LIVE FFO- Progressive Metalcore The 4th album from this NYC band is the kind of Progressive Metalcore that grabs my attention. While it does have some Djent moments, it doesn’t rely on it, in favor of more of the mid to late 00s Metalcore sound that is more than just fretboard olympics and wanking. There’s real songwriting going on here, mixed in with vocal variety and thick atmosphere throughout the entire album. It feels like a mix of After the Burial, Bury Your Dead, and Unearth, and for someone who grew up on those bands in my pivotal teen years, that is a cool thing to see. Mix that in with a brutal yet clear production style, and you have an album that, between all 10 tracks and almost 39 minutes, is filled to the brim with peak performances and songs that hit so hard on record, an Rave in Fire- Square One FFO- Heavy Metal The sophomore album from this Spanish Heavy Metal band just hits the soul in the right ways. While the subject matter of the lyrics is quite dark, the music will put a smile on your face with its classic, yet modernized, sound. For being a DIY produced album, this feels like an album that any band in the 80s would have dreamed to have at their disposal. Between all 9 tracks, you’ll hear the Revival Metal sound mixed in with Melodic Metal, AOR, and even hints of Prog for good measure. It’s just an album that you can kick back or throw your fist in the air while listening to it. If you want a mix of Scorpions, Dio, Cauldron, and Warlock, Rave in Fire is here and ready to take flight. Give them a proper listen. Ravenspell- Obsidian King FFO- Heavy Metal, Speed Metal The debut album from 3/5th of the Québec Black Metal band, Beholder, is showing off another new form in Ravenspell. This is the band’s take on the Heavy Metal and Speed Metal sounds of yesteryear, and they nailed it perfectly. This 10-track, 40-minute pummeling comes in the form of the veins of Iron Maiden, Night Demon, Visigoth, and Cloven Hoof, making everything feel just sinister enough, but never losing the tightness that makes the genre work. The production is pure 80s in the best of ways, and it matched up with outstanding musicianship and plenty of headbanging moments. While we are in no shortage of the vintage Metal sound, Ravenspell proves that the lifeblood of the genre is unalive and can never die. If you need the classic tones, check this out immediately. Rivers Ablaze- Inexternal Dread FFO- Progressive Blackened Death Metal The 5th album in 6 years from this Hungarian band is my first foray into the band, but I am absolutely loving what I am hearing. This is an extreme take on Progressive Blackened Death Metal that is so satisfying to listen to over and over again. Feeling like an unholy mix of A Flourishing Scourge, An Abstract Illusion, and oddly enough Gorefest in the growls makes for an album that makes the crushing side of all these genres work and still finds a way to make them feel triumphant and cascades a sense of darkness around you. I love it when combinations of music like this work, and Rivers Ablaze is more than carrying the torch for it. Sensational work. Rosa Faenskap- Ingenting Forblir FFO- Anti-Fascist, Pro-LGBTQ+ Black Metal The sophomore album from this innovative Norwegian Black Metal band is, in their words, a love letter and a declaration of war against everything Black Metal. Since the genre has been known for so much hatred over the decades, it always makes me happy when I can find a band that can turn the genre on its head and make the gatekeepers, bigots, and squares vomit in rage. Somehow sounding like a mix of Mayhem, Converge, and Deafheaven, this is a band that is not afraid to make the music they want to make and stand up for what they believe in. Even if the album sounded atrocious, I would have covered it for that reason alone, but this album is a spectacular display of how to still innovate Black Metal to this day. It’s just raw enough, but it’s more than made up for by its intensity. While I know this won’t be for everyone, whether it is too raw or experimental or you’re just not into Black Metal, if you hate this album for what it stands for, you’re why this album exists. We need more of this in every genre of music. If you’re so inclined, check this one out. Rozario- Northern Crusaders FFO- Heavy metal, Power Metal The sophomore album from this Norwegian band is a tried and true take on the Heavy Metal/Power Metal variety. While using the Power Metal aspect is more of a flavoring, this is a pure Heavy Metal album through and through, hitting so much of what you’d expect from that classic sound, but updated just enough for effect. The production has a modern vintage feel to it; the drums in particular remind me of the 80s Def Leppard, and the songwriting should be right at home for anyone who likes more contemporary takes, such as Temple Balls, Black Swan, and Starzager (all of whom I have reviewed in recent times). The classic sound of Heavy Metal is alive and well. Check out Rozario and see for yourself. The Ruins of Beverast- Tempelschlaf FFO- Blackened Atmospheric Doom Metal 7 albums into this one-man German band’s run, and it’s quite the trip. With a raw and almost unsettling production style mixed with a...raw and almost unsettling songwriting style, the band continues to showcase what can be done when you mix Doom, Black Metal, Atmosphere, and Goth Rock all into one. It’s strange to hear Blut Aus Nord, Ellende, Triptykon, and Type O Negative all in one album, but when you listen to it, those band comparisons feel apt. This is an album that you need to go into with some caution, as this is an album that you will not see coming in its twists and turns, but if you want your music experimental and almost familiar, this is something you need to check out and experience for yourself. Salos- A Slaughter for the Empire FFO- Instrumental Progressive Post Metal Given the amount of music I cover every year, my instrumental intake has diminished over the years to others that make my jaw drop, and the debut album from this Greek duo is that and then some. This captures everything I love about the Progressive Post Metal sound, with so many ethereal and atmospheric dynamics to make the ebb and flow, peaks and valleys, and the overall sound so satisfying. Matched with a killer production and songwriting that is clearly from the heart, this is an instrumental album I can’t recommend enough. If you enjoy the likes of Sometime in February, Long Distance Calling, Russian Circles, and God is an Astronaut, check out Salos immediately. Samurai Pizza Cats- Press Start FFO- Modern Metalcore, Alternative Metal, J-Metal My three-word review of Electric Callboy’s Tekkno was as follows: Big, Dumb, Fun! If I have to keep it as short as that, Press Start by Samurai Pizza Cats is as follows: Bigger, Dumber, Fun! 11 songs of Anime, Video Game, and Pizza inspired Alternative Metalcore that is just meant to make you smile and enjoy what you are hearing. Obviously, this won’t be for everyone who checks out my reviews, but if you just want to escape reality for a while and fall into a world that is as silly as it is proficient, Samurai Pizza Cats has provided that for you with Press Start. Servitude- Smoke & Mirrors FFO- Progressive Metal The debut album from this Swedish Progressive Metal band is one that connects the classic 90s sound and mixes it with the mid 00s Prog sound in a hard-hitting mix of Symphony X and Opeth, with newer bands like Lost Sanctuary and Walls of Babylon. The production feels like a 00s Prog album, and that is a great thing. The songwriting knows when to get proggy, when to get heavy, and when to write for the song, which is not always the case in this style. This is a fantastic approach to Prog and feels like a great first album to check out if you’ve never heard the style before, but want to see how it has influenced bands in the current day. Everything to love about Progressive Metal is here between all 8 songs and almost 57 minutes of music. Palatable and will be stuck in your head for days. It reminds me of when I fell in love with the genre almost 25 years ago. Shoreline- Is This The Low Point or The Moment After? FFO- Post Hardcore, Emo, Punk The 4th album from this German hit me like a ton of bricks, and with every listen, it hits harder. While this is not my usual style of music, when it is done right, it suckers me in and doesn’t let go from beginning to end. From the devastating lyrics to the just heavy enough riffs to the general atmosphere that simply makes you feel something, this is the kind of album that will help you binge and purge all of your emotions. If you enjoy bands like Touche Amore, Spanish Love Songs, and Chief State, this is required listening. Sidious- Malefic Necropolis FFO- Black Metal While originally having more of a Symphonic Black Metal sound (and some of that is still here, even if not prominent), the 4th album from this UK band feels sinister in its triumphant Black Metal sound. With an exceptional production style that you just don’t hear often in this genre and songwriting that feels like it was crafted to perfection, this may be one of the best Black Metal albums that we get in 2026. It’s everything you expect from the genre, but just done...better. This is what the best 2nd or 3rd Wave Black Metal bands would sound like if they had better production. 9 songs, 35 and a half minutes of pure nihilism. Siege Perilous- Becoming The Dragon FFO- Epic Heavy Metal, Power Metal The debut album from this Colorado band is another fine example of just taking what makes Power Metal and Epic Heavy Metal and putting your own spin on it all. Of course, the band isn’t fully reinventing the wheel here, but in a genre like this, that is not the point. It’s to make the most solid music possible while hitting the moments you expect. You combine that with an excellent production style and two awesome guest spots of Fabio Lione and Kristin Starkey to give them more cred, and you have an album that is for you if you love Blind Guardian, Rhapsody, Krilloan, and Evermore. Excellent music! Silent Deep Ocean- Essence of Existence FFO- Gothic Doom Metal, Atmospheric Doom Metal, Funeral Doom Metal The 6th album in two years (NOT AN AI BAND) from this duo, featuring Gregory Ritchey, formerly of Spine Furnace, and Tehina Spasova of one of my favorite Funeral Doom bands, Destruction of Orion, is back for 2026 with some of the best music of their catalog. Ritchey does almost everything on the record, both behind and in front of the production board, where Spasova does guitar, clean soprano vocals, and the cover art, giving an atmosphere for dark, emotional Doom Metal that is cascaded with hauntingly beautiful vocals to make the music feel even more eerie but intriguing. The production will be hit or miss for a lot of people, but that is common with this style, as it is quite raw, but it matches the music perfectly. It will also be rough and ambient for some people, as this is over an hour and 24 minutes long, so it is quite the trek for some people. But if you enjoy this style, it will knock you over with its power, and you won’t even notice that almost 90 minutes have passed. There is so much to love about this one, and if you leave your inhibitions at the door, you will find a treasure of a Doom album with Essence of Existence by Silent Deep Ocean. If you’re any kind of Doom fan, do not skip this one. The Silver- Looking Glass Hymnal Blue FFO- Post Black Members of Horrendous, Crypt Sermon, and Nightsblood are making outstanding Post Black Metal together. I don’t think I could ask for a better combination to make this style of music. The sophomore album from this Philadelphia band captures the most gorgeous and the most extreme ends of the genre and makes it completely their own. With a production style that is as real as it gets and songwriting that knows how to keep your interest for 8 songs and almost 43 and a half minutes, this is an innovation of the Post Black sound that I didn’t realize we needed, and it only gets better the more you listen. Seriously, this is why it pays to listen to other styles of music. You get The Silver, and it’s ridiculously good. Slaughterday- Dread Emperor FFO- OSDM This is OSDM at its most primal. The 5th album in 15 years from this German duo knocks the classic sound of late 80s, early 90s Death Metal out of the park. From the authentic production style to the music mixing it up between the pit-inducing riffs to the near Doom Metal elements to the classic sounds that’ll remind you of everything from Obituary to Autopsy to Grave to Entombed. 10 songs, almost 40 minutes, and not a second wasted. This is how that classic, straight-up, Old School Death Metal is meant to be played. Soen- Reliance FFO- Progressive Metal 7 albums into this Swedish Prog Metal band’s career, and they continue to evolve their sound with every release. With Reliance, the vocals hit the hardest they have ever hit, the music has become less proggy over time and has a fine balance of prog and mainstream appeal, and the production is simply flawless. Every song on this one is an earworm; whether it gets heavier, proggier, or more somber, it will live rent-free in your head. The band refines and improves, and I could easily make the argument that this is their finest album to date. They have found their sound, embraced it, and continue to show what can be done with it. This is the kind of Prog Metal that speaks to me in 2026, and I’m so happy Soen is doing it with such authenticity. If you need a mix of Leprous, Katatonia, and Riverside, check out Soen in all their glory. Sokomb- Reality Dimension FFO- Progressive Melodeath The debut album from this Italian-turned-German band is a wild combination of both classic Progressive and Melodic Death Metal that sounds like it was unearthed from 1996 recordings right after In Flames recorded Whoracle. There are also flourishes of Folk and Thrash Metal thrown in for good measure that tie everything together. It is a modern throwback in the best of ways throughout all 9 tracks and almost 51 minutes of music. If you want a contagious mix of Godiva, Ravenblood, and, of course, classic In Flames, Sokomb is a band that is more than worthy of your attention. Give them the love they deserve. A Somber Funeral- Since You Left These Shores FFO- Atmospheric Post Black Have I mentioned how good we are sitting on Post Black in 2026? This is another shining example in the form of the sophomore album from this German duo. The music is a raw and gut-wrenching display of the saddest and some of the most gorgeous elements of Atmospheric Post Black with lyrics that will shatter your soul. There is also a ton of guest spots from some of the best in the genre as well. If you want a crash course on the raw side of the genre, this is the perfect class 101 for it. Check out A Somber Funeral now. Soulbound- sYn FFO- Industrial, Gothic Metal, Alternative Metal The 3rd album from this German band is my first foray into the band, and it will definitely not be the last. Mixing Lord of the Lost, Gothminister, Cvlt ov The Sun, and even Powerwolf together to great and unholy but captivating sound is an incredible thing to experience, and it feels so appropriate. Every song is an earworm matched up with authentic production style and the right amount of real and tongue-in-cheek lyrics (I love how Not Metal Enough takes down gatekeepers). Overall, this is an album that will be stuck in your head for days on end, and when it’s gone, you’ll want to spin it again. This is how to take a familiar sound and make it your own. Space of Variations- Poisoned Art FFO- Modern Metalcore When I interviewed this Ukrainian band back for their previous album, Imago, the world was in a very dark place, and 4 years later, it’s only gotten worse. Somehow, this band has gotten heavier and catchier at the same time. For every moment of modern clarity in the music or throwback sound to the 80s/90s music aesthetic, there will come a breakdown or monstrous riff that makes the band balance the melody and disharmony of life in every song. You will hear moments that remind you of modern bands, such as I Prevail and Elwood Stray. I also hear moments that hit as Killswitch Engage did for me 20 years ago. While I guarantee this will not be for everyone who normally checks out my lists, if you have an open mind when it comes to more mainstream genres, this is a band that is worthy of your attention. They are pushing the envelope in ways that need to be pushed, and it’s going to pay dividends in the long run. They keep getting bigger with every release and deserve they it. Speglas- Endarkenment, Being & Death FFO- Death Metal, Black Metal, Heavy Metal The debut album from this Swedish powerhouse hits a style that is meant for anyone who enjoys the left-of-center elements of bands like Tribulation, Chapel of Disease, and Floating. While it is a Death Metal album through and through, the elements of Black Metal, Heavy Metal, and other left-of-center moments are what make this album stand out among the rest. I love it when a band can play what they want to play and don’t feel like they have to be put into a box because of the normal style of a genre. Every song on here has its own texture and somehow stands out and fits together with everything else on the album. The production reminds me a lot of the 2nd era of Tribulation, which is a sheer delight, and the songwriting feels infinitely inspired. This is an album that feels real, and it goes for the jugular. If you need that in your life, check this one out and be prepared for what they do in the future. Stainless- Lady of Lust & Steel FFO- Speed Metal, Heavy Hard Rock Easily one of the most fun Speed Metal and Heavy Hard Rock albums you are going to hear in 2026. The debut album from this Portland band captures everything that makes Speed Metal, Heavy Metal, and Hard Rock work so well back in the 70s and 80s, but it made it so much more full of lust and sin. The production feels like this was recorded back in 1982, and the musicianship on hand gives it that authentic feeling. This is a pure Sex and Rock and Roll album that covers everything from Judas Priest to Whitesnake to Exciter to Sumerlands, and it’s everything that you want it to be. 8 tracks of pure, sinful Rock and Metal. Who wouldn’t want that? Story of the Year- A.R.S.O.N. FFO- Post Hardcore, Emo, Pop Punk After coming back stronger than ever with 2023’s Tear Me To Pieces, I had no idea what to expect with what will end up being their latest album. A.R.S.O.N feels like the polar opposite experience. It is much heavier in both the music, more screams, and especially the lyrical content. While there is a lot that is similar to their predecessor, like the same production team, several songs that have the Emo/Pop Punk sound that so many people fell in love with, etc, so much of the album is hitting their more raw, modern Post Hardcore approach. If Tear Me To Pieces is Page Avenue, A.R.S.O.N. is In The Wake of Determination. Sylosis- The New Flesh FFO- Metalcore, Melodic Thrash, Melodeath Sylosis is an ever-evolving band, and with their 7th album in 18 years, the band captures the best of their technical ability, matched with making riffs that are catchy and memorable. It’s a fine line trying to capture both sides without it sounding like a hodgepodge of sound, but the band balances everything out, knowing to make the more mainstream elements stand out, for when the brutal moments kick in, they hit even harder. There is much more clean vocals on this one, but I don’t find that to be a bad thing; it works for the music and makes things even catchier than before. The production is crystal clear and lets everyone shine. Hitting moments that’ll remind you of Orbit Culture, Darkest Hour, The Haunted, and a simpler and more refined Exmortus; Sylosis is a band that feels like it can be for everyone if you give them a proper spin. Symphony of Sweden- Stand My Ground FFO- Melodic Rock, Pop Metal, Symphonic Rock The 4th album from this Swedish band is some of the catchiest music I’ve heard in this style since I discovered Takida. Everything is crafted to be as catchy as possible, with just the right amount of Pop, Rock, Metal, and, when needed, Symphonic elements to make this an album that feels like a variety show for anyone who enjoys those styles to find something to appreciate. No song goes past the 3:11 mark, so it’s 12 songs and 35 minutes of all killer, no filler. Sometimes you just need an album that lets the music do the talking. It will make you nod your head and appreciate everything on display. Do you really need anything more? Tailgunner- Midnight Blitz FFO- Revival Metal The sophomore album from this UK band takes the best elements of their debut album and doubles down on what worked best while adding new flavors and experiences into the music. Of course, the most hyped thing about this album is that KK Downing produced the album, but I would have been excited about this one even without his name attached. When I reviewed Guns for Hire back in 2023, I knew I was hearing something special. The band is showing what they are truly capable of here, and it is some of the best Revival Metal you will hear in 2026. If you love Judas Priest, Primal Fear, Enforcer, and Iron Maiden, Tailgunner is raising the flag high and is more than worthy of your attention. Give them the love they deserve. Tardigrade Inferno- Hush FFO- Dark Cabaret Metal, Progressive Metal The 3rd album from this left-of-center band is such an intriguing mix of Dark Cabaret music mixed in with Progressive Metal and oddball moments that balance out the catchiness and the absurdity. The production on this one is insane and truly catches the nuances needed for a sound like this to pay off. There is no easy way to mix a sound that can remind you of Devin Townsend, Stolen Babies, UneXpect, and Diablo Swing Orchestra, but that is what you get here, and so much. What I wouldn’t give for Tardigrade Inferno and Stolen Babies to go on tour one day. But overall, this is the kind of album that is quirky, but matches it with musical proficiency. If you dig this style, you will love Hush by Tardigrade Inferno. Temple Balls- S/T FFO- Melodic Rock, Melodic Metal, AOR Just to get it out of the way, the name will always make me laugh, no matter how many times I hear it. Now that we are past that, the 5th album in 9 years from this Finnish band is one of the reasons why I keep going back down the well of Melodic Rock, Metal, AOR, etc. Every time that you think a genre is getting stale or needs a change, a band like Temple Balls comes out and reminds you why you love the genre in the first place. Every song is endlessly catchy, but somehow, it never sounds the same. This is also sadly the last appearance of Niko Vuorela, who passed away just a few months ago from cancer. This is an excellent send-off to his work, and I truly hope the band will be able to keep going and become stronger than ever in the face of tragedy. But to put it simply, if you want a fun and thrilling look at one of the best genres of Rock and Metal, you need to check out Temple Balls. Temple of Void- The Crawl FFO- Death Doom The 5th album from Detroit’s heaviest Death Doom band is another sign that the band continues to refine and improve with every release. So many people discovered the band from their 2022 release, Summoning the Slayer, but the band has taken that sound and mixed it in more for what feels right in 2026 with The Crawl. This is a punishing album from start to finish, never truly letting up, though giving you the occasional moment to breathe before crushing you all over again. Of course, you need a production style to match the songwriting to make these songs truly work, and that is done here flawlessly. While I know Death Doom isn’t everyone’s bag due to the slow tempos, Temple of Void does mess with the tempos quite a bit on this one, and it doesn't feel like one big dirge. It’s 7 distinct songs, almost 42 minutes in length, and it only gets more rewarding the more you listen to it. If you enjoy anything from Hooded Menace to Nightmarer to Woe to Evoken. Temple of Void has something for you. Textures- Genotype FFO- Progressive Metal, Modern Metal The Dutch Prog Metal band has returned from a bit of a hiatus and has put out an album that feels rejuvenated and embarks on a new chapter for the band. The band was always known as one of the first bands to push the Progressive Metalcore/Djent sound, being heavily inspired by Meshuggah and other bands, but after some soul searching, the band feels like they are born anew with a still proggy sound, but exploring more of the melodies, harmonies, and dare I say, mainstream sound with Genotype. While the album still goes all over the place, Textures feels like they are more at home now with bands like The Contortionist, Leprous, and The Ocean, and in all honesty, after many repeated listens, this was the right call to make. Rather than feeling like they had to retread water, they are exploring what is possible with still having hints of the past in an album that will easily win over new fans and while I can understand if longtime fans didn’t want an album like this, just give it a proper spin or two, it will start to click with you if you give it time. Sometimes you have to Reroute to Remain, and it would have been easy to come back and just write an album that feels like a nostalgia trip. Textures are forging a new path, and I am all here for it. Give it time, and it will work for you as well. Total Annihilation- Mountains of Madness FFO- Death Thrash The 4th album from this Swiss powerhouse is the textbook definition of how Death Thrash should be accomplished. From the blitz of speed to the aggression behind the vocals to the overall assault, this is everything I love in the genre done to perfection. It’s heavy and makes you think. Feeling like a mix of Sodom, Exodus, and Vader is a hard thing to achieve while making it your own, but that is on full display here. 11 tracks and almost 42 minutes of pure, unadulterated Death Thrash. This is simply how it’s done. Total Maniac- Love Overdrive FFO- Heavy Metal, Speed Metal, Punk The sophomore album from this Baltimore band is pure Sex, Drugs, and Satan. Combining 80s Sleaze Rock, Crust Punk, Speed Metal, and more into a familiar, but fun-filled album is what you need sometimes, and you get that and more here. The production has that classic '80s flair to it, and the songs are tailor-made for the live setting. It’s 8 tracks that are short, sweet, and fulfill the needs of bands like Midnight, Bat, Motorhead, and Stainless. What else could you possibly need? Transatlantic Radio- Midnight Transmission FFO- AOR, Melodic Rock It’s really hard for me to find an AOR album of the modern day I don’t like because every band that does this sound now is only doing it for the pure love of the music. This brand new supergroup is no exception. It hits everything you love about the genre, from its cheesiest moments to its flying solos to its pure 80s aesthetic, but again, it’s done with a pure love of the genre that is undeniable and feels truly authentic. Whether you are looking for Y&T, Danger Danger, Giant, or Foreigner, you will find it here and more with Transatlantic Radio. Put it on and just smile. We need that more now than ever before. Tyketto- Closer to the Sun FFO- Melodic Rock, AOR, Glam Metal For a band that’s been around 87, I’m stunned that there are only 6 albums from this NYC band, but I also remember that I interviewed the band for their last album, Reach, a decade ago. Regardless, Tyketto is a shining example of making the music that you want to make and not following the trends, even after the times have changed. This has everything that you ever loved about the band, from the Bluesy aspects to the just the right amount of Glam leanings to the full-on AOR elements that have made them last. It’s great to see them back, and you can tell from the videos for the new album that they are happy to be here. Considering how their contemporaries sound today and how so many have given up on trying to be any good, Tyketto is as reliable and enjoyable as they were back in 1991. If you want that throwback sound with updated production style, check out Closer to the Sun. Upiór- Forefathers' Eve (Redemption) FFO- Symphonic Blackened Death Metal The sophomore album and first in a two-part album *with Forefathers’ Eve (Damnation) coming out April 3rd* is the sonic blast of Symphonic Blackened Death Metal that we need right now. It combines the brutality that Fleshgod Apocalypse set the standard for, while adding elements of Carach Angren, Dimmu Borgir, and Cradle of Filth into its grandiose sound to make for an album that feels like a symphony from the depths of hell. If you don’t like segue-way tracks, this could be a dealbreaker, as there are several on this one, but I’ve never been one to have an issue with it. It’s a nice break from the storm. Overall, Upiór has every chance of making the best Symphonic Blackened Death Metal double album of the year, and it was smart to separate them into two parts to give you the first course now and the next one in a couple of months to leave you wanting more in the process. This is absolutely spectacular, and if you love this genre, you’ll have to agree. Urne- Setting Fire to the Sky FFO- Progressive Sludge Metal Seeing the evolution of Urne since I interviewed the band for their debut album is nothing short of mesmerizing. In just 5 years, they went from an Opeth and Nevermore-inspired album with Serpent & Spirit, to a dark Gojira-inspired album about dementia and Alzheimer’s with A Feast of Sorrow, to another evolution with Setting Fire To The Sky. Feeling like a mix of Mastodon, Trivium, Gojira, and, of course, their previous material, Urne has put out another dark and refreshing take on society, grief, and abstract themes to make for an album that is an auditory sensation, even if it is a bleak one. The production is spectacular, and of course, that is going to happen when Justin Hill of SikTh is producing. This is a cathartic album that may help you weather any storm that this year has to offer, and this is a year where we need to take any help that we can get. Us and the Void- The Fallen Empire FFO- Melodeath, Cosmic Death Metal, Progressive Death Metal The debut album from this Finnish band is one of the most shocking Melodeath albums I’ve heard in quite some time. It hits this blend of Melodeath, Progressive Death Metal, and Cosmic Death Metal that you simply don’t hear from a lot of bands, and it cascades over you song after song. With a production that hits the spot and songwriting that stretches and snaps back like a rubber band, it's the shot in the arm that melodeath needs every once in a while. It’s an out-of-this-world experience for those who are looking for a mix of Omnium Gatherum, Be’Lakor, Edge of Sanity, and In Mourning. Simply put, do not miss out on this one. It’s more than worthy of your attention. Valiant Sentinel- Neverealm FFO- Heavy Power Metal The sophomore album from this Greek band channels their love of Heavy Power Metal and creates an album that strikes hard with every pounding moment. The production on this one is mesmerizing in all of the right ways, with the songwriting knowing when to go full force and when to let the melodies and harmonies shine. Feeling like a grand mix of Blind Guardian and Rage, making for a style that still hits as hard in 1996 as it does in 2026. Sometimes you just want an album that rips your face off from beginning to end, and that’s what Valiant Sentinel accomplishes with Neverealm. If you want HEAVY Power Metal, check this one out now! Vesseles- Home FFO- Symphonic Black Metal The debut album from this Santa Clara, California band is the left-of-center Symphonic Black Metal that should make anyone who enjoys Carach Angren, Sigh, and early day Cradle of Filth very happy. The debut brings a finesse in its off-kilter and Avant Garde style of Symphonic Black Metal that feels authentic, soul-draining, and very depressing. Add in the right kinds of cinematic and genre-bending moments, and you have an album that is so far from your typical, run-of-the-mill style album and one that holds your attention from beginning to end. With a production style that hits hard but feels real, you have an album that, if they catch on, Vesseles will become one of the biggest bands in the genre in due time. All you have to do is check it out for yourself. Vicious Rain- The Anatomy Of Surviving FFO- Alternative Metalcore The sophomore album from this Swiss band is just the right kind of mainstream meets heavy sound that suckers me in every time, and there is no shame in that. For every breakdown, there is a melodic chorus that is undeniably catchy and will get stuck in your head for days on end. The band knows how to explore almost every major heavy genre of the last 30 years and finds a way to make it palatable for everyone interested. There are as many modern sounds as there are late 90s love, and none of it feels contrived or forced. For anyone who digs Elwood Stray, Heart of a Coward, Awake the Dreamer, and Space of Variations, check out Vicious Rain. Vreid- The Skies Turn Black FFO- Meloblack The 10th album from the almighty Vried is one of the most diverse albums in the Norwegian band’s discography. For every song that reminds you of their signature blend of Meloblack, there is a song that is completely shocking in comparison. Sometimes it can be a film score motif, sometimes it can be an Industrial Goth Rock featuring Party Boy in the video. Overall, it’s an album that is not for the faint of heart, and it’s great to see a band that has been rolling for 22 years still finding new ways to go about songwriting and showing that there is no lack of inspiration. This album just gets more addictive the more you listen to it. While I know this one may not be for every Vreid fan, this is for those who want to see that creative justice flow for the modern day, and that is a wonderful thing to see. Walls of Babylon- Aeons Apart FFO- Progressive Power Metal The 4th album in 11 years from this Italian Progressive Power Metal band has created an album that is filled to the brim with what makes this genre work. Whether the band goes all guns blazing, focuses on the catchiest choruses possible, or shows off just enough of their chops, the band knows how to write for the style and for the music at hand. The production is stellar and makes every song sing, while the songwriting takes you all over the universe of the genre without breaking the boundaries. This is easy for anyone who needs their fix of bands like Helloween, Stratovarius, Skull Revenge, and Lost Sanctuary. It’s the kind of music that will make you smile from ear to ear in a time when we need every smile we can get. A Wilhelm Scream- Cheap Heat FFO- Melodic Hardcore, Punk Rock, Heavy Metal I’ll keep this one as short and sweet as the album turned out to be. 10 songs, just under a half hour, and filled to the brim with what makes this Massachusetts band work for over 27 years. From the fast and furious riffs to the more subdued moments, and those moments that will break open a pit no matter where you are. The production is what it needs to be to be effective, the songwriting is fun and filled with meaning, and it’s just great to see their 8th album has not let up in quality or momentum in any way. Absolute perfection! Wolfbastard- Satanic Scum Punks FFO- Blackened Crust Punk It’s been a while since I’ve come across some pure Blackened Crust Punk, and I finally have some in the form of the 4th album from this UK band, and they truly live up to the album title. This feels like it was made by a bunch of Satanic Scum Punks, and I mean that as a complete compliment. 11 songs and almost 29 and a half minutes of grimy, slimy, crusty music with the best elements of Black Metal and Punk to make for a fast, thrilling ride that is over before you know it. If you want that Midnight, Discharge, Venom, and Motorhead sound, Wolfbastard has it nailed down, and I wouldn’t want it to sound any other way. Wolfchant- Echoes of a Time Once Past FFO- Folk Metal It’s been 21 years since the debut album from this German Folk metal band, and with every album, they find a new way of being consistent yet never sounding the same. That continues here with their 9th album. Filled with some of the best riffs the band has ever created, mixed in with more genre-bending, and of course, the Folk elements that can never leave, and you have a Wolfchant that feels so appropriate for the 2020s, yet makes you long for the early 2000s when things were simpler. The production is the right balance of clear and humanized to make everything flow together. If you have that love of bands like Equilibrium, Thyrfing, Finsterforst, and Ensiferum, Wolfchant is required listening. Check this out now. Worm- Necropalace FFO- Blackened Death Doom Right off the bat, Marty Friedman does a guest appearance on the track, Witchmoon: The Endless Masquerade, " and I never thought I would say that he would show up on a Blackened Death Doom album, but as you would expect, he nails it in every conceivable way. The 4th album from this North American band is everything that 90s Extreme Metal is all about, from the super raw production, but still clear and audible, to the songwriting, whether it is 14 minutes at its longest or over 7 minutes at its shortest, hits all the Blackened, Death, Doom, and experimental moments that are simply legendary. You hear everything from Blackbraid to Hooded Menace to Emperor to Cradle of Filth here, and that’s still not as random and as quirky as the album gets (just check out the album cover, I mean, come on). This is the kind of album that is either a grandiose masterpiece or a complete hodgepodge in sound, depending on your ears. I am of the former, and I can’t get enough of it. Let Worm slither into you. Wreck-Defy- Dissecting The Leech FFO- Thrash Metal 6 albums into this Canadian Thrash band’s career, and it feels more important than ever to have them around. Just from the lyrical content alone, the band is showing off the atrocities that happen in life, and we need that so much right now. Match that up with a Thrash Metal sound that feels equal parts Kreator, Nevermore, Strapping Young Lad, and Annihilator, and you have an album that feels satisfying to the ears to listen to time and time again. I will say that I know the production will not be for everyone, but if you hit the particular niche that this band hits, you will understand this and love it. It also helps that the likes of Steve Smyth, Chris Poland, Stu Block, and more add their touches to the music and make it even better. 10 songs, almost 50 minutes of devastating Thrash. Zepter- S/T FFO- Classic Heavy Metal Equal parts Thin Lizzy, Angel Witch, and Night Demon come the debut album from Austria’s Zepter. It somehow captures the mid-70s sound, the NWOBHM sound, and the current Revival Metal sound. While not coming close to reinventing the wheel, that is nowhere near the intent. This is beyond solid takes on the Classic Hard Rock, Classic Metal, and Speed Metal sounds, and creates a fusion that makes you remember why this sound is still prevalent to this day. The production feels like 1982 done in 2026, and the musicianship is tightened up from that early-day sound to be as accurate as needed. This is the revival sound we need in 2026. 
Hey everybody and welcome to my monthly recap of every album I've reviewed, this time, for March 2026. This is very simple, it's every album I reviewed in march 2026 in alphabetical order. 67 Albums this time, so I hope you'll find at least one album you dig. ENJOY!
- Josh Rundquist (Heavy Debriefings) Acidosis- Arrival FFO- Thrash Metal The debut album from this Miami Beach Thrash band is chock-full of fun tunes that hit some dark subject matter. The songs are all blistering and hit this level of Thrash and similar subgenres that scratch the itch that those looking for a band that can do everything from Power Trip to Megadeth to DRI to Suicidal Tendencies all in one band. The production on this one feels vintage in the best of ways, and the songwriting feels like a love letter to the past, but updated to be effective in the modern day. This 26-minute assault is more than worthy of your time, no matter your style of Thrash enjoyment. Alkhemia- HÄXEN FFO- Black Metal After covering their debut album back in 2024, this French Black metal band returns with their sophomore album, and astoundingly, they have vastly improved from an already tremendous sound. Everything from this machine has improved, from the excellent songwriting to the spot-on production that is the perfect balance of raw and clean, to the musicianship just feeling tighter and right where the music should be. If you need an album that is going to channel your love for Gaerea, MGLA, Naglfar, and Der Weg einer Freiheit, make sure you do not miss out on this one. Atlas- Sunder FFO- Modern Metalcore, Progressive Metal, Melodic Doom The 3rd album from this Finnish Northcore band combines elements of Orbit Culture, Gojira, HIM, and Katatonia, which feels like such an odd thing to say on paper, but if you listen, you can hear all of those elements and more. Of course, the music is fully layered in the more Modern Metalcore sound, but it’s those odd mixes of Progressive Metal, Gothic Metal, and Melodic Doom that make the music stand out from the 2020s Modern Metalcore sound. The clean vocals are absolutely haunting, and the harsher vocals tear right into you. At 8 songs and almost 29 minutes in length, this is an album that doesn’t waste a second and goes right in for the kill at every possible chance. For anyone who ignores Metalcore simply by association is truly missing out on Sunder by Atlas. This is a magnificent piece of Metal. Axel Rudi Pell- Ghost Town FFO- Classic Metal, Melodic Metal, AOR The staggering 23rd album from the legendary German guitarist is here, and it’s the classic sound you expect. From the mainstay riffs you expect to the soaring vocals from longtime vocalist Johnny Gioeli, to the standout melodic guitar solos. It’s patented Axel Rudi Pell, and that is the best compliment I can give. It’s the familiar sound we need right now for those who need something to go back to and escape reality. This will help you forget your troubles for all 11 tracks and almost 56 minutes of sound. Sometimes that is all that you need. Black Reuss- Death FFO- Goth Rock, Gothic Metal, Doom Rock The 4th album in a concept by Maurizio Dottores is an excellent display of making dark music in a dark time. This album truly feels like its album title...death. In such a time of uncertainty, this feels like an excellent soundtrack to the world around us, done in a very Paradise Lost/Host style but done differently enough to not feel like a clone. The production is perfect for the style and the songwriting, it gut-punch after gut-punch. Despite this being the end of this 4-album concept, I hope this isn’t the true end of the project, as I would love to see what else it could tackle in terms of themes and styles, but if it is over after this, what an incredible way to end the journey. If you need your fix of heavy, depressing, Goth and Doom Rock, check this one out. Blackwater Drowning- Obscure Sorrows FFO- Melodeath, Metalcore The sophomore album from this North Carolina band doubles down on everything that made their debut album killer and explores what is possible in their sound. Feeling like the perfect mix of American Melodeath and Metalcore, the band hits some of their darkest and most intense moments so far while still finding the right melodies and harmonies to tie everything together. You can hear everything from the Agonist to Volcandra to Arch Enemy to The Black Dahlia Murder, all rolled into one dark, but captivating package. Blackwater Drowning knows what works, and they are showcasing it to the best of their ability. If this is even faintly intriguing to you, give this one a proper spin. Chalice of Suffering- The Raven Cries one Last Time FFO- Funeral Doom Metal, Folk Metal The 3rd album from this Minneapolis Funeral Doom powerhouse is exactly what I needed. It’s so much more than your run-of-the-mill Funeral Doom, but adding so many textures and layers to the music, creating an atmosphere with dynamics, just raw enough production, and pure sadness across the album. Feeling like a mix of Apocalypse Orchestra, Arð, and Swallow The Sun, this is an album that redefines what can be done in one of the most haunting genres of Metal and rips your soul apart in the process. This is how it’s done, folks! Deadvoid Inc.- Chapters FFO- Melodeath The debut album from this Finnish Melodeath band channels everything you love about that early 90s-mid 2000s sound. You can hear the godfathers of this sound with At the Gates, In Flames, Dark Tranquillity, etc but you will also hear moments of more classical elements like Children of Bodom or pure melody that you hear in a lot of Amorphis albums, and even closer to Metalcore moments like in Heaven Shall Burn. The production feels like pure 2002 in the best of ways, and the songwriting is endlessly catchy between all 8 songs on display. If you love that classic Melodeath sound but want it mixed in just enough with more 21st-century sounds, Deadvoid Inc. is the band for you. Defacing God- Darkness Is My Crown FFO- Symphonic Gothic Black Metal The sophomore album from this band out of Denmark is how you make Symphonic, Gothic, and Black Metal sustainable. The entire album feels like they doubled down on what worked best from their debut and added the right herbs and spices to make the music as catchy as it is haunting. Mixing the best of bands like Dimmu Borgir, Carach Angren, Frantic Amber, and Zornheym, Defacing God is pushing the genre back to the forefront, and it’s desperately needed. We’ve been sitting well on this style in 2026 so far, but we always need more, and this is a band that is more than delivering the goods. Distorted Reflection- Doom Zone FFO- Epic Doom Metal The sophomore album from this Greek Epic Doom metal band more than lives up to the album title, as it feels like you are put dead center in the doom zone. While the production is more on the raw side, the songwriting, musicianship, and pure atmosphere make this a Doom album that should not be missed. It hits everything that you would want from bands like Manilla Road, Crypt Sermon, Beholder, and Sorcerer, and still finds a way to make it uniquely their own. This is an 11-track, almost 39-minute exploration of the heaviest and most captivating aspects of the Epic Doom Metal sound, and it only gets better with every listen. If you need that classic sound, give Distorted Reflection your proper attention. Divine Chaos- Divine Reactor FFO- Thrash Metal, Melodeath 3 albums into this UK Thrash band’s career, and they are easily at their best so far. Capturing the great mix of Thrash Metal, Melodeath, and super catchy choruses to give you a little bit of something for everyone, but never feels pandering. The production feels modern but authentic and clearly real, with songwriting that is the same way. If you want a mix of Exodus, The Crown, and Sylosis, Divine Chaos will be a band you need in your life. Domhain- In Perfect Stillness FFO- Post Black, Shoegaze The debut album from this UK band hits everything that I love about the combination of Post Black and Shoegaze. It knows how to balance out the most harsh and beautiful moments in perfect harmony, all while creating such a dark and captivating atmosphere. Of course, you need that just raw enough production style to make this style work to its full effect, and they take full advantage of the tones they have created. This makes the most of its 5 tracks and 35-minute track length to create a sound that should make anyone who enjoys the likes of Alcest, Agalloch, Saor, and even Woods of Ypres very happy. In comparison to a lot of albums in this style, it is a short and sweet affair, but it’s sure to have a lasting effect for years to come. Do not miss out on this one. The Duskfall- The Everlasting Shadows FFO- Melodeath The 6th album in 24 years from this Swedish Melodeath band is everything that makes the Swedish Melodeath sound legendary. Everyone shines through the darkness here and makes for some of the best vintage but inspired Melodeath going on today. The production feels like 1996 done in 2026, and it makes it feel timeless. This is easy for anyone who loves At the Gates, Nightrage, Darkane, and obviously Gates of Ishtar. Sometimes you need to hear one of the most underrated Melodeath bands come back in a huge way to remind yourself why you love the genre so much, and that is exactly what is done here. I can’t recommend this one enough. Ennui- Qroba FFO- Funeral Doom For anyone who has known me over these past almost 15 years, you know that Doom is one of my favorite genres, and when the right kind of Funeral Doom comes across me, I fall in love with it. That’s what happens here with the 5th album from this Funeral Doom band out of the country of Georgia. It simply hits everything I expect out of the genre: the dark, depressing dread, the slow tempos where every single note matters, and the lyrical content that this genre is built on. The production is a little raw, but not overbearing, and on the right sound system, it’s going to sound huge. This is easily for anyone who enjoys the likes of Hellight, Mesmur, and Evoken. What's a better time to check out some of the most depressing music in the world than our current state of affairs? It feels so depressingly accurate. Ethereal Treason- All Is Vanity FFO- Modern Metalcore, Alternative Metal The 3rd album in 2 years from this unidentified band, which is listed simply as Animus. This is a band that feels like it is going off bands such as Dayseeker and the dreaded Sleep Token at times, but there is enough of a difference. The music stays dark the entire time and knows when to transition from more alternative moments to poppier elements to crushing riffs. It’s the kind of album that, despite the subject matter, I can put on and relax and still get that heaviness factor thrown in for good measure. While I would proceed with caution on this one if you are very up in arms with current mainstream heavy trends, for everyone else, this is more than worth your time, as it explores so much of what is possible with this music and still gives you what you want on the heavy side. That’s all I need to be happy. Evermore- Mournbraid FFO- Power Metal, Melodic Metal The 3rd album from this Swedish Power Metal band is easily the band’s best so far, and that is truly saying something. This is everything that made 90s Power Metal so special and done with enough authenticity to make it their own. You‘ll hear moments of bands like Edguy and Stratovarius, but also bands like Krilloan and Twins Crew that showcase both the past and present in Power Metal and give it their all. The production is off the charts in quality, and the songwriting already feels legendary, and it just came out today. This is pure, unadulterated Power Metal, and I simply can’t sell it better than that. Evig Natt- Vaketimen FFO- Gothic Death Doom The 4th album and first in a decade from this Norwegian band is hitting that Gothic Death Doom itch that I always need scratched. It’s everything that I love about the genre and gives additional gut punches for good measure. Mixing the Male growls with the Female cleans is always a winning formula for me, and this is no exception. And when you mix that into a sound that hits so much of what I love about bands like Draconian, Trail of Tears, and early day Sirenia, it just makes my dark soul so happy. Also, the production on this one is top-notch, which is not always common in this style. Overall, Gothic Death Doom is one of those genres that you either love or hate, but I’ve always been in love with it, and this is a shining example in the darkness as to the power, intensity, and emotional strength it takes to make music like this. Spectacular work. Fabienne Erni- Starveil FFO- Modern Metal, Symphonic Metal, Folk Metal One of the most standout vocalists in Metal today has finally created a solo album, and it feels like the perfect mesh between Illumishade, Eluveitie, and her love of other styles of music rolled into one. Between the clear and polished production, the songwriting on this one showcases the best elements of her vocal ability and makes everything shine. It’s a brilliant showcase that I hope builds into more solo albums and an even more vast collection of material and style in the future. Till then, this is the perfect crash course of Fabienne Erni. Fading Aeon- S/T FFO- Epic Melodeath The 3rd album from this German outfit is a combination of sounds that simply works. Creating a mix of Epic Metal, Melodeath, and more to create a sound that is for anyone who digs the likes of IATT, Sokomb, and Keep of Kalessin. The production is raw and authentic, with growls that are utterly gruesome in the best of ways. Balancing out the epic, melody, and Death Metal is a hard combination to nail, but Falling Aeon has done it in a way that shows that you should always strive to make the music you want to make. This is more than worthy of your time. Final Gasp- New Day Symptoms FFO- Gothic Metal, Death Rock The sophomore album from this Boston band is my first taste of their blend of Gothic Metal and Death Rock, and all I want is more. This hits both genres perfectly and gets more and more satisfying with every listen. At 10 songs and almost 32 minutes long, it doesn’t wear out its welcome in the slightest and uses every recorded second to its advantage. Imagine a mix of Unto Others, Tribulation, Ancient VVisdom, and In Solitude, and you have what this band does and leaves room for so much more. There’s not much else I could say to sell you on this one. No matter your type of Goth love, you will LOVE what Final Gasp brings to the table, and like me, all you will want is more. Gaerea- Loss FFO- Post Black, Melodic Metalcore Portugal’s Gaerea took a gigantic chance on their latest album, Loss. Shifting from their Post Black sound that made them a huge name in the underground, they started incorporating more of a Melodic Metalcore and Modern metal attributes to the Post Black sound. Some people are very much up in arms about this change. I, on the other hand, think it was the best decision they could have made. The music hits so much harder when it gets into the extreme end of things, and it suckers you in with undeniably catchy choruses and out-of-nowhere melodic riffing that you simply don’t see coming. Making a change that they wanted to make instead of just repeating what they have done in the past is what’s going to make them skyrocket into superstardom. For anyone who digs Deafheaven, Møl, Heretoir, and Groza, take note; Gaerea may have put out the most popular Post Black Album ever. Gladenfold- Soulbound FFO- Melodeath, Power Metal The 4th album from one of the very best bands in the Melodeath/Power Metal genre is back after 4 agonizing years to create what could be heralded as their best work to date. This meshes the heaviest extremes with the Power Metal melodies and harmonies perfectly, and neither side feels like it is fighting for presence. With excellent production and every single riff feeling like it matters and has purpose, this is the kind of album that I put on and remember why I love both genres so much and appreciate it so much when a band can pull off both and never sound forced. While I completely understand if you hate one style, this will not be for you; this is for those who can appreciate what is on display, and it only gets better as time rolls on. If you love Wintersun, Kamelot, Children of Bodom, and Brymir, you absolutely NEED Gladenfold. Godoviir- Artificial Dream FFO- Progressive Metal The debut album from Igor Kundović is quite the Prog Metal experience. Hitting so much of what I love about bands like Riverside, Opeth, Gojira, and Amorphis while having such a huge influence from Devin Townsend (which you can hear in Vladimir Lalić’s vocal delivery), and it just makes anyone who grew up on 2000s-2010s Progressive Metal nod their head in agreement. Between the excellent musicianship and songwriting, the production is right where it should be, and no matter how heavy, melodic, or experimental things go, it is always done in a way that’s palatable and makes you wanna listen time and time again. Do not let this one slip by if you are a 21st-century Prog Metal fan; this has everything you could want and so much more. Godsticks- VoiD FFO- Progressive Rock, Progressive Metal The 7th album from this UK Prog band hits that perfect balance of Progressive Rock and Metal. It never gets too heavy, it never gets too soft, just right in the middle, and it hits so good. That is not to say this is not a dark and angry album, as it totally fills that feeling for those who love latter-day Porcupine Tree and the heavier ends of Riverside. The songwriting is top-class and intricate, with a production style that feels sensational for the style. You can tell they pushed themselves on this one, and it makes for an album that is worthy of any Prog fan’s ears. If you need a Prog album that couldn’t feel more appropriate in 2026, check this one out. Good Tiger- The Most Negative Day of the Year FFO- Progressive Metal, Alternative Metal The 4th album from this international band featuring past and present members of TesseracT, The Safety Fire, and The Faceless (and drums performed by Matt Halpern of Periphery before Alex Rudinger joined the band), is a tour de force of what Progressive and Alternative Metal is all about. Despite the background of many members of the band, there are no screams, growls, or anything extreme about this album. It is all about the music at hand, making it as melodic and catchy as possible within a prog aspect, while still having some left-of-center moments that are sure to make you turn your head. The production on this one is insane, along with the musicality on display. The music itself can go from ethereal to beautiful to downright heavy when called for, and it never feels like it is repeating itself. If you enjoy the likes of Skyharbor, Circa Survive, and The Safety Fire, Good Tiger has returned with an incredible album in their style. Grace Death- Tender Skin FFO- Goth Rock, Gothic Metal, Occult Rock I don’t have a better way to put it, this is one of the sexiest Gothic albums I have ever heard. The debut album from this Belgian duo puts in the best elements of Goth, Rock, Metal, Occult, and other tantalizing moments that are meant to lure you in before they go in for the kill. Hearing everything from the 2000s Finnish Gothic Metal scene, Katatonia, Killing Joke, and Sisters of Mercy is quite the combination, and it simply works. The production lets every recorded element shine, and at no point does it lose focus throughout all 10 songs and almost 43 minutes. I don’t know a better way to put this one; it’s a hot album. Gravemass- This is the Way FFO- Blackened Death Metal The debut album from this influential lineup featuring past and present members of Zimmer’s Hole, Revocation, Tenet, and Just Cause is just as heavy and brutal as you imagine it to be. The riffs hit in such an impactful way, blending the Blackened Death Metal, Thrash, and of course the subtle but noticeable nods to Zimmer’s Hole and Strapping Young Lad all over the place. The production on this one packs a punch but still feels human, which is needed with songwriting like that that just feels sinister in all of the right ways. Gravemass is the kind of band that you spin to forget your troubles, as it just sucks you in for all 10 tracks and almost 30 minutes of length, then you will instantly start it over. We need something like that now more than ever. Growth- Under the Under FFO- Avant-Garde Tech Death The sophomore album and first in 6 years from this Australian band is something I truly needed. It combines the right elements of Tech Death, Avant Garde, and Extreme Metal in a way that is palatable, but pushes the boundaries of what is possible in these styles. Featuring past members of Ne Obliviscaris, The Red Shore, and Function Cease, the band has more than upped their game and showcase music that is for those who enjoy the likes of Ulcerate, Gorguts, and Volcandra. If you want that balance of chaos and eeriness, you need to check out Growth. Hanging Garden- Isle of Bliss FFO- Gothic Death Doom The 9th album from this long-running Finnish band continues to push what is possible in the Gothic Death Doom sound and may end up being my favorite album from the band. Not only does it capture the core sound that they have always had, but the band continues striving for more dynamics, tempo changes, left-of-center changes, and simply making the best music possible. Matched up with a stunning production style, this is how innovation should feel. If you enjoy the likes of Counting Hours, October Tide, Paradise Lost, and Swallow The Sun, you need Hanging Garden in your life. The Hara- Fallout FFO- Alternative Metal, Alternative Rock, Modern Metal The sophomore album from this English band is such a winning combination of the catchiest elements of 2020s Rock and Metal, but done with absolute sincerity that you can’t fake. From the emotional riffs, the pained vocals, and the outstanding guitar solos that appear at just the right times. This is a band that hits both the most commercial sound, but heavy enough to be on any Metalcore show at the same time. This is for those who enjoy the likes of As Everything Unfolds, Lost in Hollywood, and As December Falls. I can’t imagine that if you are looking for this sound, you will be disappointed. Hieron- From The Temple To The Grave FFO- Meloblack Coming out all the way back in January (you wouldn’t belive how long my catch up list is right now at almost 100 albums I didn’t get to yet), the debut album from this German band is such a truly dark take on the Black Metal genre and it makes for some of the most eerie and sinister sounds of Meloblack you will hear this year. Even with how cold and evil the music sounds, there is just the right amount of melody going on that either makes the music more triumphant or creepy (depending on your tastes). The production is a bit raw, at least in the mix, but it adds so much to the chaos on display, and it leaves you with very little downtime before you get pummeled into the grave once again. If you enjoy the likes of Nullingroots, Starer, and Prison of Mirrors, Hieron is making the Meloblack for you. Inner Vitriol- Semper Tacui FFO- Progressive Metal The sophomore album and first in 14 years from this Italian Progressive Metal band is more than worth the wait. It captures everything that I remember hearing all the way back in 2012 with their debut, but updated for the 2020s, and never loses its edge. They even got Geoff Tate to show off his vocals on the album. Mixed in with an early 2000s production style, imagine a melding of Pain of Salvation, Soen, Evergrey, and In Virtue, and you have a stellar display of Progressive Metal. Give this one a proper listen. Kerrigan- Wayfarer FFO- Revival Metal The sophomore album from this German band featuring 3/4ths of the Funeral Doom band Lone Wanderer returns with their signature style of Vintage Heavy Metal, and it’s easily some of the best you will hear this year. I love their debut album, Bloodmoon, so much, but this is such a gigantic step up in quality in all ways, from the production to the performances, and especially the songwriting. This feels like the best band of 1986 you didn’t hear till 2026. If you want a band that can combine the best of bands like Satan, Night Demon, Haunt, and Defender, do yourself a proper favor and check out what might be the best Revival Metal album of 2026 with Wayfarer by Kerrigan. Legionary- Never-Ending Quest for Purpose FFO- Death Thrash, Melodic Metal Another short and sweet one here with the 3rd album and first in 12 years from this Bronx outfit. 5 songs, a half hour long, but not a second is wasted. The production hits you hard, and the songwriting on top hits you even harder. Between this duo, the band also gets Chris Clancy of Mutiny Within to contribute vocals on the entire album. It hits the best of the more aggressive side of Thrash and occasionally Death Metal, but it is also all layered with so much melody and harmony on top, balancing everything out in a way that just sounds satisfying from beginning to end. If this sounds like a combination for you, I assure you that it is. Give it a proper listen. Lost in Hollywood- S/T FFO- Modern Metal The sophomore album from this German Modern Metal band is pure hit or miss for those who normally check out my lists. But I’ve said it before, and I’ll say it again in between all of my Funeral Doom, Post Black, and Progressive Metal reviews; I’m a sucker for a good, catchy song, and every track on the self-titled album is filled with that and so much experimentation going on at the same time to keep things interesting. The production is slick and polished, and the songwriting is insanely inspired, reminding me of bands like Electric Callboy, Elwood Stray, and Our Mirage. Again, proceed with caution if you don’t like Modern Mainstream Metal, for everyone else, give this one a spin; you’ll be in for a great surprise. Lost Society- Hell Is A State Of Mind FFO- Modern Metal Finland’s Lost Society is back with their 6th album, and I dare say it’s their biggest departure from their original sound yet. They originally were a straight-up thrash band, but with every subsequent album, the band has further explored what is possible with their sound, and it has evolved into a more Modern Metal, Groove Metal, and Metalcore mixture. It definitely won’t be for everyone who checks out my lists, but it is for those who want more conventional and mainstream Metal to be MUCH more unconventional and experimental. Imagine if Avenged Sevenfold’s Life is But A Dream was more comprehensible and a little Murderdolls/Wednesday 13 at different moments, and I think you’ll get the idea. This is pushing the Modern Metal sound into different territories, and that can only be a good thing. Machinae Supremacy- S/T FFO- Alternative Metal, Power Metal, Chiptune A breath of fresh air that I didn’t know I needed comes in the form of the 10th album from this Swedish band. It’s also my first foray into the band, and that is quite surprising considering their debut album came out in 2004, but I digress. Pronounced Machine Supremacy, this is a mix of the catchiest Alternative Metal, Power Metal-esque moments, and the occasional video game Chiptune/Nintendocore element that makes you feel like you are in an 80s Retro-future soundtrack at an arcade. While sounding like such an oddball mix on paper, the execution couldn’t be more authentic, and it just puts a smile on my face every time I check it out. If you are of a certain time period and you loved arcade culture, this will put a smile on your face from beginning to end. If you dig bands like Cyhra, Soilwork, Sonata Arctica, and In Flames, this is a band that is more than worthy of your attention. Mega Colossus- Watch Out! FFO- Heavy Metal Just a little over 2 years since their last album, this North Carolina band is back with their 5th album, and it is arguably their best. Combining what has always worked the best within their sound and still pushing the boundaries just enough, and of course, their lyrical references make this an album that is simply fun for all 7 tracks and 44 minutes in length. This is also one of the more expanded albums in the band’s catalog, not in number of songs, but in song lengths, as they are some of the longest in the band’s history, letting the songs tell their story to the best of their ability, but not overly drawn out. Mix all of that in with production that matches both modern and vintage techniques perfectly, and this is exactly what the Revival Metal sound calls for time and time again. There is an argument that this will be the best album of this style in 2026, and I’m eager to see if anyone can top this one for the rest of the year. Messticator- Total Mastery FFO- Death Metal, Thrash Metal The sophomore album from this German Death Thrash band feels like a nostalgia trip, but modernized just enough to not sound like a clone in any way. It hits on the best elements of the genre and adds just the right amount of melodic punch when needed to stand out among the rest. The production absolutely pounds, making these already great songs sound even better. The songwriting is inspired, and you can feel the true love of Death Thrash going on for all 11 tracks without one second wasted. This is for anyone who loves The Haunted, At The Gates, and New World Depression. When you put this on, I can’t imagine you will be disappointed. Miserere Luminis- Sidera FFO- Atmospheric Black Metal, Post Black One of the most intense Atmospheric Black Metal albums I’ve heard so far this year, and that’s going to be hard to top. Imagine the Atmospheric Black Metal sound but with modern production rather than as raw as possible, and that’s what you get here. It hits the nail on the head for the genre, but they leave so much room for experimentation and genre-bending that no matter your love of Black Metal subgenres, there is something here for you to love. Hitting everything from Alcest to Gaerea to Harakiri for the Sky to the Black Metal side of Deha, this is a band that will mesmerize you with their proficiency and win you over with their songwriting and musicianship. Seriously, if most Atmospheric Black Metal is too raw for your taste, you need to give this a proper listen, as I think it may just win you over for the whole genre. It’s just that good. Monosphere- Amnesia FFO- Progressive Post Metal 3 albums into this German band’s career, and the press release was not lying. This is easily the band’s most ambitious album to date and one of the most ambitious albums I’ve heard in Progressive Post Metal in a very long time. Combining the crushing riffs of Post Metal in the vein of Cult of Luna and The Ocean with the progressive tendencies of The Contortionist, and especially Between The Buried and Me, you have an album that can turn on a dime and hold your attention for every twist. The production on this one is stellar and lets everyone shine with the songwriting, breathing fresh air into both genres represented, but still gives you a familiar feeling. This is a mind-blowing release that goes into the most heartfelt and devastating emotions that one can feel. This is a must-listen for any Progressive Post Metal fan. Monstrosity- Screams from Beneath the Surface FFO- Death Metal The legendary Floridian Death metal band is back with their 7th album, and it crushes everything in its path. Always known for being a pioneering name in the Florida Death Metal scene, the band continues doing what they do best, creating killer riffs with just the right amount of melody to stand out among their peers. Also, hearing Ed Webb, formerly of Massacre, doing his debut vocals on this album simply slays and adds even more to the band’s sound. If you want to hear the best elements of bands like Cannibal Corpse, Death, Malevolent Creation, and Deicide, you NEED the latest from Monstrosity. Mystfall- Embers Of A Dying World FFO- Symphonic Gothic Metal The sophomore album from this Greek band is a true tour de force. Since I covered their debut album, 2/3rds of the band has been changed, and a bit of the sound has changed with it. That is not a bad thing at all, as the Symphonic Gothic Metal that I fell in love with is still here, if not doubled down on, and it feels like an even more confident album. Marialena Trikoglou’s clean and operatic vocals simply shine on this album, and she has fully taken center stage. The music behind her is a whirlwind of everything that makes Symphonic Gothic Metal so great. For anyone who enjoys the likes of Oryad, Glasya, and Belle Morte need to take note, this is going to be one of the best albums of the genre in 2026. Mark my words. Nefastis- Shadows At The Light Of Dawn FFO- Symphonic Melodeath The sophomore album and first in 12 years from this Italian band is a welcome change in sound for 2026. Combining Melodeath, Symphonic Metal, Thrash Metal, and straight up Death Metal into a very catchy and groove-laden mix is not an easy thing to do, and not make it sound like a hodgepodge of sound, but the band makes their vision quite striking and sophisticated. The production is more on the raw side, but nothing distracting, and the songwriting is the real feast of the album, hearing all the changes and how they interconnect. If you want a band that can channel Children of Bodom, Wintersun, and Fleshgod Apocalypse, see what Nefastis can offer you. Neurosis- An Undying Love for A Burning World FFO- Post Metal, Atmospheric Sludge Metal Through so many trials and tribulations, Neurosis is still here after 41 years, and they have made another new evolution. Aaron Turner, formerly of Isis and of Sumac and Old Man Gloom, is taking over on vocals and guitar, and the band shadowdropped their 12th album and first in a decade. Without having any idea what to expect from this kind of lineup, I think the band has recaptured everything that I ever loved about the band in their Post Metal, Atmospheric Metal, and Sludge Metal sound. The music both recaptures the sound, but also forges a new path at the same time, which is a very hard thing to achieve. This puts all the mainstays of the current day on notice. Neurosis has returned and may have put out one of the finest albums of their career. As sacrilege as it may sound, this might be my favorite since Through Silver in Blood. It’s just that good. Oathbound- Colors in Grey FFO- Progressive Metalcore The debut album from this Seattle band hits Progressive Metalcore in a much different light. With this style, you would expect more Djent, but that simply isn’t the case here. It feels like a true mix of 2nd Wave Metalcore and Progressive Metal in a way that I haven’t seen done since Mutiny Within, but much more on the mainstream side. It’s odd to hear moments that remind me of middle-era Soilwork or Symphony X in a sound that is layered in bands as I Prevail, blessthefall, and Fit for a King, but that is going on here, and I’m all for it. I can also sense how people who normally check out my lists will take this one, but I will say that if you have an open mind, you may find something to love here. Musically, I can’t say enough about how much I dig it, and I think that alone will win you over, given the chance. Give it a proper shot. Power Paladin- Beyond The Reach of Enchantment FFO- Power Metal Arguably, my most-awaited album of the year is finally here with the sophomore album from this Icelandic Power Metal band. Their debut album, With The Magic of Windfyre Steel, is one of my favorite Power Metal albums of all time. This time around, the band has become more mature, fewer references, and much more refined, and honestly, that was the right choice. While the music maintains the fun, passion, and everything that makes the genre work, it’s just taken more seriously and done in earnest, and it makes for what will most likely be my favorite Power Metal album of 2026. The production is killer, the songwriting is as majestic as it is smile-inducing, and it just captures the pure joy that Power Metal brings to the table. This is MY kind of Power Metal, and you need to experience it for yourself. Ravenspell- Obsidian King FFO- Heavy Metal, Speed Metal The debut album from 3/5th of the Québec Black Metal band, Beholder, is showing off another new form in Ravenspell. This is the band’s take on the Heavy Metal and Speed Metal sounds of yesteryear, and they nailed it perfectly. This 10-track, 40-minute pummeling comes in the form of the veins of Iron Maiden, Night Demon, Visigoth, and Cloven Hoof, making everything feel just sinister enough, but never losing the tightness that makes the genre work. The production is pure 80s in the best of ways, and it matched up with outstanding musicianship and plenty of headbanging moments. While we are in no shortage of the vintage Metal sound, Ravenspell proves that the lifeblood of the genre is unalive and can never die. If you need the classic tones, check this out immediately. Rivers Ablaze- Inexternal Dread FFO- Progressive Blackened Death Metal The 5th album in 6 years from this Hungarian band is my first foray into the band, but I am absolutely loving what I am hearing. This is an extreme take on Progressive Blackened Death Metal that is so satisfying to listen to over and over again. Feeling like an unholy mix of A Flourishing Scourge, An Abstract Illusion, and oddly enough Gorefest in the growls makes for an album that makes the crushing side of all these genres work and still finds a way to make them feel triumphant and cascades a sense of darkness around you. I love it when combinations of music like this work, and Rivers Ablaze is more than carrying the torch for it. Sensational work. Rosa Faenskap- Ingenting Forblir FFO- Anti-Fascist, Pro-LGBTQ+ Black Metal The sophomore album from this innovative Norwegian Black Metal band is, in their words, a love letter and a declaration of war against everything Black Metal. Since the genre has been known for so much hatred over the decades, it always makes me happy when I can find a band that can turn the genre on its head and make the gatekeepers, bigots, and squares vomit in rage. Somehow sounding like a mix of Mayhem, Converge, and Deafheaven, this is a band that is not afraid to make the music they want to make and stand up for what they believe in. Even if the album sounded atrocious, I would have covered it for that reason alone, but this album is a spectacular display of how to still innovate Black Metal to this day. It’s just raw enough, but it’s more than made up for by its intensity. While I know this won’t be for everyone, whether it is too raw or experimental or you’re just not into Black Metal, if you hate this album for what it stands for, you’re why this album exists. We need more of this in every genre of music. If you’re so inclined, check this one out. Rozario- Northern Crusaders FFO- Heavy metal, Power Metal The sophomore album from this Norwegian band is a tried and true take on the Heavy Metal/Power Metal variety. While using the Power Metal aspect is more of a flavoring, this is a pure Heavy Metal album through and through, hitting so much of what you’d expect from that classic sound, but updated just enough for effect. The production has a modern vintage feel to it; the drums in particular remind me of the 80s Def Leppard, and the songwriting should be right at home for anyone who likes more contemporary takes, such as Temple Balls, Black Swan, and Starzager (all of whom I have reviewed in recent times). The classic sound of Heavy Metal is alive and well. Check out Rozario and see for yourself. Salos- A Slaughter for the Empire FFO- Instrumental Progressive Post Metal Given the amount of music I cover every year, my instrumental intake has diminished over the years to others that make my jaw drop, and the debut album from this Greek duo is that and then some. This captures everything I love about the Progressive Post Metal sound, with so many ethereal and atmospheric dynamics to make the ebb and flow, peaks and valleys, and the overall sound so satisfying. Matched with a killer production and songwriting that is clearly from the heart, this is an instrumental album I can’t recommend enough. If you enjoy the likes of Sometime in February, Long Distance Calling, Russian Circles, and God is an Astronaut, check out Salos immediately. Samurai Pizza Cats- Press Start FFO- Modern Metalcore, Alternative Metal, J-Metal My three-word review of Electric Callboy’s Tekkno was as follows: Big, Dumb, Fun! If I have to keep it as short as that, Press Start by Samurai Pizza Cats is as follows: Bigger, Dumber, Fun! 11 songs of Anime, Video Game, and Pizza inspired Alternative Metalcore that is just meant to make you smile and enjoy what you are hearing. Obviously, this won’t be for everyone who checks out my reviews, but if you just want to escape reality for a while and fall into a world that is as silly as it is proficient, Samurai Pizza Cats has provided that for you with Press Start. Shoreline- Is This The Low Point or The Moment After? FFO- Post Hardcore, Emo, Punk The 4th album from this German hit me like a ton of bricks, and with every listen, it hits harder. While this is not my usual style of music, when it is done right, it suckers me in and doesn’t let go from beginning to end. From the devastating lyrics to the just heavy enough riffs to the general atmosphere that simply makes you feel something, this is the kind of album that will help you binge and purge all of your emotions. If you enjoy bands like Touche Amore, Spanish Love Songs, and Chief State, this is required listening. Siege Perilous- Becoming The Dragon FFO- Epic Heavy Metal, Power Metal The debut album from this Colorado band is another fine example of just taking what makes Power Metal and Epic Heavy Metal and putting your own spin on it all. Of course, the band isn’t fully reinventing the wheel here, but in a genre like this, that is not the point. It’s to make the most solid music possible while hitting the moments you expect. You combine that with an excellent production style and two awesome guest spots of Fabio Lione and Kristin Starkey to give them more cred, and you have an album that is for you if you love Blind Guardian, Rhapsody, Krilloan, and Evermore. Excellent music! The Silver- Looking Glass Hymnal Blue FFO- Post Black Members of Horrendous, Crypt Sermon, and Nightsblood are making outstanding Post Black Metal together. I don’t think I could ask for a better combination to make this style of music. The sophomore album from this Philadelphia band captures the most gorgeous and the most extreme ends of the genre and makes it completely their own. With a production style that is as real as it gets and songwriting that knows how to keep your interest for 8 songs and almost 43 and a half minutes, this is an innovation of the Post Black sound that I didn’t realize we needed, and it only gets better the more you listen. Seriously, this is why it pays to listen to other styles of music. You get The Silver, and it’s ridiculously good. A Somber Funeral- Since You Left These Shores FFO- Atmospheric Post Black Have I mentioned how good we are sitting on Post Black in 2026? This is another shining example in the form of the sophomore album from this German duo. The music is a raw and gut-wrenching display of the saddest and some of the most gorgeous elements of Atmospheric Post Black with lyrics that will shatter your soul. There is also a ton of guest spots from some of the best in the genre as well. If you want a crash course on the raw side of the genre, this is the perfect class 101 for it. Check out A Somber Funeral now. Speglas- Endarkenment, Being & Death FFO- Death Metal, Black Metal, Heavy Metal The debut album from this Swedish powerhouse hits a style that is meant for anyone who enjoys the left-of-center elements of bands like Tribulation, Chapel of Disease, and Floating. While it is a Death Metal album through and through, the elements of Black Metal, Heavy Metal, and other left-of-center moments are what make this album stand out among the rest. I love it when a band can play what they want to play and don’t feel like they have to be put into a box because of the normal style of a genre. Every song on here has its own texture and somehow stands out and fits together with everything else on the album. The production reminds me a lot of the 2nd era of Tribulation, which is a sheer delight, and the songwriting feels infinitely inspired. This is an album that feels real, and it goes for the jugular. If you need that in your life, check this one out and be prepared for what they do in the future. Stainless- Lady of Lust & Steel FFO- Speed Metal, Heavy Hard Rock Easily one of the most fun Speed Metal and Heavy Hard Rock albums you are going to hear in 2026. The debut album from this Portland band captures everything that makes Speed Metal, Heavy Metal, and Hard Rock work so well back in the 70s and 80s, but it made it so much more full of lust and sin. The production feels like this was recorded back in 1982, and the musicianship on hand gives it that authentic feeling. This is a pure Sex and Rock and Roll album that covers everything from Judas Priest to Whitesnake to Exciter to Sumerlands, and it’s everything that you want it to be. 8 tracks of pure, sinful Rock and Metal. Who wouldn’t want that? Tardigrade Inferno- Hush FFO- Dark Cabaret Metal, Progressive Metal The 3rd album from this left-of-center band is such an intriguing mix of Dark Cabaret music mixed in with Progressive Metal and oddball moments that balance out the catchiness and the absurdity. The production on this one is insane and truly catches the nuances needed for a sound like this to pay off. There is no easy way to mix a sound that can remind you of Devin Townsend, Stolen Babies, UneXpect, and Diablo Swing Orchestra, but that is what you get here, and so much. What I wouldn’t give for Tardigrade Inferno and Stolen Babies to go on tour one day. But overall, this is the kind of album that is quirky, but matches it with musical proficiency. If you dig this style, you will love Hush by Tardigrade Inferno. Temple of Void- The Crawl FFO- Death Doom The 5th album from Detroit’s heaviest Death Doom band is another sign that the band continues to refine and improve with every release. So many people discovered the band from their 2022 release, Summoning the Slayer, but the band has taken that sound and mixed it in more for what feels right in 2026 with The Crawl. This is a punishing album from start to finish, never truly letting up, though giving you the occasional moment to breathe before crushing you all over again. Of course, you need a production style to match the songwriting to make these songs truly work, and that is done here flawlessly. While I know Death Doom isn’t everyone’s bag due to the slow tempos, Temple of Void does mess with the tempos quite a bit on this one, and it doesn't feel like one big dirge. It’s 7 distinct songs, almost 42 minutes in length, and it only gets more rewarding the more you listen to it. If you enjoy anything from Hooded Menace to Nightmarer to Woe to Evoken. Temple of Void has something for you. Total Maniac- Love Overdrive FFO- Heavy Metal, Speed Metal, Punk The sophomore album from this Baltimore band is pure Sex, Drugs, and Satan. Combining 80s Sleaze Rock, Crust Punk, Speed Metal, and more into a familiar, but fun-filled album is what you need sometimes, and you get that and more here. The production has that classic '80s flair to it, and the songs are tailor-made for the live setting. It’s 8 tracks that are short, sweet, and fulfill the needs of bands like Midnight, Bat, Motorhead, and Stainless. What else could you possibly need? Tyketto- Closer to the Sun FFO- Melodic Rock, AOR, Glam Metal For a band that’s been around 87, I’m stunned that there are only 6 albums from this NYC band, but I also remember that I interviewed the band for their last album, Reach, a decade ago. Regardless, Tyketto is a shining example of making the music that you want to make and not following the trends, even after the times have changed. This has everything that you ever loved about the band, from the Bluesy aspects to the just the right amount of Glam leanings to the full-on AOR elements that have made them last. It’s great to see them back, and you can tell from the videos for the new album that they are happy to be here. Considering how their contemporaries sound today and how so many have given up on trying to be any good, Tyketto is as reliable and enjoyable as they were back in 1991. If you want that throwback sound with updated production style, check out Closer to the Sun. Us and the Void- The Fallen Empire FFO- Melodeath, Cosmic Death Metal, Progressive Death Metal The debut album from this Finnish band is one of the most shocking Melodeath albums I’ve heard in quite some time. It hits this blend of Melodeath, Progressive Death Metal, and Cosmic Death Metal that you simply don’t hear from a lot of bands, and it cascades over you song after song. With a production that hits the spot and songwriting that stretches and snaps back like a rubber band, it's the shot in the arm that melodeath needs every once in a while. It’s an out-of-this-world experience for those who are looking for a mix of Omnium Gatherum, Be’Lakor, Edge of Sanity, and In Mourning. Simply put, do not miss out on this one. It’s more than worthy of your attention. Vicious Rain- The Anatomy Of Surviving FFO- Alternative Metalcore The sophomore album from this Swiss band is just the right kind of mainstream meets heavy sound that suckers me in every time, and there is no shame in that. For every breakdown, there is a melodic chorus that is undeniably catchy and will get stuck in your head for days on end. The band knows how to explore almost every major heavy genre of the last 30 years and finds a way to make it palatable for everyone interested. There are as many modern sounds as there are late 90s love, and none of it feels contrived or forced. For anyone who digs Elwood Stray, Heart of a Coward, Awake the Dreamer, and Space of Variations, check out Vicious Rain. Vreid- The Skies Turn Black FFO- Meloblack The 10th album from the almighty Vried is one of the most diverse albums in the Norwegian band’s discography. For every song that reminds you of their signature blend of Meloblack, there is a song that is completely shocking in comparison. Sometimes it can be a film score motif, sometimes it can be an Industrial Goth Rock featuring Party Boy in the video. Overall, it’s an album that is not for the faint of heart, and it’s great to see a band that has been rolling for 22 years still finding new ways to go about songwriting and showing that there is no lack of inspiration. This album just gets more addictive the more you listen to it. While I know this one may not be for every Vreid fan, this is for those who want to see that creative justice flow for the modern day, and that is a wonderful thing to see. Wolfbastard- Satanic Scum Punks FFO- Blackened Crust Punk It’s been a while since I’ve come across some pure Blackened Crust Punk, and I finally have some in the form of the 4th album from this UK band, and they truly live up to the album title. This feels like it was made by a bunch of Satanic Scum Punks, and I mean that as a complete compliment. 11 songs and almost 29 and a half minutes of grimy, slimy, crusty music with the best elements of Black Metal and Punk to make for a fast, thrilling ride that is over before you know it. If you want that Midnight, Discharge, Venom, and Motorhead sound, Wolfbastard has it nailed down, and I wouldn’t want it to sound any other way. Hey everybody and welcome to my monthly recap of every album I reviewed, this time, for March 2026. This is pretty simple, it's every single album I've reviewed in March 2026 in alphabetical order. 67 albums this time, 180 in total so far this year, so I hope you find something good. ENJOY! 
Hello everyone, and welcome back to the final OT&WIM of March 2026 and the first quarter of 2026. This week, we have 24 albums that I will be covering, with 11 that come out today and 13 that I missed along the way. For those keeping track, no, I did not get my tooth pulled out, and I am hoping to in early April. As all of this has taken a huge toll on my well-being, both physically and mentally, not to mention burnout from life in general, I am probably going to keep these shorter than usual until I get it out. I hope you’ll still enjoy them. Let’s get into the rules and the list proper, shall we?
1.) Out Today & What I Missed is my weekly Friday recap of Out Today, my reviews of albums I got the promo for, and What I Missed, my reviews of any albums I either didn’t get the promo for and/or discovered on my own. I will try to do this every Friday that I’m capable of doing it, but I will admit, I will probably be taking more 1-week breaks than I ever have before. The music will be on the heavy end of things, but I cover anything from Pop Punk to Goth Rock to Progressive Metal to Funeral Doom to the most Experimental or avant-garde music in the Rock and Metal genres. 2.) My reviews should be treated like teaser trailers for movies or games. They will say the band name, the album, the FFO (For Fans Of) Section, and a short review that is a paragraph or less. Why do I do it like this? I don’t want the first time experience with a band to be ruined by my thoughts going into every single detail. I want to show off why you should check something out. Every review is subjective, no matter how anyone wants to spin it. Your thoughts won’t be mine, but I want to show you the option of what’s out there. 3.) NO NEGATIVE REVIEWS! We live in a terrible enough place as it is; I don’t want to add to the trash heap. If I don’t cover something, it is because I haven’t heard of it, and I will most likely go check it out; it's not out yet, I didn’t have time or energy to cover it in the current week, or it’s not my bag...baby. There’s no place for me to yuck on someone’s yum. That said, all my thoughts are mine and mine alone. No Label, PR, Band, or Friendship will make me pick something to positively review. I have to like it and listen to it at least one time through. That will never change. 4.) I will be doing fewer reviews this year, as doing 1,021 reviews last year broke me. That’s not to say I won’t still do up to 20 reviews in a week, just don’t expect that to be the norm week after week. If I only have promos, time, and energy for 15, 10, and 5 reviews in a week, that’s just how it will be. It’s a one-man operation, and the operation needs to think about longevity, not being prolific. All of this leads to Heavy Debriefings' Top 100 Albums of 2026, which will happen at the end of the year. 5.) If I find out after I review an album that an artist, band, or members of said band are garbage people, go against what I find to be even the lowest level of human decency, or use AI for their music, I will remove my review no questions asked. Does that apply to AI art? I don’t know how to answer that; it’ll be on a case-by-case basis. Either I will ignore the album completely, or I will mention how much I hate that they used AI before talking about the rest. I will see what happens. 6.) For another controversial take, I use Spotify to make a playlist every week of coverage with a track off every album to make it easier for people to check out some new music. Is Spotify a good company? No. Is any streaming company in North America good? No. You either avoid all of it or pick your poison, as all of them do terrible things and hurt everyone, and it’s also a necessary evil in today’s world if you want to make any kind of impact. I don’t judge you one way or the other for streaming or not streaming. I hope I can get the same level or tolerance in return. 7.) CHECK OUT SOME NEW MUSIC! OUT TODAY Acidosis- Arrival FFO- Thrash Metal The debut album from this Miami Beach Thrash band is chock-full of fun tunes that hit some dark subject matter. The songs are all blistering and hit this level of Thrash and similar subgenres that scratch the itch that those looking for a band that can do everything from Power Trip to Megadeth to DRI to Suicidal Tendencies all in one band. The production on this one feels vintage in the best of ways, and the songwriting feels like a love letter to the past, but updated to be effective in the modern day. This 26-minute assault is more than worthy of your time, no matter your style of Thrash enjoyment. Defacing God- Darkness Is My Crown FFO- Symphonic Gothic Black Metal The sophomore album from this band out of Denmark is how you make Symphonic, Gothic, and Black Metal sustainable. The entire album feels like they doubled down on what worked best from their debut and added the right herbs and spices to make the music as catchy as it is haunting. Mixing the best of bands like Dimmu Borgir, Carach Angren, Frantic Amber, and Zornheym, Defacing God is pushing the genre back to the forefront, and it’s desperately needed. We’ve been sitting well on this style in 2026 so far, but we always need more, and this is a band that is more than delivering the goods. Divine Chaos- Hate Reactor FFO- Thrash Metal, Melodeath 3 albums into this UK Thrash band’s career, and they are easily at their best so far. Capturing the great mix of Thrash Metal, Melodeath, and super catchy choruses to give you a little bit of something for everyone, but never feels pandering. The production feels modern but authentic and clearly real, with songwriting that is the same way. If you want a mix of Exodus, The Crown, and Sylosis, Divine Chaos will be a band you need in your life. Godsticks- VoiD FFO- Progressive Rock, Progressive Metal The 7th album from this UK Prog band hits that perfect balance of Progressive Rock and Metal. It never gets too heavy, it never gets too soft, just right in the middle, and it hits so good. That is not to say this is not a dark and angry album, as it totally fills that feeling for those who love latter-day Porcupine Tree and the heavier ends of Riverside. The songwriting is top-class and intricate, with a production style that feels sensational for the style. You can tell they pushed themselves on this one, and it makes for an album that is worthy of any Prog fan’s ears. If you need a Prog album that couldn’t feel more appropriate in 2026, check this one out. Growth- Under the Under FFO- Avant-Garde Tech Death The sophomore album and first in 6 years from this Australian band is something I truly needed. It combines the right elements of Tech Death, Avant Garde, and Extreme Metal in a way that is palatable, but pushes the boundaries of what is possible in these styles. Featuring past members of Ne Obliviscaris, The Red Shore, and Function Cease, the band has more than upped their game and showcase music that is for those who enjoy the likes of Ulcerate, Gorguts, and Volcandra. If you want that balance of chaos and eeriness, you need to check out Growth. Kerrigan- Wayfarer FFO- Revival Metal The sophomore album from this German band featuring 3/4ths of the Funeral Doom band Lone Wanderer returns with their signature style of Vintage Heavy Metal, and it’s easily some of the best you will hear this year. I love their debut album, Bloodmoon, so much, but this is such a gigantic step up in quality in all ways, from the production to the performances, and especially the songwriting. This feels like the best band of 1986 you didn’t hear till 2026. If you want a band that can combine the best of bands like Satan, Night Demon, Haunt, and Defender, do yourself a proper favor and check out what might be the best Revival Metal album of 2026 with Wayfarer by Kerrigan. Power Paladin- Beyond The Reach of Enchantment FFO- Power Metal Arguably, my most-awaited album of the year is finally here with the sophomore album from this Icelandic Power Metal band. Their debut album, With The Magic of Windfyre Steel, is one of my favorite Power Metal albums of all time. This time around, the band has become more mature, fewer references, and much more refined, and honestly, that was the right choice. While the music maintains the fun, passion, and everything that makes the genre work, it’s just taken more seriously and done in earnest, and it makes for what will most likely be my favorite Power Metal album of 2026. The production is killer, the songwriting is as majestic as it is smile-inducing, and it just captures the pure joy that Power Metal brings to the table. This is MY kind of Power Metal, and you need to experience it for yourself. Rivers Ablaze- Inexternal Dread FFO- Progressive Blackened Death Metal The 5th album in 6 years from this Hungarian band is my first foray into the band, but I am absolutely loving what I am hearing. This is an extreme take on Progressive Blackened Death Metal that is so satisfying to listen to over and over again. Feeling like an unholy mix of A Flourishing Scourge, An Abstract Illusion, and oddly enough Gorefest in the growls makes for an album that makes the crushing side of all these genres work and still finds a way to make them feel triumphant and cascades a sense of darkness around you. I love it when combinations of music like this work, and Rivers Ablaze is more than carrying the torch for it. Sensational work. Samurai Pizza Cats- Press Start FFO- Modern Metalcore, Alternative Metal, J-Metal My three-word review of Electric Callboy’s Tekkno was as follows: Big, Dumb, Fun! If I have to keep it as short as that, Press Start by Samurai Pizza Cats is as follows: Bigger, Dumber, Fun! 11 songs of Anime, Video Game, and Pizza inspired Alternative Metalcore that is just meant to make you smile and enjoy what you are hearing. Obviously, this won’t be for everyone who checks out my reviews, but if you just want to escape reality for a while and fall into a world that is as silly as it is proficient, Samurai Pizza Cats has provided that for you with Press Start. Siege Perilous- Becoming The Dragon FFO- Epic Heavy Metal, Power Metal The debut album from this Colorado band is another fine example of just taking what makes Power Metal and Epic Heavy Metal and putting your own spin on it all. Of course, the band isn’t fully reinventing the wheel here, but in a genre like this, that is not the point. It’s to make the most solid music possible while hitting the moments you expect. You combine that with an excellent production style and two awesome guest spots of Fabio Lione and Kristin Starkey to give them more cred, and you have an album that is for you if you love Blind Guardian, Rhapsody, Krilloan, and Evermore. Excellent music! Total Maniac- Love Overdrive FFO- Heavy Metal, Speed Metal, Punk The sophomore album from this Baltimore band is pure Sex, Drugs, and Satan. Combining 80s Sleaze Rock, Crust Punk, Speed Metal, and more into a familiar, but fun-filled album is what you need sometimes, and you get that and more here. The production has that classic '80s flair to it, and the songs are tailor-made for the live setting. It’s 8 tracks that are short, sweet, and fulfill the needs of bands like Midnight, Bat, Motorhead, and Stainless. What else could you possibly need? What I Missed Chalice of Suffering- The Raven Cries one Last Time FFO- Funeral Doom Metal, Folk Metal The 3rd album from this Minneapolis Funeral Doom powerhouse is exactly what I needed. It’s so much more than your run-of-the-mill Funeral Doom, but adding so many textures and layers to the music, creating an atmosphere with dynamics, just raw enough production, and pure sadness across the album. Feeling like a mix of Apocalypse Orchestra, Arð, and Swallow The Sun, this is an album that redefines what can be done in one of the most haunting genres of Metal and rips your soul apart in the process. This is how it’s done, folks! Fabienne Erni- Starveil FFO- Modern Metal, Symphonic Metal, Folk Metal One of the most standout vocalists in Metal today has finally created a solo album, and it feels like the perfect mesh between Illumishade, Eluveitie, and her love of other styles of music rolled into one. Between the clear and polished production, the songwriting on this one showcases the best elements of her vocal ability and makes everything shine. It’s a brilliant showcase that I hope builds into more solo albums and an even more vast collection of material and style in the future. Till then, this is the perfect crash course of Fabienne Erni. Fading Aeon- S/T FFO- Epic Melodeath The 3rd album from this German outfit is a combination of sounds that simply works. Creating a mix of Epic Metal, Melodeath, and more to create a sound that is for anyone who digs the likes of IATT, Sokomb, and Keep of Kalessin. The production is raw and authentic, with growls that are utterly gruesome in the best of ways. Balancing out the epic, melody, and Death Metal is a hard combination to nail, but Falling Aeon has done it in a way that shows that you should always strive to make the music you want to make. This is more than worthy of your time. Gaerea- Loss FFO- Post Black, Melodic Metalcore Portugal’s Gaerea took a gigantic chance on their latest album, Loss. Shifting from their Post Black sound that made them a huge name in the underground, they started incorporating more of a Melodic Metalcore and Modern metal attributes to the Post Black sound. Some people are very much up in arms about this change. I, on the other hand, think it was the best decision they could have made. The music hits so much harder when it gets into the extreme end of things, and it suckers you in with undeniably catchy choruses and out-of-nowhere melodic riffing that you simply don’t see coming. Making a change that they wanted to make instead of just repeating what they have done in the past is what’s going to make them skyrocket into superstardom. For anyone who digs Deafheaven, Møl, Heretoir, and Groza, take note; Gaerea may have put out the most popular Post Black Album ever. Hanging Garden- Isle of Bliss FFO- Gothic Death Doom The 9th album from this long-running Finnish band continues to push what is possible in the Gothic Death Doom sound and may end up being my favorite album from the band. Not only does it capture the core sound that they have always had, but the band continues striving for more dynamics, tempo changes, left-of-center changes, and simply making the best music possible. Matched up with a stunning production style, this is how innovation should feel. If you enjoy the likes of Counting Hours, October Tide, Paradise Lost, and Swallow The Sun, you need Hanging Garden in your life. The Hara- Fallout FFO- Alternative Metal, Alternative Rock, Modern Metal The sophomore album from this English band is such a winning combination of the catchiest elements of 2020s Rock and Metal, but done with absolute sincerity that you can’t fake. From the emotional riffs, the pained vocals, and the outstanding guitar solos that appear at just the right times. This is a band that hits both the most commercial sound, but heavy enough to be on any Metalcore show at the same time. This is for those who enjoy the likes of As Everything Unfolds, Lost in Hollywood, and As December Falls. I can’t imagine that if you are looking for this sound, you will be disappointed. Inner Vitriol- Semper Tacui FFO- Progressive Metal The sophomore album and first in 14 years from this Italian Progressive Metal band is more than worth the wait. It captures everything that I remember hearing all the way back in 2012 with their debut, but updated for the 2020s, and never loses its edge. They even got Geoff Tate to show off his vocals on the album. Mixed in with an early 2000s production style, imagine a melding of Pain of Salvation, Soen, Evergrey, and In Virtue, and you have a stellar display of Progressive Metal. Give this one a proper listen. Neurosis- An Undying Love for A Burning World FFO- Post Metal, Atmospheric Sludge Metal Through so many trials and tribulations, Neurosis is still here after 41 years, and they have made another new evolution. Aaron Turner, formerly of Isis and of Sumac and Old Man Gloom, is taking over on vocals and guitar, and the band shadowdropped their 12th album and first in a decade. Without having any idea what to expect from this kind of lineup, I think the band has recaptured everything that I ever loved about the band in their Post Metal, Atmospheric Metal, and Sludge Metal sound. The music both recaptures the sound, but also forges a new path at the same time, which is a very hard thing to achieve. This puts all the mainstays of the current day on notice. Neurosis has returned and may have put out one of the finest albums of their career. As sacrilege as it may sound, this might be my favorite since Through Silver in Blood. It’s just that good. Salos- A Slaughter for the Empire FFO- Instrumental Progressive Post Metal Given the amount of music I cover every year, my instrumental intake has diminished over the years to only albums that make my jaw drop, and the debut album from this Greek duo is that and then some. This captures everything I love about the Progressive Post Metal sound, with so many ethereal and atmospheric dynamics to make the ebb and flow, peaks and valleys, and the overall sound so satisfying. Matched with a killer production and songwriting that is clearly from the heart, this is an instrumental album I can’t recommend enough. If you enjoy the likes of Sometime in February, Long Distance Calling, Russian Circles, and God is an Astronaut, check out Salos immediately. Shoreline- Is This The Low Point or The Moment After? FFO- Post Hardcore, Emo, Punk The 4th album from this German band hit me like a ton of bricks, and with every listen, it hits harder. While this is not my usual style of music, when it is done right, it suckers me in and doesn’t let go from beginning to end. From the devastating lyrics to the just heavy enough riffs to the general atmosphere that simply makes you feel something, this is the kind of album that will help you binge and purge all of your emotions. If you enjoy bands like Touche Amore, Spanish Love Songs, and Chief State, this is required listening. The Silver- Looking Glass Hymnal Blue FFO- Post Black Members of Horrendous, Crypt Sermon, and Nightsblood are making outstanding Post Black Metal together. I don’t think I could ask for a better combination to make this style of music. The sophomore album from this Philadelphia band captures the most gorgeous and the most extreme ends of the genre and makes it completely their own. With a production style that is as real as it gets and songwriting that knows how to keep your interest for 8 songs and almost 43 and a half minutes, this is an innovation of the Post Black sound that I didn’t realize we needed, and it only gets better the more you listen. Seriously, this is why it pays to listen to other styles of music. You get The Silver, and it’s ridiculously good. A Somber Funeral- Since You Left These Shores FFO- Atmospheric Post Black Have I mentioned how good we are sitting on Post Black in 2026? This is another shining example in the form of the sophomore album from this German duo. The music is a raw and gut-wrenching display of the saddest and some of the most gorgeous elements of Atmospheric Post Black with lyrics that will shatter your soul. There is also a ton of guest spots from some of the best in the genre as well. If you want a crash course on the raw side of the genre, this is the perfect class 101 for it. Check out A Somber Funeral now. Tyketto- Closer to the Sun FFO- Melodic Rock, AOR, Glam Metal For a band that’s been around 87, I’m stunned that there are only 6 albums from this NYC band, but I also remember that I interviewed the band for their last album, Reach, a decade ago. Regardless, Tyketto is a shining example of making the music that you want to make and not following the trends, even after the times have changed. This has everything that you ever loved about the band, from the Bluesy aspects to the just the right amount of Glam leanings to the full-on AOR elements that have made them last. It’s great to see them back, and you can tell from the videos for the new album that they are happy to be here. Considering how their contemporaries sound today and how so many have given up on trying to be any good, Tyketto is as reliable and enjoyable as they were back in 1991. If you want that throwback sound with updated production style, check out Closer to the Sun. And there you go, folks, 24 albums down, 67 albums done in March 2026, and 180 albums done in 2026 so far. I am completely worn out, but this is what drives me every week. I apologize again for the shortness of some of these reviews and I hope that in mid-April that I’ll be back to how I normally do things, but make sure to come back in a couple days for Every Album I Reviewed in March 2026, Every Album I reviewed in Q1 2026, and come back Friday for Out Today & What I Missed for April 3rd, 2026. Until then, this is Josh Rundquist saying, Embrace The Skullet! - Josh Rundquist (Heavy Debriefings) 
Hey everybody, and welcome to another edition of Out Today & What I Missed, this time, for March 20th, 2026. In full transparency, I wrote this one up 2 weeks ago, as I am hoping that I will finally be going in and getting rid of my broken tooth this week, so I want to rest up, as the pain of all of this has pushed me to my absolute limits. So we got a short one this week. 10 albums, 5 out today, 5 that I missed. Let’s get into the rules and the list proper.
1.) Out Today & What I Missed is my weekly Friday recap of Out Today, my reviews of albums I got the promo for, and What I Missed, my reviews of any albums I either didn’t get the promo for and/or discovered on my own. I will try to do this every Friday that I’m capable of doing it, but I will admit, I will probably be taking more 1-week breaks than I ever have before. The music will be on the heavy end of things, but I cover anything from Pop Punk to Goth Rock to Progressive Metal to Funeral Doom to the most Experimental or avant-garde music in the Rock and Metal genres. 2.) My reviews should be treated like teaser trailers for movies or games. They will say the band name, the album, the FFO (For Fans Of) Section, and a short review that is a paragraph or less. Why do I do it like this? I don’t want the first time experience with a band to be ruined by my thoughts going into every single detail. I want to show off why you should check something out. Every review is subjective, no matter how anyone wants to spin it. Your thoughts won’t be mine, but I want to show you the option of what’s out there. 3.) NO NEGATIVE REVIEWS! We live in a terrible enough place as it is; I don’t want to add to the trash heap. If I don’t cover something, it is because I haven’t heard of it, and I will most likely go check it out; it's not out yet, I didn’t have time or energy to cover it in the current week, or it’s not my bag...baby. There’s no place for me to yuck on someone’s yum. That said, all my thoughts are mine and mine alone. No Label, PR, Band, or Friendship will make me pick something to positively review. I have to like it and listen to it at least one time through. That will never change. 4.) I will be doing fewer reviews this year, as doing 1,021 reviews last year broke me. That’s not to say I won’t still do up to 20 reviews in a week, just don’t expect that to be the norm week after week. If I only have promos, time, and energy for 15, 10, and 5 reviews in a week, that’s just how it will be. It’s a one-man operation, and the operation needs to think about longevity, not being prolific. All of this leads to Heavy Debriefings' Top 100 Albums of 2026, which will happen at the end of the year. 5.) If I find out after I review an album that an artist, band, or members of said band are garbage people, go against what I find to be even the lowest level of human decency, or use AI for their music, I will remove my review no questions asked. Does that apply to AI art? I don’t know how to answer that; it’ll be on a case-by-case basis. Either I will ignore the album completely, or I will mention how much I hate that they used AI before talking about the rest. I will see what happens. 6.) For another controversial take, I use Spotify to make a playlist every week of coverage with a track off every album to make it easier for people to check out some new music. Is Spotify a good company? No. Is any streaming company in North America good? No. You either avoid all of it or pick your poison, as all of them do terrible things and hurt everyone, and it’s also a necessary evil in today’s world if you want to make any kind of impact. I don’t judge you one way or the other for streaming or not streaming. I hope I can get the same level or tolerance in return. 7.) CHECK OUT SOME NEW MUSIC! OUT TODAY Axel Rudi Pell- Ghost Town FFO- Classic Metal, Melodic Metal, AOR The staggering 23rd album from the legendary German guitarist is here, and it’s the classic sound you expect. From the mainstay riffs you expect to the soaring vocals from longtime vocalist Johnny Gioeli, to the standout melodic guitar solos. It’s patented Axel Rudi Pell, and that is the best compliment I can give. It’s the familiar sound we need right now for those who need something to go back to and escape reality. This will help you forget your troubles for all 11 tracks and almost 56 minutes of sound. Sometimes that is all that you need. Evermore- Mournbraid FFO- Power Metal, Melodic Metal The 3rd album from this Swedish Power Metal band is easily the band’s best so far, and that is truly saying something. This is everything that made 90s Power Metal so special and done with enough authenticity to make it their own. You‘ll hear moments of bands like Edguy and Stratovarius, but also bands like Krilloan and Twins Crew that showcase both the past and present in Power Metal and give it their all. The production is off the charts in quality, and the songwriting already feels legendary, and it just came out today. This is pure, unadulterated Power Metal, and I simply can’t sell it better than that. Lost in Hollywood- S/T FFO- Modern Metal The sophomore album from this German Modern Metal band is pure hit or miss for those who normally check out my lists. But I’ve said it before, and I’ll say it again in between all of my Funeral Doom, Post Black, and Progressive Metal reviews; I’m a sucker for a good, catchy song, and every track on the self-titled album is filled with that and so much experimentation going on at the same time to keep things interesting. The production is slick and polished, and the songwriting is insanely inspired, reminding me of bands like Electric Callboy, Elwood Stray, and Our Mirage. Again, proceed with caution if you don’t like Modern Mainstream Metal, for everyone else, give this one a spin; you’ll be in for a great surprise. Mystfall- Embers Of A Dying World FFO- Symphonic Gothic Metal The sophomore album from this Greek band is a true tour de force. Since I covered their debut album, 2/3rds of the band has been changed, and a bit of the sound has changed with it. That is not a bad thing at all, as the Symphonic Gothic Metal that I fell in love with is still here, if not doubled down on, and it feels like an even more confident album. Marialena Trikoglou’s clean and operatic vocals simply shine on this album, and she has fully taken center stage. The music behind her is a whirlwind of everything that makes Symphonic Gothic Metal so great. For anyone who enjoys the likes of Oryad, Glasya, and Belle Morte need to take note, this is going to be one of the best albums of the genre in 2026. Mark my words. Stainless- Lady of Lust & Steel FFO- Speed Metal, Heavy Hard Rock Easily one of the most fun Speed Metal and Heavy Hard Rock albums you are going to hear in 2026. The debut album from this Portland band captures everything that makes Speed Metal, Heavy Metal, and Hard Rock work so well back in the 70s and 80s, but it made it so much more full of lust and sin. The production feels like this was recorded back in 1982, and the musicianship on hand gives it that authentic feeling. This is a pure Sex and Rock and Roll album that covers everything from Judas Priest to Whitesnake to Exciter to Sumerlands, and it’s everything that you want it to be. 8 tracks of pure, sinful Rock and Metal. Who wouldn’t want that? What I Missed Black Reuss- Death FFO- Goth Rock, Gothic Metal, Doom Rock The 4th album in a concept by Maurizio Dottores is an excellent display of making dark music in a dark time. This album truly feels like its album title...death. In such a time of uncertainty, this feels like an excellent soundtrack to the world around us, done in a very Paradise Lost/Host style but done differently enough to not feel like a clone. The production is perfect for the style and the songwriting, it gut-punch after gut-punch. Despite this being the end of this 4-album concept, I hope this isn’t the true end of the project, as I would love to see what else it could tackle in terms of themes and styles, but if it is over after this, what an incredible way to end the journey. If you need your fix of heavy, depressing, Goth and Doom Rock, check this one out. The Duskfall- The Everlasting Shadows FFO- Melodeath The 6th album in 24 years from this Swedish Melodeath band is everything that makes the Swedish Melodeath sound legendary. Everyone shines through the darkness here and makes for some of the best vintage but inspired Melodeath going on today. The production feels like 1996 done in 2026, and it makes it feel timeless. This is easy for anyone who loves At the Gates, Nightrage, Darkane, and obviously Gates of Ishtar. Sometimes you need to hear one of the most underrated Melodeath bands come back in a huge way to remind yourself why you love the genre so much, and that is exactly what is done here. I can’t recommend this one enough. Hieron- From The Temple To The Grave FFO- Meloblack Coming out all the way back in January (you wouldn’t belive how long my catch up list is right now at almost 100 albums I didn’t get to yet), the debut album from this German band is such a truly dark take on the Black Metal genre and it makes for some of the most eerie and sinister sounds of Meloblack you will hear this year. Even with how cold and evil the music sounds, there is just the right amount of melody going on that either makes the music more triumphant or creepy (depending on your tastes). The production is a bit raw, at least in the mix, but it adds so much to the chaos on display, and it leaves you with very little downtime before you get pummeled into the grave once again. If you enjoy the likes of Nullingroots, Starer, and Prison of Mirrors, Hieron is making the Meloblack for you. Oathbound- Colors in Grey FFO- Progressive Metalcore The debut album from this Seattle band hits Progressive Metalcore in a much different light. With this style, you would expect more Djent, but that simply isn’t the case here. It feels like a true mix of 2nd Wave Metalcore and Progressive Metal in a way that I haven’t seen done since Mutiny Within, but much more on the mainstream side. It’s odd to hear moments that remind me of middle-era Soilwork or Symphony X in a sound that is layered in bands as I Prevail, blessthefall, and Fit for a King, but that is going on here, and I’m all for it. I can also sense how people who normally check out my lists will take this one, but I will say that if you have an open mind, you may find something to love here. Musically, I can’t say enough about how much I dig it, and I think that alone will win you over, given the chance. Give it a proper shot. Us and the Void- The Fallen Empire FFO- Melodeath, Cosmic Death Metal, Progressive Death Metal The debut album from this Finnish band is one of the most shocking Melodeath albums I’ve heard in quite some time. It hits this blend of Melodeath, Progressive Death Metal, and Cosmic Death Metal that you simply don’t hear from a lot of bands, and it cascades over you song after song. With a production that hits the spot and songwriting that stretches and snaps back like a rubber band, it's the shot in the arm that melodeath needs every once in a while. It’s an out-of-this-world experience for those who are looking for a mix of Omnium Gatherum, Be’Lakor, Edge of Sanity, and In Mourning. Simply put, do not miss out on this one. It’s more than worthy of your attention. And there you go, folks, another 10 albums done with, now 43 albums done so far in March, and 156 albums done in 2026 so far. I hope you’ve been digging this list so far this year, and make sure to come back next week as we close out the month with Out Today & What I Missed for March 27th, 2026. Until then, this is Josh Rundquist for Heavy Debriefings, saying, Embrace The Skullet! - Josh Rundquist (Heavy Debriefings) 
Hello everyone, and welcome back to Out Today & What I Missed, this time for March 13th, 2026. March has been a killer month for music so far, and it’s not stopping any time soon. Today, we have 16 new albums to cover, with 8 albums out today and 8 that I missed along the way. Since we got so much to get into, let’s get into the rules and the list proper.
1.) Out Today & What I Missed is my weekly Friday recap of Out Today, my reviews of albums I got the promo for, and What I Missed, my reviews of any albums I either didn’t get the promo for and/or discovered on my own. I will try to do this every Friday that I’m capable of doing it, but I will admit, I will probably be taking more 1-week breaks than I ever have before. The music will be on the heavy end of things, but I cover anything from Pop Punk to Goth Rock to Progressive Metal to Funeral Doom to the most Experimental or avant-garde music in the Rock and Metal genres. 2.) My reviews should be treated like teaser trailers for movies or games. They will say the band name, the album, the FFO (For Fans Of) Section, and a short review that is a paragraph or less. Why do I do it like this? I don’t want the first time experience with a band to be ruined by my thoughts going into every single detail. I want to show off why you should check something out. Every review is subjective, no matter how anyone wants to spin it. Your thoughts won’t be mine, but I want to show you the option of what’s out there. 3.) NO NEGATIVE REVIEWS! We live in a terrible enough place as it is; I don’t want to add to the trash heap. If I don’t cover something, it is because I haven’t heard of it, and I will most likely go check it out; it's not out yet, I didn’t have time or energy to cover it in the current week, or it’s not my bag...baby. There’s no place for me to yuck on someone’s yum. That said, all my thoughts are mine and mine alone. No Label, PR, Band, or Friendship will make me pick something to positively review. I have to like it and listen to it at least one time through. That will never change. 4.) I will be doing fewer reviews this year, as doing 1,021 reviews last year broke me. That’s not to say I won’t still do up to 20 reviews in a week, just don’t expect that to be the norm week after week. If I only have promos, time, and energy for 15, 10, and 5 reviews in a week, that’s just how it will be. It’s a one-man operation, and the operation needs to think about longevity, not being prolific. All of this leads to Heavy Debriefings' Top 100 Albums of 2026, which will happen at the end of the year. 5.) If I find out after I review an album that an artist, band, or members of said band are garbage people, go against what I find to be even the lowest level of human decency, or use AI for their music, I will remove my review no questions asked. Does that apply to AI art? I don’t know how to answer that; it’ll be on a case-by-case basis. Either I will ignore the album completely, or I will mention how much I hate that they used AI before talking about the rest. I will see what happens. 6.) For another controversial take, I use Spotify to make a playlist every week of coverage with a track off every album to make it easier for people to check out some new music. Is Spotify a good company? No. Is any streaming company in North America good? No. You either avoid all of it or pick your poison, as all of them do terrible things and hurt everyone, and it’s also a necessary evil in today’s world if you want to make any kind of impact. I don’t judge you one way or the other for streaming or not streaming. I hope I can get the same level or tolerance in return. 7.) CHECK OUT SOME NEW MUSIC! OUT TODAY Alkhemia- HÄXEN FFO- Black Metal After covering their debut album back in 2024, this French Black metal band returns with their sophomore album, and astoundingly, they have vastly improved from an already tremendous sound. Everything from this machine has improved, from the excellent songwriting to the spot-on production that is the perfect balance of raw and clean, to the musicianship just feeling tighter and right where the music should be. If you need an album that is going to channel your love for Gaerea, MGLA, Naglfar, and Der Weg einer Freiheit, make sure you do not miss out on this one. Deadvoid Inc.- Chapters FFO- Melodeath The debut album from this Finnish Melodeath band channels everything you love about that early 90s-mid 2000s sound. You can hear the godfathers of this sound with At the Gates, In Flames, Dark Tranquillity, etc but you will also hear moments of more classical elements like Children of Bodom or pure melody that you hear in a lot of Amorphis albums, and even closer to Metalcore moments like in Heaven Shall Burn. The production feels like pure 2002 in the best of ways, and the songwriting is endlessly catchy between all 8 songs on display. If you love that classic Melodeath sound but want it mixed in just enough with more 21st-century sounds, Deadvoid Inc. is the band for you. Messticator- Total Mastery FFO- Death Metal, Thrash Metal The sophomore album from this German Death Thrash band feels like a nostalgia trip, but modernized just enough to not sound like a clone in any way. It hits on the best elements of the genre and adds just the right amount of melodic punch when needed to stand out among the rest. The production absolutely pounds, making these already great songs sound even better. The songwriting is inspired, and you can feel the true love of Death Thrash going on for all 11 tracks without one second wasted. This is for anyone who loves The Haunted, At The Gates, and New World Depression. When you put this on, I can’t imagine you will be disappointed. Monosphere- Amnesia FFO- Progressive Post Metal 3 albums into this German band’s career, and the press release was not lying. This is easily the band’s most ambitious album to date and one of the most ambitious albums I’ve heard in Progressive Post Metal in a very long time. Combining the crushing riffs of Post Metal in the vein of Cult of Luna and The Ocean with the progressive tendencies of The Contortionist, and especially Between The Buried and Me, you have an album that can turn on a dime and hold your attention for every twist. The production on this one is stellar and lets everyone shine with the songwriting, breathing fresh air into both genres represented, but still gives you a familiar feeling. This is a mind-blowing release that goes into the most heartfelt and devastating emotions that one can feel. This is a must-listen for any Progressive Post Metal fan. Monstrosity- Screams from Beneath the Surface FFO- Death Metal The legendary Floridian Death metal band is back with their 7th album, and it crushes everything in its path. Always known for being a pioneering name in the Florida Death Metal scene, the band continues doing what they do best, creating killer riffs with just the right amount of melody to stand out among their peers. Also, hearing Ed Webb, formerly of Massacre, doing his debut vocals on this album simply slays and adds even more to the band’s sound. If you want to hear the best elements of bands like Cannibal Corpse, Death, Malevolent Creation, and Deicide, you NEED the latest from Monstrosity. Ravenspell- Obsidian King FFO- Heavy Metal, Speed Metal The debut album from 3/5th of the Québec Black Metal band, Beholder, is showing off another new form in Ravenspell. This is the band’s take on the Heavy Metal and Speed Metal sounds of yesteryear, and they nailed it perfectly. This 10-track, 40-minute pummeling comes in the form of the veins of Iron Maiden, Night Demon, Visigoth, and Cloven Hoof, making everything feel just sinister enough, but never losing the tightness that makes the genre work. The production is pure 80s in the best of ways, and it matched up with outstanding musicianship and plenty of headbanging moments. While we are in no shortage of the vintage Metal sound, Ravenspell proves that the lifeblood of the genre is unalive and can never die. If you need the classic tones, check this out immediately. Vicious Rain- The Anatomy Of Surviving FFO- Alternative Metalcore The sophomore album from this Swiss band is just the right kind of mainstream meets heavy sound that suckers me in every time, and there is no shame in that. For every breakdown, there is a melodic chorus that is undeniably catchy and will get stuck in your head for days on end. The band knows how to explore almost every major heavy genre of the last 30 years and finds a way to make it palatable for everyone interested. There are as many modern sounds as there are late 90s love, and none of it feels contrived or forced. For anyone who digs Elwood Stray, Heart of a Coward, Awake the Dreamer, and Space of Variations, check out Vicious Rain. Wolfbastard- Satanic Scum Punks FFO- Blackened Crust Punk It’s been a while since I’ve come across some pure Blackened Crust Punk, and I finally have some in the form of the 4th album from this UK band, and they truly live up to the album title. This feels like it was made by a bunch of Satanic Scum Punks, and I mean that as a complete compliment. 11 songs and almost 29 and a half minutes of grimy, slimy, crusty music with the best elements of Black Metal and Punk to make for a fast, thrilling ride that is over before you know it. If you want that Midnight, Discharge, Venom, and Motorhead sound, Wolfbastard has it nailed down, and I wouldn’t want it to sound any other way. What I Missed Blackwater Drowning- Obscure Sorrows FFO- Melodeath, Metalcore The sophomore album from this North Carolina band doubles down on everything that made their debut album killer and explores what is possible in their sound. Feeling like the perfect mix of American Melodeath and Metalcore, the band hits some of their darkest and most intense moments so far while still finding the right melodies and harmonies to tie everything together. You can hear everything from the Agonist to Volcandra to Arch Enemy to The Black Dahlia Murder, all rolled into one dark, but captivating package. Blackwater Drowning knows what works, and they are showcasing it to the best of their ability. If this is even faintly intriguing to you, give this one a proper spin. Distorted Reflection- Doom Zone FFO- Epic Doom Metal The sophomore album from this Greek Epic Doom metal band more than lives up to the album title, as it feels like you are put dead center in the doom zone. While the production is more on the raw side, the songwriting, musicianship, and pure atmosphere make this a Doom album that should not be missed. It hits everything that you would want from bands like Manilla Road, Crypt Sermon, Beholder, and Sorcerer, and still finds a way to make it uniquely their own. This is an 11-track, almost 39-minute exploration of the heaviest and most captivating aspects of the Epic Doom Metal sound, and it only gets better with every listen. If you need that classic sound, give Distorted Reflection your proper attention. Final Gasp- New Day Symptoms FFO- Gothic Metal, Death Rock The sophomore album from this Boston band is my first taste of their blend of Gothic Metal and Death Rock, and all I want is more. This hits both genres perfectly and gets more and more satisfying with every listen. At 10 songs and almost 32 minutes long, it doesn’t wear out its welcome in the slightest and uses every recorded second to its advantage. Imagine a mix of Unto Others, Tribulation, Ancient VVisdom, and In Solitude, and you have what this band does and leaves room for so much more. There’s not much else I could say to sell you on this one. No matter your type of Goth love, you will LOVE what Final Gasp brings to the table, and like me, all you will want is more. Godoviir- Artificial Dream FFO- Progressive Metal The debut album from Igor Kundović is quite the Prog Metal experience. Hitting so much of what I love about bands like Riverside, Opeth, Gojira, and Amorphis while having such a huge influence from Devin Townsend (which you can hear in Vladimir Lalić’s vocal delivery), and it just makes anyone who grew up on 2000s-2010s Progressive Metal nod their head in agreement. Between the excellent musicianship and songwriting, the production is right where it should be, and no matter how heavy, melodic, or experimental things go, it is always done in a way that’s palatable and makes you wanna listen time and time again. Do not let this one slip by if you are a 21st-century Prog Metal fan; this has everything you could want and so much more. Grace Death- Tender Skin FFO- Goth Rock, Gothic Metal, Occult Rock I don’t have a better way to put it, this is one of the sexiest Gothic albums I have ever heard. The debut album from this Belgian duo puts in the best elements of Goth, Rock, Metal, Occult, and other tantalizing moments that are meant to lure you in before they go in for the kill. Hearing everything from the 2000s Finnish Gothic Metal scene, Katatonia, Killing Joke, and Sisters of Mercy is quite the combination, and it simply works. The production lets every recorded element shine, and at no point does it lose focus throughout all 10 songs and almost 43 minutes. I don’t know a better way to put this one; it’s a hot album. Machinae Supremacy- S/T FFO- Alternative Metal, Power Metal, Chiptune A breath of fresh air that I didn’t know I needed comes in the form of the 10th album from this Swedish band. It’s also my first foray into the band, and that is quite surprising considering their debut album came out in 2004, but I digress. Pronounced Machine Supremacy, this is a mix of the catchiest Alternative Metal, Power Metal-esque moments, and the occasional video game Chiptune/Nintendocore element that makes you feel like you are in an 80s Retro-future soundtrack at an arcade. While sounding like such an oddball mix on paper, the execution couldn’t be more authentic, and it just puts a smile on my face every time I check it out. If you are of a certain time period and you loved arcade culture, this will put a smile on your face from beginning to end. If you dig bands like Cyhra, Soilwork, Sonata Arctica, and In Flames, this is a band that is more than worthy of your attention. Miserere Luminis- Sidera FFO- Atmospheric Black Metal, Post Black One of the most intense Atmospheric Black Metal albums I’ve heard so far this year, and that’s going to be hard to top. Imagine the Atmospheric Black Metal sound but with modern production rather than as raw as possible, and that’s what you get here. It hits the nail on the head for the genre, but they leave so much room for experimentation and genre-bending that no matter your love of Black Metal subgenres, there is something here for you to love. Hitting everything from Alcest to Gaerea to Harakiri for the Sky to the Black Metal side of Deha, this is a band that will mesmerize you with their proficiency and win you over with their songwriting and musicianship. Seriously, if most Atmospheric Black Metal is too raw for your taste, you need to give this a proper listen, as I think it may just win you over for the whole genre. It’s just that good. Rosa Faenskap- Ingenting Forblir FFO- Anti-Fascist, Pro-LGBTQ+ Black Metal The sophomore album from this innovative Norwegian Black Metal band is, in their words, a love letter and a declaration of war against everything Black Metal. Since the genre has been known for so much hatred over the decades, it always makes me happy when I can find a band that can turn the genre on its head and make the gatekeepers, bigots, and squares vomit in rage. Somehow sounding like a mix of Mayhem, Converge, and Deafheaven, this is a band that is not afraid to make the music they want to make and stand up for what they believe in. Even if the album sounded atrocious, I would have covered it for that reason alone, but this album is a spectacular display of how to still innovate Black Metal to this day. It’s just raw enough, but it’s more than made up for by its intensity. While I know this won’t be for everyone, whether it is too raw or experimental or you’re just not into Black Metal, if you hate this album for what it stands for, you’re why this album exists. We need more of this in every genre of music. If you’re so inclined, check this one out. And there you go, folks, another 16 albums done for this week, leaving 33 albums done so far this month and 146 done for 2026 so far. Next week will be a short one as I’m hoping to FINALLY get my broken tooth pulled after so many painful weeks, but I got 10 albums for next week done, so make sure you don’t miss Out Today & What I Missed for March 20th, 2026. Until then, for Heavy Debriefings, this is Josh Rundquist saying, Embrace The Skullet! - Josh Rundquist (Heavy Debriefings) 
Hey everybody, and welcome back to another edition of Out Today & What I Missed, this time for March 6th, 2026. This week, we have 17 albums to cover from all over the heavy landscape, with 8 albums out today and 9 that I missed along the way. I’ll keep this one short so we can get into the rules and the list proper.
Gravemass- This is the Way FFO- Blackened Death Metal The debut album from this influential lineup featuring past and present members of Zimmer’s Hole, Revocation, Tenet, and Just Cause is just as heavy and brutal as you imagine it to be. The riffs hit in such an impactful way, blending the Blackened Death Metal, Thrash, and of course the subtle but noticeable nods to Zimmer’s Hole and Strapping Young Lad all over the place. The production on this one packs a punch but still feels human, which is needed with songwriting like that that just feels sinister in all of the right ways. Gravemass is the kind of band that you spin to forget your troubles, as it just sucks you in for all 10 tracks and almost 30 minutes of length, then you will instantly start it over. We need something like that now more than ever. Legionary- Never-Ending Quest for Purpose FFO- Death Thrash, Melodic Metal Another short and sweet one here with the 3rd album and first in 12 years from this Bronx outfit. 5 songs, a half hour long, but not a second is wasted. The production hits you hard, and the songwriting on top hits you even harder. Between this duo, the band also gets Chris Clancy of Mutiny Within to contribute vocals on the entire album. It hits the best of the more aggressive side of Thrash and occasionally Death Metal, but it is also all layered with so much melody and harmony on top, balancing everything out in a way that just sounds satisfying from beginning to end. If this sounds like a combination for you, I assure you that it is. Give it a proper listen. Lost Society- Hell Is A State Of Mind FFO- Modern Metal Finland’s Lost Society is back with their 6th album, and I dare say it’s their biggest departure from their original sound yet. They originally were a straight-up thrash band, but with every subsequent album, the band has further explored what is possible with their sound, and it has evolved into a more Modern Metal, Groove Metal, and Metalcore mixture. It definitely won’t be for everyone who checks out my lists, but it is for those who want more conventional and mainstream Metal to be MUCH more unconventional and experimental. Imagine if Avenged Sevenfold’s Life is But A Dream was more comprehensible and a little Murderdolls/Wednesday 13 at different moments, and I think you’ll get the idea. This is pushing the Modern Metal sound into different territories, and that can only be a good thing. Mega Colossus- Watch Out! FFO- Heavy Metal Just a little over 2 years since their last album, this North Carolina band is back with their 5th album, and it is arguably their best. Combining what has always worked the best within their sound and still pushing the boundaries just enough, and of course, their lyrical references make this an album that is simply fun for all 7 tracks and 44 minutes in length. This is also one of the more expanded albums in the band’s catalog, not in number of songs, but in song lengths, as they are some of the longest in the band’s history, letting the songs tell their story to the best of their ability, but not overly drawn out. Mix all of that in with production that matches both modern and vintage techniques perfectly, and this is exactly what the Revival Metal sound calls for time and time again. There is an argument that this will be the best album of this style in 2026, and I’m eager to see if anyone can top this one for the rest of the year. Nefastis- Shadows At The Light Of Dawn FFO- Symphonic Melodeath The sophomore album and first in 12 years from this Italian band is a welcome change in sound for 2026. Combining Melodeath, Symphonic Metal, Thrash Metal, and straight up Death Metal into a very catchy and groove-laden mix is not an easy thing to do, and not make it sound like a hodgepodge of sound, but the band makes their vision quite striking and sophisticated. The production is more on the raw side, but nothing distracting, and the songwriting is the real feast of the album, hearing all the changes and how they interconnect. If you want a band that can channel Children of Bodom, Wintersun, and Fleshgod Apocalypse, see what Nefastis can offer you. Tardigrade Inferno- Hush FFO- Dark Cabaret Metal, Progressive Metal The 3rd album from this left-of-center band is such an intriguing mix of Dark Cabaret music mixed in with Progressive Metal and oddball moments that balance out the catchiness and the absurdity. The production on this one is insane and truly catches the nuances needed for a sound like this to pay off. There is no easy way to mix a sound that can remind you of Devin Townsend, Stolen Babies, UneXpect, and Diablo Swing Orchestra, but that is what you get here, and so much. What I wouldn’t give for Tardigrade Inferno and Stolen Babies to go on tour one day. But overall, this is the kind of album that is quirky, but matches it with musical proficiency. If you dig this style, you will love Hush by Tardigrade Inferno. Temple of Void- The Crawl FFO- Death Doom The 5th album from Detroit’s heaviest Death Doom band is another sign that the band continues to refine and improve with every release. So many people discovered the band from their 2022 release, Summoning the Slayer, but the band has taken that sound and mixed it in more for what feels right in 2026 with The Crawl. This is a punishing album from start to finish, never truly letting up, though giving you the occasional moment to breathe before crushing you all over again. Of course, you need a production style to match the songwriting to make these songs truly work, and that is done here flawlessly. While I know Death Doom isn’t everyone’s bag due to the slow tempos, Temple of Void does mess with the tempos quite a bit on this one, and it doesn't feel like one big dirge. It’s 7 distinct songs, almost 42 minutes in length, and it only gets more rewarding the more you listen to it. If you enjoy anything from Hooded Menace to Nightmarer to Woe to Evoken. Temple of Void has something for you. Vreid- The Skies Turn Black FFO- Meloblack The 10th album from the almighty Vried is one of the most diverse albums in the Norwegian band’s discography. For every song that reminds you of their signature blend of Meloblack, there is a song that is completely shocking in comparison. Sometimes it can be a film score motif, sometimes it can be an Industrial Goth Rock featuring Party Boy in the video. Overall, it’s an album that is not for the faint of heart, and it’s great to see a band that has been rolling for 22 years still finding new ways to go about songwriting and showing that there is no lack of inspiration. This album just gets more addictive the more you listen to it. While I know this one may not be for every Vreid fan, this is for those who want to see that creative justice flow for the modern day, and that is a wonderful thing to see. What I Missed Atlas- Sunder FFO- Modern Metalcore, Progressive Metal, Melodic Doom The 3rd album from this Finnish Northcore band combines elements of Orbit Culture, Gojira, HIM, and Katatonia, which feels like such an odd thing to say on paper, but if you listen, you can hear all of those elements and more. Of course, the music is fully layered in the more Modern Metalcore sound, but it’s those odd mixes of Progressive Metal, Gothic Metal, and Melodic Doom that make the music stand out from the 2020s Modern Metalcore sound. The clean vocals are absolutely haunting, and the harsher vocals tear right into you. At 8 songs and almost 29 minutes in length, this is an album that doesn’t waste a second and goes right in for the kill at every possible chance. For anyone who ignores Metalcore simply by association is truly missing out on Sunder by Atlas. This is a magnificent piece of Metal. Domhain- In Perfect Stillness FFO- Post Black, Shoegaze The debut album from this UK band hits everything that I love about the combination of Post Black and Shoegaze. It knows how to balance out the most harsh and beautiful moments in perfect harmony, all while creating such a dark and captivating atmosphere. Of course, you need that just raw enough production style to make this style work to its full effect, and they take full advantage of the tones they have created. This makes the most of its 5 tracks and 35-minute track length to create a sound that should make anyone who enjoys the likes of Alcest, Agalloch, Saor, and even Woods of Ypres very happy. In comparison to a lot of albums in this style, it is a short and sweet affair, but it’s sure to have a lasting effect for years to come. Do not miss out on this one. Ennui- Qroba FFO- Funeral Doom For anyone who has known me over these past almost 15 years, you know that Doom is one of my favorite genres, and when the right kind of Funeral Doom comes across me, I fall in love with it. That’s what happens here with the 5th album from this Funeral Doom band out of the country of Georgia. It simply hits everything I expect out of the genre: the dark, depressing dread, the slow tempos where every single note matters, and the lyrical content that this genre is built on. The production is a little raw, but not overbearing, and on the right sound system, it’s going to sound huge. This is easily for anyone who enjoys the likes of Hellight, Mesmur, and Evoken. What's a better time to check out some of the most depressing music in the world than our current state of affairs? It feels so depressingly accurate. Ethereal Treason- All Is Vanity FFO- Modern Metalcore, Alternative Metal The 3rd album in 2 years from this unidentified band, which is listed simply as Animus. This is a band that feels like it is going off bands such as Dayseeker and the dreaded Sleep Token at times, but there is enough of a difference. The music stays dark the entire time and knows when to transition from more alternative moments to poppier elements to crushing riffs. It’s the kind of album that, despite the subject matter, I can put on and relax and still get that heaviness factor thrown in for good measure. While I would proceed with caution on this one if you are very up in arms with current mainstream heavy trends, for everyone else, this is more than worth your time, as it explores so much of what is possible with this music and still gives you what you want on the heavy side. That’s all I need to be happy. Evig Natt- Vaketimen FFO- Gothic Death Doom The 4th album and first in a decade from this Norwegian band is hitting that Gothic Death Doom itch that I always need scratched. It’s everything that I love about the genre and gives additional gut punches for good measure. Mixing the Male growls with the Female cleans is always a winning formula for me, and this is no exception. And when you mix that into a sound that hits so much of what I love about bands like Draconian, Trail of Tears, and early day Sirenia, it just makes my dark soul so happy. Also, the production on this one is top-notch, which is not always common in this style. Overall, Gothic Death Doom is one of those genres that you either love or hate, but I’ve always been in love with it, and this is a shining example in the darkness as to the power, intensity, and emotional strength it takes to make music like this. Spectacular work. Gladenfold- Soulbound FFO- Melodeath, Power Metal The 4th album from one of the very best bands in the Melodeath/Power Metal genre is back after 4 agonizing years to create what could be heralded as their best work to date. This meshes the heaviest extremes with the Power Metal melodies and harmonies perfectly, and neither side feels like it is fighting for presence. With excellent production and every single riff feeling like it matters and has purpose, this is the kind of album that I put on and remember why I love both genres so much and appreciate it so much when a band can pull off both and never sound forced. While I completely understand if you hate one style, this will not be for you; this is for those who can appreciate what is on display, and it only gets better as time rolls on. If you love Wintersun, Kamelot, Children of Bodom, and Brymir, you absolutely NEED Gladenfold. Good Tiger- The Most Negative Day of the Year FFO- Progressive Metal, Alternative Metal The 4th album from this international band featuring past and present members of TesseracT, The Safety Fire, and The Faceless (and drums performed by Matt Halpern of Periphery before Alex Rudinger joined the band), is a tour de force of what Progressive and Alternative Metal is all about. Despite the background of many members of the band, there are no screams, growls, or anything extreme about this album. It is all about the music at hand, making it as melodic and catchy as possible within a prog aspect, while still having some left-of-center moments that are sure to make you turn your head. The production on this one is insane, along with the musicality on display. The music itself can go from ethereal to beautiful to downright heavy when called for, and it never feels like it is repeating itself. If you enjoy the likes of Skyharbor, Circa Survive, and The Safety Fire, Good Tiger has returned with an incredible album in their style. Rozario- Northern Crusaders FFO- Heavy metal, Power Metal The sophomore album from this Norwegian band is a tried and true take on the Heavy Metal/Power Metal variety. While using the Power Metal aspect is more of a flavoring, this is a pure Heavy Metal album through and through, hitting so much of what you’d expect from that classic sound, but updated just enough for effect. The production has a modern vintage feel to it; the drums in particular remind me of the 80s Def Leppard, and the songwriting should be right at home for anyone who likes more contemporary takes, such as Temple Balls, Black Swan, and Starzager (all of whom I have reviewed in recent times). The classic sound of Heavy Metal is alive and well. Check out Rozario and see for yourself. Speglas- Endarkenment, Being & Death FFO- Death Metal, Black Metal, Heavy Metal The debut album from this Swedish powerhouse hits a style that is meant for anyone who enjoys the left-of-center elements of bands like Tribulation, Chapel of Disease, and Floating. While it is a Death Metal album through and through, the elements of Black Metal, Heavy Metal, and other left-of-center moments are what make this album stand out among the rest. I love it when a band can play what they want to play and don’t feel like they have to be put into a box because of the normal style of a genre. Every song on here has its own texture and somehow stands out and fits together with everything else on the album. The production reminds me a lot of the 2nd era of Tribulation, which is a sheer delight, and the songwriting feels infinitely inspired. This is an album that feels real, and it goes for the jugular. If you need that in your life, check this one out and be prepared for what they do in the future. And there you go, folks, another 17 albums down for March 2026 so far, and 130 down in 2026 so far. So, did you find anything you might enjoy? Anything I missed out on? Please let me know, and make sure to come back next Friday as we tackle Out Today & What I Missed for March 14th, 2026. Until then, this is Josh Rundquist saying, Embrace The Skullet. - Josh Rundquist (Heavy Debriefings) 
Hey everybody and welcome back to my monthly recap of every album I reviewed. This time, of course, is February 2026. We have 63 albums this month and if you missed January's recap, I am doing things differently, but simpler. It's all in alphabetical order. SO I hope you find something that you will enjoy and make sure to come back Friday for Out Today & What I Missed for March 6th, 2026. Until then, this is Josh Rundquist saying, Embrace the Skullet!
- Josh Rundquist (Heavy Debriefings) Abstracted- Hiraeth FFO- Extreme Progressive Metal The sophomore album from this Brazilian band is quite the Progressive experience. While you can hear so much from bands like Meshuggah and Textures, you can hear bands like Between the Buried and Me, Opeth, and Scar Symmetry. The band has leveled up on this release, only getting stronger and showcasing their best songwriting and musicianship to date. The production is a bit raw for today’s age, but it also makes it feel more human at the same time. For anyone who wants that mid-2000s Progressive Death Metal sound, Abstracted is bringing that with a 2026 flair, and it shines. Aeon Gods- Reborn to Light FFO- Symphonic Power Metal The sophomore album from this German band brings back the greatness that is Symphonic Power Metal. Depending on who you ask, everyone has their favorite kind of Symphonic Power Metal, from the all guns blazing speed or the crushing riffs, to crowd-chanting choruses or the theatrical symphonics taking the emphasis. Aeon Gods asks, why not all of that and more? This is a perfect crash course of the genre while still putting their own signature on the sound. Add a crystal clear production style to the mix, and you have one of the best Symphonic Power Metal albums of the year, and it will take so much to try and top this one. If you want your kick of Powerwolf, Hammer King, and Battle Born, check out Aeon Gods in all their glory. Aftoktonia- Through Nebulae of the Empyrean Aether FFO- Atmospheric Black Metal, Ambient Black Metal The 3rd album in 4 months from this already prolific Norwegian one-man band is some magnificently made Black Metal that burns the soul. There are flares of mystical moments that remind me of a band like Labyrinthus Stellarum while still hitting a 2nd and 3rd Wave Black Metal edge, while hinting so closely to the DSBM side of things. Every release so far is either 4 songs a piece or one song separated into 4 movements, and this is no exception. It’s a long trip at almost 52 and a half minutes between 4 tracks, but if you enjoy a soundscape of hellish proportions, this is more than worthy of the experience. It feels cold, dark, barren, and oddly soothing all at once. If you don’t like long form Black metal, this will not be for you; for everyone else, this should be a mandatory listen. Agenbite Misery- Remorse of Conscience FFO- Experimental Blackened Sludge A very left-of-center debut comes into form from this New Hampshire band. A mix of Atmospheric Black Metal, Sludgy Doom Metal, and Avant-Garde twists and turns that will make you turn your head. The production on this one is raw, but not unlistenable, as everything does come through the mix. The songwriting explores so much in sound, reminding me of the sludgy side of a band like Primitive Man, the Blackened side of a band like the Minnesota band Suffering Hour, and moments of the Blut Aus Nord and Imperial Triumphant varieties. If you like your music to take you on an adventure you won’t see coming, you will find it within this debut from Agenbite Misery. All The Damn Vampires- Vicecore FFO- Dark Synthwave, Alternative Metal, AOR I am a bit torn on covering this one as 5 of the 12 tracks are covers, so it is close to being a re-imagined covers, but the music is so good on this one that I do not want to skip this one. The debut album from Davey Oberlin fuses Synthwave, Alternative Metal, AOR, and a cinematic landscape to create an album that feels like an 80s album made with a haunting sense of 2026. Imagine if someone made an episode of Miami Vice based on The Lost Boys or the band Magic Dance, taking a bit more Modern Metal influence, and you have Vicecore. The original tracks have a nostalgic flair, while the covers from artists like Phil Collins, Whitesnake, Cutting Crew, Benny Mardones, and Martika have the influences on point but updated just enough to make them all darker than the original intent. Overall, this is an album that hits hard on the throwbacks, but sinister enough to feel like the soundtrack to a movie that hasn’t been made yet, which would be really cool to be written one day. If you want a modern throwback, give All The Damn Vampires a shot; you just might get the trip as well. Among Wolves- Reflections of the End FFO- Progressive Melodeath The debut album from this Utah band combines so much of what I love into one sound. You will hear Progressive, Melodeath, Metalcore, Power, Thrash, and so much more rolled into one package that is not afraid to explore its sound and snap back into its core sound. No two tracks sound alike on this 10-track, hour-long endeavor. It may be a lot for some, but if you like your music adventurous and filled with authenticity, Among Wolves is a band that will be on the cusp of launching into the stratosphere if everything works out in the right ways. And with a sound like this, they deserve that and then some. AmongRuins- Advent of Chaos FFO- Melodeath I discovered this band with their previous album, Land of the Black Sun, back in 2023, and in such a short time, the band has found a way to improve even stronger and has recorded what may end up being one of the best Melodeath albums of 2026. The music is equal parts heavy and melodic, knowing when to switch things up without going too far into either direction. Mixed in with a production style that simply fits the tone of the music and a lyrical sense that feels so appropriate in 2026. If you enjoy the likes of Nightrage, Primalfrost, Wolfheart, and Godark, you NEED AmongRuins in your life. Ashbringer- Subglacial FFO- Post Black Metal The 5th album from this Minnesota band (actually, just one town over from me) is the band expanding upon their blend of False Black Metal. The band has always been known for pushing the boundaries with Progressive, Post, Folk, Blackgaze, and more into their Black Metal sound, and I’ve loved it since day one. With Subglacial, it feels like the band is going back into the harsher sounds they started with in the beginning, but not losing anything they’ve learned along the way. The production will be hit or miss for some people as it is quite raw, but every instrument is clear, and the songwriting is what is worth your attention. It feels like it brings everything I love about Agalloch, Amiensus, Together to the Stars, and Panopticon into one place, but done with a Southern Twin Cities Metro charm. I can’t say it enough, Minnesota has a phenomenal Black Metal scene here, and Ashbringer, while exploring so much more than its core sound, is an excellent example of it. I dare say this is their best album to date. Check it out for yourself. Assignment- With The End Comes Silence FFO- Progressive Power Metal The long-running German Progressive Power Metal band returns with their 6th album in 23 years. It’s been quite the 6 years since their previous album, but the band has taken that time to refine everything that works about the band and hone in on the catchiest elements to create an album that is filled with the technical ability, soaring vocals, and gorgeous melodic solos that make the band stand out. The production on this one strikes hard, and it has to be that way to match the quality of the music. If you need your fix of bands like Symphony X, Evermore, Timeless Fairytale, and Chaos Frame, Assignment is doing the Progressive Power Metal genre proud. Before I Turn- Immoral and Malevolent Happenings FFO- Progressive Metalcore, Deathcore, Post Hardcore 5 albums into this New England band’s career, and they have made one of the most haunting and horror-infused Metalcore albums I’ve ever heard. Dripping in atmosphere, punishing in its riffs and breakdowns, and just the right amount of cleans to make the music feel even more tragic, this is the kind of album that feels like a film score when you close your eyes and fills you with dread with every passing second. You don’t often get this kind of theme when the music feels like a sense of Currents, The Contortionist, Periphery, Shadow of Intent, and the horror soundtracks of Danny Elfman. I can’t guarantee everyone will like this, but if the idea of this intrigues you in the slightest, you need to see what this band is all about and what will surely come in the future. Who knew that saving the Progressive Metalcore and Deathcore styles would simply be honing in on the true horror it can represent? Beheading Samsara- Black Cloud Masses FFO- Progressive Melodeath Sometimes a band will put out a 6-track album that is barely a half hour long, has an In Flames cover at the end, but those first 5 tracks hit you so ridiculously hard that you are left stunned every time you listen to it. That is what happens to me every time I put on the sophomore album from this Spanish band that has clearly put their thoughts, hearts, and souls into the music they are creating, and it has worked triumphantly. I should note that every original song on here is from the band’s very first demo back in 2018, but they have been reworked and re-recorded as a full album (according to Metallum), so I’m counting it as a demo is not an album. This is spectacular work that truly hits the 2026 definition of Progressive Melodeath. If you want a mix of bands like Persefone, early day In Flames, Opeth, and Rivers of Nihil, do yourself a favor and check out Beheading Samsara. I can’t wait to see what they do next. Bizarrekult- Alt som finnes FFO- Post Black Metal This is the Post Black album I have been waiting for this year. This hits everything that I love about the genre on the darkest ends and does not let up for 8 tracks and almost 43 minutes. The production on this one is stellar for the genre, and the songwriting hits everything from depressing to tear-jerking in the best of ways. This Siberian-turned Norwegian band’s 3rd album is an absolute triumph of how the Post Black genre works. For anyone who enjoys latter-day Enslaved, Dødheimsgard, and Der Weg Einer Freiheit, check out Bizarrekult immediately. You don’t want to miss this one. Black Swan- Paralyzed FFO- Classic Metal, Hard Rock 3 albums into this powerhouse of a group featuring past and present members of MSG, Winger, Foreigner, and Mr. Big is the late 70s-early 90s Hard Rock and Metal sound personified. The key difference is that with pulling off that music in 2026, you are doing it for the pure love of the music, and that is showcased here throughout all 11 tracks. With a fantastic production style, it lets the songs shine, whether they are more heavy riff-oriented or more subdued. Without question, this is the band’s best material to date, and there are no signs of slowing down. I’m so thankful for bands like Black Swan that showcase the best elements of this sound and still find a way to make it relevant and rewarding in the modern day. This is why Rock and Metal will never die. Bloodred- Colours Of Pain FFO- Blackened Death Metal The 4th album from this German Blackened Death Metal band is a visceral display of blending the genres and creating a dark and realistic look at life. Just from the album title alone, you can tell this is a personal album that hits the pain of the current world and dealing with it on an individual level. The music more than matches up to it, as well as no two songs sound alike, and they all feel like they explore something just a little different while being connected. All 8 tracks and 43 minutes of this album hit on so many levels, and if you like your Blackened Death Metal on the Melodeath/Viking/Early Day Amon Amarth side, Bloodred is for you. Cold Communion- Monuments to Ruin FFO- Melodic Death Doom Barre Gambling of Daylight Dies and Tim Rowland of Silent Vigil have joined forces for one of the best Melodic Death Doom albums of the year. Combining everything that makes the genre work, from the tear-jerking riffs to the pain-driven vocals and lyrics, to the overall atmosphere that makes your heart wrench time and time again. It’s all matched up with stellar production that drives the sorrow-driven power home and makes you remember why bands like Woods of Ypres, Opeth, Novembers Doom, and Rapture will always be in people’s hearts. I can’t sell this one much better than that. This is THE Melodic Death Doom album of the year for me, and it’s going to take a colossal album for it to knock it down. This is a masterclass of the genre in every conceivable way. Converge- Love Is Not Enough FFO- 1st Wave Metalcore, Mathcore, Hardcore Punk I’ll keep this one as short and sweet as the album is. 10 tracks, barely 31 minutes long, and it’s pure Converge through and through. The first half of the album focuses on the most intense elements of the band, and the 2nd half sees the band explore more of their sound, yet somehow the entire album is consistent and is over before you even realize it. In fact, this is the shortest album from the band to date. It’s a crash course of the band from the earliest sounds to their most left-of-center and everything in between. If you ever wondered how 1st Wave Metalcore, Mathcore, Hardcore Punk, and Experimental sounds all mixed together, and you have never heard Converge, let this be your first taste. Crystal Sun- The Trace You Left FFO- Death Metal The first and final album featuring Ale Moz, who started off the project as a studio project that became a tribute to him, with everyone who joined the band guesting on the album, and his legacy with the money for the album going towards Cancer research. The music is layered in Death Metal, but there are so many moments of Thrash, Melodeath, NWOBHM, and more to make this so much bigger than simply a Death Metal album. With so many guest appearances that I can’t list them all here, it helps make this album even more varied and even more of a thrill ride from beginning to end. This is an incredible tribute to the legacy Ale Moz left on his peers and the scene he was a part of, all while showing the rest of the world what he was capable of until his last recorded moments. Will this be the only album from Crystal Sun? I hope not, as I think it would be so cool to see where else this project could go in the future while praising its creator, but even if this is it, this is an album that won’t easily be forgotten and is sure to leave a lasting impression on you. May we find an end to cancer one day? Cryptic Shift- Overspace & Supertime FFO- Technical Death Thrash The sophomore album from this UK outfit featuring 3/5ths of Slimelord is the kind of 90s Progressive Death Metal meets 2000s Tech Death that I didn’t know I needed till now. Feeling like equal parts Atheist, Necrophagist, and Blood Incantation, Cryptic Shift is applying the past and present into a package that is not for the faint of heart. The production is pure 90s with an Unquestionable Presence vibe that I will never get sick of hearing, and songwriting that is quite the trek as well. The shortest song is almost 9 and a half minutes, and the longest is almost half an hour long, so it will not be for everyone, but for those who love musical journeys, this will be the Absolute Elsewhere of 2026. Daidalos- Dante FFO- Symphonic Black Metal The sophomore album from this German one-man band is one of the most punishing Symphonic Black metal albums I’ve ever heard. It simply hits all the right elements that make everything work, from the sinister overtones from the symphonics to the aggression of the Black Metal side to sharing nods with bands like Dimmu Borgir, Fleshgod Apocalypse, Carach Angren, and Septicflesh, but having their own sound in the process. The production is brilliant and lets you feel every single note to its full capacity, and the songwriting is the kind of inspired that doesn’t have an ounce of redundancy. The lyrical concept of the album is a reinterpretation of The Divine Comedy through Dante’s eyes, and the power of the themes more than matches the music and vice versa. Simply put, this is the Symphonic Black metal album we all needed in 2026, and the genre is back with a full bang. I can’t sing the praises of this one enough. Go check this one out. Defaced- Icon FFO- Death Metal, Black Metal, Grindcore The Swiss Death Metal band is back with their 3rd album, and it hits extremely hard. It’s that fantastic combination of the hard-hitting 90s Death Metal sound mixed in with the 90s Melodeath feeling like a combination of Morbid Angel, middle era At the Gates, and Abysmal Dawn. No track truly lets up on this one as it is filled to the brim with intensity, even when there is less instrumentation and a lesser tempo. Simply put, it’s 10 tracks of what makes Death Metal work to this day. Sometimes you can’t sell a Death Metal album better than that. Every King Has A Clown- S/T FFO- Heavy Metal, Hard Rock, Classic Power Metal The debut album from this one-man US band is filled to the brim with too many guest performers to mention and still feels like a band that has been at it for decades. Hitting so much of what there is to love about that 80s-00s Heavy Metal sound, sometimes getting Proggy, sometimes getting more Power Metal, sometimes getting Doomy, sometimes just straight up Metal. It has a little bit of everything and none of the fluff. The production feels right where it should be, and no matter the genre shift, it feels like a chameleon, hitting everything that the style calls for, and it feels so satisfying to hear. If you want a loving tribute to some of the best classic genres of Metal, check out what this project has to offer. Evoked Eclipse- The Cries of Evil FFO- Blackened Melodeath, Gothic Metal The debut album from this Italian one-man band is some of the most haunting and devastating music of this style I may have ever heard. For every moment that goes into the more extreme end of things, it’s balanced out with a Gothic overtone that rips you apart emotionally and doesn’t let up. It feels like when you mix Dissection and Naglfar with equal parts Swallow The Sun and early day Katatonia. Intentional or not, with the week I have had, this album brought tears to my eyes in a cathartic way that I truly needed. Put all that together with a production that feels like any 2000s masterpiece of this style and songwriting that feels truly from the heart, and you have an album that will bring as much enjoyment as it does devastation. All of that in only 8 tracks and 33 minutes is no easy thing to achieve. Give this one a proper listen and prepare to be floored. Exhumed- Red Asphalt FFO- Goregrind, Gore Metal, Death Metal This may be the most fun Exhumed album to date. Every song deals with being on the open road in some way, shape, or form; the album just hits everything I ever loved about the band, but just done to a new level. With as much of the classic Gore Metal sound on display, the band also incorporates much more groove into the sound that makes you wanna go full speed ahead on the highway, but brings things back to remind you that if you do, you may face your demise in numerous ways. It’s a 10 track, 36 and a half minute horror filled love letter to the road. It’s everything you want it to be and more. Exil- Karga FFO- Depressive Post Black, Post Punk The debut album from this French outfit is striking a chord with me in a way that feels indescribable in its accuracy. While I do not know the lyrical content due to not reading/speaking French, the melodies, harmonies, and screams are hitting me so hard and not letting up. I can hear elements of Amesoeurs in its style of Post Punk and Post Black, but with added elements of Amenra on the darker side, Unreqvited on the emotional side, and Ghost Bath with more consistent vocals. This is an 8-track, almost 36-minute assault to your senses and will leave you feeling cathartic and longing for better times. That is exactly what a good Post Black album brings to the table. It’s hard to believe this is just a debut album, as some bands of this style wish they could hit this much power in their 4th, 5th, or 6th album. It’ll leave you an emotional wreck, but this is mandatory listening for any Post Black fan. Eye of Purgatory- Darkborne FFO- Old School Death Metal Edge of Sanity is reborn? Not quite, but it’s very, VERY, close. The 3rd album from this Swedish trio is everything you know and love about 90s Progressive Death Metal, from the songwriting to the production to the tones being produced. This is also the 2nd album as a full band with Jeramie Kling and Taylor Nordberg filling out the rhythm section. This is another album that I don’t need to sell too hard. If you love Opeth, early day In Flames, and ESPECIALLY Edge of Sanity, you need Eye of Purgatory. The Gloom In The Corner- Royal Discordance FFO- Modern Metalcore The 4th album from this Melbourne, Australia band is such an intriguing mix of sounds that I simply wasn’t expecting. This is one of the most bombastic and diverse Metalcore albums I’ve come across in a long time. It gets as heavy as it does mainstream and catchy, as it does experimental and bonkers, feeling like an unholy mix of Lorna Shore, latter-day Make Them Suffer, and SikTh. The production is super clean and punchy, which is needed to make this music have a full effect. While it may sound like a hodgepodge in description, once this unlocks for you, the music flows together naturally and feels like both heavenly beauty and a hellish landscape for your listening pleasure. It won’t be for everyone, but if you want to hear what can be done when you truly try to innovate Metalcore, this is a band you need to have on your radar. Greyhawk- Warriors of Greyhawk FFO- Power Metal, AOR, Epic Metal The 3rd album from this Seattle outfit is the classic Metal, Power Metal, and Epic Metal styles personified. 11 tracks and almost 50 minutes of the nostalgic sound in a Revival Metal package paying tribute to the legends of Judas Priest, Dio, and Hammerfall; all while falling in line with bands like Visigoth, Sumerlands, and Eternal Champion. While nothing here is reinventing the wheel, it doesn’t need to; it just needs to be undeniably solid, and Greyhawk may be the greatest shining example of it. This is sure to make any Revival Metal fan smile from ear to ear, and it’ll only take one listen to understand why. Hela- A Reign To Conquer FFO- Melodic Doom Metal The 4th album from this Spanish Melodic Doom band is a thought-provoking and captivating experience. Embracing the dark side of their music even further, the band hits this style of Melodic Doom that can both sucker you in with its beauty and rip your soul apart with its themes and emotional power. The production is perfect for this style, and the band never feels like it writes the same song twice with its presence. If you want something that channels Trees of Eternity, early day The Gathering, and SubRosa, Hela is a must listen, especially with what is their best release in A Reign to Conquer. Hoaxed- Death Knocks FFO- Dark Hard Rock, Classic Metal The sophomore album from this Portland trio is such a killer album. Combining that dark and Occult Rock sound mixed with Hard Rock and Classic Heavy Metal to make for an album that can hit you from so many angles, but all of them feel right. Mixing a sound that reminds me of Ancient VVisdom meets Unto Others meets Tribulation meets Blood Ceremony. While the debut album was great, I love this direction for the band, and I hope they continue to explore it further. If you want your Hard Rock and Metal dark and captivating, Hoaxed is a band you need to recognize now. You’ll be so glad that you did. Induction- Love Kills! FFO- AOR, Melodic Metal, Power Metal The 3rd album from this fantastic band may be their best album to date. They have always found a way to be more than your typical catchy band while still hitting you with some of the catchiest hooks, melodies, and choruses possible. With this latest release, the band continues to push what is possible in a Symphonic, AOR, Melodic Metal sound in a Power Metal band that feels just as much at home with latter day Edguy as it would Gamma Ray or Sonata Arctica. It just hits all the right elements that you love, making you close your eyes, nod your head, and making you happy you are listening to this kind of music. The production is right where it needs to be, and the songwriting, as stated, is as catchy as possible while still hitting everything you’d want in this sound. This may not be the most groundbreaking Power Metal album ever made, but in 2026, it’s an album that will remind you why you love this sound so much, and it will give you infinite replayability. We need more of this in 2026. Ivory Moon- The Silent Ruins of Mars FFO- Epic Symphonic Metal The 5th album in 22 years from Italian band hits the perfect elements of Epic Symphonic Metal, and it makes for such heavy, catchy, and triumphant music. Mixing the symphonics of Nightwish, the power of Living Tales, and the technical ability of Pyramaze is such a cool thing to experience. It’s a bit of a lengthy album, coming in at 13 tracks and over 55 minutes, but if this is your bag, the album does fly by and warrants instant replays. The production on this one his so hard, and the songwriting feels like it’s done to the best of their ability and leaving very little fluff in the process. If you want to hear the past, present, and future of what Epic Symphonic Metal is in 2026, check out what Ivory Moon brings to the table. Joel Hoekstra’s 13- From The Fade FFO- Classic Metal, Hard Rock The 4th solo album from Joel Hoekstra is such a great mix of the classic sounds done in 2026. You can hear as much AOR and Classic Rock stylings with an approach that would capture even the newest of Rock and Metal fans. The lineup for this album is also insane, from Vinny Appice on drums to Derek Sherinian on keys and so much more. The production is the modern AOR sound, so everyone shines loud and clear, but of course, Hoekstra blazes through it all, no matter how simple, melodic, heavy, or shreddy his guitar work comes into play. His resume is too long to list in a blurb review like this, but it’ll only take a song or two for you to realize the true staying power of this album. Give it a proper spin and prepare for some of the most competent music of the genre. Karnivool- In Verses FFO- Progressive Metal, Alternative Metal I did not imagine Karnivool coming back, especially after having 13 years in between albums, but the Australian band has made their 4th album more than a worthy comeback. The band that helped shape what Alternative Progressive Metal can be and influenced countless bands in the Prog world is as they are strong as ever, showing that there is so much gas left in the machine. With their incredible production style that lets you hear every single note and gives every note purpose in their songwriting, the band has taken the nearly past decade and a half and are playing to their strength and still giving us the surprises that are more than worthy of the trip. If you are new to the band but want to hear how bands like TesseracT, Caligula’s Horse, VOLA, and Ihlo helped get their inspiration, check out Karnivool and how Alternative Progressive Metal still leaves a huge impact in 2026. Leatherhead- Violent Horror Stories FFO- Classic Heavy Metal, Speed Metal The sophomore album from this Greek band is the perfect love letter to the horror genre done through the gaze of Classic Heavy Metal and Speed Metal. 8 tracks and 37 minutes of fast and furious Metal with that 80s flair that makes Flotsam and Jetsam, Helstar, Vigilhunter, and Starforce fans happy time and time again. While not reinventing the wheel in any way, they are making some of the most rock-solid Speed Metal of 2026 and making it feel as evil as it deserves to be. If you want that classic sound, Leatherhead has it nailed perfectly. Locus Noir- Shadow Sun FFO- Goth Rock, Gothic Metal, Post Punk This has every chance of being my Goth album of the year, and it’s not even close. Ben DMN of one of the most underrated bands of the 21st century, Sybreed, takes a stab at Gothic music that feels as hauntingly beautiful as it does authentic and painfully accurate. The production feels modern-day with enough classic callbacks to make this more than just a nostalgia trip. The songwriting channels everything from Type O Negative to The Sisters of Mercy to middle-era Paradise Lost, making me fall in love with every track and reminding me why with every spin. This is a masterclass of the style of Goth in every sense of the genre, and I will be singing its praises till the end of the year and beyond. If you want what will be the best Goth album of the year, check out Locus Noir in all its glory. Lomor- Sabouk Rouge FFO- Thrash Metal This may be the first album that I ever covered that comes out of Reunion Island, and that is cool for me to be able to do. The sophomore album from this Thrash band is the kind of Thrash that made you a fan to begin with. Sounding like a mix of Slayer, early day Testament, and ESPECIALLY Kreator; this hits that 80s itch of sound, but updated for 2026, so it has an incredible production style and just enough of the fluff cut out for maximum impact. This is 11 tracks and almost 45 and a half minutes of what makes Thrash still exciting after all these decades. Whether it’s all guns blazing or slowed down enough for some variety, this is a band that knows how to write a song and have it stuck in your head. Thrash fans new and old need to check this one out immediately. Lovebites- Outstanding Power FFO- Power Metal, Speed Metal, Heavy Metal 5 albums in 9 years from this Japanese band showcasing the pure ferocity that the Speed, Power, and Heavy Metal genres can still have, all while making the best possible music in the process. The band has always been fun, and this is no exception. Every track, no matter the tempo, is memorable and worthy of being played live with a raw, but human production style and some of the best musicianship you will hear in the genre, done with an authenticity you just can’t fake. I also gotta add how sick the double bass and guitar fills are on this one, they get me every time. This genre is meant to be fun, and no one does it quite like Lovebites anymore. Go check them out. Malefic- Impermanence FFO- Blackened Death Thrash The debut album from this Atlanta Blackened Death Thrash band is an incredible experience that hits all the right elements of the style. Blending Black Metal, Thrash Metal, Death Metal, and out-of-this-world melodies and harmonies that tie everything together. Between the clear and punchy production style and songwriting that feels endlessly inspired, this feels like the mix of The Black Dahlia Murder, Carcass, and Old Man’s Child that the world needs right now. Making an album this strong at 9 tracks and under 40 minutes is such a cool thing to see, as they give you everything they have, and you still want to see what will come next. You don’t often find a brand new band of this quality. Check out what Malefic is all about. Mayhem- Liturgy of Death FFO- Black Metal With a legacy as this Norwegian band has had over the past 40 years and counting, it’s hard to believe that they are only 7 albums deep into their career. Even more so, the fact that no two albums sound alike despite always sounding like Mayhem. With Liturgy of Death, the band explores more of what is possible with their sound. While still having that signature Black Metal sound, they are experimenting more with clean vocals, off-kilter songwriting, and, of course, feeling like evil is pouring right out of your speakers. While the band will never be everyone’s cup of tea, it’s a welcoming thing to see the band still pushing their songwriting ability and not resting on their laurels. It’s a hellacious 8-track, nearly 46-minute, ritual that is rewarding if you give it a full spin, proving why it’s not just their legacy as to why they are still here to this day. Meteora- Darkest Light FFO- Symphonic Metal The 5th album in 9 years from this Hungarian Symphonic Metal band is easily the band’s best work to date. Feeling like an even stronger version of bands like Epica and MaYaN and giving nods to bands like Ancient Settlers and Neopera, Meteora takes what works best in this style of Symphonic Metal and gives you everything from the heaviest to the more extreme to the most majestic and beautiful moments you can get in the genre. This is another longer release at 13 songs and 63 minutes of music, which I know turns off some, but I have zero problem with. Every second recorded here is filled with purpose and fills you with wonder. Meteora should be heralded from the rooftops, and I hope one day they will be considered one of the best in the genre, like Epica, but until then, they are that band that deserves your attention to get them to that level. Mývalyĭr- The Past Tales FFO- Melodeath, Epic Folk Metal, Symphonic Metal The debut album from this UK Melodeath band has learned what makes the genre work so well over the years, but upped the ante with its intensity and pure power. The band layers its heaviest moments with instrumentation that would make Folk or Symphonic Metal fans happy in a blend that showcases that brutal music can have sophistication and importance. It’s quite striking to hear Amorphis, Shade of Sorrow, Orbit Culture, and even Blind Guardian levels of thematics going on, but this is a band that knows how to wear their influences on their sleeve while innovating for the future. While this may take a while to digest, it is more than worth the investment as this is the kind of Melodeath that may feel like a slow brooding monster; its dynamics, instrumentation, and sheer power will rule over you. Necrofier- Transcend Into Oblivion FFO- Meloblack The 3rd album from this Houston Meloblack mainstay is the sheer intensity of the Meloblack style done with a sophistication and proper style that feels both like the best of the genre, but also something that you would hear in a horror movie that has a ballroom scene set in Hell. Featuring members of Oceans of Slumber, Terror Corpse, and the new lineup for Nevermore, the band is filled to the brim with some of the best musicians Houston has to offer. The production is easily their best, and the songwriting matches it tenfold. It’s also their most triumphant album to date, with 3 songs separated into 3 sections, each with an instrumental between each song. It’s quite ambitious, and also pays off in the best of ways. If you want Rotting Christ meets Necrophobic meets Dissection with just the slightest glimmers of Southern Doom, Necrofier is a band that needs your proper attention. Night of the Vampire- The Enchanting Winds of the Dreamweaving Masquerade FFO- Black Metal, Post Punk, Synthwave The debut album from this Texas outfit is a combination of music I didn’t know I needed until I heard it. Mixing Black Metal, Post Punk, and 80s Synthwave feels like an unholy combination, and given the names and subject matter, that is correct, but it works miraculously in execution. Feeling like middle era Tribulation, Bathory, and Joy Division feels so wrong that it has to be right. The production is quite raw, but it adds to the vampiric nature of the music before you. And at 9 tracks and almost 34 minutes, this feels like the perfect example of what a debut offering should give you, and when it comes time to make that second bite, you will be entranced. This is such a killer release, and I can’t wait to see what comes next. Nullingroots- Fourth Dimensional Dreamscape FFO- Post Black, Shoegaze At long last, after 6 years, comes the 6th album from this Arizona Post Black band that has put out some of the best material in the genre. It’s been a long and rough time without new music from the band, but was the wait worth it? Absolutely! This is easily some of the band’s best work from beginning to end, hitting some of the most optimistic highs and pessimistic lows the band has ever recorded. The music is filled with wonder, hitting so many different emotions and styles all under the gaze of Post Black. The production will not be for everyone as it is quite raw, but I dare say that the musicality on this one is so high that after a while, you won’t even notice the rawness of the production, and it will just fill everything with the right kind of atmosphere. This will also be a trek of an album as it is 6 songs and 53 minutes, so if you don’t like long songs, this may not be it for you; but if you just care about the quality of the songwriting, this is a magnificent and spectacular release in a time where the music truly hits hard. If you like your Post Black on the raw but refined side, check out Nullingroots. Paganizer- As Mankind Rots FFO- Death Metal Sweden’s Paganizer’s 14th album is layered in the Old School Swedish Death Metal sound that simply works since the late 80s and has never let up in momentum. It hits hard, the riffs are crushing (including the song Devoured, whose main riff sounds so similar to a riff one of my old bands had that we never got to put out, which to me is awesome), and it just feels so right. They’ve always had that Entombed, Grave, Dismember, etc sound, and that’s why I keep going back to the sound. Arguably, my favorite kind of straight-up Death Metal shines with a style that is all substance and just the slightest amount of flair. Mix that in with a classic production style, and I’m sold. If you need your fix of Swedish OSDM, you need to hear the latest from Paganizer. Ponte Del Diavolo- De Venom Natura FFO- Blackened Post Punk, Doom Metal Talk about a captivating album. The sophomore album from this Italian band more than lives up to the album title. This feels venomous in the way that it strikes between its darkest Black Metal moments, its catchy Post-Punk and Gothic tones, and the occasional Doom moment that roars at you as you lie on the ground from the impact. It’s such an odd combination on paper, but when you hear it executed, it makes all the sense in the world. The production is human, but still sounds crisp and clear, and the songwriting is impeccable and inspired in ways that will take you by surprise on the first listen. Imagine a mix of the latest album from Messa, but adding moments of latter-day Rotting Christ and Sisters of Mercy. That initial hit may shock you, but once you pay attention to the music, you will keep wanting more. This is what inspired music sounds like in 2026. Queen Kona- LONG LIVE FFO- Progressive Metalcore The 4th album from this NYC band is the kind of Progressive Metalcore that grabs my attention. While it does have some Djent moments, it doesn’t rely on it, in favor of more of the mid to late 00s Metalcore sound that is more than just fretboard olympics and wanking. There’s real songwriting going on here, mixed in with vocal variety and thick atmosphere throughout the entire album. It feels like a mix of After the Burial, Bury Your Dead, and Unearth, and for someone who grew up on those bands in my pivotal teen years, that is a cool thing to see. Mix that in with a brutal yet clear production style, and you have an album that, between all 10 tracks and almost 39 minutes, is filled to the brim with peak performances and songs that hit so hard on record, and I’m sure hit even harder live. Give this one a proper listen, and you just may be won over as well. Sidious- Malefic Necropolis FFO- Black Metal While originally having more of a Symphonic Black Metal sound (and some of that is still here, even if not prominent), the 4th album from this UK band feels sinister in its triumphant Black Metal sound. With an exceptional production style that you just don’t hear often in this genre and songwriting that feels like it was crafted to perfection, this may be one of the best Black Metal albums that we get in 2026. It’s everything you expect from the genre, but just done...better. This is what the best 2nd or 3rd Wave Black Metal bands would sound like if they had better production. 9 songs, 35 and a half minutes of pure nihilism. Silent Deep Ocean- Essence of Existence FFO- Gothic Doom Metal, Atmospheric Doom Metal, Funeral Doom Metal The 6th album in two years (NOT AN AI BAND) from this duo, featuring Gregory Ritchey, formerly of Spine Furnace, and Tehina Spasova of one of my favorite Funeral Doom bands, Destruction of Orion, is back for 2026 with some of the best music of their catalog. Ritchey does almost everything on the record, both behind and in front of the production board, where Spasova does guitar, clean soprano vocals, and the cover art, giving an atmosphere for dark, emotional Doom Metal that is cascaded with hauntingly beautiful vocals to make the music feel even more eerie but intriguing. The production will be hit or miss for a lot of people, but that is common with this style, as it is quite raw, but it matches the music perfectly. It will also be rough and ambient for some people, as this is over an hour and 24 minutes long, so it is quite the trek for some people. But if you enjoy this style, it will knock you over with its power, and you won’t even notice that almost 90 minutes have passed. There is so much to love about this one, and if you leave your inhibitions at the door, you will find a treasure of a Doom album with Essence of Existence by Silent Deep Ocean. If you’re any kind of Doom fan, do not skip this one. Slaughterday- Dread Emperor FFO- OSDM This is OSDM at its most primal. The 5th album in 15 years from this German duo knocks the classic sound of late 80s, early 90s Death Metal out of the park. From the authentic production style to the music mixing it up between the pit-inducing riffs to the near Doom Metal elements to the classic sounds that’ll remind you of everything from Obituary to Autopsy to Grave to Entombed. 10 songs, almost 40 minutes, and not a second wasted. This is how that classic, straight-up, Old School Death Metal is meant to be played. Sokomb- Reality Dimension FFO- Progressive Melodeath The debut album from this Italian-turned-German band is a wild combination of both classic Progressive and Melodic Death Metal that sounds like it was unearthed from 1996 recordings right after In Flames recorded Whoracle. There are also flourishes of Folk and Thrash Metal thrown in for good measure that tie everything together. It is a modern throwback in the best of ways throughout all 9 tracks and almost 51 minutes of music. If you want a contagious mix of Godiva, Ravenblood, and, of course, classic In Flames, Sokomb is a band that is more than worthy of your attention. Give them the love they deserve. Space of Variations- Poisoned Art FFO- Modern Metalcore When I interviewed this Ukrainian band back for their previous album, Imago, the world was in a very dark place, and 4 years later, it’s only gotten worse. Somehow, this band has gotten heavier and catchier at the same time. For every moment of modern clarity in the music or throwback sound to the 80s/90s music aesthetic, there will come a breakdown or monstrous riff that makes the band balance the melody and disharmony of life in every song. You will hear moments that remind you of modern bands, such as I Prevail and Elwood Stray. I also hear moments that hit as Killswitch Engage did for me 20 years ago. While I guarantee this will not be for everyone who normally checks out my lists, if you have an open mind when it comes to more mainstream genres, this is a band that is worthy of your attention. They are pushing the envelope in ways that need to be pushed, and it’s going to pay dividends in the long run. They keep getting bigger with every release and deserve they it. Story of the Year- A.R.S.O.N. FFO- Post Hardcore, Emo, Pop Punk After coming back stronger than ever with 2023’s Tear Me To Pieces, I had no idea what to expect with what will end up being their latest album. A.R.S.O.N feels like the polar opposite experience. It is much heavier in both the music, more screams, and especially the lyrical content. While there is a lot that is similar to their predecessor, like the same production team, several songs that have the Emo/Pop Punk sound that so many people fell in love with, etc, so much of the album is hitting their more raw, modern Post Hardcore approach. If Tear Me To Pieces is Page Avenue, A.R.S.O.N. is In The Wake of Determination. Sylosis- The New Flesh FFO- Metalcore, Melodic Thrash, Melodeath Sylosis is an ever-evolving band, and with their 7th album in 18 years, the band captures the best of their technical ability, matched with making riffs that are catchy and memorable. It’s a fine line trying to capture both sides without it sounding like a hodgepodge of sound, but the band balances everything out, knowing to make the more mainstream elements stand out, for when the brutal moments kick in, they hit even harder. There is much more clean vocals on this one, but I don’t find that to be a bad thing; it works for the music and makes things even catchier than before. The production is crystal clear and lets everyone shine. Hitting moments that’ll remind you of Orbit Culture, Darkest Hour, The Haunted, and a simpler and more refined Exmortus; Sylosis is a band that feels like it can be for everyone if you give them a proper spin. Tailgunner- Midnight Blitz FFO- Revival Metal The sophomore album from this UK band takes the best elements of their debut album and doubles down on what worked best while adding new flavors and experiences into the music. Of course, the most hyped thing about this album is that KK Downing produced the album, but I would have been excited about this one even without his name attached. When I reviewed Guns for Hire back in 2023, I knew I was hearing something special. The band is showing what they are truly capable of here, and it is some of the best Revival Metal you will hear in 2026. If you love Judas Priest, Primal Fear, Enforcer, and Iron Maiden, Tailgunner is raising the flag high and is more than worthy of your attention. Give them the love they deserve. Temple Balls- S/T FFO- Melodic Rock, Melodic Metal, AOR Just to get it out of the way, the name will always make me laugh, no matter how many times I hear it. Now that we are past that, the 5th album in 9 years from this Finnish band is one of the reasons why I keep going back down the well of Melodic Rock, Metal, AOR, etc. Every time that you think a genre is getting stale or needs a change, a band like Temple Balls comes out and reminds you why you love the genre in the first place. Every song is endlessly catchy, but somehow, it never sounds the same. This is also sadly the last appearance of Niko Vuorela, who passed away just a few months ago from cancer. This is an excellent send-off to his work, and I truly hope the band will be able to keep going and become stronger than ever in the face of tragedy. But to put it simply, if you want a fun and thrilling look at one of the best genres of Rock and Metal, you need to check out Temple Balls. Transatlantic Radio- Midnight Transmission FFO- AOR, Melodic Rock It’s really hard for me to find an AOR album of the modern day I don’t like because every band that does this sound now is only doing it for the pure love of the music. This brand new supergroup is no exception. It hits everything you love about the genre, from its cheesiest moments to its flying solos to its pure 80s aesthetic, but again, it’s done with a pure love of the genre that is undeniable and feels truly authentic. Whether you are looking for Y&T, Danger Danger, Giant, or Foreigner, you will find it here and more with Transatlantic Radio. Put it on and just smile. We need that more now than ever before. A Wilhelm Scream- Cheap Heat FFO- Melodic Hardcore, Punk Rock, Heavy Metal I’ll keep this one as short and sweet as the album turned out to be. 10 songs, just under a half hour, and filled to the brim with what makes this Massachusetts band work for over 27 years. From the fast and furious riffs to the more subdued moments, and those moments that will break open a pit no matter where you are. The production is what it needs to be to be effective, the songwriting is fun and filled with meaning, and it’s just great to see their 8th album has not let up in quality or momentum in any way. Absolute perfection! Wolfchant- Echoes of a Time Once Past FFO- Folk Metal It’s been 21 years since the debut album from this German Folk metal band, and with every album, they find a new way of being consistent yet never sounding the same. That continues here with their 9th album. Filled with some of the best riffs the band has ever created, mixed in with more genre-bending, and of course, the Folk elements that can never leave, and you have a Wolfchant that feels so appropriate for the 2020s, yet makes you long for the early 2000s when things were simpler. The production is the right balance of clear and humanized to make everything flow together. If you have that love of bands like Equilibrium, Thyrfing, Finsterforst, and Ensiferum, Wolfchant is required listening. Check this out now. Worm- Necropalace FFO- Blackened Death Doom Right off the bat, Marty Friedman does a guest appearance on the track, Witchmoon: The Endless Masquerade, " and I never thought I would say that he would show up on a Blackened Death Doom album, but as you would expect, he nails it in every conceivable way. The 4th album from this North American band is everything that 90s Extreme Metal is all about, from the super raw production, but still clear and audible, to the songwriting, whether it is 14 minutes at its longest or over 7 minutes at its shortest, hits all the Blackened, Death, Doom, and experimental moments that are simply legendary. You hear everything from Blackbraid to Hooded Menace to Emperor to Cradle of Filth here, and that’s still not as random and as quirky as the album gets (just check out the album cover, I mean, come on). This is the kind of album that is either a grandiose masterpiece or a complete hodgepodge in sound, depending on your ears. I am of the former, and I can’t get enough of it. Let Worm slither into you. Wreck-Defy- Dissecting The Leech FFO- Thrash Metal 6 albums into this Canadian Thrash band’s career, and it feels more important than ever to have them around. Just from the lyrical content alone, the band is showing off the atrocities that happen in life, and we need that so much right now. Match that up with a Thrash Metal sound that feels equal parts Kreator, Nevermore, Strapping Young Lad, and Annihilator, and you have an album that feels satisfying to the ears to listen to time and time again. I will say that I know the production will not be for everyone, but if you hit the particular niche that this band hits, you will understand this and love it. It also helps that the likes of Steve Smyth, Chris Poland, Stu Block, and more add their touches to the music and make it even better. 10 songs, almost 50 minutes of devastating Thrash. Zepter- S/T FFO- Classic Heavy Metal Equal parts Thin Lizzy, Angel Witch, and Night Demon come the debut album from Austria’s Zepter. It somehow captures the mid-70s sound, the NWOBHM sound, and the current Revival Metal sound. While not coming close to reinventing the wheel, that is nowhere near the intent. This is beyond solid takes on the Classic Hard Rock, Classic Metal, and Speed Metal sounds, and creates a fusion that makes you remember why this sound is still prevalent to this day. The production feels like 1982 done in 2026, and the musicianship is tightened up from that early-day sound to be as accurate as needed. This is the revival sound we need in 2026. 
Hey everybody, and welcome to the final week of February coverage for Out Today & What I Missed, February 27th, 2026. Full disclosure, I am writing this one up well over a week in advance, as, if everything goes right, I am getting my broken tooth extracted this week, so I wanna take time to recuperate, but that doesn’t mean I won’t be covering some great music in the process. So I must point this out again, I am in tremendous pain, and if I am going too short in the reviews, I do apologize. We have 10 new albums out today and 7 that I missed, totaling 17 albums. Since we have so much to get to, let’s get into the rules and the list proper.
1.) Out Today & What I Missed is my weekly Friday recap of Out Today, my reviews of albums I got the promo for, and What I Missed, my reviews of any albums I either didn’t get the promo for and/or discovered on my own. I will try to do this every Friday that I’m capable of doing it, but I will admit, I will probably be taking more 1-week breaks than I ever have before. The music will be on the heavy end of things, but I cover anything from Pop Punk to Goth Rock to Progressive Metal to Funeral Doom to the most Experimental or avant-garde music in the Rock and Metal genres. 2.) My reviews should be treated like teaser trailers for movies or games. They will say the band name, the album, the FFO (For Fans Of) Section, and a short review that is a paragraph or less. Why do I do it like this? I don’t want the first time experience with a band to be ruined by my thoughts going into every single detail. I want to show off why you should check something out. Every review is subjective, no matter how anyone wants to spin it. Your thoughts won’t be mine, but I want to show you the option of what’s out there. 3.) NO NEGATIVE REVIEWS! We live in a terrible enough place as it is; I don’t want to add to the trash heap. If I don’t cover something, it is because I haven’t heard of it, and I will most likely go check it out; it's not out yet, I didn’t have time or energy to cover it in the current week, or it’s not my bag...baby. There’s no place for me to yuck on someone’s yum. That said, all my thoughts are mine and mine alone. No Label, PR, Band, or Friendship will make me pick something to positively review. I have to like it and listen to it at least one time through. That will never change. 4.) I will be doing fewer reviews this year, as doing 1,021 reviews last year broke me. That’s not to say I won’t still do up to 20 reviews in a week, just don’t expect that to be the norm week after week. If I only have promos, time, and energy for 15, 10, and 5 reviews in a week, that’s just how it will be. It’s a one-man operation, and the operation needs to think about longevity, not being prolific. All of this leads to Heavy Debriefings' Top 100 Albums of 2026, which will happen at the end of the year. 5.) If I find out after I review an album that an artist, band, or members of said band are garbage people, go against what I find to be even the lowest level of human decency, or use AI for their music, I will remove my review no questions asked. Does that apply to AI art? I don’t know how to answer that; it’ll be on a case-by-case basis. Either I will ignore the album completely, or I will mention how much I hate that they used AI before talking about the rest. I will see what happens. 6.) For another controversial take, I use Spotify to make a playlist every week of coverage with a track off every album to make it easier for people to check out some new music. Is Spotify a good company? No. Is any streaming company in North America good? No. You either avoid all of it or pick your poison, as all of them do terrible things and hurt everyone, and it’s also a necessary evil in today’s world if you want to make any kind of impact. I don’t judge you one way or the other for streaming or not streaming. I hope I can get the same level or tolerance in return. 7.) CHECK OUT SOME NEW MUSIC! OUT TODAY Assignment- With The End Comes Silence FFO- Progressive Power Metal The long-running German Progressive Power Metal band returns with their 6th album in 23 years. It’s been quite the 6 years since their previous album, but the band has taken that time to refine everything that works about the band and hone in on the catchiest elements to create an album that is filled with the technical ability, soaring vocals, and gorgeous melodic solos that make the band stand out. The production on this one strikes hard, and it has to be that way to match the quality of the music. If you need your fix of bands like Symphony X, Evermore, Timeless Fairytale, and Chaos Frame, Assignment is doing the Progressive Power Metal genre proud. Black Swan- Paralyzed FFO- Classic Metal, Hard Rock 3 albums into this powerhouse of a group featuring past and present members of MSG, Winger, Foreigner, and Mr. Big is the late 70s-early 90s Hard Rock and Metal sound personified. The key difference is that with pulling off that music in 2026, you are doing it for the pure love of the music, and that is showcased here throughout all 11 tracks. With a fantastic production style, it lets the songs shine, whether they are more heavy riff-oriented or more subdued. Without question, this is the band’s best material to date, and there are no signs of slowing down. I’m so thankful for bands like Black Swan that showcase the best elements of this sound and still find a way to make it relevant and rewarding in the modern day. This is why Rock and Metal will never die. Cryptic Shift- Overspace & Supertime FFO- Technical Death Thrash The sophomore album from this UK outfit featuring 3/5ths of Slimelord is the kind of 90s Progressive Death Metal meets 2000s Tech Death that I didn’t know I needed till now. Feeling like equal parts Atheist, Necrophagist, and Blood Incantation, Cryptic Shift is applying the past and present into a package that is not for the faint of heart. The production is pure 90s with an Unquestionable Presence vibe that I will never get sick of hearing, and songwriting that is quite the trek as well. The shortest song is almost 9 and a half minutes, and the longest is almost half an hour long, so it will not be for everyone, but for those who love musical journeys, this will be the Absolute Elsewhere of 2026. The Gloom In The Corner- Royal Discordance FFO- Modern Metalcore The 4th album from this Melbourne, Australia band is such an intriguing mix of sounds that I simply wasn’t expecting. This is one of the most bombastic and diverse Metalcore albums I’ve come across in a long time. It gets as heavy as it does mainstream and catchy, as it does experimental and bonkers, feeling like an unholy mix of Lorna Shore, latter-day Make Them Suffer, and SikTh. The production is super clean and punchy, which is needed to make this music have a full effect. While it may sound like a hodgepodge in description, once this unlocks for you, the music flows together naturally and feels like both heavenly beauty and a hellish landscape for your listening pleasure. It won’t be for everyone, but if you want to hear what can be done when you truly try to innovate Metalcore, this is a band you need to have on your radar. Hela- A Reign To Conquer FFO- Melodic Doom Metal The 4th album from this Spanish Melodic Doom band is a thought-provoking and captivating experience. Embracing the dark side of their music even further, the band hits this style of Melodic Doom that can both sucker you in with its beauty and rip your soul apart with its themes and emotional power. The production is perfect for this style, and the band never feels like it writes the same song twice with its presence. If you want something that channels Trees of Eternity, early day The Gathering, and SubRosa, Hela is a must listen, especially with what is their best release in A Reign to Conquer. Joel Hoekstra’s 13- From The Fade FFO- Classic Metal, Hard Rock The 4th solo album from Joel Hoekstra is such a great mix of the classic sounds done in 2026. You can hear as much AOR and Classic Rock stylings with an approach that would capture even the newest of Rock and Metal fans. The lineup for this album is also insane, from Vinny Appice on drums to Derek Sherinian on keys and so much more. The production is the modern AOR sound, so everyone shines loud and clear, but of course, Hoekstra blazes through it all, no matter how simple, melodic, heavy, or shreddy his guitar work comes into play. His resume is too long to list in a blurb review like this, but it’ll only take a song or two for you to realize the true staying power of this album. Give it a proper spin and prepare for some of the most competent music of the genre. Locus Noir- Shadow Sun FFO- Goth Rock, Gothic Metal, Post Punk This has every chance of being my Goth album of the year, and it’s not even close. Ben DMN of one of the most underrated bands of the 21st century, Sybreed, takes a stab at Gothic music that feels as hauntingly beautiful as it does authentic and painfully accurate. The production feels modern-day with enough classic callbacks to make this more than just a nostalgia trip. The songwriting channels everything from Type O Negative to The Sisters of Mercy to middle-era Paradise Lost, making me fall in love with every track and reminding me why with every spin. This is a masterclass of the style of Goth in every sense of the genre, and I will be singing its praises till the end of the year and beyond. If you want what will be the best Goth album of the year, check out Locus Noir in all its glory. Mývalyĭr- The Past Tales FFO- Melodeath, Epic Folk Metal, Symphonic Metal The debut album from this UK Melodeath band has learned what makes the genre work so well over the years, but upped the ante with its intensity and pure power. The band layers its heaviest moments with instrumentation that would make Folk or Symphonic Metal fans happy in a blend that showcases that brutal music can have sophistication and importance. It’s quite striking to hear Amorphis, Shade of Sorrow, Orbit Culture, and even Blind Guardian levels of thematics going on, but this is a band that knows how to wear their influences on their sleeve while innovating for the future. While this may take a while to digest, it is more than worth the investment as this is the kind of Melodeath that may feel like a slow brooding monster; its dynamics, instrumentation, and sheer power will rule over you. Necrofier- Transcend Into Oblivion FFO- Meloblack The 3rd album from this Houston Meloblack mainstay is the sheer intensity of the Meloblack style done with a sophistication and proper style that feels both like the best of the genre, but also something that you would hear in a horror movie that has a ballroom scene set in Hell. Featuring members of Oceans of Slumber, Terror Corpse, and the new lineup for Nevermore, the band is filled to the brim with some of the best musicians Houston has to offer. The production is easily their best, and the songwriting matches it tenfold. It’s also their most triumphant album to date, with 3 songs separated into 3 sections, each with an instrumental between each song. It’s quite ambitious, and also pays off in the best of ways. If you want Rotting Christ meets Necrophobic meets Dissection with just the slightest glimmers of Southern Doom, Necrofier is a band that needs your proper attention. A Wilhelm Scream- Cheap Heat FFO- Melodic Hardcore, Punk Rock, Heavy Metal I’ll keep this one as short and sweet as the album turned out to be. 10 songs, just under a half hour, and filled to the brim with what makes this Massachusetts band work for over 27 years. From the fast and furious riffs to the more subdued moments, and those moments that will break open a pit no matter where you are. The production is what it needs to be to be effective, the songwriting is fun and filled with meaning, and it’s just great to see their 8th album has not let up in quality or momentum in any way. Absolute perfection! What I Missed Among Wolves- Reflections of the End FFO- Progressive Melodeath The debut album from this Utah band combines so much of what I love into one sound. You will hear Progressive, Melodeath, Metalcore, Power, Thrash, and so much more rolled into one package that is not afraid to explore its sound and snap back into its core sound. No two tracks sound alike on this 10-track, hour-long endeavor. It may be a lot for some, but if you like your music adventurous and filled with authenticity, Among Wolves is a band that will be on the cusp of launching into the stratosphere if everything works out in the right ways. And with a sound like this, they deserve that and then some. Cold Communion- Monuments to Ruin FFO- Melodic Death Doom Barre Gambling of Daylight Dies and Tim Rowland of Silent Vigil have joined forces for one of the best Melodic Death Doom albums of the year. Combining everything that makes the genre work, from the tear-jerking riffs to the pain-driven vocals and lyrics, to the overall atmosphere that makes your heart wrench time and time again. It’s all matched up with stellar production that drives the sorrow-driven power home and makes you remember why bands like Woods of Ypres, Opeth, Novembers Doom, and Rapture will always be in people’s hearts. I can’t sell this one much better than that. This is THE Melodic Death Doom album of the year for me, and it’s going to take a colossal album for it to knock it down. This is a masterclass of the genre in every conceivable way. Exhumed- Red Asphalt FFO- Goregrind, Gore Metal, Death Metal This may be the most fun Exhumed album to date. Every song deals with being on the open road in some way, shape, or form; the album just hits everything I ever loved about the band, but just done to a new level. With as much of the classic Gore Metal sound on display, the band also incorporates much more groove into the sound that makes you wanna go full speed ahead on the highway, but brings things back to remind you that if you do, you may face your demise in numerous ways. It’s a 10 track, 36 and a half minute horror filled love letter to the road. It’s everything you want it to be and more. Leatherhead- Violent Horror Stories FFO- Classic Heavy Metal, Speed Metal The sophomore album from this Greek band is the perfect love letter to the horror genre done through the gaze of Classic Heavy Metal and Speed Metal. 8 tracks and 37 minutes of fast and furious Metal with that 80s flair that makes Flotsam and Jetsam, Helstar, Vigilhunter, and Starforce fans happy time and time again. While not reinventing the wheel in any way, they are making some of the most rock-solid Speed Metal of 2026 and making it feel as evil as it deserves to be. If you want that classic sound, Leatherhead has it nailed perfectly. Lovebites- Outstanding Power FFO- Power Metal, Speed Metal, Heavy Metal 5 albums in 9 years from this Japanese band showcasing the pure ferocity that the Speed, Power, and Heavy Metal genres can still have, all while making the best possible music in the process. The band has always been fun, and this is no exception. Every track, no matter the tempo, is memorable and worthy of being played live with a raw, but human production style and some of the best musicianship you will hear in the genre, done with an authenticity you just can’t fake. I also gotta add how sick the double bass and guitar fills are on this one, they get me every time. This genre is meant to be fun, and no one does it quite like Lovebites anymore. Go check them out. Silent Deep Ocean- Essence of Existence FFO- Gothic Doom Metal, Atmospheric Doom Metal, Funeral Doom Metal The 6th album in two years (NOT AN AI BAND) from this duo, featuring Gregory Ritchey, formerly of Spine Furnace, and Tehina Spasova of one of my favorite Funeral Doom bands, Destruction of Orion, is back for 2026 with some of the best music of their catalog. Ritchey does almost everything on the record, both behind and in front of the production board, where Spasova does guitar, clean soprano vocals, and the cover art, giving an atmosphere for dark, emotional Doom Metal that is cascaded with hauntingly beautiful vocals to make the music feel even more eerie but intriguing. The production will be hit or miss for a lot of people, but that is common with this style, as it is quite raw, but it matches the music perfectly. It will also be rough and ambient for some people, as this is over an hour and 24 minutes long, so it is quite the trek for some people. But if you enjoy this style, it will knock you over with its power, and you won’t even notice that almost 90 minutes have passed. There is so much to love about this one, and if you leave your inhibitions at the door, you will find a treasure of a Doom album with Essence of Existence by Silent Deep Ocean. If you’re any kind of Doom fan, do not skip this one. Sokomb- Reality Dimension FFO- Progressive Melodeath The debut album from this Italian-turned-German band is a wild combination of both classic Progressive and Melodic Death Metal that sounds like it was unearthed from 1996 recordings right after In Flames recorded Whoracle. There are also flourishes of Folk and Thrash Metal thrown in for good measure that tie everything together. It is a modern throwback in the best of ways throughout all 9 tracks and almost 51 minutes of music. If you want a contagious mix of Godiva, Ravenblood, and, of course, classic In Flames, Sokomb is a band that is more than worthy of your attention. Give them the love they deserve. And there you go, folks, 17 albums down, 63 albums down for February 2026, and 113 albums in 2026 so far. I hope you found something you dig between everything shown off here and in case you missed anything this month, come back in a few days for Every Album I reviewed in February 2026, and of course, come back next week as we do Out Today & What I Missed for March 6th, 2026. Until then, for Heavy Debriefings, this is Josh Rundquist saying, Embrace The Skullet! - Josh Rundquist (Heavy Debriefings) 
Hey everybody, and welcome to another round of Out Today & What I Missed, this time, for February 20th, 2026. This week, we have a nice, healthy mix of diverse music, with 9 new albums out today and 5 albums that I missed, making for 14 albums. I am also making this list this week with a broken tooth, and I’m doing the best I can to keep my mind off of it by reviewing the albums this week and playing High on Life 2, so my apologies if my reviews are in any way undersold this week. That said, let's get into the rules and the list proper.
1.) Out Today & What I Missed is my weekly Friday recap of Out Today, my reviews of albums I got the promo for, and What I Missed, my reviews of any albums I either didn’t get the promo for and/or discovered on my own. I will try to do this every Friday that I’m capable of doing it, but I will admit, I will probably be taking more 1-week breaks than I ever have before. The music will be on the heavy end of things, but I cover anything from Pop Punk to Goth Rock to Progressive Metal to Funeral Doom to the most Experimental or avant-garde music in the Rock and Metal genres. 2.) My reviews should be treated like teaser trailers for movies or games. They will say the band name, the album, the FFO (For Fans Of) Section, and a short review that is a paragraph or less. Why do I do it like this? I don’t want the first time experience with a band to be ruined by my thoughts going into every single detail. I want to show off why you should check something out. Every review is subjective, no matter how anyone wants to spin it. Your thoughts won’t be mine, but I want to show you the option of what’s out there. 3.) NO NEGATIVE REVIEWS! We live in a terrible enough place as it is; I don’t want to add to the trash heap. If I don’t cover something, it is because I haven’t heard of it, and I will most likely go check it out; it's not out yet, I didn’t have time or energy to cover it in the current week, or it’s not my bag...baby. There’s no place for me to yuck on someone’s yum. That said, all my thoughts are mine and mine alone. No Label, PR, Band, or Friendship will make me pick something to positively review. I have to like it and listen to it at least one time through. That will never change. 4.) I will be doing fewer reviews this year, as doing 1,021 reviews last year broke me. That’s not to say I won’t still do up to 20 reviews in a week, just don’t expect that to be the norm week after week. If I only have promos, time, and energy for 15, 10, and 5 reviews in a week, that’s just how it will be. It’s a one-man operation, and the operation needs to think about longevity, not being prolific. All of this leads to Heavy Debriefings' Top 100 Albums of 2026, which will happen at the end of the year. 5.) If I find out after I review an album that an artist, band, or members of said band are garbage people, go against what I find to be even the lowest level of human decency, or use AI for their music, I will remove my review no questions asked. Does that apply to AI art? I don’t know how to answer that; it’ll be on a case-by-case basis. Either I will ignore the album completely, or I will mention how much I hate that they used AI before talking about the rest. I will see what happens. 6.) For another controversial take, I use Spotify to make a playlist every week of coverage with a track off every album to make it easier for people to check out some new music. Is Spotify a good company? No. Is any streaming company in North America good? No. You either avoid all of it or pick your poison, as all of them do terrible things and hurt everyone, and it’s also a necessary evil in today’s world if you want to make any kind of impact. I don’t judge you one way or the other for streaming or not streaming. I hope I can get the same level or tolerance in return. 7.) CHECK OUT SOME NEW MUSIC! OUT TODAY Abstracted- Hiraeth FFO- Extreme Progressive Metal The sophomore album from this Brazilian band is quite the Progressive experience. While you can hear so much from bands like Meshuggah and Textures, you can hear bands like Between the Buried and Me, Opeth, and Scar Symmetry. The band has leveled up on this release, only getting stronger and showcasing their best songwriting and musicianship to date. The production is a bit raw for today’s age, but it also makes it feel more human at the same time. For anyone who wants that mid-2000s Progressive Death Metal sound, Abstracted is bringing that with a 2026 flair, and it shines. Aeon Gods- Reborn to Light FFO- Symphonic Power Metal The sophomore album from this German band brings back the greatness that is Symphonic Power Metal. Depending on who you ask, everyone has their favorite kind of Symphonic Power Metal, from the all guns blazing speed or the crushing riffs, to crowd-chanting choruses or the theatrical symphonics taking the emphasis. Aeon Gods asks, why not all of that and more? This is a perfect crash course of the genre while still putting their own signature on the sound. Add a crystal clear production style to the mix, and you have one of the best Symphonic Power Metal albums of the year, and it will take so much to try and top this one. If you want your kick of Powerwolf, Hammer King, and Battle Born, check out Aeon Gods in all their glory. AmongRuins- Advent of Chaos FFO- Melodeath I discovered this band with their previous album, Land of the Black Sun, back in 2023, and in such a short time, the band has found a way to improve even stronger and has recorded what may end up being one of the best Melodeath albums of 2026. The music is equal parts heavy and melodic, knowing when to switch things up without going too far into either direction. Mixed in with a production style that simply fits the tone of the music and a lyrical sense that feels so appropriate in 2026. If you enjoy the likes of Nightrage, Primalfrost, Wolfheart, and Godark, you NEED AmongRuins in your life. Bizarrekult- Alt som finnes FFO- Post Black Metal This is the Post Black album I have been waiting for this year. This hits everything that I love about the genre on the darkest ends and does not let up for 8 tracks and almost 43 minutes. The production on this one is stellar for the genre, and the songwriting hits everything from depressing to tear-jerking in the best of ways. This Siberian-turned Norwegian band’s 3rd album is an absolute triumph of how the Post Black genre works. For anyone who enjoys latter-day Enslaved, Dødheimsgard, and Der Weg Einer Freiheit, check out Bizarrekult immediately. You don’t want to miss this one. Daidalos- Dante FFO- Symphonic Black Metal The sophomore album from this German one-man band is one of the most punishing Symphonic Black metal albums I’ve ever heard. It simply hits all the right elements that make everything work, from the sinister overtones from the symphonics to the aggression of the Black Metal side to sharing nods with bands like Dimmu Borgir, Fleshgod Apocalypse, Carach Angren, and Septicflesh, but having their own sound in the process. The production is brilliant and lets you feel every single note to its full capacity, and the songwriting is the kind of inspired that doesn’t have an ounce of redundancy. The lyrical concept of the album is a reinterpretation of The Divine Comedy through Dante’s eyes, and the power of the themes more than matches the music and vice versa. Simply put, this is the Symphonic Black metal album we all needed in 2026, and the genre is back with a full bang. I can’t sing the praises of this one enough. Go check this one out. Sylosis- The New Flesh FFO- Metalcore, Melodic Thrash, Melodeath Sylosis is an ever-evolving band, and with their 7th album in 18 years, the band captures the best of their technical ability, matched with making riffs that are catchy and memorable. It’s a fine line trying to capture both sides without it sounding like a hodgepodge of sound, but the band balances everything out, knowing to make the more mainstream elements stand out, for when the brutal moments kick in, they hit even harder. There is much more clean vocals on this one, but I don’t find that to be a bad thing; it works for the music and makes things even catchier than before. The production is crystal clear and lets everyone shine. Hitting moments that’ll remind you of Orbit Culture, Darkest Hour, The Haunted, and a simpler and more refined Exmortus; Sylosis is a band that feels like it can be for everyone if you give them a proper spin. Transatlantic Radio- Midnight Transmission FFO- AOR, Melodic Rock It’s really hard for me to find an AOR album of the modern day I don’t like because every band that does this sound now is only doing it for the pure love of the music. This brand new supergroup is no exception. It hits everything you love about the genre, from its cheesiest moments to its flying solos to its pure 80s aesthetic, but again, it’s done with a pure love of the genre that is undeniable and feels truly authentic. Whether you are looking for Y&T, Danger Danger, Giant, or Foreigner, you will find it here and more with Transatlantic Radio. Put it on and just smile. We need that more now than ever before. Wreck-Defy- Dissecting The Leech FFO- Thrash Metal 6 albums into this Canadian Thrash band’s career, and it feels more important than ever to have them around. Just from the lyrical content alone, the band is showing off the atrocities that happen in life, and we need that so much right now. Match that up with a Thrash Metal sound that feels equal parts Kreator, Nevermore, Strapping Young Lad, and Annihilator, and you have an album that feels satisfying to the ears to listen to time and time again. I will say that I know the production will not be for everyone, but if you hit the particular niche that this band hits, you will understand this and love it. It also helps that the likes of Steve Smyth, Chris Poland, Stu Block, and more add their touches to the music and make it even better. 10 songs, almost 50 minutes of devastating Thrash. Zepter- S/T FFO- Classic Heavy Metal Equal parts Thin Lizzy, Angel Witch, and Night Demon come the debut album from Austria’s Zepter. It somehow captures the mid-70s sound, the NWOBHM sound, and the current Revival Metal sound. While not coming close to reinventing the wheel, that is nowhere near the intent. This is beyond solid takes on the Classic Hard Rock, Classic Metal, and Speed Metal sounds, and creates a fusion that makes you remember why this sound is still prevalent to this day. The production feels like 1982 done in 2026, and the musicianship is tightened up from that early-day sound to be as accurate as needed. This is the revival sound we need in 2026. What I Missed Beheading Samsara- Black Cloud Masses FFO- Progressive Melodeath Sometimes a band will put out a 6-track album that is barely a half hour long, has an In Flames cover at the end, but those first 5 tracks hit you so ridiculously hard that you are left stunned every time you listen to it. That is what happens to me every time I put on the sophomore album from this Spanish band that has clearly put their thoughts, hearts, and souls into the music they are creating, and it has worked triumphantly. I should note that every original song on here is from the band’s very first demo back in 2018, but they have been reworked and re-recorded as a full album (according to Metallum), so I’m counting it as a demo is not an album. This is spectacular work that truly hits the 2026 definition of Progressive Melodeath. If you want a mix of bands like Persefone, early day In Flames, Opeth, and Rivers of Nihil, do yourself a favor and check out Beheading Samsara. I can’t wait to see what they do next. Converge- Love Is Not Enough FFO- 1st Wave Metalcore, Mathcore, Hardcore Punk I’ll keep this one as short and sweet as the album is. 10 tracks, barely 31 minutes long, and it’s pure Converge through and through. The first half of the album focuses on the most intense elements of the band, and the 2nd half sees the band explore more of their sound, yet somehow the entire album is consistent and is over before you even realize it. In fact, this is the shortest album from the band to date. It’s a crash course of the band from the earliest sounds to their most left-of-center and everything in between. If you ever wondered how 1st Wave Metalcore, Mathcore, Hardcore Punk, and Experimental sounds all mixed together, and you have never heard Converge, let this be your first taste. Nullingroots- Fourth Dimensional Dreamscape FFO- Post Black, Shoegaze At long last, after 6 years, comes the 6th album from this Arizona Post Black band that has put out some of the best material in the genre. It’s been a long and rough time without new music from the band, but was the wait worth it? Absolutely! This is easily some of the band’s best work from beginning to end, hitting some of the most optimistic highs and pessimistic lows the band has ever recorded. The music is filled with wonder, hitting so many different emotions and styles all under the gaze of Post Black. The production will not be for everyone as it is quite raw, but I dare say that the musicality on this one is so high that after a while, you won’t even notice the rawness of the production, and it will just fill everything with the right kind of atmosphere. This will also be a trek of an album as it is 6 songs and 53 minutes, so if you don’t like long songs, this may not be it for you; but if you just care about the quality of the songwriting, this is a magnificent and spectacular release in a time where the music truly hits hard. If you like your Post Black on the raw but refined side, check out Nullingroots. Story of the Year- A.R.S.O.N. FFO- Post Hardcore, Emo, Pop Punk After coming back stronger than ever with 2023’s Tear Me To Pieces, I had no idea what to expect with what will end up being their latest album. A.R.S.O.N feels like the polar opposite experience. It is much heavier in both the music, more screams, and especially the lyrical content. While there is a lot that is similar to their predecessor, like the same production team, several songs that have the Emo/Pop Punk sound that so many people fell in love with, etc, so much of the album is hitting their more raw, modern Post Hardcore approach. If Tear Me To Pieces is Page Avenue, A.R.S.O.N. is In The Wake of Determination. Wolfchant- Echoes of a Time Once Past FFO- Folk Metal It’s been 21 years since the debut album from this German Folk metal band, and with every album, they find a new way of being consistent yet never sounding the same. That continues here with their 9th album. Filled with some of the best riffs the band has ever created, mixed in with more genre-bending, and of course, the Folk elements that can never leave, and you have a Wolfchant that feels so appropriate for the 2020s, yet makes you long for the early 2000s when things were simpler. The production is the right balance of clear and humanized to make everything flow together. If you have that love of bands like Equilibrium, Thyrfing, Finsterforst, and Ensiferum, Wolfchant is required listening. Check this out now. And there you go, folks, another 14 albums down, 46 done in February so far, and 96 albums done in 2026 so far. I hope you found something cool here, and again, I apologize if the reviews were shorter than usual this time around. I’m hoping by this time next week, my broken tooth will be gone and I can be back to my fighting self for Out Today & What I Missed for February 27th, 2026. Until then, this is Josh Rundquist saying, Embrace The Skullet! - Josh Rundquist (Heavy Debriefings) 
Hey everybody, and welcome to another (a)rousing edition of Out Today & What I Missed, this time, for February 13th, 2026. Tomorrow is Valentine’s Day, and I might as well make this list as sexy as possible with 20 new albums to review, 12 that are out today, and 8 that I missed along the way. I’m doing 20 this week due to the sheer number of promos I received for this week and for the fact that I’m in such a bad state mentally that this is helping me cope. And since I’m out of sex puns and innuendos, let’s get into the rules and the list proper.
1.) Out Today & What I Missed is my weekly Friday recap of Out Today, my reviews of albums I got the promo for, and What I Missed, my reviews of any albums I either didn’t get the promo for and/or discovered on my own. I will try to do this every Friday that I’m capable of doing it, but I will admit, I will probably be taking more 1-week breaks than I ever have before. The music will be on the heavy end of things, but I cover anything from Pop Punk to Goth Rock to Progressive Metal to Funeral Doom to the most Experimental or avant-garde music in the Rock and Metal genres. 2.) My reviews should be treated like teaser trailers for movies or games. They will say the band name, the album, the FFO (For Fans Of) Section, and a short review that is a paragraph or less. Why do I do it like this? I don’t want the first time experience with a band to be ruined by my thoughts going into every single detail. I want to show off why you should check something out. Every review is subjective, no matter how anyone wants to spin it. Your thoughts won’t be mine, but I want to show you the option of what’s out there. 3.) NO NEGATIVE REVIEWS! We live in a terrible enough place as it is; I don’t want to add to the trash heap. If I don’t cover something, it is because I haven’t heard of it, and I will most likely go check it out; it's not out yet, I didn’t have time or energy to cover it in the current week, or it’s not my bag...baby. There’s no place for me to yuck on someone’s yum. That said, all my thoughts are mine and mine alone. No Label, PR, Band, or Friendship will make me pick something to positively review. I have to like it and listen to it at least one time through. That will never change. 4.) I will be doing fewer reviews this year, as doing 1,021 reviews last year broke me. That’s not to say I won’t still do up to 20 reviews in a week, just don’t expect that to be the norm week after week. If I only have promos, time, and energy for 15, 10, and 5 reviews in a week, that’s just how it will be. It’s a one-man operation, and the operation needs to think about longevity, not being prolific. All of this leads to Heavy Debriefings' Top 100 Albums of 2026, which will happen at the end of the year. 5.) If I find out after I review an album that an artist, band, or members of said band are garbage people, go against what I find to be even the lowest level of human decency, or use AI for their music, I will remove my review no questions asked. Does that apply to AI art? I don’t know how to answer that; it’ll be on a case-by-case basis. Either I will ignore the album completely, or I will mention how much I hate that they used AI before talking about the rest. I will see what happens. 6.) For another controversial take, I use Spotify to make a playlist every week of coverage with a track off every album to make it easier for people to check out some new music. Is Spotify a good company? No. Is any streaming company in North America good? No. You either avoid all of it or pick your poison, as all of them do terrible things and hurt everyone, and it’s also a necessary evil in today’s world if you want to make any kind of impact. I don’t judge you one way or the other for streaming or not streaming. I hope I can get the same level or tolerance in return. 7.) CHECK OUT SOME NEW MUSIC! OUT TODAY Ashbringer- Subglacial FFO- Post Black Metal The 5th album from this Minnesota band (actually, just one town over from me) is the band expanding upon their blend of False Black Metal. The band has always been known for pushing the boundaries with Progressive, Post, Folk, Blackgaze, and more into their Black Metal sound, and I’ve loved it since day one. With Subglacial, it feels like the band is going back into the harsher sounds they started with in the beginning, but not losing anything they’ve learned along the way. The production will be hit or miss for some people as it is quite raw, but every instrument is clear, and the songwriting is what is worth your attention. It feels like it brings everything I love about Agalloch, Amiensus, Together to the Stars, and Panopticon into one place, but done with a Southern Twin Cities Metro charm. I can’t say it enough, Minnesota has a phenomenal Black Metal scene here, and Ashbringer, while exploring so much more than its core sound, is an excellent example of it. I dare say this is their best album to date. Check it out for yourself. Bloodred- Colours Of Pain FFO- Blackened Death Metal The 4th album from this German Blackened Death Metal band is a visceral display of blending the genres and creating a dark and realistic look at life. Just from the album title alone, you can tell this is a personal album that hits the pain of the current world and dealing with it on an individual level. The music more than matches up to it, as well as no two songs sound alike, and they all feel like they explore something just a little different while being connected. All 8 tracks and 43 minutes of this album hit on so many levels, and if you like your Blackened Death Metal on the Melodeath/Viking/Early Day Amon Amarth side, Bloodred is for you. Defaced- Icon FFO- Death Metal, Black Metal, Grindcore The Swiss Death Metal band is back with their 3rd album, and it hits extremely hard. It’s that fantastic combination of the hard-hitting 90s Death Metal sound mixed in with the 90s Melodeath feeling like a combination of Morbid Angel, middle era At the Gates, and Abysmal Dawn. No track truly lets up on this one as it is filled to the brim with intensity, even when there is less instrumentation and a lesser tempo. Simply put, it’s 10 tracks of what makes Death Metal work to this day. Sometimes you can’t sell a Death Metal album better than that. Eye of Purgatory- Darkborne FFO- Old School Death Metal Edge of Sanity is reborn? Not quite, but it’s very, VERY, close. The 3rd album from this Swedish trio is everything you know and love about 90s Progressive Death Metal, from the songwriting to the production to the tones being produced. This is also the 2nd album as a full band with Jeramie Kling and Taylor Nordberg filling out the rhythm section. This is another album that I don’t need to sell too hard. If you love Opeth, early day In Flames, and ESPECIALLY Edge of Sanity, you need Eye of Purgatory. Greyhawk- Warriors of Greyhawk FFO- Power Metal, AOR, Epic Metal The 3rd album from this Seattle outfit is the classic Metal, Power Metal, and Epic Metal styles personified. 11 tracks and almost 50 minutes of the nostalgic sound in a Revival Metal package paying tribute to the legends of Judas Priest, Dio, and Hammerfall; all while falling in line with bands like Visigoth, Sumerlands, and Eternal Champion. While nothing here is reinventing the wheel, it doesn’t need to; it just needs to be undeniably solid, and Greyhawk may be the greatest shining example of it. This is sure to make any Revival Metal fan smile from ear to ear, and it’ll only take one listen to understand why. Hoaxed- Death Knocks FFO- Dark Hard Rock, Classic Metal The sophomore album from this Portland trio is such a killer album. Combining that dark and Occult Rock sound mixed with Hard Rock and Classic Heavy Metal to make for an album that can hit you from so many angles, but all of them feel right. Mixing a sound that reminds me of Ancient VVisdom meets Unto Others meets Tribulation meets Blood Ceremony. While the debut album was great, I love this direction for the band, and I hope they continue to explore it further. If you want your Hard Rock and Metal dark and captivating, Hoaxed is a band you need to recognize now. You’ll be so glad that you did. Malefic- Impermanence FFO- Blackened Death Thrash The debut album from this Atlanta Blackened Death Thrash band is an incredible experience that hits all the right elements of the style. Blending Black Metal, Thrash Metal, Death Metal, and out-of-this-world melodies and harmonies that tie everything together. Between the clear and punchy production style and songwriting that feels endlessly inspired, this feels like the mix of The Black Dahlia Murder, Carcass, and Old Man’s Child that the world needs right now. Making an album this strong at 9 tracks and under 40 minutes is such a cool thing to see, as they give you everything they have, and you still want to see what will come next. You don’t often find a brand new band of this quality. Check out what Malefic is all about. Ponte Del Diavolo- De Venom Natura FFO- Blackened Post Punk, Doom Metal Talk about a captivating album. The sophomore album from this Italian band more than lives up to the album title. This feels venomous in the way that it strikes between its darkest Black Metal moments, its catchy Post-Punk and Gothic tones, and the occasional Doom moment that roars at you as you lie on the ground from the impact. It’s such an odd combination on paper, but when you hear it executed, it makes all the sense in the world. The production is human, but still sounds crisp and clear, and the songwriting is impeccable and inspired in ways that will take you by surprise on the first listen. Imagine a mix of the latest album from Messa, but adding moments of latter-day Rotting Christ and Sisters of Mercy. That initial hit may shock you, but once you pay attention to the music, you will keep wanting more. This is what inspired music sounds like in 2026. Slaughterday- Dread Emperor FFO- OSDM This is OSDM at its most primal. The 5th album in 15 years from this German duo knocks the classic sound of late 80s, early 90s Death Metal out of the park. From the authentic production style to the music mixing it up between the pit-inducing riffs to the near Doom Metal elements to the classic sounds that’ll remind you of everything from Obituary to Autopsy to Grave to Entombed. 10 songs, almost 40 minutes, and not a second wasted. This is how that classic, straight-up, Old School Death Metal is meant to be played. Space of Variations- Poisoned Art FFO- Modern Metalcore When I interviewed this Ukrainian band back for their previous album, Imago, the world was in a very dark place, and 4 years later, it’s only gotten worse. Somehow, this band has gotten heavier and catchier at the same time. For every moment of modern clarity in the music or throwback sound to the 80s/90s music aesthetic, there will come a breakdown or monstrous riff that makes the band balance the melody and disharmony of life in every song. You will hear moments that remind you of modern bands, such as I Prevail and Elwood Stray. I also hear moments that hit as Killswitch Engage did for me 20 years ago. While I guarantee this will not be for everyone who normally checks out my lists, if you have an open mind when it comes to more mainstream genres, this is a band that is worthy of your attention. They are pushing the envelope in ways that need to be pushed, and it’s going to pay dividends in the long run. They keep getting bigger with every release and deserve they it. Temple Balls- S/T FFO- Melodic Rock, Melodic Metal, AOR Just to get it out of the way, the name will always make me laugh, no matter how many times I hear it. Now that we are past that, the 5th album in 9 years from this Finnish band is one of the reasons why I keep going back down the well of Melodic Rock, Metal, AOR, etc. Every time that you think a genre is getting stale or needs a change, a band like Temple Balls comes out and reminds you why you love the genre in the first place. Every song is endlessly catchy, but somehow, it never sounds the same. This is also sadly the last appearance of Niko Vuorela, who passed away just a few months ago from cancer. This is an excellent send-off to his work, and I truly hope the band will be able to keep going and become stronger than ever in the face of tragedy. But to put it simply, if you want a fun and thrilling look at one of the best genres of Rock and Metal, you need to check out Temple Balls. Worm- Necropalace FFO- Blackened Death Doom Right off the bat, Marty Friedman does a guest appearance on the track, Witchmoon: The Endless Masquerade, " and I never thought I would say that he would show up on a Blackened Death Doom album, but as you would expect, he nails it in every conceivable way. The 4th album from this North American band is everything that 90s Extreme Metal is all about, from the super raw production, but still clear and audible, to the songwriting, whether it is 14 minutes at its longest or over 7 minutes at its shortest, hits all the Blackened, Death, Doom, and experimental moments that are simply legendary. You hear everything from Blackbraid to Hooded Menace to Emperor to Cradle of Filth here, and that’s still not as random and as quirky as the album gets (just check out the album cover, I mean, come on). This is the kind of album that is either a grandiose masterpiece or a complete hodgepodge in sound, depending on your ears. I am of the former, and I can’t get enough of it. Let Worm slither into you. What I Missed Before I Turn- Immoral and Malevolent Happenings FFO- Progressive Metalcore, Deathcore, Post Hardcore 5 albums into this New England band’s career, and they have made one of the most haunting and horror-infused Metalcore albums I’ve ever heard. Dripping in atmosphere, punishing in its riffs and breakdowns, and just the right amount of cleans to make the music feel even more tragic, this is the kind of album that feels like a film score when you close your eyes and fills you with dread with every passing second. You don’t often get this kind of theme when the music feels like a sense of Currents, The Contortionist, Periphery, Shadow of Intent, and the horror soundtracks of Danny Elfman. I can’t guarantee everyone will like this, but if the idea of this intrigues you in the slightest, you need to see what this band is all about and what will surely come in the future. Who knew that saving the Progressive Metalcore and Deathcore styles would simply be honing in on the true horror it can represent? Crystal Sun- The Trace You Left FFO- Death Metal The first and final album featuring Ale Moz, who started off the project as a studio project that became a tribute to him, with everyone who joined the band guesting on the album, and his legacy with the money for the album going towards Cancer research. The music is layered in Death Metal, but there are so many moments of Thrash, Melodeath, NWOBHM, and more to make this so much bigger than simply a Death Metal album. With so many guest appearances that I can’t list them all here, it helps make this album even more varied and even more of a thrill ride from beginning to end. This is an incredible tribute to the legacy Ale Moz left on his peers and the scene he was a part of, all while showing the rest of the world what he was capable of until his last recorded moments. Will this be the only album from Crystal Sun? I hope not, as I think it would be so cool to see where else this project could go in the future while praising its creator, but even if this is it, this is an album that won’t easily be forgotten and is sure to leave a lasting impression on you. May we find an end to cancer one day? Evoked Eclipse- The Cries of Evil FFO- Blackened Melodeath, Gothic Metal The debut album from this Italian one-man band is some of the most haunting and devastating music of this style I may have ever heard. For every moment that goes into the more extreme end of things, it’s balanced out with a Gothic overtone that rips you apart emotionally and doesn’t let up. It feels like when you mix Dissection and Naglfar with equal parts Swallow The Sun and early day Katatonia. Intentional or not, with the week I have had, this album brought tears to my eyes in a cathartic way that I truly needed. Put all that together with a production that feels like any 2000s masterpiece of this style and songwriting that feels truly from the heart, and you have an album that will bring as much enjoyment as it does devastation. All of that in only 8 tracks and 33 minutes is no easy thing to achieve. Give this one a proper listen and prepare to be floored. Ivory Moon- The Silent Ruins of Mars FFO- Epic Symphonic Metal The 5th album in 22 years from Italian band hits the perfect elements of Epic Symphonic Metal, and it makes for such heavy, catchy, and triumphant music. Mixing the symphonics of Nightwish, the power of Living Tales, and the technical ability of Pyramaze is such a cool thing to experience. It’s a bit of a lengthy album, coming in at 13 tracks and over 55 minutes, but if this is your bag, the album does fly by and warrants instant replays. The production on this one his so hard, and the songwriting feels like it’s done to the best of their ability and leaving very little fluff in the process. If you want to hear the past, present, and future of what Epic Symphonic Metal is in 2026, check out what Ivory Moon brings to the table. Karnivool- In Verses FFO- Progressive Metal, Alternative Metal I did not imagine Karnivool coming back, especially after having 13 years in between albums, but the Australian band has made their 4th album more than a worthy comeback. The band that helped shape what Alternative Progressive Metal can be and influenced countless bands in the Prog world is as they are strong as ever, showing that there is so much gas left in the machine. With their incredible production style that lets you hear every single note and gives every note purpose in their songwriting, the band has taken the nearly past decade and a half and are playing to their strength and still giving us the surprises that are more than worthy of the trip. If you are new to the band but want to hear how bands like TesseracT, Caligula’s Horse, VOLA, and Ihlo helped get their inspiration, check out Karnivool and how Alternative Progressive Metal still leaves a huge impact in 2026. Meteora- Darkest Light FFO- Symphonic Metal The 5th album in 9 years from this Hungarian Symphonic Metal band is easily the band’s best work to date. Feeling like an even stronger version of bands like Epica and MaYaN and giving nods to bands like Ancient Settlers and Neopera, Meteora takes what works best in this style of Symphonic Metal and gives you everything from the heaviest to the more extreme to the most majestic and beautiful moments you can get in the genre. This is another longer release at 13 songs and 63 minutes of music, which I know turns off some, but I have zero problem with. Every second recorded here is filled with purpose and fills you with wonder. Meteora should be heralded from the rooftops, and I hope one day they will be considered one of the best in the genre, like Epica, but until then, they are that band that deserves your attention to get them to that level. Night of the Vampire- The Enchanting Winds of the Dreamweaving Masquerade FFO- Black Metal, Post Punk, Synthwave The debut album from this Texas outfit is a combination of music I didn’t know I needed until I heard it. Mixing Black Metal, Post Punk, and 80s Synthwave feels like an unholy combination, and given the names and subject matter, that is correct, but it works miraculously in execution. Feeling like middle era Tribulation, Bathory, and Joy Division feels so wrong that it has to be right. The production is quite raw, but it adds to the vampiric nature of the music before you. And at 9 tracks and almost 34 minutes, this feels like the perfect example of what a debut offering should give you, and when it comes time to make that second bite, you will be entranced. This is such a killer release, and I can’t wait to see what comes next. Tailgunner- Midnight Blitz FFO- Revival Metal The sophomore album from this UK band takes the best elements of their debut album and doubles down on what worked best while adding new flavors and experiences into the music. Of course, the most hyped thing about this album is that KK Downing produced the album, but I would have been excited about this one even without his name attached. When I reviewed Guns for Hire back in 2023, I knew I was hearing something special. The band is showing what they are truly capable of here, and it is some of the best Revival Metal you will hear in 2026. If you love Judas Priest, Primal Fear, Enforcer, and Iron Maiden, Tailgunner is raising the flag high and is more than worthy of your attention. Give them the love they deserve. And there you go, folks, 20 more albums down, 32 done for February so far, and 82 albums in 2026 so far. Don’t get used to me doing 20 albums a week, every week; this is a one-off considering how many promos I got for today specifically. When you hopefully come back next week for Out Today & What I Missed for February 20th, 2026, the number will be more reasonable, and hopefully, I will be in a much better headspace. But until then, for Heavy Debriefings, this is Josh Rundquist saying, Embrace the Skullet! - Josh Rundquist (Heavy Debriefings) 
AmongRuins has been creating killer Melodeath since 2012 and in just a little under two week's time, the band returns with their 4th album, Advent of Chaos, out February 20th on Theogonia Records. The album goes through so many dynamics of super heavy moments, melodic sections, and a rich atmosphere dripped all over the music. I got to send out a few questions to Sverd, bassist and vocalist of AmongRuins to talk about everything you need to know about the band in 2026. Make sure to check out the video for the track, Red Divine down below the interview. Enjoy!
- Josh Rundquist (Heavy Debriefings) For anyone who is unfamiliar, describe AmongRuins. We are a melodic death metal band, based in Athens, Greece. We like to create music and lyrics out of personal feelings, moments in our lives and out of the need to criticize society and problems of humanity. We have been a live active band for many years and we are currently releasing our fourth full length album "Advent of Chaos". With the new album, Advent of Chaos, coming out on February 20th, how does it feel to be this close to the release of the new album? It is always a great feeling. You don't easily realize it on the first days because it feels like a dream after all the sacrifices, pressure and effort needed to complete a full-length album. But after the first storm has passed, you start feeling grateful and happy to see all the fans and friends enjoying what has been created out of the need to express all our feelings. We are always eager to see the opinion of the world and really live in those moments where everyone sends their comments and shows great support to the band. What was the writing process like for the new album? It was a smooth and easy process as always for us because we are very bonded and have consolidated our sound and direction after the success of our previous album "Land of the Black Sun." We tried to be a bit riskier, experimenting with compositions including more elements, but on the same time, working on even clearer and direct arrangements so that the songs were sounding compact and strong. For my personal contribution Ican say that I tried to create the songs starting from lyrics and then vocal lines which felt very refreshing and a very happy challenge for me. I noticed a great progression from 2023’s Land of the Black Sun, which is where I discovered the band. I can hear everything from the grander songwriting to the heightened production. Was this intentional or did it come naturally? It absolutely came naturally. Since we discovered our true path and calling, we knew that this was the direction and we gave an even greater importance to song writing, production, artwork and print quality. We knew how to create good songs for our genre and worked on the ways in which this can be delivered clearer and more directly and of course we always want to take the overall quality a step up with each album. Advent of Chaos brings in new drummer, Scott Naylor. How has the transition been? What have you noticed to be his biggest strengths he brings into AmongRuins? The transition was very easy. He already liked the band a lot and has been a listener of our previous material. We talked right on the verge when he also wanted to take his role in a band on a greater level, was ready to join a band that works harder and does shows and tours and he has been showing huge commitment since day one. He has a playing style and equipment that has been an upgrade for our band and he is a very cool and funny guy to work with. We are all very happy! As of writing this up, The title track and Red Divine have been released as singles. A fantastic look at the album without giving everything away. Was it a hard decision to decide which songs to be chosen as singles? Not at all. We decided those two have to be the first singles since day one of the pre-production process. The label agreed as well 100% so we knew we had the right feeling about those songs. You can get everything that is AmongRuins without giving away all the extra elements and novelties you will find from us on the new album. You can hear that we create the best songs in the vein of "Land of the black Sun" but there are still many things to be discovered in "Advent of Chaos." The video for Advent of Chaos was very cool to see. How did you decide on the video? The locations, the style, etc. I am very happy that you enjoyed it! The location was really hard to reach and even harder to find. But our director and good friend Dimitris Papadimitroulas knew about its existence since it was fairly close to his hometown and he always knew it but had never managed to work there. So, we said that this was the right time and go through every difficulty but it was 100% worth it. Is a beautiful place and also wild and aggressive and it really connected with the atmosphere of the song. And for Red Devine being a lyric video. How did the concept for the video come to be? This was a vision of our label Theogonia Records. They decided we need to give tastes of what's to come be building more and more, so the shortest and fast song had to be the first point of contact for the fans for the new album and they had the whole visualization themselves which found us totally agreeing with their vision. There were also a couple of great vocal guest appearances from Christianna of Elysion and George Prokopiou of Mother of Millions and Poem. Both so such a great job. How did you get them to be a part of the album? Both are great and old friends of ours and big supporters and fans of the band. It was very exciting to work with both of them because we could see that they were enjoying it from their hearts and gave their best to bring the perfect result for the songs. Christianna is my oldest friend and it was very special to work together in a song after all those years. George has turned into one of my best friends as well over the years. I have been recording my vocals there and he always does such a great job in producing my vocals and it was very easy to work on the new songs together and have him as a guest. As much as I enjoy everything about the album audibly, I love the album cover as well. How did that become the cover? We give total artistic freedom to Nikos Stavridakis of Vision Black. As we have done with our previous work. He is also one of my oldest and most trusted friends. I know that he will grasp the essence of the songs and feel everything necessary by reading the lyrics and listening to the music. He has done an astonishing job once again, wait until you see the inlay and the complete artwork of the digipack. It is absolutely stunning! After the release of Advent of Chaos, what are the plans for the band for the rest of 2026? We have already announced a gig in our home town and we are preparing for more shows within the year and another European tour in support of the new album. Did you have any favorite albums from 2025? Wardruna "Birna", Faun "Hex", Harakiri For The Sky "Scorched Earth", Paradise lost "Ascension", Heretoir "Solastalgia". Thank you very much, once again for taking the time to do this interview. I am loving the new album and can’t wait to show off my review of it on February 20th, the day of release. Before we are done, is there anything else that you would like to mention that I haven’t brought up yet? I will say again that I am very very happy that you enjoy the album. I hope all of our readers here grab a copy and fully enjoy themselves and hope to meet everyone on the road! 
Hey everybody, and welcome to another edition of Out Today & What I Missed, this time, for February 6th, 2026. The year continues to keep getting worse in the grand scheme of things, but there is one bright side in this darkness: the music coming out week after week. This week, I am scaling it back down a bit due to pure exhaustion, but I still have 12 albums lined up. 6 that are out today and 6 that I missed along the way. Since it is a shorter list this week, I tried to make it as varied as possible, and I hope I pulled that off. So let’s get into the rules and the list proper.
1.) Out Today & What I Missed is my weekly Friday recap of Out Today, my reviews of albums I got the promo for, and What I Missed, my reviews of any albums I either didn’t get the promo for and/or discovered on my own. I will try to do this every Friday that I’m capable of doing it, but I will admit, I will probably be taking more 1-week breaks than I ever have before. The music will be on the heavy end of things, but I cover anything from Pop Punk to Goth Rock to Progressive Metal to Funeral Doom to the most Experimental or avant-garde music in the Rock and Metal genres. 2.) My reviews should be treated like teaser trailers for movies or games. They will say the band name, the album, the FFO (For Fans Of) Section, and a short review that is a paragraph or less. Why do I do it like this? I don’t want the first time experience with a band to be ruined by my thoughts going into every single detail. I want to show off why you should check something out. Every review is subjective, no matter how anyone wants to spin it. Your thoughts won’t be mine, but I want to show you the option of what’s out there. 3.) NO NEGATIVE REVIEWS! We live in a terrible enough place as it is; I don’t want to add to the trash heap. If I don’t cover something, it is because I haven’t heard of it, and I will most likely go check it out; it's not out yet, I didn’t have time or energy to cover it in the current week, or it’s not my bag...baby. There’s no place for me to yuck on someone’s yum. That said, all my thoughts are mine and mine alone. No Label, PR, Band, or Friendship will make me pick something to positively review. I have to like it and listen to it at least one time through. That will never change. 4.) I will be doing fewer reviews this year, as doing 1,021 reviews last year broke me. That’s not to say I won’t still do up to 20 reviews in a week, just don’t expect that to be the norm week after week. If I only have promos, time, and energy for 15, 10, and 5 reviews in a week, that’s just how it will be. It’s a one-man operation, and the operation needs to think about longevity, not being prolific. All of this leads to Heavy Debriefings' Top 100 Albums of 2026, which will happen at the end of the year. 5.) If I find out after I review an album that an artist, band, or members of said band are garbage people, go against what I find to be even the lowest level of human decency, or use AI for their music, I will remove my review no questions asked. Does that apply to AI art? I don’t know how to answer that; it’ll be on a case-by-case basis. Either I will ignore the album completely, or I will mention how much I hate that they used AI before talking about the rest. I will see what happens. 6.) For another controversial take, I use Spotify to make a playlist every week of coverage with a track off every album to make it easier for people to check out some new music. Is Spotify a good company? No. Is any streaming company in North America good? No. You either avoid all of it or pick your poison, as all of them do terrible things and hurt everyone, and it’s also a necessary evil in today’s world if you want to make any kind of impact. I don’t judge you one way or the other for streaming or not streaming. I hope I can get the same level or tolerance in return. 7.) CHECK OUT SOME NEW MUSIC! OUT TODAY Agenbite Misery- Remorse of Conscience FFO- Experimental Blackened Sludge A very left-of-center debut comes into form from this New Hampshire band. A mix of Atmospheric Black Metal, Sludgy Doom Metal, and Avant-Garde twists and turns that will make you turn your head. The production on this one is raw, but not unlistenable, as everything does come through the mix. The songwriting explores so much in sound, reminding me of the sludgy side of a band like Primitive Man, the Blackened side of a band like the Minnesota band Suffering Hour, and moments of the Blut Aus Nord and Imperial Triumphant varieties. If you like your music to take you on an adventure you won’t see coming, you will find it within this debut from Agenbite Misery. All The Damn Vampires- Vicecore FFO- Dark Synthwave, Alternative Metal, AOR I am a bit torn on covering this one as 5 of the 12 tracks are covers, so it is close to being a re-imagined covers, but the music is so good on this one that I do not want to skip this one. The debut album from Davey Oberlin fuses Synthwave, Alternative Metal, AOR, and a cinematic landscape to create an album that feels like an 80s album made with a haunting sense of 2026. Imagine if someone made an episode of Miami Vice based on The Lost Boys or the band Magic Dance, taking a bit more Modern Metal influence, and you have Vicecore. The original tracks have a nostalgic flair, while the covers from artists like Phil Collins, Whitesnake, Cutting Crew, Benny Mardones, and Martika have the influences on point but updated just enough to make them all darker than the original intent. Overall, this is an album that hits hard on the throwbacks, but sinister enough to feel like the soundtrack to a movie that hasn’t been made yet, which would be really cool to be written one day. If you want a modern throwback, give All The Damn Vampires a shot; you just might get the trip as well. Induction- Love Kills! FFO- AOR, Melodic Metal, Power Metal The 3rd album from this fantastic band may be their best album to date. They have always found a way to be more than your typical catchy band while still hitting you with some of the catchiest hooks, melodies, and choruses possible. With this latest release, the band continues to push what is possible in a Symphonic, AOR, Melodic Metal sound in a Power Metal band that feels just as much at home with latter day Edguy as it would Gamma Ray or Sonata Arctica. It just hits all the right elements that you love, making you close your eyes, nod your head, and making you happy you are listening to this kind of music. The production is right where it needs to be, and the songwriting, as stated, is as catchy as possible while still hitting everything you’d want in this sound. This may not be the most groundbreaking Power Metal album ever made, but in 2026, it’s an album that will remind you why you love this sound so much, and it will give you infinite replayability. We need more of this in 2026. Lomor- Sabouk Rouge FFO- Thrash Metal This may be the first album that I ever covered that comes out of Reunion Island, and that is cool for me to be able to do. The sophomore album from this Thrash band is the kind of Thrash that made you a fan to begin with. Sounding like a mix of Slayer, early day Testament, and ESPECIALLY Kreator; this hits that 80s itch of sound, but updated for 2026, so it has an incredible production style and just enough of the fluff cut out for maximum impact. This is 11 tracks and almost 45 and a half minutes of what makes Thrash still exciting after all these decades. Whether it’s all guns blazing or slowed down enough for some variety, this is a band that knows how to write a song and have it stuck in your head. Thrash fans new and old need to check this one out immediately. Mayhem- Liturgy of Death FFO- Black Metal With a legacy as this Norwegian band has had over the past 40 years and counting, it’s hard to believe that they are only 7 albums deep into their career. Even more so, the fact that no two albums sound alike despite always sounding like Mayhem. With Liturgy of Death, the band explores more of what is possible with their sound. While still having that signature Black Metal sound, they are experimenting more with clean vocals, off-kilter songwriting, and, of course, feeling like evil is pouring right out of your speakers. While the band will never be everyone’s cup of tea, it’s a welcoming thing to see the band still pushing their songwriting ability and not resting on their laurels. It’s a hellacious 8-track, nearly 46-minute, ritual that is rewarding if you give it a full spin, proving why it’s not just their legacy as to why they are still here to this day. Paganizer- As Mankind Rots FFO- Death Metal Sweden’s Paganizer’s 14th album is layered in the Old School Swedish Death Metal sound that simply works since the late 80s and has never let up in momentum. It hits hard, the riffs are crushing (including the song Devoured, whose main riff sounds so similar to a riff one of my old bands had that we never got to put out, which to me is awesome), and it just feels so right. They’ve always had that Entombed, Grave, Dismember, etc sound, and that’s why I keep going back to the sound. Arguably, my favorite kind of straight-up Death Metal shines with a style that is all substance and just the slightest amount of flair. Mix that in with a classic production style, and I’m sold. If you need your fix of Swedish OSDM, you need to hear the latest from Paganizer. What I Missed Aftoktonia- Through Nebulae of the Empyrean Aether FFO- Atmospheric Black Metal, Ambient Black Metal The 3rd album in 4 months from this already prolific Norwegian one-man band is some magnificently made Black Metal that burns the soul. There are flares of mystical moments that remind me of a band like Labyrinthus Stellarum while still hitting a 2nd and 3rd Wave Black Metal edge, while hinting so closely to the DSBM side of things. Every release so far is either 4 songs a piece or one song separated into 4 movements, and this is no exception. It’s a long trip at almost 52 and a half minutes between 4 tracks, but if you enjoy a soundscape of hellish proportions, this is more than worthy of the experience. It feels cold, dark, barren, and oddly soothing all at once. If you don’t like long form Black metal, this will not be for you; for everyone else, this should be a mandatory listen. Every King Has A Clown- S/T FFO- Heavy Metal, Hard Rock, Classic Power Metal The debut album from this one-man US band is filled to the brim with too many guest performers to mention and still feels like a band that has been at it for decades. Hitting so much of what there is to love about that 80s-00s Heavy Metal sound, sometimes getting Proggy, sometimes getting more Power Metal, sometimes getting Doomy, sometimes just straight up Metal. It has a little bit of everything and none of the fluff. The production feels right where it should be, and no matter the genre shift, it feels like a chameleon, hitting everything that the style calls for, and it feels so satisfying to hear. If you want a loving tribute to some of the best classic genres of Metal, check out what this project has to offer. Exil- Karga FFO- Depressive Post Black, Post Punk The debut album from this French outfit is striking a chord with me in a way that feels indescribable in its accuracy. While I do not know the lyrical content due to not reading/speaking French, the melodies, harmonies, and screams are hitting me so hard and not letting up. I can hear elements of Amesoeurs in its style of Post Punk and Post Black, but with added elements of Amenra on the darker side, Unreqvited on the emotional side, and Ghost Bath with more consistent vocals. This is an 8-track, almost 36-minute assault to your senses and will leave you feeling cathartic and longing for better times. That is exactly what a good Post Black album brings to the table. It’s hard to believe this is just a debut album, as some bands of this style wish they could hit this much power in their 4th, 5th, or 6th album. It’ll leave you an emotional wreck, but this is mandatory listening for any Post Black fan. Fireborn- Dreamcatcher FFO- Melodic Metal, Classic Metal, Hard Rock The sophomore album from this German band feels like the perfect combination of new and old, formed to create something for every generation of Rock and Metal fans. Every song, no matter the tempo, feels like it was tailor-made to show off the best the genres have to offer, while still being as catchy and full of earworms as possible. Whether you are looking for Rainbow, Dokken, Doro, or even Alter Bridge, you will find something that grabs your attention and will not let go. The production hits so hard and doesn’t let up in momentum. Sometimes you just want a straight-up Hard Rock and Heavy Metal album, and in 2026 so far, you will find no better example of that than in Dreamcatcher by Fireborn. Queen Kona- LONG LIVE FFO- Progressive Metalcore The 4th album from this NYC band is the kind of Progressive Metalcore that grabs my attention. While it does have some Djent moments, it doesn’t rely on it, in favor of more of the mid to late 00s Metalcore sound that is more than just fretboard olympics and wanking. There’s real songwriting going on here, mixed in with vocal variety and thick atmosphere throughout the entire album. It feels like a mix of After the Burial, Bury Your Dead, and Unearth, and for someone who grew up on those bands in my pivotal teen years, that is a cool thing to see. Mix that in with a brutal yet clear production style, and you have an album that, between all 10 tracks and almost 39 minutes, is filled to the brim with peak performances and songs that hit so hard on record, and I’m sure hit even harder live. Give this one a proper listen, and you just may be won over as well. Sidious- Malefic Necropolis FFO- Black Metal While originally having more of a Symphonic Black Metal sound (and some of that is still here, even if not prominent), the 4th album from this UK band feels sinister in its triumphant Black Metal sound. With an exceptional production style that you just don’t hear often in this genre and songwriting that feels like it was crafted to perfection, this may be one of the best Black Metal albums that we get in 2026. It’s everything you expect from the genre, but just done...better. This is what the best 2nd or 3rd Wave Black Metal bands would sound like if they had better production. 9 songs, 35 and a half minutes of pure nihilism. And there you go, folks. 10 more albums down and a smaller list than I’m accustomed to, but it is much needed. I promised myself I would only do as many as I felt comfortable with week after week, and to be fair, this is still more than most people check out ina year, let alone a month, let alone a week. So I hope you found at least one album here you’ll dig, as this is such a diverse list this time around. Make sure to come back next week as we celebrate Valentine’s Day Eve with Out Today & What I Missed for February 13th, 2026. I hope it will be a bloody good time...sorry for the pun. Until next week, for Heavy Debriefings, this is Josh Rundquist saying, Embrace The Skullet! - Josh Rundquist (Heavy Debriefings) 
Hey everybody and welcome to the first compilation of 2026, everything I reviewed in January 2026. These are all 50 albums I covered back in January (sans the 2 December albums as they are not in contention for 2026 AOTY. It’s been quite the trek so far this year and with 10 full months to go, it’s only going to keep getting bigger and better. It’s been also quite the varied month with so many subgenres covered, there’s bound to be something here for you, just give it a try. Unlike previous years, I have everything in alphabetical order to make things less confusing. Now go and find some new music!
- Josh Rundquist (Heavy Debriefings) Archvile King- Aux heures désespérées FFO- Blackened Thrash Metal The sophomore album from this one-man French band is classic Blackened Thrash in all its glory. From the raw and atmospheric production to the songwriting that has zero fluff to it, this is 8 songs and almost 47 minutes of what made bands like Seth and Hellripper rise in infamy. While I can’t claim to understand the lyrics on this one, the passion behind the screams more than lets you know the pain and hell that is being unleashed before you. If you are looking for a Blackened Thrash album that feels straight out of 1996, Archvile King is more than delivering the goods. Beyond The Black- Break The Silence FFO- Modern Symphonic Metal, Melodic Metal Beyond the Black is a hard band to narrow down these days, starting more of a Symphonic Metal band, then becoming more of the Modern Metal sound; with their 6th album, it feels like they are capturing both sides of the band while adding a huge heap of Melodic Metal and Melodic Rock to balance everything out. It’s interesting to hear such heavy riffs at times, followed by passages that feel like they could be on Modern Rock radio. It feels like a paradox to say this is the band’s most ambitious, but also most mainstream album to date, but that is what’s going on here. The band is focusing on melodies, harmonies, and not being afraid to make the music they want to make. Add some guest spots from Lord of the Lost, Lovebites, and The Mystery of the Bulgarian Voices, and you have one of the most intriguing albums of this style for 2026. It’ll be interesting to see how bands of a similar flair will fly this year, but till then, if you want a band that is not afraid to take risks, check out Beyond The Black. Blue Mountain (SWE)- When Heaven Falls Down, and Hell Freezes Over FFO- AOR, Melodic Rock With an album title like that, you’d imagine maybe a Symphonic Power Metal album or an apocalyptic Black Metal album. No, you get some excellent quality AOR and Melodic Rock that soothes the soul every time you spin it. It has the classic 80s sound we all know and love, the catchy melodies and harmonies that become instant earworms, and those solos that just bring everything together. The production makes this feel like an album that came out in 1986, but updated enough for 2026. The songwriting hits so very hard and will stick with you, as any good AOR album should. At 10 songs and almost 44 minutes, this is the kind of album you put on and forget your troubles for just a little bit, and it looks like 2026 is going to be filled with moments where we need that. If you love that classic sound, Blue Mountain is delivering the goods. Carrion Vael- Slay Utterly FFO- Melodeath The 5th album from this Indiana band feels like it is coming out at an appropriate time. The world feels so turbulent, and having a soundtrack that feels like the world around you is quite the experience. The band has mastered its sound and continues to push the boundaries with every release. The genre-bending on this one is astounding and hits so many elements that feel death-defying, all while feeling natural at the same time. While this is very much a Melodeath album, you can hear so much Tech Death, Symphonic, Progressive, and almost Deathcore elements mixed together to make the music feel like a whirlwind, but a storm you want to be swept up in time and time again. If you enjoy the likes of The Black Dahlia Murder, Revocation, Summoning The Lich, and Allegaeon, Carrion Vael is a band you need to check out. Slay Utterly is a perfect starting point. Cold Night For Alligators- With All That’s Left FFO- Progressive Metal, Alternative Metal, Cinematic 4 albums into this band straight out of Denmark, and the band continues to push the boundaries of their sound and still make it as catchy as possible. With the latest album, the band blends heavy Prog elements, Alternative quirkiness, poppy sadboi elements, and an overall sense of cinematic that makes this album like no other. This feels like the soundtrack to a very dark and demented movie that has yet to be made (but really should go into production soon). While this may be a bit too left of center for some, for others, this is an album of the year worthy in every sense of the phrase. If you enjoy the likes of Vola, Earthside, Royal Sorrow, and yes, even the dreaded Sleep Token, give Cold Night for Alligators your proper attention. This is an album that should be heralded at the end of 2026 and beyond. Course Of Fate- Behind The Eclipse FFO- Progressive Metal The 3rd album and first time I’ve heard this Norwegian band hits a style of Progressive Metal that hits right at home. Taking the classic Prog Metal sound and updating it into a dark atmosphere with plenty of heavy moments and dynamic songwriting. Between the stellar production style and the articulate songwriting and musicianship, this is what fans of the genre should be going after. This can get as heavy as Opeth and Evergrey, as grand as Circus Maximus and Queensryche, and stands along with newer bands like Philosophobia, The Eternal, and Connect The Circle. 2026 seems to be a great year for bringing back the classic late 90s, early to mid 00s Prog Metal sound, and I am all here for it. This is a fantastic example of celebrating the past and pushing forward. Crystal Lake- The Weight of Sound FFO- Metalcore The 6th album in 24 years from this Japanese Metalcore band is pushing the boundaries of their sound, while delivering everything that you would expect from the band. No two songs on this one sound the same, and it expands upon their ongoing sound in both directions. When it gets heavy, it obliterates everything in its path with near Deathcore elements in its breakdowns and tones. When it gets lighter, there are some emotionally impactful moments that the band does like no other. This album also features guest appearances from Jesse Leach (Killswitch Engage), Karl Schubach (Misery Signals), David Simonich (Signs of the Swarm), Taylor Barber (Seven Hours after Violet), and Myke Terry (Fire from the Gods, Volumes). From those appearances alone, you can tell the diversity of sound going on. Overall, this is an album that strikes hard, but knows when to pull back for its emotional moments, showcasing what Metalcore in 2026 can truly all be about. Denominate- Restoration FFO- Progressive Death Metal The 3rd album, and first in 6 years from this Finnish band, is that style of Progressive Death Metal that I needed right now. Being able to mix together a super heavy sound that would make Obscura and Carcass fans happy, mix in Progressive moments that will shiver down your spine if you enjoy Ne Obliviscaris and Edge of Sanity, and enough of their own blends to create an album that pushes the envelope of what Progressive Death Metal can be in 2026. It never goes too far into any one direction and never loses its path. It expands enough to explore what is possible and always finds a way to bring it home, even if in unexpected ways. The production is that perfect balance of clear but human, and that is needed to make this album effective. As mentioned, I needed an album like this that can destroy everything in its way, all while having melodies and harmonies that will ring in your head for days on end. I don’t envy any other Progressive Death Metal band putting out an album this year, as Denominate is the standard-bearer this time, and it will not be an easy task to beat this one. Absolutely stellar! Destroy Them- Threshold of Apocalypse FFO- Thrash Metal To anyone concerned that Thrash Metal will not continue into younger generations, they need to calm down after hearing Destroy Them. The debut album from this German outfit is a phenomenal display of the classic German Thrash Metal sound, but without twists and turns to make the music a true evolution of sound. Of course, you will obviously hear some Kreator influences, but you will also hear bands like Warbringer, Clear Sky Nailbomb, and The Crown done in a way that feels genuine and feels so good to listen to over and over again. The production feels top-notch, and the songwriting is inspired and feels fresh. If you need a Thrash album that feels like a punch to the face, you will be hard-pressed to find another band to do it quite like Destroy Them. Dymytry Paradox- Born from Chaos FFO- Modern Metal, Groove Metal, Industrial 3 albums into this band out of the Czech Republic is a band that I randomly discovered on YouTube last year for the Heavy Debriefings Podcast, and I was left intrigued, but also trying to figure out what I was listening to after hearing the first track off of this album. After sitting down with the album, it is all starting to click with me, and it truly works as long as you dig the sound. It sounds super catchy while still having the right amount of heavy moments to balance everything out. Feeling like a whirlwind of bands like Takida, Machine Head, and Amaranthe (try wrapping your head around those comparisons), you have a dark, but uplifting album that feels so appropriate for the world that we live in. If you’re not too tr00 and kvlt, this one could be for you. Elbereth’s Grace- Where Silence Speaks FFO- Symphonic Metal, Folk Metal, Modern Metal This is a spinoff of the band Black Jade, focusing more on the Symphonic, Folk, Modern, and Power Metal side of the sound and keeping just enough of the extreme end to keep things exciting. Layered in fantasy and Tolkien themes, the album feels like an adventure that is worth taking, from the soaring highs to the devastating lows. The songs hit hard from pillar to post and are done with an authenticity that you simply can’t fake. While many bands of this style are focusing on being the most mainstream sound possible, this is a band that can blend Stream of Passion, Lake of Tears, and early-day Epica to make a band that is putting other bands of the genre to shame. This is what bands should strive to achieve in this style, and if this catches on, it has every chance of being a standard-bearer for the genre for a long time to come. Seriously, check this one out. Ellende- Zerfall FFO- Post Black, Blackgaze, Atmospheric Black Metal The latest album from this Austrian tearjerker of a band is one that is a true punch to the soul, but it is also a needed one that is filled with just the right kind of optimism. Don’t get me wrong, this is an album of misery, questioning life, and the world we live in, but in that there is this sense of feeling less alone as we are all suffering, and that kind of message can be inspiring and make you want to continue. You don’t always get that in a genre that is known for the meaninglessness of life and feeling like giving up on everything. While I don’t understand the lyrics, the way they are sung comes off so gorgeous and is filled with a style of authenticity that you simply can’t fake. Match that with some of the best Post Black that you can imagine, and you have one of the best albums of the style of the year. I know this came out on January 2nd, and it’s much too early to say that, but once you hear this album, you’ll understand why I would say that. If you love the likes of Harakiri for the Sky, Heretoir, and Alcest, you need to check out Ellende and everything they have to offer. Elwood Stray- Descending FFO- Metalcore, Post Hardcore Elwood Stray showcases both sides of their Metalcore and Post Hardcore elements with ease on their sophomore album and expands upon both the heavy and melodic moments. The band doubles down on what worked best with their debut album and strays from the path just slightly to incorporate some new elements that pushes the band’s sound, but never losing what has been winning over fans. The riffs are infinitely catchy, the choruses are as sing-along as possible, and when it gets heavy, the pits they will cause in the live setting will be huge. This is easy for anyone who enjoys the likes of Annisokay, Dead Eyes, Awake the Dreamer, and Bad Omens. Metalcore is off to a great start in 2026, and albums like Descending from Elwood Stray are going to be the mainstays of the year. Emotional Fire- Rising FFO- AOR, Melodic Rock The debut album from this classic-sounding AOR and Melodic Rock band is everything you’d expect at this point. The songwriting is simple, but it hits just hard enough. The vocals soar and feel heartfelt, the aesthetic is the right kind of cheesy to make you smile from ear to ear, and let’s not forget those melodic solos that can sucker in even the most diehard of technical fans and make you appreciate the power of an '80s guitar solo. As usual with this style, you know what you’re getting into, but once you put it on, you will want to listen from start to finish. This is an 11-track, almost 43-minute escape from reality that all of us need. Take the trip, check out Emotional Fire. Enshine- Elevation FFO- Melodic Death Doom The 3rd album and first in 11 years from this French/Swedish band hits that Melodic Death Doom sound in a way that destroys the soul, but leaves you wanting more. The perfect example of how to mesh these genres together depressingly and authentically. Of course, when you have Sebastien Pierre of Fractal Gates and Jari Lindholm, formerly of Slumber, how could you not have that rich, gorgeous, and devastating blend? The music has melodies and harmonies that soar through the ages with just enough of the darkness to tie everything together. Matched in an otherworldly production style, and you have an album that is meant for those who truly want to get lost in Melodic Death Doom. This is going to be a hard album to top for the style this year, but I am awaiting every band of the style to try to topple it. This is such a phenomenal display of the haunting beauty of Melodic Death Doom. Exxûl- Sealed Into None FFO- Epic Doom Metal, Epic Heavy Metal, Epic Power Metal A band that is simply...epic. The debut album from this Canadian band is a welcome treat for those who love the 80s epic sound but want it updated for 2026. Feeling like an unholy mix of Candlemass, Crimson Glory, Crypt Sermon, and early day Fates Warning is a combination I never would have expected, but I am falling in love every time I put this one on. The Production feels like pure 1986 in every conceivable way, and the songwriting hits the Power, Progressive, Doom, and Classic Metal sides with such ease and finesse; I would be shocked if this band doesn’t explode into the stratosphere this year. This hits everything you love and none of the fluff. To say this is a contender for Album of the Year for me is a complete understatement. It’s everything I loved rolled into one, and I can’t wait to follow what they do in the future. For My Demons- Tristesse FFO- Progressive Dark Metal 3 albums into the career of this Italian Progressive Dark Metal band, and they have written a magnificent album from start to finish with Tristesse. Hitting so many elements of Progressive, Dark, Gothic, and other elements to create a sound that borders between Rock and Metal but never loses its somber touch in the process. This is an easy sell for anyone who enjoys the likes of Katatonia, Riverside, Soen, and The Moor. If you want an album that will grab your soul and not let go for 7 songs and over 42 minutes, check out what For My Demons has to offer. For My Pain...- Buried Blue FFO- Gothic Metal They say that you have your whole life to make your first album and 18 months to make your second. Sometimes, that sophomore album takes 23 years. I can say with pure certainty that this was more than worth the wait. This Finnish band captures everything you love about the late 90s-early 00s Goth sound without any of the fluff and pure hooks from beginning to end. OF course, when your lineup consists of past and present members of Eternal Tears of Sorrow, Andromeda, Barbarianz, and Poisonblack, you are going to get a band that knows how to write dark, catchy songs that will be stuck in your head for days on end. At 11 tracks and 51 minutes long, this feels like the return to Finnish Goth that the world needs now, and in an ever-growing darkened world, it simply matches the mood. Whether you need a nostalgia trip or you want to hear how this style needs to be done in 2026, Buried Blue is going to be one of the finest examples of what has made the genre work for decades now. It won’t take much to understand why. Fuath- III FFO- Atmospheric Black Metal After an excruciating 5-year wait, Fuath is back with their 3rd album. The one-man band from Andy of Saor is the dark, raw, melancholic Atmospheric Black Metal side of his writing compared to the crisp, clean, gorgeous music that Saor has become. While you can definitely hear similarities to both bands, Fuath is the band you go to when you need the most melancholic and disdainful display of Black Metal. Between all 4 tracks, you will get almost 43 minutes of the darkness that not only surrounds winter, but life in general. This is not the album for you if you are in a good mood; this is for when you are at a low point in life, and you want someone else to scream about the realities of life, and honestly, who couldn’t need that right now? The production is, of course, raw, but not unlistenable, which can be such a fine line, especially in Black Metal. If you need an album that can channel Wolves in the Throne Room, Wodensthrone, and early day Saor into a devastating piece of Atmospheric Black Metal, look no further than Fuath. Genus Ordinis Dei- The Land East of Eden FFO- Symphonic Melodeath, Groove Metal, Metalcore 5 albums into this Italian band’s career, and they have put out an album that I simply wouldn’t have expected. Combining so many catchy elements into one band that knows when to lure you in and when to suckerpunch you with authority is not an easy thing to achieve, but they have pulled that off. They even got the almighty Roy Kahn to show up on a track, which is a welcome thing to see. Musically, imagine the Reroute to Remain era of In Flames, Amon Amarth, Lamb of God, and Orbit Culture. I know that sounds like a strange mix of sounds, but if you were there in the early 00s in Metal, it makes all the sense in the world. This takes so many twists and turns and makes for a musical experience you won’t soon forget. This is a killer album that is worth your time. Glamour of the Kill- Vengeance FFO- Melodic Metalcore, Post Hardcore The 3rd album and first in 12 years from this British band is the 00s band that takes the best of the era and modernizes it just enough for 2026. This takes the sound of Avenged Sevenfold, Killswitch Engage, and ESPECIALLY early day Bullet for My Valentine and remade it for the modern day. The production feels like The Poison by BFMV, and the songwriting feels excelled and inspired in a way that no matter your love of catchy Metal, you will find something to appreciate. It's Melodic Metalcore, it’s Hard Rock, it's Modern Metal, and those nods to NWOBHM all rolled into one that is either the nostalgia trip you need or that sound that will never be for you. Neither is wrong, but Vengeance is more than worthy of a spin to show what the early 00s sound has impacted in the modern day. To me, it’s a great thing. Greywind- Severed Heart City FFO- Pop Punk, Emo, Alternative Rock 2 albums into this Irish Duo's career, and they have created an Emo side that I don't naturally gravitate toward, but I can't get enough of with Severed Heart City. The album is about Trauma and looking for a way to get past it all, which, knowing my backstory, is probably why I am connecting to it so much. The songs are layered in Pop, Emo, Pop Punk, and Electronic moments that feel like they should be tailor-made for Modern Rock FM radio, and maybe one day that will make that huge impact they deserve. The production is so slick and polished, and it makes the music and especially the lyrics stand out in a way that feels like a gut punch to anyone who has empathy in their soul (and can appreciate the music). If you enjoy My Chemical Romance, Taking Back Sunday, and True North, give Greywind your proper attention. The Hirsch Effekt- Der Brauch FFO- Progressive Metal, Mathcore, Art Rock Easily the most diverse album to date from this German outfit in the form of their 7th album. It’s not often you’ll find a band that can channel SikTh, dredg, BTBAM, and The Dillinger Escape Plan, but that’s exactly what is going on here. For every moment of bombastic chaos, it is balanced with hauntingly beautiful melodies and harmonies, and it feels even and appropriate. The production is clean and slick, with the songwriting taking left turn after left turn, making you excited to see where the music goes next. This won’t be for everyone, but for those who want their Prog and Mathcore on the experimental side, this is an album that is more than worthy of their time. This is a genre-pushing album for those who dare to check it out. HyperioN- Cybergenesis FFO- Classic Heavy Metal The 3rd album from this Italian Heavy Metal outfit is bringing the classic sound into 2026 in the best of ways. It hits that itch of what makes Classic Heavy Metal work, but updates it just enough to make it feel like it was made in today’s age. With a production style that feels authentic and songwriting that knows when to trim the fat and when to expand as needed, this is what more bands of the style should strive to achieve. For anyone who enjoys the classic NWOBHM sound mixed in with 80s Thrash and Speed Metal, HyperioN is required listening. Iridium- HELL IS JUST A HALFWAY HOUSE FFO- Modern Metal, Metalcore, Alternative Metal The debut album from this London band is Modern metalcore dripping in atmosphere, introspection, and a look at society at large. From the gripping screams to the soul-draining cleans, the vocals and lyrics hit hard and build a catharsis that needs to be built. The music hits everything from the 2020s Metalcore sound to Atmospheric Post Rock elements to deep and heavy breakdowns that make this a diverse and captivating album from start to finish. The production is right where it should be, and the overall album is not an easy listen, but a needed one. If you enjoyed the LEAVE. album from last year and want something heavier out of it, that is, Iridium in a nutshell. If you fit into this niche of genres, this is an album that you will be spinning all year round. Juodvarnis- Tėkmės FFO- Progressive Black Metal The 3rd album from this Lithuanian band is some of the best Progressive Black Metal I’ve heard in quite some time. It combines both sides of the genre equation in the best of ways and feels equally balanced. Mixed in with an authentic production style and songwriting that couldn’t feel more inspired, this is a band that should be on anyone’s radar if you enjoy the likes of Enslaved, Borknagar, In Vain, and the proggier era of Moonsorrow. At 7 songs and 42 minutes, this is the lean, mean Progressive Black Metal that we truly need. Incredible work. Kosmos- L'Astre De La Désirance FFO- Atmospheric Black Metal The 7th album from this one-man French outfit and my first experience of the music is an otherworldly feel that hits both on the mysteries of the universe and the frailty of being alone. With a bleak production style and songwriting that grips you, this is a 5 track, 38-minute exploration of the idea of longing for something or someone who is no longer here, and the concept is hit expertly. Hitting this mix of early day Alcest, middle era Opeth, and the occasional Blut Aus Nord nod, this is an album that can capture Atmospheric Black Metal, the occasional Death Metal, and Avant Garde moments to make a unique listen, but one that is universally relatable. Kreator- Krushers Of The World FFO- Thrash Metal The 16th album from one of the most legendary names in Thrash is easily some of the band’s best work, and that is no easy thing to achieve. The band has always found a way to never repeat themselves but still sound exactly like Kreator time and time again. This time around, the band focuses on creating a grand atmosphere that covers the best elements of the band, but surrounded by such killer melodies, harmonies, and, when called for, symphonics to make this one of the most bombastic albums of the band’s career. They hit everything a die-hard fan would want while being accessible to anyone checking them out for the first time. The production on this one is off the charts and pulverizes you, while the songwriting is so crushing, yet dignified. There is a reason why Kreator has been blasting in your eardrums for 41 years now, and they have taken that time to improve and maintain their legacy. This is a masterclass on how to make Thrash Metal stand out while never losing yourself in the process. Come December, this will be recognized as one of the best Thrash Metal, if not Metal albums of 2026. Lone Wanderer- Exequiae FFO- Funeral Doom 3 albums into the career of this German Funeral Doom band, and while I can’t imagine it was intentional, this feels way too appropriate for 2026 so far. It’s a deep, dark, depressing album that hits everything you expect from the genre and still finds a way to hit you in ways that you don’t expect as well. The production is fantastic, and the songwriting grips your soul and drags you down into the grave. I also didn’t realize that 3/4ths of the band is in the Revival Metal band, Kerrigan, so I have to give extra props for showing off their diversity in songwriting as well. Overall, this is a masterclass of Funeral Doom that is not meant for the faint of heart, but feels so appropriate for everyone and anyone struggling right now. This is catharsis in a 72 and a half minute husk. Mariana’s Rest- The Bereaved FFO- Melodic Death Doom Mariana’s Rest has been on my radar since their 3rd album, 2021’s Fata Morgana, and hasn’t left my side since. Now with their 5th album, the band is continuing to explore their blend of Melodic Death Doom, with nods to other elements of Melodeath and near Funeral Doom sequences to make one of the most depressing and cathartic listens of 2026. Much like the title implies, this is an album of mourning, retrospective, and the inevitability of having to move on, and there isn’t anyone alive who hasn’t had to experience something similar. If you love the genre, this is required listening; if you are not familiar with it, go in with caution, especially if you are having a good day, as this one will drag you down, but at the same time, these emotions are needed. If you enjoy the likes of Insomnium, Swallow The Sun, My Dying Bride, and Enshine, Mariana’s Rest has released another tearjerker that is more than worthy of your time. Melodic Death Doom perfection. MØL- Dreamcrush FFO- Progressive Post Black The 3rd album from this Post Black out of Denmark is an album that more than lives up to its album title. This feels like the epitome of what it sounds like when all your hopes and dreams are crushed into oblivion, and in 2026, that seems to be more of a reality than ever before. While there are moments that can feel happy, hopeful, and joyous, it also balances everything out with some of the darkest Post Black laid to record to date. It takes both the good and bad of having hopes and dreams and puts them into reality, and that reality is more often than not...bleak. The production on this one is some of the best you’ll hear in the genre, and it makes me so happy to see that Nuclear Blast sees the power of the band and picked them up. This is an album of beauty and pain, and if that doesn’t describe life, what else possibly could? If you enjoy Deafheaven, Numenorean, and Gaerea; MØL is required listening. New Miserable Experience- Gild The Lily FFO- Alternative Synth Rock When you have past and present members of bands like Revocation, Rivers of Nihil, and Rosetta, your first thought is not that they would be making dark Alternative Synth Rock, but that is what happens with the 3rd album of this now full-fledged band. You can tell everyone a part of this album knows how to play their role in the music, as it feels crafted in a way that doesn’t feel like a side project or something to do in your free time. The music comes first on this one, and whether they are channeling their early-day Nine Inch Nails love, placing Mellotron to make Opeth and Porcupine Tree fans happy, or making sad music for the Radiohead and Jeff Buckley variety, this is a varied album with every song fitting like a glove. This won’t be for everyone checking out my lists, but if you can appreciate anything from 80s Synth Rock to 90s Alternative Rock, there will be something here for you. Take a break from the heaviness of metal and give New Miserable Experience a fair listen. Orchid Throne- Buried in Black FFO- Melodic Doom Metal The debut album from Nicholas Bonsanto is coming out at the right time. Early January is filled with dread, introspection, and questioning what life is all about. All of those themes and more are explored here in a Melodic Doom Metal style that rips out your soul, makes you feel seen, or both. For me, it’s, of course, both. You can feel the pain in this album from its lyrical content, the way it’s sung/screamed, and the musical tones that this style brings. I guess it’s hard to be objective with this style as it is one of my favorite genres, but this is the kind of album I needed, and it only gets better with every repeat listen. It gets as deep and as heavy as all of the heavy hitters of the style from Swallow The Sun, Woods of Ypres, and Novembers Doom but with a melodic sense that you get from bands like early day Anathema and Draconian that makes the music take you on an unexpected trip of the senses as you try to figure out what the point of life even is? 2026 is starting amazingly well for Melodic Death Doom, just listen to Orchid Throne to give you a taste of what’s to come. Our Mirage- Fractured Minds FFO- Modern Metal, Alternative Metal, Post Hardcore My first taste of this German band comes in the form of their 4th album, and it’s a shining example of the Modern Metal sound in 2026. The band can get into super heavy territory and balance it out with gorgeous melodies and harmonies of mainstream that seem to be the sealing deal or the dealbreaker, depending on your tastes in music. To me, the great thing about music is showcasing what you love to play, no matter the tones that come out in the process. The Production is the crystal clear style that you’d imagine for this genre, and the songwriting is so full of heart, no matter the emotion that feels appropriate, no matter your state of mind. For those who enjoy the likes of Elwood Stray, Annisokay, and Dead Eyes, Our Mirage is your new favorite band of 2026. Ov Sulfur- Endless FFO- Symphonic Blackened Deathcore The long-awaited sophomore album from this Las Vegas band is something I have been waiting for since their debut, The Burden ov Faith, back in 2023. Arguably, my favorite band in the Symphonic Deathcore realm has lost no momentum in songwriting and, if anything, has found a way to find what works best for the band and double down on it. The symphonic elements hit even harder, the crushing breakdowns hit at just the right spots, and the Blackened atmosphere of it all makes the album stand out among the crowd. The production on this one is brutal, and you can hear every note as intended, and with music this intricate, that’s essential. Imagine a mix of Lorna Shore, Mental Cruelty, and Dimmu Borgir, and you have what will be one of the best Symphonic Blackened Deathcore albums of the year, bar none. Polaris Experience- Drifting Through Voids FFO- Progressive Thrash Metal What a thrilling album. Combining the best elements of Thrash Metal, Progressive Metal, and just straight up Heavy Metal in what feels like an unholy mix of Voivod, Vektor, and Cynic. When the album gets fast and heavy, it truly gets fast and heavy, feeling like it’s slingshotting you across the universe. When it slows down just enough, it allows you to enjoy the beautiful view set all around you. While the production value is pure 90s Progressive Death Metal, it still feels rich and clear. At 10 tracks and nearly an hour long, this won’t be everyone’s cup of tea, but if you need the Sci-fi Progressive Thrash Metal that needs to reign supreme, I argue, who could possibly top Polaris Experience in 2026? The Protomen- Act III: This City Made Us FFO- Rock Opera, Progressive Rock An album we have been waiting on since 2009 is finally here, and it’s everything I wanted it to be. Granted, every song has been out since the beginning of December 2025, but it’s officially out today, and I wanted every excuse to talk about this as a 2026 album, so I’ll take it. The Protomen is a hard band to describe without going into the futuristic folklore that it rightfully deserves to be talked about, but this is a blurb. So, in short (and missing out on a lot), imagine a mix of Meat Loaf, Queen, Styx, Coheed & Cambria, and Queensryche created a band that is focused on themes of antifascism, destroying the hierarchy, and Mega Man (amongst so much more, the lore is deep). While it’s only January, this does feel like the comeback album of the year and one I have been waiting on for 17 years. This is simply how you continue a long-standing Rock Opera shining through the darkness. No matter your style of Rock, Punk, Metal, Prog, Pop, etc, you will find something you love about this one; it has it all, and the more you listen, the more it all comes together. Is it too early to say this will be in my Top 100 at the end of the year? Probably, but I can’t imagine this not being there. It’s simply that good. Rave in Fire- Square One FFO- Heavy Metal The sophomore album from this Spanish Heavy Metal band just hits the soul in the right ways. While the subject matter of the lyrics is quite dark, the music will put a smile on your face with its classic, yet modernized, sound. For being a DIY produced album, this feels like an album that any band in the 80s would have dreamed to have at their disposal. Between all 9 tracks, you’ll hear the Revival Metal sound mixed in with Melodic Metal, AOR, and even hints of Prog for good measure. It’s just an album that you can kick back or throw your fist in the air while listening to it. If you want a mix of Scorpions, Dio, Cauldron, and Warlock, Rave in Fire is here and ready to take flight. Give them a proper listen. The Ruins of Beverast- Tempelschlaf FFO- Blackened Atmospheric Doom Metal 7 albums into this one-man German band’s run, and it’s quite the trip. With a raw and almost unsettling production style mixed with a...raw and almost unsettling songwriting style, the band continues to showcase what can be done when you mix Doom, Black Metal, Atmosphere, and Goth Rock all into one. It’s strange to hear Blut Aus Nord, Ellende, Triptykon, and Type O Negative all in one album, but when you listen to it, those band comparisons feel apt. This is an album that you need to go into with some caution, as this is an album that you will not see coming in its twists and turns, but if you want your music experimental and almost familiar, this is something you need to check out and experience for yourself. Servitude- Smoke & Mirrors FFO- Progressive Metal The debut album from this Swedish Progressive Metal band is one that connects the classic 90s sound and mixes it with the mid 00s Prog sound in a hard-hitting mix of Symphony X and Opeth, with newer bands like Lost Sanctuary and Walls of Babylon. The production feels like a 00s Prog album, and that is a great thing. The songwriting knows when to get proggy, when to get heavy, and when to write for the song, which is not always the case in this style. This is a fantastic approach to Prog and feels like a great first album to check out if you’ve never heard the style before, but want to see how it has influenced bands in the current day. Everything to love about Progressive Metal is here between all 8 songs and almost 57 minutes of music. Palatable and will be stuck in your head for days. It reminds me of when I fell in love with the genre almost 25 years ago. Soen- Reliance FFO- Progressive Metal 7 albums into this Swedish Prog Metal band’s career, and they continue to evolve their sound with every release. With Reliance, the vocals hit the hardest they have ever hit, the music has become less proggy over time and has a fine balance of prog and mainstream appeal, and the production is simply flawless. Every song on this one is an earworm; whether it gets heavier, proggier, or more somber, it will live rent-free in your head. The band refines and improves, and I could easily make the argument that this is their finest album to date. They have found their sound, embraced it, and continue to show what can be done with it. This is the kind of Prog Metal that speaks to me in 2026, and I’m so happy Soen is doing it with such authenticity. If you need a mix of Leprous, Katatonia, and Riverside, check out Soen in all their glory. Soulbound- sYn FFO- Industrial, Gothic Metal, Alternative Metal The 3rd album from this German band is my first foray into the band, and it will definitely not be the last. Mixing Lord of the Lost, Gothminister, Cvlt ov The Sun, and even Powerwolf together to great and unholy but captivating sound is an incredible thing to experience, and it feels so appropriate. Every song is an earworm matched up with authentic production style and the right amount of real and tongue-in-cheek lyrics (I love how Not Metal Enough takes down gatekeepers). Overall, this is an album that will be stuck in your head for days on end, and when it’s gone, you’ll want to spin it again. This is how to take a familiar sound and make it your own. Symphony of Sweden- Stand My Ground FFO- Melodic Rock, Pop Metal, Symphonic Rock The 4th album from this Swedish band is some of the catchiest music I’ve heard in this style since I discovered Takida. Everything is crafted to be as catchy as possible, with just the right amount of Pop, Rock, Metal, and, when needed, Symphonic elements to make this an album that feels like a variety show for anyone who enjoys those styles to find something to appreciate. No song goes past the 3:11 mark, so it’s 12 songs and 35 minutes of all killer, no filler. Sometimes you just need an album that lets the music do the talking. It will make you nod your head and appreciate everything on display. Do you really need anything more? Textures- Genotype FFO- Progressive Metal, Modern Metal The Dutch Prog Metal band has returned from a bit of a hiatus and has put out an album that feels rejuvenated and embarks on a new chapter for the band. The band was always known as one of the first bands to push the Progressive Metalcore/Djent sound, being heavily inspired by Meshuggah and other bands, but after some soul searching, the band feels like they are born anew with a still proggy sound, but exploring more of the melodies, harmonies, and dare I say, mainstream sound with Genotype. While the album still goes all over the place, Textures feels like they are more at home now with bands like The Contortionist, Leprous, and The Ocean, and in all honesty, after many repeated listens, this was the right call to make. Rather than feeling like they had to retread water, they are exploring what is possible with still having hints of the past in an album that will easily win over new fans and while I can understand if longtime fans didn’t want an album like this, just give it a proper spin or two, it will start to click with you if you give it time. Sometimes you have to Reroute to Remain, and it would have been easy to come back and just write an album that feels like a nostalgia trip. Textures are forging a new path, and I am all here for it. Give it time, and it will work for you as well. Total Annihilation- Mountains of Madness FFO- Death Thrash The 4th album from this Swiss powerhouse is the textbook definition of how Death Thrash should be accomplished. From the blitz of speed to the aggression behind the vocals to the overall assault, this is everything I love in the genre done to perfection. It’s heavy and makes you think. Feeling like a mix of Sodom, Exodus, and Vader is a hard thing to achieve while making it your own, but that is on full display here. 11 tracks and almost 42 minutes of pure, unadulterated Death Thrash. This is simply how it’s done. Upiór- Forefathers' Eve (Redemption) FFO- Symphonic Blackened Death Metal The sophomore album and first in a two-part album *with Forefathers’ Eve (Damnation) coming out April 3rd* is the sonic blast of Symphonic Blackened Death Metal that we need right now. It combines the brutality that Fleshgod Apocalypse set the standard for, while adding elements of Carach Angren, Dimmu Borgir, and Cradle of Filth into its grandiose sound to make for an album that feels like a symphony from the depths of hell. If you don’t like segue-way tracks, this could be a dealbreaker, as there are several on this one, but I’ve never been one to have an issue with it. It’s a nice break from the storm. Overall, Upiór has every chance of making the best Symphonic Blackened Death Metal double album of the year, and it was smart to separate them into two parts to give you the first course now and the next one in a couple of months to leave you wanting more in the process. This is absolutely spectacular, and if you love this genre, you’ll have to agree. Urne- Setting Fire to the Sky FFO- Progressive Sludge Metal Seeing the evolution of Urne since I interviewed the band for their debut album is nothing short of mesmerizing. In just 5 years, they went from an Opeth and Nevermore-inspired album with Serpent & Spirit, to a dark Gojira-inspired album about dementia and Alzheimer’s with A Feast of Sorrow, to another evolution with Setting Fire To The Sky. Feeling like a mix of Mastodon, Trivium, Gojira, and, of course, their previous material, Urne has put out another dark and refreshing take on society, grief, and abstract themes to make for an album that is an auditory sensation, even if it is a bleak one. The production is spectacular, and of course, that is going to happen when Justin Hill of SikTh is producing. This is a cathartic album that may help you weather any storm that this year has to offer, and this is a year where we need to take any help that we can get. Valiant Sentinel- Neverealm FFO- Heavy Power Metal The sophomore album from this Greek band channels their love of Heavy Power Metal and creates an album that strikes hard with every pounding moment. The production on this one is mesmerizing in all of the right ways, with the songwriting knowing when to go full force and when to let the melodies and harmonies shine. Feeling like a grand mix of Blind Guardian and Rage, making for a style that still hits as hard in 1996 as it does in 2026. Sometimes you just want an album that rips your face off from beginning to end, and that’s what Valiant Sentinel accomplishes with Neverealm. If you want HEAVY Power Metal, check this one out now! Vesseles- Home FFO- Symphonic Black Metal The debut album from this Santa Clara, California band is the left-of-center Symphonic Black Metal that should make anyone who enjoys Carach Angren, Sigh, and early day Cradle of Filth very happy. The debut brings a finesse in its off-kilter and Avant Garde style of Symphonic Black Metal that feels authentic, soul-draining, and very depressing. Add in the right kinds of cinematic and genre-bending moments, and you have an album that is so far from your typical, run-of-the-mill style album and one that holds your attention from beginning to end. With a production style that hits hard but feels real, you have an album that, if they catch on, Vesseles will become one of the biggest bands in the genre in due time. All you have to do is check it out for yourself. Walls of Babylon- Aeons Apart FFO- Progressive Power Metal The 4th album in 11 years from this Italian Progressive Power Metal band has created an album that is filled to the brim with what makes this genre work. Whether the band goes all guns blazing, focuses on the catchiest choruses possible, or shows off just enough of their chops, the band knows how to write for the style and for the music at hand. The production is stellar and makes every song sing, while the songwriting takes you all over the universe of the genre without breaking the boundaries. This is easy for anyone who needs their fix of bands like Helloween, Stratovarius, Skull Revenge, and Lost Sanctuary. It’s the kind of music that will make you smile from ear to ear in a time when we need every smile we can get. 
Hey everybody, and welcome to the final OT&WIM for January with our look at the week of January 30th, 2026. This week, we have 7 albums out today and 10 that I missed along the way, bringing a total of 50 albums released in 2026 so far that I have covered. It’s been a grueling month for so many reasons, but the music has helped me get through it all. Let’s finish off this month right by getting into the rules and then the list proper.
1.) Out Today & What I Missed is my weekly Friday recap of Out Today, my reviews of albums I got the promo for, and What I Missed, my reviews of any albums I either didn’t get the promo for and/or discovered on my own. I will try to do this every Friday that I’m capable of doing it, but I will admit, I will probably be taking more 1-week breaks than I ever have before. The music will be on the heavy end of things, but I cover anything from Pop Punk to Goth Rock to Progressive Metal to Funeral Doom to the most Experimental or avant-garde music in the Rock and Metal genres. 2.) My reviews should be treated like teaser trailers for movies or games. They will say the band name, the album, the FFO (For Fans Of) Section, and a short review that is a paragraph or less. Why do I do it like this? I don’t want the first time experience with a band to be ruined by my thoughts going into every single detail. I want to show off why you should check something out. Every review is subjective, no matter how anyone wants to spin it. Your thoughts won’t be mine, but I want to show you the option of what’s out there. 3.) NO NEGATIVE REVIEWS! We live in a terrible enough place as it is; I don’t want to add to the trash heap. If I don’t cover something, it is because I haven’t heard of it, and I will most likely go check it out; it's not out yet, I didn’t have time or energy to cover it in the current week, or it’s not my bag...baby. There’s no place for me to yuck on someone’s yum. That said, all my thoughts are mine and mine alone. No Label, PR, Band, or Friendship will make me pick something to positively review. I have to like it and listen to it at least one time through. That will never change. 4.) I will be doing fewer reviews this year, as doing 1,021 reviews last year broke me. That’s not to say I won’t still do up to 20 reviews in a week, just don’t expect that to be the norm week after week. If I only have promos, time, and energy for 15, 10, and 5 reviews in a week, that’s just how it will be. It’s a one-man operation, and the operation needs to think about longevity, not being prolific. All of this leads to Heavy Debriefings' Top 100 Albums of 2026, which will happen at the end of the year. 5.) If I find out after I review an album that an artist, band, or members of said band are garbage people, go against what I find to be even the lowest level of human decency, or use AI for their music, I will remove my review no questions asked. Does that apply to AI art? I don’t know how to answer that; it’ll be on a case-by-case basis. Either I will ignore the album completely, or I will mention how much I hate that they used AI before talking about the rest. I will see what happens. 6.) For another controversial take, I use Spotify to make a playlist every week of coverage with a track off every album to make it easier for people to check out some new music. Is Spotify a good company? No. Is any streaming company in North America good? No. You either avoid all of it or pick your poison, as all of them do terrible things and hurt everyone, and it’s also a necessary evil in today’s world if you want to make any kind of impact. I don’t judge you one way or the other for streaming or not streaming. I hope I can get the same level or tolerance in return. 7.) CHECK OUT SOME NEW MUSIC! OUT TODAY Course Of Fate- Behind The Eclipse FFO- Progressive Metal The 3rd album and first time I’ve heard this Norwegian band hits a style of Progressive Metal that hits right at home. Taking the classic Prog Metal sound and updating it into a dark atmosphere with plenty of heavy moments and dynamic songwriting. Between the stellar production style and the articulate songwriting and musicianship, this is what fans of the genre should be going after. This can get as heavy as Opeth and Evergrey, as grand as Circus Maximus and Queensryche, and stands along with newer bands like Philosophobia, The Eternal, and Connect The Circle. 2026 seems to be a great year for bringing back the classic late 90s, early to mid 00s Prog Metal sound, and I am all here for it. This is a fantastic example of celebrating the past and pushing forward. The Hirsch Effekt- Der Brauch FFO- Progressive Metal, Mathcore, Art Rock Easily the most diverse album to date from this German outfit in the form of their 7th album. It’s not often you’ll find a band that can channel SikTh, dredg, BTBAM, and The Dillinger Escape Plan, but that’s exactly what is going on here. For every moment of bombastic chaos, it is balanced with hauntingly beautiful melodies and harmonies, and it feels even and appropriate. The production is clean and slick, with the songwriting taking left turn after left turn, making you excited to see where the music goes next. This won’t be for everyone, but for those who want their Prog and Mathcore on the experimental side, this is an album that is more than worthy of their time. This is a genre-pushing album for those who dare to check it out. Lone Wanderer- Exequiae FFO- Funeral Doom 3 albums into the career of this German Funeral Doom band, and while I can’t imagine it was intentional, this feels way too appropriate for 2026 so far. It’s a deep, dark, depressing album that hits everything you expect from the genre and still finds a way to hit you in ways that you don’t expect as well. The production is fantastic, and the songwriting grips your soul and drags you down into the grave. I also didn’t realize that 3/4ths of the band is in the Revival Metal band, Kerrigan, so I have to give extra props for showing off their diversity in songwriting as well. Overall, this is a masterclass of Funeral Doom that is not meant for the faint of heart, but feels so appropriate for everyone and anyone struggling right now. This is catharsis in a 72 and a half minute husk. MØL- Dreamcrush FFO- Progressive Post Black The 3rd album from this Post Black out of Denmark is an album that more than lives up to its album title. This feels like the epitome of what it sounds like when all your hopes and dreams are crushed into oblivion, and in 2026, that seems to be more of a reality than ever before. While there are moments that can feel happy, hopeful, and joyous, it also balances everything out with some of the darkest Post Black laid to record to date. It takes both the good and bad of having hopes and dreams and puts them into reality, and that reality is more often than not...bleak. The production on this one is some of the best you’ll hear in the genre, and it makes me so happy to see that Nuclear Blast sees the power of the band and picked them up. This is an album of beauty and pain, and if that doesn’t describe life, what else possibly could? If you enjoy Deafheaven, Numenorean, and Gaerea; MØL is required listening. Our Mirage- Fractured Minds FFO- Modern Metal, Alternative Metal, Post Hardcore My first taste of this German band comes in the form of their 4th album, and it’s a shining example of the Modern Metal sound in 2026. The band can get into super heavy territory and balance it out with gorgeous melodies and harmonies of mainstream that seem to be the sealing deal or the dealbreaker, depending on your tastes in music. To me, the great thing about music is showcasing what you love to play, no matter the tones that come out in the process. The Production is the crystal clear style that you’d imagine for this genre, and the songwriting is so full of heart, no matter the emotion that feels appropriate, no matter your state of mind. For those who enjoy the likes of Elwood Stray, Annisokay, and Dead Eyes, Our Mirage is your new favorite band of 2026. Rave in Fire- Square One FFO- Heavy Metal The sophomore album from this Spanish Heavy Metal band just hits the soul in the right ways. While the subject matter of the lyrics is quite dark, the music will put a smile on your face with its classic, yet modernized, sound. For being a DIY produced album, this feels like an album that any band in the 80s would have dreamed to have at their disposal. Between all 9 tracks, you’ll hear the Revival Metal sound mixed in with Melodic Metal, AOR, and even hints of Prog for good measure. It’s just an album that you can kick back or throw your fist in the air while listening to it. If you want a mix of Scorpions, Dio, Cauldron, and Warlock, Rave in Fire is here and ready to take flight. Give them a proper listen. Urne- Setting Fire to the Sky FFO- Progressive Sludge Metal Seeing the evolution of Urne since I interviewed the band for their debut album is nothing short of mesmerizing. In just 5 years, they went from an Opeth and Nevermore-inspired album with Serpent & Spirit, to a dark Gojira-inspired album about dementia and Alzheimer’s with A Feast of Sorrow, to another evolution with Setting Fire To The Sky. Feeling like a mix of Mastodon, Trivium, Gojira, and, of course, their previous material, Urne has put out another dark and refreshing take on society, grief, and abstract themes to make for an album that is an auditory sensation, even if it is a bleak one. The production is spectacular, and of course, that is going to happen when Justin Hill of SikTh is producing. This is a cathartic album that may help you weather any storm that this year has to offer, and this is a year where we need to take any help that we can get. WHAT I MISSED Archvile King- Aux heures désespérées FFO- Blackened Thrash Metal The sophomore album from this one-man French band is classic Blackened Thrash in all its glory. From the raw and atmospheric production to the songwriting that has zero fluff to it, this is 8 songs and almost 47 minutes of what made bands like Seth and Hellripper rise in infamy. While I can’t claim to understand the lyrics on this one, the passion behind the screams more than lets you know the pain and hell that is being unleashed before you. If you are looking for a Blackened Thrash album that feels straight out of 1996, Archvile King is more than delivering the goods. Emotional Fire- Rising FFO- AOR, Melodic Rock The debut album from this classic-sounding AOR and Melodic Rock band is everything you’d expect at this point. The songwriting is simple, but it hits just hard enough. The vocals soar and feel heartfelt, the aesthetic is the right kind of cheesy to make you smile from ear to ear, and let’s not forget those melodic solos that can sucker in even the most diehard of technical fans and make you appreciate the power of an '80s guitar solo. As usual with this style, you know what you’re getting into, but once you put it on, you will want to listen from start to finish. This is an 11-track, almost 43-minute escape from reality that all of us need. Take the trip, check out Emotional Fire. Genus Ordinis Dei- The Land East of Eden FFO- Symphonic Melodeath, Groove Metal, Metalcore 5 albums into this Italian band’s career, and they have put out an album that I simply wouldn’t have expected. Combining so many catchy elements into one band that knows when to lure you in and when to suckerpunch you with authority is not an easy thing to achieve, but they have pulled that off. They even got the almighty Roy Kahn to show up on a track, which is a welcome thing to see. Musically, imagine the Reroute to Remain era of In Flames, Amon Amarth, Lamb of God, and Orbit Culture. I know that sounds like a strange mix of sounds, but if you were there in the early 00s in Metal, it makes all the sense in the world. This takes so many twists and turns and makes for a musical experience you won’t soon forget. This is a killer album that is worth your time. Glamour of the Kill- Vengeance FFO- Melodic Metalcore, Post Hardcore The 3rd album and first in 12 years from this British band is the 00s band that takes the best of the era and modernizes it just enough for 2026. This takes the sound of Avenged Sevenfold, Killswitch Engage, and ESPECIALLY early day Bullet for My Valentine and remade it for the modern day. The production feels like The Poison by BFMV, and the songwriting feels excelled and inspired in a way that no matter your love of catchy Metal, you will find something to appreciate. It's Melodic Metalcore, it’s Hard Rock, it's Modern Metal, and those nods to NWOBHM all rolled into one that is either the nostalgia trip you need or that sound that will never be for you. Neither is wrong, but Vengeance is more than worthy of a spin to show what the early 00s sound has impacted in the modern day. To me, it’s a great thing. Iridium- HELL IS JUST A HALFWAY HOUSE FFO- Modern Metal, Metalcore, Alternative Metal The debut album from this London band is Modern metalcore dripping in atmosphere, introspection, and a look at society at large. From the gripping screams to the soul-draining cleans, the vocals and lyrics hit hard and build a catharsis that needs to be built. The music hits everything from the 2020s Metalcore sound to Atmospheric Post Rock elements to deep and heavy breakdowns that make this a diverse and captivating album from start to finish. The production is right where it should be, and the overall album is not an easy listen, but a needed one. If you enjoyed the LEAVE. album from last year and want something heavier out of it, that is, Iridium in a nutshell. If you fit into this niche of genres, this is an album that you will be spinning all year round. Juodvarnis- Tėkmės FFO- Progressive Black Metal The 3rd album from this Lithuanian band is some of the best Progressive Black Metal I’ve heard in quite some time. It combines both sides of the genre equation in the best of ways and feels equally balanced. Mixed in with an authentic production style and songwriting that couldn’t feel more inspired, this is a band that should be on anyone’s radar if you enjoy the likes of Enslaved, Borknagar, In Vain, and the proggier era of Moonsorrow. At 7 songs and 42 minutes, this is the lean, mean Progressive Black Metal that we truly need. Incredible work. The Ruins of Beverast- Tempelschlaf FFO- Blackened Atmospheric Doom Metal 7 albums into this one-man German band’s run, and it’s quite the trip. With a raw and almost unsettling production style mixed with a...raw and almost unsettling songwriting style, the band continues to showcase what can be done when you mix Doom, Black Metal, Atmosphere, and Goth Rock all into one. It’s strange to hear Blut Aus Nord, Ellende, Triptykon, and Type O Negative all in one album, but when you listen to it, those band comparisons feel apt. This is an album that you need to go into with some caution, as this is an album that you will not see coming in its twists and turns, but if you want your music experimental and almost familiar, this is something you need to check out and experience for yourself. Soulbound- sYn FFO- Industrial, Gothic Metal, Alternative Metal The 3rd album from this German band is my first foray into the band, and it will definitely not be the last. Mixing Lord of the Lost, Gothminister, Cvlt ov The Sun, and even Powerwolf together to great and unholy but captivating sound is an incredible thing to experience, and it feels so appropriate. Every song is an earworm matched up with authentic production style and the right amount of real and tongue-in-cheek lyrics (I love how Not Metal Enough takes down gatekeepers). Overall, this is an album that will be stuck in your head for days on end, and when it’s gone, you’ll want to spin it again. This is how to take a familiar sound and make it your own. Symphony of Sweden- Stand My Ground FFO- Melodic Rock, Pop Metal, Symphonic Rock The 4th album from this Swedish band is some of the catchiest music I’ve heard in this style since I discovered Takida. Everything is crafted to be as catchy as possible, with just the right amount of Pop, Rock, Metal, and, when needed, Symphonic elements to make this an album that feels like a variety show for anyone who enjoys those styles to find something to appreciate. No song goes past the 3:11 mark, so it’s 12 songs and 35 minutes of all killer, no filler. Sometimes you just need an album that lets the music do the talking. It will make you nod your head and appreciate everything on display. Do you really need anything more? Total Annihilation- Mountains of Madness FFO- Death Thrash The 4th album from this Swiss powerhouse is the textbook definition of how Death Thrash should be accomplished. From the blitz of speed to the aggression behind the vocals to the overall assault, this is everything I love in the genre done to perfection. It’s heavy and makes you think. Feeling like a mix of Sodom, Exodus, and Vader is a hard thing to achieve while making it your own, but that is on full display here. 11 tracks and almost 42 minutes of pure, unadulterated Death Thrash. This is simply how it’s done. And there you go, folks, another 17 albums down and 50 albums from 2026 done so far. I hope you found something you dig as well as need something right now. I will be doing my monthly recap on February 1st, but make sure to come back Feb 6th for the next edition of Out Today & What I Missed. Until then, for Heavy Debriefings, this is Josh Rundquist saying, Embrace The Skullet! - Josh Rundquist (Heavy Debriefings) |
